Post by Darcelia Darkwell on Feb 5, 2022 3:00:40 GMT
Season 2, Episode 13, Episode number: 36
UNDERWORLD.DEMONIC WASTELAND.DAY
[Evok and Arika are stuck in the demonic wasteland inside a cage. They finally wake up.]
Evok: Man. This again?
Arika: I know right. Remember what happened?
Evok: Yea. I think so. Saw a huge dark red fog and then it consumed me. And then now. I'm here.
Arika: Same thing happened to me. I was shimmering back home and got hit by it. And ended up here too.
Evok: I assume this is the same type of cage that limits our powers.
Arika: Don't know. Let me try shimmering out.
[Arika tries to SHIMMER out but it just rebounds landing her back in the cage.]
Evok: Yes. The same.
Arika: There has to be a way to get out of the cage.
Evok: I studied about the demonic wasteland before. It's a place that can't be tracked.
Arika: Dang it. Then how are we going to get out of here?
[Korz, a demon, with features of spiky black hair and a white and black demonic face, jumps on the cage and slices up the edges with a blade and then pulls off top of it off. He then steps aside.]
Evok: Who are you?
Arika: Yea.
Korz: Just someone to save you.
Evok: Why?
Arika: Yea.
Korz: For my daughter. You're a friend of hers. Aren't you. Arika.
[Korz changes back to his human form, Elias Darkmore, a tall black hair man with just a white tank top and jeans. Arika recognizes him.]
Arika: You're Kalia's father. Only seen you in pictures.
Elias: Yes I am. And.Hello. Nice to finally meet you in person. Besides it's time for you two get out of here. Powers should be okay now. The cage is gone.
[Elias' voice now seem more humane, tame, and not as rough as before.]
Arika: Come with us. Kalia really misses you. And her mom blames her for your death.
Elias: That's a shame. I'm meant to be here. To save demons who do not deserve to be here.
Arika: Okay. How about a message?
Elias: Tell my kids. I love them. And tell my wife. To stop blaming Kalia. It wasn't her fault. Things happen. I made the choice. To sacrifice myself for my daughter.
Arika: Okay. Thanks Mr. Darkmore.
Elias: It's no problem. Now go. You two.
Evok: Alright.
[Arika and Evok SHIMMER out. Elias walks away.]
[CUT TO]
SEWER BASE.DAY
[Chadwick and Billie are still fast asleep. Prue couldn't sleep much and is now awake.]
Prue: Man. What am I going to do? To help Tamora and Eloise find out they are the one for each other. Besides my romantic life sucks. I can't... I need help.
Billie: Help with what?
[Prue turns around.]
Prue: Aaah! Don't scare me like that. Billie. And how long have you been standing here?
Billie: Only a few minutes ago. Just to catch that part. You're really up early. Huh?
Prue: Yea. Couldn't sleep. I have a big task to do. You know.
Billie: You know I'm here to help. As I said.
Prue: Yea I know. But what if you get hurt? You still have a family. And I don't.
Billie: You do too. Once this is all over.
Prue: I don't think it's the best time. To reveal myself.
Billie: Then what will be the best time.
Prue: I don't know. Just not now.
Billie: Prue. Don't underestimate yourself. After all, you're the great Prudence Halliwell.
Prue: Yea. Was great till I died.
Billie: Things happen for a reason. We can't help it.
Prue: Yea I guess. But I still haven't figured anything out.
Billie: You can do this. Think. What could cause someone to realize that they are in love with someone?
[Prue starts to think. Hard. She then realizes something.]
Prue: Oh my gosh. When Andy... That's it.
Billie: Andy what?
Prue: Andy sacrificed himself to save me. And my family. It proved that he really loved me.
Billie: So we need one of them to get hurt enough. To realize the love.
Prue: Not Eloise. She can't heal.
Billie: Right. But how. Nothing can get in or out.
Prue: We have a way. The werewolf. He can enter. But we have to be careful. Can't have who is in charge of this cursed city find out our plans.
Billie: Yea. Once Chadwick wakes up, we'll go over the plan with him.
Prue: I'm going to rest a bit.
Billie: That's great. Need to keep up your energy.
[Prue heads back to her sleeping bag and sleeps. Billie sits and wait.
[OPENING CREDITS]
CITY OF SANTA ANA.DAY
[Aerial shots of the city, fast paced.]
[CUT TO]
DARKMORE MANSION.DAY
[It is a wide mansion. There are three cars, in front. It is of a lavender color.]
[CUT TO]
DARKMORE MANSION.DAY
Evok and Arika have just explained to Kalia and Artemis what [happened to them and how they cannot get into the regular underworld and also into the city of San Francisco.]
Kalia: Wow. Seriously?
Artemis: This is very strange.
Evok: The root of it is the Dark Red Fog that Arika and I saw before we got teleported to the demonic wasteland.
Kalia: And then was saved by my father.
Arika: Yes.
[Briella Darkmore, a eighteen year old girl, ORBS in with Gabrielle Darkmore, a women looking to be in her early 50s.]
Briella: Come on. Mom. You two have to make... Oh. You have guests.
Kalia (joyful tone): Hi Briella.
Kalia (disappointed tone): Mom.
Kalia: Yea I do. Sis.
Gabrielle: Briella. I told you. I don't want to talk with her.
Briella: Mom. Sis. I'm tired of being pulled between the two of you. Make up. Already. You know it hurts me.
Gabrielle: Your sister hurt me too. If it wasn't for her, I wouldn't have lost my husband.
Briella: Stop blaming her. Mom. You know dad. He chose to. Made the decision.
Gabrielle: Your dad wouldn't have to if Kalia wasn't always putting us in danger.
Briella: Jeez. Mom. We're part witches. We're always going to be at the risk of danger.
[Evok sees this is going nowhere and uses his voice manipulation powers.]
Evok: Enough! Stop!
[He then pauses.]
Evok (cont'd): You all are family. There's no need to fight.
Gabrielle: But...
Evok: But nothing. Elias gave us a message after my daughter and me.
Briella/Gabrielle: He did?
Evok: Yes. Elias gave me the message of not putting the blame Kalia. Anymore. He wants all of you to be a family.
Gabrielle: You're just saying that.
[Elias then appears through in astral form.]
Elias: Honey. He's saying the truth. I don't have enough power to stay in this realm. Please. Forgive her.
Gabrielle: Elias.
Elias: Gabrielle. Please. After all, it's just the three of you. Now. Also. Kalia went through a lot of back then. It's best to move on from this. Honey.
[Gabrielle tries to hug Elias and she just goes through him.]
Gabrielle: I missed you. So much.
Elias: I do too. But this was meant to be. All I want is for the three of you to be family again. Okay.
Gabrielle: I understand. Kalia did went through a lot before. Feeling so alone. Thinking her only family is dead.
Elias: Yea. She did. That's why all should be forgive. And no one should be flamed. Especially her. I made that choice. To sacrifice myself to protect you three.
Gabrielle: You didn't have to. We all need you.
Elias: I know. But wanted to. All for the greater good. My love.
Gabrielle: Maybe we can find a way for you to come back. Be a true family again.
Elias: No. Things were meant to be. And I love you all. Gabrielle. Girls. Keep on fighting. For the greater good. And think of me always.
Gabrielle: I will.
Kalia/Briella: We will.
[Elias fades away. Kalia and Gabrielle then turn to face each other. They break into tears.]
Gabrielle: I'm sorry. Kalia. My dearest daughter. It's just...
Kalia: I know. Mom. I missed you...
Gabrielle: I do too. And I'm so sorry. For not loving you the way I wanted. It was hard. For me especially.
Kalia: I know. Mom.
Gabrielle: Let's be a family again. And have dinner tonight. Together.
Kalia: I would like that.
Artemis: Kalia. Go bond with your family. I'll help Arika and Mr. Wilcox.
Kalia: Are you sure?
Artemis: Yea. Babe.
Kalia: Okay. Alright then. Stay safe. Artemis.
Artemis: I will.
[Kalia kisses Artemis on the forehead. She then leaves with Briella and Gabriella ORBING out.]
Arika: Alright. Back to business. We need to figure out things.
Evok: Yea.
Artemis: There's my family Book of Shadows. Let's get that.
Arika: Okay.
Artemis: Okay. Wait there.
[Artemis head upstairs as Evok and Arika sit waiting.]
[CUT TO]
HALLIWELL/ TURNER MANSION.DAY
[Still image of Halliwell/Turner Mansion.]
[CUT TO]
HALLIWELL/ TURNER MANSION.LIVING ROOM.DAY
[Coop is with Collin. Collin is looking like not in a good mood. Coop notices.]
Coop: Hey. Collin. What's up? Was breakfast not good?
Collin: It's not that. Dad. I just missed my real dad. If only he could be here now.
Coop: I'm here for you. Son.
Collin: Thanks. Dad. You're the best.
Coop: Of course. I am. You need a hug?
Collin: Yea. That be nice.
[Coop gives Collin a hug. Collin's facial expression changes. He is smiling.]
Collin (thinking): Oh Coop. That's it. Hug your "Son." This is so wonderful. Better than I thought. A true family.
[They break off the hug. Collin returns to his usual expression.]
Coop: Feel better? Son?
Collin: Yes. Dad. Much better.
Coop: Well. Go off to work. You don't want to be late.
Collin: Of course. Dad. Parker is probably waiting for in the car.
Coop: There it is. Go.
Collin: Later dad. See you for dinner tonight.
Coop: Yea.
[Collin heads out. Coop heads out in the opposite direction towards the stairs.]
[GO TO COMMERCIAL BREAK]
SEWER BASE.DAY
[Prue, Billie, and Chadwick are seen together coordinating a plan.]
Prue: So if we go from one of the vents. And enter.
Billie: And then you use your sensing powers to track Tamora.
Chadwick: How is that going to work? Tamora is not even a witch now or a future whitelighter.
Prue: The Matthews-Mitchell Family are still my charges. It would still work.
Chadwick: And don't you worry. I'll try to use less force as possible for the attack.
Prue: You better. Or I'll never forgive you.
Chadwick: Yea yea. Got it. So bossy.
Prue: Don't tempt me. I could kill you with just a wave of my hand.
Chadwick: And I could right now. By shifting so fast that you can't even stop me.
[Billie then gets in the middle of them.]
Billie: Enough! Cut it out! We're on the same team here.
Prue: He started it.
Chadwick: No I didn't.
Billie: I don't care who started it. This whatever is going on between the two of you at the moment is not important right now. The most important thing right now is to iron out the details of our plan so it doesn't backfire. Okay.
[Prueand Chadwick refuse to answer. Billie glares at them.]
Billie: Okay!
[She glares at them again.]
Prue: Okay.
Chadwick: Okay.
Billie: Good.
Prue: Man. When did you become so bossy?
Billie: It comes with motherhood.
[Prue sighs. Andy then ORBS in with two containers of chicken salads, a container of a burger with fries, two waters, and a soda. He places it on the table.]
Andy: Food is here. And don't worry. I got non-greasy stuff for you two.
Chadwick: Don't mind me. I'm going for that burger. All that discussion is making me hungry.
[Chadwick runs over and starts on the burger. Billie goes over and eats her salad. Prue then pulls Andy to the side.]
Prue (sarcastic): Must be nice being the Elders' errand boy. Huh?
Andy: It's not like that. Prue.
Prue: Yea right. You do everything they say. Don't you?
Andy: You did too. At least that's what I thought before you did till now.
Prue: That was before they couldn't stop what was happening to my family.
Andy: The matter was out of their hands. Prue. Come on. Why do you always have to be so hard headed?
Prue: I'm not. I'm being realistic.
Andy: Prue. I got other important things to do then arguing with you. Later. I'll be back again soon.
[Andy ORBS out. Prue stomps her feet in frustration.]
Prue: Why does he affect me so much? Could it be... NAH.
Arika: Finally. Your spell worked.
Evok: This doesn't seem right. We're supposed to go to a manor.
Artemis: We tried ten times already. This was the only place we can get through.
Arika: But where is a Halliwell? I don't even see Wyatt.
Prue: Wait. Wyatt! You guys know Wyatt.
[The four of them notice each other. Chadwick and Billie are still busy eating and don't notice.]
Arika: And who are you?
Evok: I don't recognize this Halliwell. I assume you are. Right?
Prue: I am. The name is Prudence Halliwell. And tell me how you know Wyatt. You can all call me Prue.
[Arika gasps.]
Arika: The Prudence Halliwell. Wyatt mentioned you were dead. But how are you alive?
Prue: I got turned into a whitelighter at some point of time after my death. You still haven't answered why you know Wyatt.
Arika: He's my fiancée. And I been looking for him. And still no luck. I can't get to him at all. Even phone calls.
Prue: I can explain that.
Arika: Okay. Explain then.
[Prue then starts to explain everything that happened and all of the details.]
[CUT TO]
SEWER BASE.DAY(LATER)
[Everyone is all together. Prue has decided to add Arika, Evok, and Artemis to their plan of attack.]
Prue: You all know what the plan is? Right?
Billie: Yep. I'll use my projection to make Chadwick larger than normal. Scaring them.
Artemis: I, along with Prue, and of course you. Billie. Will be on guard. In case anything goes wrong.
Arika: And my dad and I will commence the attack.
Chadwick: But how are we make sure both Tamora and Eloise are together.
Prue: I guess I have to take the risk and follow them.
Billie: No. Prue. It's too risky.
Prue: I have my astral projection. It could help and I'll just appear behind them so they don't see me.
Billie: What about civilians? Remember what happened that time?
Prue: Yea I know. But for now. It's the only way to know when we attack. Both of them will be there. Or our plan will be for nothing.
Billie: Just be careful. Okay. Prue.
Prue: I will.
Billie: Okay.
Prue: I'll start now.
[Prue then uses her astral projection powers which now has an orb form to it due to her being now a temporary whitelighter-witch. Her body stands still as everyone is watching her body.]
[CUT TO]
W & C MAGAZINE.DAY
[Still image of magazine building.]
[CUT TO]
W & C MAGAZINE.MEETING ROOM #2.DAY
[Wyatt is with Mayor Lance about to interview him. They are a medium size table face to face with one another. Natalia is on the chair next to Wyatt, ready to take notes.]
Wyatt: Are you ready? Mayor Lance.
Mayor Lance: I am. Mr. Haliwell.
Wyatt: Great. Well. It is an honor to even get a chance to meet you. Or even get a one on one interview with you.
Mayor Lance: I been having such a busy schedule. Your dear cousin has asked to find time to meet you in person. And here I am.
Wyatt: Yes. Here you are. We'll start with the first question.
Mayor Lance: Go ahead. Mr. Halliwell.
Wyatt: Why did you want to become Mayor?
Mayor Lance: To fight injustice. So many criminals being let out of jail. Because the reason of corrupt power. I want to correct them. Which is why I am working on a law to send to the senate.
[Natalia starts to take down the notes.]
Wyatt: Alright. Next question. I assume this situation happens a lot in your line of work. How do you deal with a difficult person and how did you handle the situation with him or her?
Mayor Lance: Scold the person. Of course. Nah. Just kidding. A little dark humor.
[Natalia chuckles a bit.]
Wyatt: You know. I don't have all day. And it's not recorded.
Natalia: Boss... But you....
Wyatt: Natalia. Just take notes.
Natalia: Sorry boss.
Wyatt: Alright. Back to you. Mr. Mayor. Sorry about that.
Mayor Lance: No worries. First I privately call him in away from his other colleagues. As to not to cause a commotion. Then I calmly try to reach to a compromise to solve the situation at hand.
Wyatt: Sounds good. Are you ready for the next few questions?
Mayor Lance: I always am.
[Wyatt continues to interview Mayor Lance as Natalia takes notes.]
[GO TO COMMERCIAL BREAK]
SAN FRANCISCO SUPERIOR COURT.MAIN ENTRANCE.DAY
[CUT TO]
SAN FRANCISCO SUPERIOR COURT.COURTROOM HALLWAY.3DAY
[Parker is with Collin and Wilma, who is Parker's client. They stumble into the lawyer with Lyle Winters, Eliza Winger.]
Collin: Well. Well. Well. What a surprise. Should have known it would have been you. Ms. Winger.
Parker: Considering your record. You will never win.
Collin: Trust me. We will win this case.
Lyle: I have evidence. On how bad she is with her kids.
Eliza: Yes. And witnesses too. Mr. Turner. Miss Halliwell.
Collin: Some father you are. Abandoning a single mother right after she got pregnant.
Eliza: At least. I don't resort to vile tactics to win my cases.
Collin: And how many have you won? Huh?
[Eliza goes quiet, not sure how to answer. Collin then smirks.]
Collin (cont'd): Thought so. Halliwell & Turner Law Firm will always be the best.
Eliza: It could have been. If you hadn't stole our intern form right under our noses.
Collin: Excuse me? I liberated my cousin. From that awful place.
Parker: It was the best choice I made in my life. I'm something here. Not some lowly intern.
Eliza: It's your own fault. Parker. You blew up on him.
Parker: And where you heard that. You got no proof. Ms. Winger.
Eliza: Ugh. Let's just solve this. I'm tired of arguing with despicable lawyers like you two.
Collin: We're not despicable.
Parker: We just know how to work our clients. Unlike you and your boss, Mr. Jacobson.
Lyle: Stop arguing with my lawyer. As she said, let's settle this in court.
Eliza: I don't need. Defending. Mr. Winters. But you're right. Let's go in.
[Eliza enters into the courtroom with Lyle. Collin, Parker, and Wilma follow right behind and enter the court room.]
[CUT TO]
BAY MIRROR.DAY
[Still image of Bay Mirror.]
[CUT TO]
BAY MIRROR.PHOEBE'S OFFICE.DAY
[Phoebe is on the phone with Coop.]
Phoebe: It's a shame that both of us couldn't find time to attend Collin's and Parker's trial today.
Coop: Yea. I really wanted to be there. But I had two appointments very close together for my patients today.
Phoebe: Yea I get it. You're the only father Collin has now.
Coop: I know. But with his record. Collin will do great as he always does.
Phoebe: But it's Parker's client. My baby girl. Her first ever trial.
Coop: Yea. I so wish. I could...
Phoebe: We all... Do. Even PJ but she couldn't.
Coop: Yea. It seems a well-known band is coming to the club. And she has to make sure everything goes right.
Phoebe: I feel bad for her. Always working too much.
Coop: Same. If only she found someone that truly love her. Like I did. With you. Phoebe.
Phoebe: Oh Coop. That's so sweet. Talk later. Got to get to work.
Coop: Same. My first patient should be... coming in...
[It is hung up on Coop's side. Phoebe then gets back to work after putting the phone down.]
[CUT TO]
UNDERWORLD.UNDERGROUND NIGHTCLUB.DAY
[Dane is heading over to make more drinks when suddenly, his body pauses a bit. He feels a hole missing in his heart.]
Dane: Hmm. That's strange. Maybe something I ate today.
[He continues making drinks.]
[CUT TO]
MAYOR LANCE'S MANSION.EXTERIOR OF IT.DAY
[The building is all white. Two limos are in front and five fancy cars, in red, blue, white, green, and yellow are parked in front.]
[CUT TO]
MAYOR LANCE'S MANSION.BASEMENT.DAY
[Angelie, is in rags. She looks a bit thin than usual and is chained to the wall. There are no lights. The area is dark. Then footsteps are heard as a person comes downstairs. Lights are then turned on.]
Angelie: Who is it?
[The person then comes down. It is revealed to be Mayor Lance. He comes up to her and grazes her chin.]
Mayor Lance: It's little old me. My dear.
[She spits in his face.]
Angelie: Humph.
[Mayor Lance then slaps Angelie's face so hard that her head turns a bit.]
Mayor Lance: You insolent girl. If you had behaved, I would have been nice enough to allow you to eat today.
Angelie: I know who you really are. You're in the Grimoire of my family. Dark Sorcerer.
Mayor Lance: Too bad. Soon. You will die. And no one will ever know the truth. Including your little old boyfriend who doesn't even remember who you are. Little lady.
[Angelie is furious and tries to lunge at him. Mayor Lance steps away.]
Angelie: What did you do to him? Where is he?
Mayor Lance: Again. You'll never know. I don't even know why my lord kept your memories. I guess it makes you suffer more. I guess. Serves you for betraying your own kind. Axaria.
Angelie: I don't go by that name. Anymore. I have forsaken it.
Mayor Lance: The only reason I came. Is to see if you behave. But I guess not. Good luck surviving without food for another day.
[Mayor Lance then goes back upstairs. The lights are then turned off. Angelie is now covered in true darkness.]
Angelie: Junior!
[Angelie breaks into tears. Her scream echoes through the walls of the basement but it can't be heard outside the room.]
[CUT TO]
SAN FRANCISCO SUPERIOR COURT.COURTROOM HALLWAY.DAY
[Collin, Parker, Wilma, Eliza, and Lyle walk out of the room. Eliza looks upset. Collin and Parker then walk up to Eliza.]
Collin: I told you. No chance. Ms. Winger.
Parker: If you want, there's still an opening on the winning team.
Eliza: No thanks. I don't know what you two did. But how did all of my witnesses never show up?
Collin: I have no idea what you are talking about.
Parker: This is no time. For accusations.
Eliza: Whatever. This is not over. Mr. Turner. Miss Halliwell. I will figure out how to end you all.
Collin: Yea. Good luck with that.
Parker: Yea. Going to need it.
Eliza: Mr. Winters. Let's go.
Lyle: Right.
[Eliza then storms out with Lyle. Wilma then goes to hug Collin and Parker. She then breaks away.]
Wilma: Thank you. So much. Miss Halliwell. If it wasn't for you, I would have lost my kids.
Parker: Oh. Wilma. It wasn't all my doing. It was thanks to Collin. My brother. He helped in all of the steps needed to win.
Collin: Sure I helped. But what you did there in the courtroom. Parker. That was amazing. I never been so proud.
Parker: Thanks. Brother. I think we should celebrate.
Collin: I do too.
Parker: But let's escort Wilma home.
Collin: Yea.
[Parker and Collin head out with Wilma.]
[GO TO COMMERCIAL BREAK]
P3.DAY
[Still image of club.]
[CUT TO]
P3.STAGE AREA.DAY
[PJ is talking with the manager of the Foo Fighters, Mr. Craft. On the stage, the members of the band, Dave Grohl, Nate Mendel, Pat Smear, Taylor Hawkins, Chris Shifflet, and Rami Jaffe, are setting up the stuff for rehearsals.]
PJ: Thank you. Mr. Craft. For allowing the band to play here.
Mr. Craft: Oh. Miss Halliwell. I requested my band to play here. It took a while but I finally got your club.
PJ: Yea. I know. We get booked pretty fast. P3 is doing really well.
Mr. Craft: Well. You really live up to your family name.
PJ: Why thank you. If you have any problem with sound or anything, I have the best technicians I can call.
Mr. Craft: Of course. Miss Halliwell. If I would like, I would love to book another gig here.
PJ: Of course. Come and follow me into my office.
[PJ heads out of the area and guides Mr. Craft towards the direction of the office. The Foo Fighters then start to rehearse their performance, as the music starts, and the members start singing.]
[CUT TO]
SAN FRANCISCO P.D.DAY
[Still image of police department.]
[CUT TO]
SAN FRANCISCO P.D.HENRY'S OFFICE.DAY
[Henry is with Reed and Junior in the office.]
Henry: Great work. Inspector Reed. Another case solved pretty quickly.
Reed: Of course. Chief. Never doubt my work.
[Junior is holding in his anger, hearing Reed's comment. But doesn't burst. Henry notices it.]
Henry: Something wrong? Inspector Mitchell.
Junior: Oh nothing. Just thinking about other things.
Henry: Oh. Inspector Mitchell. You need to stop spacing out. And be like. Inspector Havenfield.
Junior: Yes Chief.
Henry: Alright. You two. Go. Back to work.
Junior/Reed: Yes Chief.
[Junior and Reed head out of the door. Henry's work phone starts to ring and he answers it.]
[CUT TO]
SAN FRANCISCO P.D.MAIN WORKPLACE.DAY
[Junior and Reed are heading back to their work desk when Junior pulls over Reed to the side.]
Reed: Hey. What's up?
Junior: Can we talk outside?
Reed: I'm busy.
Junior: Yea right. Busy kissing up to my father. I bet.
Reed: Junior. Calm down. Are your tantrums coming back?
Junior: Ugh. That's it. This is the last of my nerve.
[Juniors grabs Reed and quickly runs out of the door with him. Ryan and Officer Hayes notices it.]
Ryan: What's up with those two? I thought they were good buddies.
Officer Hayes: Who knows? Let's not be nosy and get back to work.
Ryan: Right. I'm supposed to accompany Doctor Lonzo.
Officer Hayes: Accompany? Oh you sly dog.
Ryan: It's nothing like that.
[Ryan blushes.]
Officer Hayes: It's okay. Your secret is safe with me.
Ryan: Okay.
[Ryan then walks away heading towards the medical exam lab. Officer Hayes heads towards the interrogation room.]
[CUT TO]
SAN FRANCISCO.ALLEY NEARBY SAN FRANCISCO P.D.DAY
[Junior pulls Reed all the way into an alley and pushes him away angrily.]
Junior: I can't believe you. Inspector. Kissing up to my father like that.
Reed: Yea. So what? It's normal. What are you? Jealous?
Junior: Inspector. You changed so much. No wonder your wife left you.
Reed: Excuse me? Don't you dare rag on my wife? Kid.
Junior: I'm not a kid. Inspector. You know I'm more than that.
Reed: You're acting like one. Inspector Mitchell.
Junior: And you're a kiss asser.
Reed: I think you're just jealous you never thought of it before.
Junior: Why would I? You know how morally straight I am.
Reed: You know that's not enough. In our line of the job.
Junior: So you resort by corrupt methods. Huh? Inspector.
Reed: Whatever it takes. What are you going to do? Hit me?
Junior: If that is what you want. Fine.
[Junior punches Reed hard knocking him back. Reed then stables himself.]
Reed: Oh. So it's going to be that way. Huh?
[Reed then punches Junior back. And eventually it gets into an escalated fight. Junior and Reed, dealing blows back and forth between each other. Mayor Lance, is there in his window, and rolls down the door of the limo. He then calls Collin.]
Mayor Lance: Yo. Mr. Turner. Are you busy?
Collin: Not really. Just paperwork.
Mayor Lance: Take a look at this.
[Mayor Lance then switches the view on his phone and shows the fight.]
Collin: Aw nice. With this. I have Junior under my control.
Mayor Lance: I know. Right. Later.
Collin: Later. Mayor.
[Mayor Lance hangs up. All of a sudden. Time starts to freeze. Sam Wilder, reveals himself. He grabs the phone away from the mayor and erases the video and puts it back in his hand.]
Sam: I know. The avatars are going to be mad at me for making rash decisions without the collective. But I can't let my grandson deal with this.
[Sam then FADES out. Time unfreezes. Mayor Lance puts his phone away. He then tells his driver to drive him away. Junior and Reed are now knocked out, their face in blood, after the fight that was between them.]
[CUT TO]
HALLIWELL'S.DAY (LATER)
[Still image of Halliwell's. A bit of time has passed.]
[CUT TO]
HALLIWELL'S.DINING ROOM.DAY
[Phoebe, Coop, PJ, Parker, and Collin are all together. All of them have food on their plates on their table. A red bottle of wine is in the middle. Each one of them, have glasses. Collin then stands up to make a toast.]
Collin: I know. Today's dinner is celebrate Parker's win in today's trial. But I wish to toast to something else. My family. The best in the way. So. To Family.
[Phoebe, Coop, PJ, and Parker also stand up and raise their glasses up.]
Phoebe/ Coop: To family!
PJ/Parker: To family!
[All of them then clink their glasses and take a sip.]
Collin: Now let's eat.
[Everyone nods. They all then eat.]
[GO TO COMMERCIAL BREAK]
SEWER BASE.DAY
[Billie, Chadwick, Artemis, Arika, and Evok are all together. Prue then returns to her body from astral orb projection.]
Prue: Okay. They are together. We need to attack now or it could be too late.
Billie: Let's do this.
Chadwick: Yea.
Artemis: Ready.
Arika: Same.
Evok: It's time to save your family. Prue.
Prue: Everyone. Grab my hands.
[They nod and grab it. Prue then ORBS out with Billie, Chadwick, Artemis, Arika, and Evok. ]
[CUT TO]
MILTON HOUSE.DAY
[Still image of Milton's House.]
[CUT TO]
MILTON HOUSE.LIVING ROOM.DAY.
[Tamora is cuddling with Eloise on the couch watching television. Eloise then turns around to face Tamora.]
Eloise: Tam. Are you sure it's okay to be here?
Tamora: Don't worry. I called my dad. Besides he's dealing with something.
Eloise: I see.
Tamora: Yea. I don't know what happened. My brother, Junior, and Inspector Havenfield got into a bad fight and are now in the hospital.
Eloise: Oh. I'm so sorry.
Tamora: It's okay. Now. I want to say something but we got interrupted.
Eloise: Yea go ahead.
[Prue then ORBs in with Billie, Chadwick, Artemis, Arika, and Evok. Tamora notices them first.]
Tamora: Oh. Come on. Seriously?
Prue: Chadwick! Billie! Now!
[Chadwick shifts into a werewolf and Billie uses her Projection power to make him large by five feet. He growls.]
Tamora: Ah! Werewolf!
[Tamora quickly finds a lamp to hit Chadwick's head but it does nothing.]
Chadwick: Grr.
Eloise: I'll go call the cops.
[Eloise goes to get the phone but Arika shoots an energy ball destroying the phone.]
Arika: Uh uh uh. No cops!
Evok: She's open. Kill that girl.
Arika: Okay.
[Arika shoots an energy ball towards Tamora. Eloise sees it. ]
Eloise (jumping in): Nooo!
Tamora: Eloise! No! You monsters!
[Eloise is bleeding. Tamora runs over to her. Prue then comes over to Tamora. She looks back at her.
Tamora: Please. Call the ambulance. She's dying.
Prue: Tamora. Remember. You have powers to heal her.
Tamora: Powers? Magic is not real.
Prue: It is. Remember. Please. Look at me. I came to you in your dreams. Remember?
[Tamora looks closely. Her head starts to hurt. And the memories return.]
Tamora: Aunt Prue! Oh my gosh. Eloise. No!
Eloise: I'll be fine. Live on. I don't deserve to...
Tamora: No. Don't say that. I should have never abandoned you. If I did, you never would have...
Eloise: What is going on? You never have abandoned me. And always by my side.
Tamora: That's not true. In another life. I ....
[Tamora tears up.]
Eloise: I... (coughs blood) wh... at.
Tamora: Eloise. Please stay with me.
[Prue touches Tamora's shoulder.]
Prue: You can do this. Use your love. It's the trigger.
Tamora: It's not possible. The curse. It took away magic.
Prue: Try. Tamora. You're our only hope.
[Eloise then takes Tamora's hand.]
Eloise: Tam.
Tamora: Yes?
Eloise: Tell my parents. I love them. Okay.
Tamora: But... They...
Eloise: I kno... w. They are still my parents. Please. Promise me.
Tamora: I will.
[Tamora starts to break into tears.]
Eloise: Tamora. I lo...ve you.
[Eloise then starts to die as her eyes close and her body goes lifeless.]
Tamora: No! No! Eloise.
Prue: Tam. You can do this. The key is "Love".
Tamora: But no magic.
Prue: Believe in your light. Remember.
Tamora: Yes. Alright.
Prue: Good.
[Billie, Chadwick, Artemis, Arika, and Evok are waiting patiently off to the side.]
[Tamora's tears drop onto Eloise's face.]
Tamora: I'm sorry I couldn't say it sooner. I love you. Eloise. And I should have never abandoned you.
[Tamora kisses Eloise. It breaks the curse. A huge energy waves blasts through. Her hands start glowing. She has her powers back.]
Prue: You did it. Tam.
[Tamora heals Eloise. She wakes up.]
Eloise: Tam. I remember. And I'm so sorry.
Tamora: It's okay. Eloise. I'm here.
[They hug each other. Prudence is in smiles and as do the others.]
[CUT TO]
SAN FRANCISCO MEMORIAL HOSPITAL.LEO'S BEDROOM.DAY
[Leo wakes up.]
Leo: Whoa!
[He is shocked.]
[CUT TO]
SAN FRANCISCO MEMORIAL HOSPITAL.PIPER'S BEDROOM.DAY
[Piper wakes up.]
Piper: What I am doing here?
[She tries to get out of bed.]
[CUT TO]
HALLIWELL'S.DINING ROOM.DAY
[Coop, Phoebe, PJ, and Parker all just stand up, now having remembered.]
PJ: You!
Coop: This is just wrong.
Phoebe: Manipulating like us. Son.
PJ: Yea. So wrong. Bro.
Parker: And where is Peyton?
Collin: My plan was working so well. Ugh. Who... Well. I'm out of here.
[Collins runs off.]
PJ: Wait!
[PJ tries to chase after him but Coop holds her hand to stop her.]
Coop: Don't. PJ. It's not worth it.
PJ: You're right. Dad.
Phoebe: Let's pay the bill and go home.
Coop: Yep.
[Coop then calls Graham over. Graham then walks over.]
Graham: Yes. Mr. Halliwell.
Coop: Check. Please.
Graham: Okay. Got it. Sir.
[Graham then runs off. Coop along with Phoebe, PJ, and Parker wait.]
[CUT TO]
HALLIWELL MANOR.DAY
[Fast paced camera shots revealing many days has passed.]
[ON SCREEN:]
FIVE DAYS LATER
[CUT TO]
HALLIWELL MANOR.KITCHEN.DAY
[Wyatt is with Chris in the kitchen. Chris is cooking as Wyatt is setting up the table.]
Wyatt: Ugh. I still have the memories. I can't believe that I almost cheated on my fiancée.
Chris: If Arika finds out, she is going to kill you.
Wyatt: So you better not tell her.
Chris: I won't. Bro.
Wyatt: Well. Good.
Chris: Well. Is the table all set?
Wyatt: Yep.
Chris: Great. Go call the others.
Wyatt: Okay.
[Wyatt exits out of the kitchen.]
[CUT TO]
HALLIWELL MANOR.THE GARDENS.DAY
[Melinda is talking with Leo and Piper. She is looking down.]
[Melinda: I can't believe that curse made me think you two were dead.]
Leo: It's okay. Mel.
Piper: Everything is all over now.
Melinda: And I can't believe I lost my love for Felicia. That's horrible. But it wasn't as bad as...
Leo: I know. Losing your parents. When you didn't really lose them.
Piper: It will be alright. We'll get through this together.
Melinda: I need a hug.
Leo: Of course. Honey.
Piper: Come here. Mel.
[Melinda goes into Leo's and Piper's arms in a warm embrace.]
Melinda: This is nice.
[Wyatt then walks through the door and heads over to them.]
Wyatt: Sorry to ruin the nice moment. But breakfast is ready.
[Leo, Piper, and Melinda get out of the embrace.]
Leo: Oh. Of course.
Piper: Yea.
Melinda: I'm ready.
[Leo, Piper, and Melinda head inside. Wyatt heads inside and turns around. He then uses his telekinesis to close the door, like how his Aunt Prue did.]
[GO OUT TO BLACK.]
[END OF EPISODE.]
[End Credits rolling to shortened theme song to reveal supporting cast and guest stars.]
Now on screen:
Co-Starring:
Holly Marie Combs as Piper Halliwell
Brian Krause as Leo Wyatt
Alyssa Milano as Phoebe Halliwell
Victor Webster as Coop
Ivan Sergei as Henry Mitchell
Ashley Greene as Arika Wilcox
Keanu Reeves as Evok Wilcox
Patrick Dempsey as Reed Havenfield
Specially Starring:
Shannen Doherty as Prue Halliwell
Kaley Cuoco as Billie Jenkins
T.W. King as Andy Trudeau
Scott Jaeck as Sam Wilder
Also Featuring:
Craig Bierko as Elias Darkmore
Steven R. McQueen as Chadwick Merrick
Scarlett Byrne as Kalia Darkmore
Kaya Scodelario as Artemis Rowenwood
Olivia Benedict as Briella Darkmore
Leni Parker as Gabrielle Darkmore
Bill Skarsgard as Collin Turner
Matthew McConaughey as Dark Sorcerer/ Mayor Lance
AJ Michalka as Natalia Anacher
Dakota Fanning as Wilma Scotts
Jack Reynor as Lyle Winters
Danielle Savre as Eliza Winger
Taylor Lautner as Dane Patten
Kat Dennings as Angelie Deviling
Brandon Jay McLaren as Mr. Craft
Foo Fighters as Themselves
Avan Logia as Officer Ryan Lakeland
James Marsden as Officer Hayes
Camila Mendes as Eloise/ Eloise Milton
Ashton Sanders as Graham
UNDERWORLD.DEMONIC WASTELAND.DAY
[Evok and Arika are stuck in the demonic wasteland inside a cage. They finally wake up.]
Evok: Man. This again?
Arika: I know right. Remember what happened?
Evok: Yea. I think so. Saw a huge dark red fog and then it consumed me. And then now. I'm here.
Arika: Same thing happened to me. I was shimmering back home and got hit by it. And ended up here too.
Evok: I assume this is the same type of cage that limits our powers.
Arika: Don't know. Let me try shimmering out.
[Arika tries to SHIMMER out but it just rebounds landing her back in the cage.]
Evok: Yes. The same.
Arika: There has to be a way to get out of the cage.
Evok: I studied about the demonic wasteland before. It's a place that can't be tracked.
Arika: Dang it. Then how are we going to get out of here?
[Korz, a demon, with features of spiky black hair and a white and black demonic face, jumps on the cage and slices up the edges with a blade and then pulls off top of it off. He then steps aside.]
Evok: Who are you?
Arika: Yea.
Korz: Just someone to save you.
Evok: Why?
Arika: Yea.
Korz: For my daughter. You're a friend of hers. Aren't you. Arika.
[Korz changes back to his human form, Elias Darkmore, a tall black hair man with just a white tank top and jeans. Arika recognizes him.]
Arika: You're Kalia's father. Only seen you in pictures.
Elias: Yes I am. And.Hello. Nice to finally meet you in person. Besides it's time for you two get out of here. Powers should be okay now. The cage is gone.
[Elias' voice now seem more humane, tame, and not as rough as before.]
Arika: Come with us. Kalia really misses you. And her mom blames her for your death.
Elias: That's a shame. I'm meant to be here. To save demons who do not deserve to be here.
Arika: Okay. How about a message?
Elias: Tell my kids. I love them. And tell my wife. To stop blaming Kalia. It wasn't her fault. Things happen. I made the choice. To sacrifice myself for my daughter.
Arika: Okay. Thanks Mr. Darkmore.
Elias: It's no problem. Now go. You two.
Evok: Alright.
[Arika and Evok SHIMMER out. Elias walks away.]
[CUT TO]
SEWER BASE.DAY
[Chadwick and Billie are still fast asleep. Prue couldn't sleep much and is now awake.]
Prue: Man. What am I going to do? To help Tamora and Eloise find out they are the one for each other. Besides my romantic life sucks. I can't... I need help.
Billie: Help with what?
[Prue turns around.]
Prue: Aaah! Don't scare me like that. Billie. And how long have you been standing here?
Billie: Only a few minutes ago. Just to catch that part. You're really up early. Huh?
Prue: Yea. Couldn't sleep. I have a big task to do. You know.
Billie: You know I'm here to help. As I said.
Prue: Yea I know. But what if you get hurt? You still have a family. And I don't.
Billie: You do too. Once this is all over.
Prue: I don't think it's the best time. To reveal myself.
Billie: Then what will be the best time.
Prue: I don't know. Just not now.
Billie: Prue. Don't underestimate yourself. After all, you're the great Prudence Halliwell.
Prue: Yea. Was great till I died.
Billie: Things happen for a reason. We can't help it.
Prue: Yea I guess. But I still haven't figured anything out.
Billie: You can do this. Think. What could cause someone to realize that they are in love with someone?
[Prue starts to think. Hard. She then realizes something.]
Prue: Oh my gosh. When Andy... That's it.
Billie: Andy what?
Prue: Andy sacrificed himself to save me. And my family. It proved that he really loved me.
Billie: So we need one of them to get hurt enough. To realize the love.
Prue: Not Eloise. She can't heal.
Billie: Right. But how. Nothing can get in or out.
Prue: We have a way. The werewolf. He can enter. But we have to be careful. Can't have who is in charge of this cursed city find out our plans.
Billie: Yea. Once Chadwick wakes up, we'll go over the plan with him.
Prue: I'm going to rest a bit.
Billie: That's great. Need to keep up your energy.
[Prue heads back to her sleeping bag and sleeps. Billie sits and wait.
[OPENING CREDITS]
CITY OF SANTA ANA.DAY
[Aerial shots of the city, fast paced.]
[CUT TO]
DARKMORE MANSION.DAY
[It is a wide mansion. There are three cars, in front. It is of a lavender color.]
[CUT TO]
DARKMORE MANSION.DAY
Evok and Arika have just explained to Kalia and Artemis what [happened to them and how they cannot get into the regular underworld and also into the city of San Francisco.]
Kalia: Wow. Seriously?
Artemis: This is very strange.
Evok: The root of it is the Dark Red Fog that Arika and I saw before we got teleported to the demonic wasteland.
Kalia: And then was saved by my father.
Arika: Yes.
[Briella Darkmore, a eighteen year old girl, ORBS in with Gabrielle Darkmore, a women looking to be in her early 50s.]
Briella: Come on. Mom. You two have to make... Oh. You have guests.
Kalia (joyful tone): Hi Briella.
Kalia (disappointed tone): Mom.
Kalia: Yea I do. Sis.
Gabrielle: Briella. I told you. I don't want to talk with her.
Briella: Mom. Sis. I'm tired of being pulled between the two of you. Make up. Already. You know it hurts me.
Gabrielle: Your sister hurt me too. If it wasn't for her, I wouldn't have lost my husband.
Briella: Stop blaming her. Mom. You know dad. He chose to. Made the decision.
Gabrielle: Your dad wouldn't have to if Kalia wasn't always putting us in danger.
Briella: Jeez. Mom. We're part witches. We're always going to be at the risk of danger.
[Evok sees this is going nowhere and uses his voice manipulation powers.]
Evok: Enough! Stop!
[He then pauses.]
Evok (cont'd): You all are family. There's no need to fight.
Gabrielle: But...
Evok: But nothing. Elias gave us a message after my daughter and me.
Briella/Gabrielle: He did?
Evok: Yes. Elias gave me the message of not putting the blame Kalia. Anymore. He wants all of you to be a family.
Gabrielle: You're just saying that.
[Elias then appears through in astral form.]
Elias: Honey. He's saying the truth. I don't have enough power to stay in this realm. Please. Forgive her.
Gabrielle: Elias.
Elias: Gabrielle. Please. After all, it's just the three of you. Now. Also. Kalia went through a lot of back then. It's best to move on from this. Honey.
[Gabrielle tries to hug Elias and she just goes through him.]
Gabrielle: I missed you. So much.
Elias: I do too. But this was meant to be. All I want is for the three of you to be family again. Okay.
Gabrielle: I understand. Kalia did went through a lot before. Feeling so alone. Thinking her only family is dead.
Elias: Yea. She did. That's why all should be forgive. And no one should be flamed. Especially her. I made that choice. To sacrifice myself to protect you three.
Gabrielle: You didn't have to. We all need you.
Elias: I know. But wanted to. All for the greater good. My love.
Gabrielle: Maybe we can find a way for you to come back. Be a true family again.
Elias: No. Things were meant to be. And I love you all. Gabrielle. Girls. Keep on fighting. For the greater good. And think of me always.
Gabrielle: I will.
Kalia/Briella: We will.
[Elias fades away. Kalia and Gabrielle then turn to face each other. They break into tears.]
Gabrielle: I'm sorry. Kalia. My dearest daughter. It's just...
Kalia: I know. Mom. I missed you...
Gabrielle: I do too. And I'm so sorry. For not loving you the way I wanted. It was hard. For me especially.
Kalia: I know. Mom.
Gabrielle: Let's be a family again. And have dinner tonight. Together.
Kalia: I would like that.
Artemis: Kalia. Go bond with your family. I'll help Arika and Mr. Wilcox.
Kalia: Are you sure?
Artemis: Yea. Babe.
Kalia: Okay. Alright then. Stay safe. Artemis.
Artemis: I will.
[Kalia kisses Artemis on the forehead. She then leaves with Briella and Gabriella ORBING out.]
Arika: Alright. Back to business. We need to figure out things.
Evok: Yea.
Artemis: There's my family Book of Shadows. Let's get that.
Arika: Okay.
Artemis: Okay. Wait there.
[Artemis head upstairs as Evok and Arika sit waiting.]
[CUT TO]
HALLIWELL/ TURNER MANSION.DAY
[Still image of Halliwell/Turner Mansion.]
[CUT TO]
HALLIWELL/ TURNER MANSION.LIVING ROOM.DAY
[Coop is with Collin. Collin is looking like not in a good mood. Coop notices.]
Coop: Hey. Collin. What's up? Was breakfast not good?
Collin: It's not that. Dad. I just missed my real dad. If only he could be here now.
Coop: I'm here for you. Son.
Collin: Thanks. Dad. You're the best.
Coop: Of course. I am. You need a hug?
Collin: Yea. That be nice.
[Coop gives Collin a hug. Collin's facial expression changes. He is smiling.]
Collin (thinking): Oh Coop. That's it. Hug your "Son." This is so wonderful. Better than I thought. A true family.
[They break off the hug. Collin returns to his usual expression.]
Coop: Feel better? Son?
Collin: Yes. Dad. Much better.
Coop: Well. Go off to work. You don't want to be late.
Collin: Of course. Dad. Parker is probably waiting for in the car.
Coop: There it is. Go.
Collin: Later dad. See you for dinner tonight.
Coop: Yea.
[Collin heads out. Coop heads out in the opposite direction towards the stairs.]
[GO TO COMMERCIAL BREAK]
SEWER BASE.DAY
[Prue, Billie, and Chadwick are seen together coordinating a plan.]
Prue: So if we go from one of the vents. And enter.
Billie: And then you use your sensing powers to track Tamora.
Chadwick: How is that going to work? Tamora is not even a witch now or a future whitelighter.
Prue: The Matthews-Mitchell Family are still my charges. It would still work.
Chadwick: And don't you worry. I'll try to use less force as possible for the attack.
Prue: You better. Or I'll never forgive you.
Chadwick: Yea yea. Got it. So bossy.
Prue: Don't tempt me. I could kill you with just a wave of my hand.
Chadwick: And I could right now. By shifting so fast that you can't even stop me.
[Billie then gets in the middle of them.]
Billie: Enough! Cut it out! We're on the same team here.
Prue: He started it.
Chadwick: No I didn't.
Billie: I don't care who started it. This whatever is going on between the two of you at the moment is not important right now. The most important thing right now is to iron out the details of our plan so it doesn't backfire. Okay.
[Prueand Chadwick refuse to answer. Billie glares at them.]
Billie: Okay!
[She glares at them again.]
Prue: Okay.
Chadwick: Okay.
Billie: Good.
Prue: Man. When did you become so bossy?
Billie: It comes with motherhood.
[Prue sighs. Andy then ORBS in with two containers of chicken salads, a container of a burger with fries, two waters, and a soda. He places it on the table.]
Andy: Food is here. And don't worry. I got non-greasy stuff for you two.
Chadwick: Don't mind me. I'm going for that burger. All that discussion is making me hungry.
[Chadwick runs over and starts on the burger. Billie goes over and eats her salad. Prue then pulls Andy to the side.]
Prue (sarcastic): Must be nice being the Elders' errand boy. Huh?
Andy: It's not like that. Prue.
Prue: Yea right. You do everything they say. Don't you?
Andy: You did too. At least that's what I thought before you did till now.
Prue: That was before they couldn't stop what was happening to my family.
Andy: The matter was out of their hands. Prue. Come on. Why do you always have to be so hard headed?
Prue: I'm not. I'm being realistic.
Andy: Prue. I got other important things to do then arguing with you. Later. I'll be back again soon.
[Andy ORBS out. Prue stomps her feet in frustration.]
Prue: Why does he affect me so much? Could it be... NAH.
Arika: Finally. Your spell worked.
Evok: This doesn't seem right. We're supposed to go to a manor.
Artemis: We tried ten times already. This was the only place we can get through.
Arika: But where is a Halliwell? I don't even see Wyatt.
Prue: Wait. Wyatt! You guys know Wyatt.
[The four of them notice each other. Chadwick and Billie are still busy eating and don't notice.]
Arika: And who are you?
Evok: I don't recognize this Halliwell. I assume you are. Right?
Prue: I am. The name is Prudence Halliwell. And tell me how you know Wyatt. You can all call me Prue.
[Arika gasps.]
Arika: The Prudence Halliwell. Wyatt mentioned you were dead. But how are you alive?
Prue: I got turned into a whitelighter at some point of time after my death. You still haven't answered why you know Wyatt.
Arika: He's my fiancée. And I been looking for him. And still no luck. I can't get to him at all. Even phone calls.
Prue: I can explain that.
Arika: Okay. Explain then.
[Prue then starts to explain everything that happened and all of the details.]
[CUT TO]
SEWER BASE.DAY(LATER)
[Everyone is all together. Prue has decided to add Arika, Evok, and Artemis to their plan of attack.]
Prue: You all know what the plan is? Right?
Billie: Yep. I'll use my projection to make Chadwick larger than normal. Scaring them.
Artemis: I, along with Prue, and of course you. Billie. Will be on guard. In case anything goes wrong.
Arika: And my dad and I will commence the attack.
Chadwick: But how are we make sure both Tamora and Eloise are together.
Prue: I guess I have to take the risk and follow them.
Billie: No. Prue. It's too risky.
Prue: I have my astral projection. It could help and I'll just appear behind them so they don't see me.
Billie: What about civilians? Remember what happened that time?
Prue: Yea I know. But for now. It's the only way to know when we attack. Both of them will be there. Or our plan will be for nothing.
Billie: Just be careful. Okay. Prue.
Prue: I will.
Billie: Okay.
Prue: I'll start now.
[Prue then uses her astral projection powers which now has an orb form to it due to her being now a temporary whitelighter-witch. Her body stands still as everyone is watching her body.]
[CUT TO]
W & C MAGAZINE.DAY
[Still image of magazine building.]
[CUT TO]
W & C MAGAZINE.MEETING ROOM #2.DAY
[Wyatt is with Mayor Lance about to interview him. They are a medium size table face to face with one another. Natalia is on the chair next to Wyatt, ready to take notes.]
Wyatt: Are you ready? Mayor Lance.
Mayor Lance: I am. Mr. Haliwell.
Wyatt: Great. Well. It is an honor to even get a chance to meet you. Or even get a one on one interview with you.
Mayor Lance: I been having such a busy schedule. Your dear cousin has asked to find time to meet you in person. And here I am.
Wyatt: Yes. Here you are. We'll start with the first question.
Mayor Lance: Go ahead. Mr. Halliwell.
Wyatt: Why did you want to become Mayor?
Mayor Lance: To fight injustice. So many criminals being let out of jail. Because the reason of corrupt power. I want to correct them. Which is why I am working on a law to send to the senate.
[Natalia starts to take down the notes.]
Wyatt: Alright. Next question. I assume this situation happens a lot in your line of work. How do you deal with a difficult person and how did you handle the situation with him or her?
Mayor Lance: Scold the person. Of course. Nah. Just kidding. A little dark humor.
[Natalia chuckles a bit.]
Wyatt: You know. I don't have all day. And it's not recorded.
Natalia: Boss... But you....
Wyatt: Natalia. Just take notes.
Natalia: Sorry boss.
Wyatt: Alright. Back to you. Mr. Mayor. Sorry about that.
Mayor Lance: No worries. First I privately call him in away from his other colleagues. As to not to cause a commotion. Then I calmly try to reach to a compromise to solve the situation at hand.
Wyatt: Sounds good. Are you ready for the next few questions?
Mayor Lance: I always am.
[Wyatt continues to interview Mayor Lance as Natalia takes notes.]
[GO TO COMMERCIAL BREAK]
SAN FRANCISCO SUPERIOR COURT.MAIN ENTRANCE.DAY
[CUT TO]
SAN FRANCISCO SUPERIOR COURT.COURTROOM HALLWAY.3DAY
[Parker is with Collin and Wilma, who is Parker's client. They stumble into the lawyer with Lyle Winters, Eliza Winger.]
Collin: Well. Well. Well. What a surprise. Should have known it would have been you. Ms. Winger.
Parker: Considering your record. You will never win.
Collin: Trust me. We will win this case.
Lyle: I have evidence. On how bad she is with her kids.
Eliza: Yes. And witnesses too. Mr. Turner. Miss Halliwell.
Collin: Some father you are. Abandoning a single mother right after she got pregnant.
Eliza: At least. I don't resort to vile tactics to win my cases.
Collin: And how many have you won? Huh?
[Eliza goes quiet, not sure how to answer. Collin then smirks.]
Collin (cont'd): Thought so. Halliwell & Turner Law Firm will always be the best.
Eliza: It could have been. If you hadn't stole our intern form right under our noses.
Collin: Excuse me? I liberated my cousin. From that awful place.
Parker: It was the best choice I made in my life. I'm something here. Not some lowly intern.
Eliza: It's your own fault. Parker. You blew up on him.
Parker: And where you heard that. You got no proof. Ms. Winger.
Eliza: Ugh. Let's just solve this. I'm tired of arguing with despicable lawyers like you two.
Collin: We're not despicable.
Parker: We just know how to work our clients. Unlike you and your boss, Mr. Jacobson.
Lyle: Stop arguing with my lawyer. As she said, let's settle this in court.
Eliza: I don't need. Defending. Mr. Winters. But you're right. Let's go in.
[Eliza enters into the courtroom with Lyle. Collin, Parker, and Wilma follow right behind and enter the court room.]
[CUT TO]
BAY MIRROR.DAY
[Still image of Bay Mirror.]
[CUT TO]
BAY MIRROR.PHOEBE'S OFFICE.DAY
[Phoebe is on the phone with Coop.]
Phoebe: It's a shame that both of us couldn't find time to attend Collin's and Parker's trial today.
Coop: Yea. I really wanted to be there. But I had two appointments very close together for my patients today.
Phoebe: Yea I get it. You're the only father Collin has now.
Coop: I know. But with his record. Collin will do great as he always does.
Phoebe: But it's Parker's client. My baby girl. Her first ever trial.
Coop: Yea. I so wish. I could...
Phoebe: We all... Do. Even PJ but she couldn't.
Coop: Yea. It seems a well-known band is coming to the club. And she has to make sure everything goes right.
Phoebe: I feel bad for her. Always working too much.
Coop: Same. If only she found someone that truly love her. Like I did. With you. Phoebe.
Phoebe: Oh Coop. That's so sweet. Talk later. Got to get to work.
Coop: Same. My first patient should be... coming in...
[It is hung up on Coop's side. Phoebe then gets back to work after putting the phone down.]
[CUT TO]
UNDERWORLD.UNDERGROUND NIGHTCLUB.DAY
[Dane is heading over to make more drinks when suddenly, his body pauses a bit. He feels a hole missing in his heart.]
Dane: Hmm. That's strange. Maybe something I ate today.
[He continues making drinks.]
[CUT TO]
MAYOR LANCE'S MANSION.EXTERIOR OF IT.DAY
[The building is all white. Two limos are in front and five fancy cars, in red, blue, white, green, and yellow are parked in front.]
[CUT TO]
MAYOR LANCE'S MANSION.BASEMENT.DAY
[Angelie, is in rags. She looks a bit thin than usual and is chained to the wall. There are no lights. The area is dark. Then footsteps are heard as a person comes downstairs. Lights are then turned on.]
Angelie: Who is it?
[The person then comes down. It is revealed to be Mayor Lance. He comes up to her and grazes her chin.]
Mayor Lance: It's little old me. My dear.
[She spits in his face.]
Angelie: Humph.
[Mayor Lance then slaps Angelie's face so hard that her head turns a bit.]
Mayor Lance: You insolent girl. If you had behaved, I would have been nice enough to allow you to eat today.
Angelie: I know who you really are. You're in the Grimoire of my family. Dark Sorcerer.
Mayor Lance: Too bad. Soon. You will die. And no one will ever know the truth. Including your little old boyfriend who doesn't even remember who you are. Little lady.
[Angelie is furious and tries to lunge at him. Mayor Lance steps away.]
Angelie: What did you do to him? Where is he?
Mayor Lance: Again. You'll never know. I don't even know why my lord kept your memories. I guess it makes you suffer more. I guess. Serves you for betraying your own kind. Axaria.
Angelie: I don't go by that name. Anymore. I have forsaken it.
Mayor Lance: The only reason I came. Is to see if you behave. But I guess not. Good luck surviving without food for another day.
[Mayor Lance then goes back upstairs. The lights are then turned off. Angelie is now covered in true darkness.]
Angelie: Junior!
[Angelie breaks into tears. Her scream echoes through the walls of the basement but it can't be heard outside the room.]
[CUT TO]
SAN FRANCISCO SUPERIOR COURT.COURTROOM HALLWAY.DAY
[Collin, Parker, Wilma, Eliza, and Lyle walk out of the room. Eliza looks upset. Collin and Parker then walk up to Eliza.]
Collin: I told you. No chance. Ms. Winger.
Parker: If you want, there's still an opening on the winning team.
Eliza: No thanks. I don't know what you two did. But how did all of my witnesses never show up?
Collin: I have no idea what you are talking about.
Parker: This is no time. For accusations.
Eliza: Whatever. This is not over. Mr. Turner. Miss Halliwell. I will figure out how to end you all.
Collin: Yea. Good luck with that.
Parker: Yea. Going to need it.
Eliza: Mr. Winters. Let's go.
Lyle: Right.
[Eliza then storms out with Lyle. Wilma then goes to hug Collin and Parker. She then breaks away.]
Wilma: Thank you. So much. Miss Halliwell. If it wasn't for you, I would have lost my kids.
Parker: Oh. Wilma. It wasn't all my doing. It was thanks to Collin. My brother. He helped in all of the steps needed to win.
Collin: Sure I helped. But what you did there in the courtroom. Parker. That was amazing. I never been so proud.
Parker: Thanks. Brother. I think we should celebrate.
Collin: I do too.
Parker: But let's escort Wilma home.
Collin: Yea.
[Parker and Collin head out with Wilma.]
[GO TO COMMERCIAL BREAK]
P3.DAY
[Still image of club.]
[CUT TO]
P3.STAGE AREA.DAY
[PJ is talking with the manager of the Foo Fighters, Mr. Craft. On the stage, the members of the band, Dave Grohl, Nate Mendel, Pat Smear, Taylor Hawkins, Chris Shifflet, and Rami Jaffe, are setting up the stuff for rehearsals.]
PJ: Thank you. Mr. Craft. For allowing the band to play here.
Mr. Craft: Oh. Miss Halliwell. I requested my band to play here. It took a while but I finally got your club.
PJ: Yea. I know. We get booked pretty fast. P3 is doing really well.
Mr. Craft: Well. You really live up to your family name.
PJ: Why thank you. If you have any problem with sound or anything, I have the best technicians I can call.
Mr. Craft: Of course. Miss Halliwell. If I would like, I would love to book another gig here.
PJ: Of course. Come and follow me into my office.
[PJ heads out of the area and guides Mr. Craft towards the direction of the office. The Foo Fighters then start to rehearse their performance, as the music starts, and the members start singing.]
[CUT TO]
SAN FRANCISCO P.D.DAY
[Still image of police department.]
[CUT TO]
SAN FRANCISCO P.D.HENRY'S OFFICE.DAY
[Henry is with Reed and Junior in the office.]
Henry: Great work. Inspector Reed. Another case solved pretty quickly.
Reed: Of course. Chief. Never doubt my work.
[Junior is holding in his anger, hearing Reed's comment. But doesn't burst. Henry notices it.]
Henry: Something wrong? Inspector Mitchell.
Junior: Oh nothing. Just thinking about other things.
Henry: Oh. Inspector Mitchell. You need to stop spacing out. And be like. Inspector Havenfield.
Junior: Yes Chief.
Henry: Alright. You two. Go. Back to work.
Junior/Reed: Yes Chief.
[Junior and Reed head out of the door. Henry's work phone starts to ring and he answers it.]
[CUT TO]
SAN FRANCISCO P.D.MAIN WORKPLACE.DAY
[Junior and Reed are heading back to their work desk when Junior pulls over Reed to the side.]
Reed: Hey. What's up?
Junior: Can we talk outside?
Reed: I'm busy.
Junior: Yea right. Busy kissing up to my father. I bet.
Reed: Junior. Calm down. Are your tantrums coming back?
Junior: Ugh. That's it. This is the last of my nerve.
[Juniors grabs Reed and quickly runs out of the door with him. Ryan and Officer Hayes notices it.]
Ryan: What's up with those two? I thought they were good buddies.
Officer Hayes: Who knows? Let's not be nosy and get back to work.
Ryan: Right. I'm supposed to accompany Doctor Lonzo.
Officer Hayes: Accompany? Oh you sly dog.
Ryan: It's nothing like that.
[Ryan blushes.]
Officer Hayes: It's okay. Your secret is safe with me.
Ryan: Okay.
[Ryan then walks away heading towards the medical exam lab. Officer Hayes heads towards the interrogation room.]
[CUT TO]
SAN FRANCISCO.ALLEY NEARBY SAN FRANCISCO P.D.DAY
[Junior pulls Reed all the way into an alley and pushes him away angrily.]
Junior: I can't believe you. Inspector. Kissing up to my father like that.
Reed: Yea. So what? It's normal. What are you? Jealous?
Junior: Inspector. You changed so much. No wonder your wife left you.
Reed: Excuse me? Don't you dare rag on my wife? Kid.
Junior: I'm not a kid. Inspector. You know I'm more than that.
Reed: You're acting like one. Inspector Mitchell.
Junior: And you're a kiss asser.
Reed: I think you're just jealous you never thought of it before.
Junior: Why would I? You know how morally straight I am.
Reed: You know that's not enough. In our line of the job.
Junior: So you resort by corrupt methods. Huh? Inspector.
Reed: Whatever it takes. What are you going to do? Hit me?
Junior: If that is what you want. Fine.
[Junior punches Reed hard knocking him back. Reed then stables himself.]
Reed: Oh. So it's going to be that way. Huh?
[Reed then punches Junior back. And eventually it gets into an escalated fight. Junior and Reed, dealing blows back and forth between each other. Mayor Lance, is there in his window, and rolls down the door of the limo. He then calls Collin.]
Mayor Lance: Yo. Mr. Turner. Are you busy?
Collin: Not really. Just paperwork.
Mayor Lance: Take a look at this.
[Mayor Lance then switches the view on his phone and shows the fight.]
Collin: Aw nice. With this. I have Junior under my control.
Mayor Lance: I know. Right. Later.
Collin: Later. Mayor.
[Mayor Lance hangs up. All of a sudden. Time starts to freeze. Sam Wilder, reveals himself. He grabs the phone away from the mayor and erases the video and puts it back in his hand.]
Sam: I know. The avatars are going to be mad at me for making rash decisions without the collective. But I can't let my grandson deal with this.
[Sam then FADES out. Time unfreezes. Mayor Lance puts his phone away. He then tells his driver to drive him away. Junior and Reed are now knocked out, their face in blood, after the fight that was between them.]
[CUT TO]
HALLIWELL'S.DAY (LATER)
[Still image of Halliwell's. A bit of time has passed.]
[CUT TO]
HALLIWELL'S.DINING ROOM.DAY
[Phoebe, Coop, PJ, Parker, and Collin are all together. All of them have food on their plates on their table. A red bottle of wine is in the middle. Each one of them, have glasses. Collin then stands up to make a toast.]
Collin: I know. Today's dinner is celebrate Parker's win in today's trial. But I wish to toast to something else. My family. The best in the way. So. To Family.
[Phoebe, Coop, PJ, and Parker also stand up and raise their glasses up.]
Phoebe/ Coop: To family!
PJ/Parker: To family!
[All of them then clink their glasses and take a sip.]
Collin: Now let's eat.
[Everyone nods. They all then eat.]
[GO TO COMMERCIAL BREAK]
SEWER BASE.DAY
[Billie, Chadwick, Artemis, Arika, and Evok are all together. Prue then returns to her body from astral orb projection.]
Prue: Okay. They are together. We need to attack now or it could be too late.
Billie: Let's do this.
Chadwick: Yea.
Artemis: Ready.
Arika: Same.
Evok: It's time to save your family. Prue.
Prue: Everyone. Grab my hands.
[They nod and grab it. Prue then ORBS out with Billie, Chadwick, Artemis, Arika, and Evok. ]
[CUT TO]
MILTON HOUSE.DAY
[Still image of Milton's House.]
[CUT TO]
MILTON HOUSE.LIVING ROOM.DAY.
[Tamora is cuddling with Eloise on the couch watching television. Eloise then turns around to face Tamora.]
Eloise: Tam. Are you sure it's okay to be here?
Tamora: Don't worry. I called my dad. Besides he's dealing with something.
Eloise: I see.
Tamora: Yea. I don't know what happened. My brother, Junior, and Inspector Havenfield got into a bad fight and are now in the hospital.
Eloise: Oh. I'm so sorry.
Tamora: It's okay. Now. I want to say something but we got interrupted.
Eloise: Yea go ahead.
[Prue then ORBs in with Billie, Chadwick, Artemis, Arika, and Evok. Tamora notices them first.]
Tamora: Oh. Come on. Seriously?
Prue: Chadwick! Billie! Now!
[Chadwick shifts into a werewolf and Billie uses her Projection power to make him large by five feet. He growls.]
Tamora: Ah! Werewolf!
[Tamora quickly finds a lamp to hit Chadwick's head but it does nothing.]
Chadwick: Grr.
Eloise: I'll go call the cops.
[Eloise goes to get the phone but Arika shoots an energy ball destroying the phone.]
Arika: Uh uh uh. No cops!
Evok: She's open. Kill that girl.
Arika: Okay.
[Arika shoots an energy ball towards Tamora. Eloise sees it. ]
Eloise (jumping in): Nooo!
Tamora: Eloise! No! You monsters!
[Eloise is bleeding. Tamora runs over to her. Prue then comes over to Tamora. She looks back at her.
Tamora: Please. Call the ambulance. She's dying.
Prue: Tamora. Remember. You have powers to heal her.
Tamora: Powers? Magic is not real.
Prue: It is. Remember. Please. Look at me. I came to you in your dreams. Remember?
[Tamora looks closely. Her head starts to hurt. And the memories return.]
Tamora: Aunt Prue! Oh my gosh. Eloise. No!
Eloise: I'll be fine. Live on. I don't deserve to...
Tamora: No. Don't say that. I should have never abandoned you. If I did, you never would have...
Eloise: What is going on? You never have abandoned me. And always by my side.
Tamora: That's not true. In another life. I ....
[Tamora tears up.]
Eloise: I... (coughs blood) wh... at.
Tamora: Eloise. Please stay with me.
[Prue touches Tamora's shoulder.]
Prue: You can do this. Use your love. It's the trigger.
Tamora: It's not possible. The curse. It took away magic.
Prue: Try. Tamora. You're our only hope.
[Eloise then takes Tamora's hand.]
Eloise: Tam.
Tamora: Yes?
Eloise: Tell my parents. I love them. Okay.
Tamora: But... They...
Eloise: I kno... w. They are still my parents. Please. Promise me.
Tamora: I will.
[Tamora starts to break into tears.]
Eloise: Tamora. I lo...ve you.
[Eloise then starts to die as her eyes close and her body goes lifeless.]
Tamora: No! No! Eloise.
Prue: Tam. You can do this. The key is "Love".
Tamora: But no magic.
Prue: Believe in your light. Remember.
Tamora: Yes. Alright.
Prue: Good.
[Billie, Chadwick, Artemis, Arika, and Evok are waiting patiently off to the side.]
[Tamora's tears drop onto Eloise's face.]
Tamora: I'm sorry I couldn't say it sooner. I love you. Eloise. And I should have never abandoned you.
[Tamora kisses Eloise. It breaks the curse. A huge energy waves blasts through. Her hands start glowing. She has her powers back.]
Prue: You did it. Tam.
[Tamora heals Eloise. She wakes up.]
Eloise: Tam. I remember. And I'm so sorry.
Tamora: It's okay. Eloise. I'm here.
[They hug each other. Prudence is in smiles and as do the others.]
[CUT TO]
SAN FRANCISCO MEMORIAL HOSPITAL.LEO'S BEDROOM.DAY
[Leo wakes up.]
Leo: Whoa!
[He is shocked.]
[CUT TO]
SAN FRANCISCO MEMORIAL HOSPITAL.PIPER'S BEDROOM.DAY
[Piper wakes up.]
Piper: What I am doing here?
[She tries to get out of bed.]
[CUT TO]
HALLIWELL'S.DINING ROOM.DAY
[Coop, Phoebe, PJ, and Parker all just stand up, now having remembered.]
PJ: You!
Coop: This is just wrong.
Phoebe: Manipulating like us. Son.
PJ: Yea. So wrong. Bro.
Parker: And where is Peyton?
Collin: My plan was working so well. Ugh. Who... Well. I'm out of here.
[Collins runs off.]
PJ: Wait!
[PJ tries to chase after him but Coop holds her hand to stop her.]
Coop: Don't. PJ. It's not worth it.
PJ: You're right. Dad.
Phoebe: Let's pay the bill and go home.
Coop: Yep.
[Coop then calls Graham over. Graham then walks over.]
Graham: Yes. Mr. Halliwell.
Coop: Check. Please.
Graham: Okay. Got it. Sir.
[Graham then runs off. Coop along with Phoebe, PJ, and Parker wait.]
[CUT TO]
HALLIWELL MANOR.DAY
[Fast paced camera shots revealing many days has passed.]
[ON SCREEN:]
FIVE DAYS LATER
[CUT TO]
HALLIWELL MANOR.KITCHEN.DAY
[Wyatt is with Chris in the kitchen. Chris is cooking as Wyatt is setting up the table.]
Wyatt: Ugh. I still have the memories. I can't believe that I almost cheated on my fiancée.
Chris: If Arika finds out, she is going to kill you.
Wyatt: So you better not tell her.
Chris: I won't. Bro.
Wyatt: Well. Good.
Chris: Well. Is the table all set?
Wyatt: Yep.
Chris: Great. Go call the others.
Wyatt: Okay.
[Wyatt exits out of the kitchen.]
[CUT TO]
HALLIWELL MANOR.THE GARDENS.DAY
[Melinda is talking with Leo and Piper. She is looking down.]
[Melinda: I can't believe that curse made me think you two were dead.]
Leo: It's okay. Mel.
Piper: Everything is all over now.
Melinda: And I can't believe I lost my love for Felicia. That's horrible. But it wasn't as bad as...
Leo: I know. Losing your parents. When you didn't really lose them.
Piper: It will be alright. We'll get through this together.
Melinda: I need a hug.
Leo: Of course. Honey.
Piper: Come here. Mel.
[Melinda goes into Leo's and Piper's arms in a warm embrace.]
Melinda: This is nice.
[Wyatt then walks through the door and heads over to them.]
Wyatt: Sorry to ruin the nice moment. But breakfast is ready.
[Leo, Piper, and Melinda get out of the embrace.]
Leo: Oh. Of course.
Piper: Yea.
Melinda: I'm ready.
[Leo, Piper, and Melinda head inside. Wyatt heads inside and turns around. He then uses his telekinesis to close the door, like how his Aunt Prue did.]
[GO OUT TO BLACK.]
[END OF EPISODE.]
[End Credits rolling to shortened theme song to reveal supporting cast and guest stars.]
Now on screen:
Co-Starring:
Holly Marie Combs as Piper Halliwell
Brian Krause as Leo Wyatt
Alyssa Milano as Phoebe Halliwell
Victor Webster as Coop
Ivan Sergei as Henry Mitchell
Ashley Greene as Arika Wilcox
Keanu Reeves as Evok Wilcox
Patrick Dempsey as Reed Havenfield
Specially Starring:
Shannen Doherty as Prue Halliwell
Kaley Cuoco as Billie Jenkins
T.W. King as Andy Trudeau
Scott Jaeck as Sam Wilder
Also Featuring:
Craig Bierko as Elias Darkmore
Steven R. McQueen as Chadwick Merrick
Scarlett Byrne as Kalia Darkmore
Kaya Scodelario as Artemis Rowenwood
Olivia Benedict as Briella Darkmore
Leni Parker as Gabrielle Darkmore
Bill Skarsgard as Collin Turner
Matthew McConaughey as Dark Sorcerer/ Mayor Lance
AJ Michalka as Natalia Anacher
Dakota Fanning as Wilma Scotts
Jack Reynor as Lyle Winters
Danielle Savre as Eliza Winger
Taylor Lautner as Dane Patten
Kat Dennings as Angelie Deviling
Brandon Jay McLaren as Mr. Craft
Foo Fighters as Themselves
Avan Logia as Officer Ryan Lakeland
James Marsden as Officer Hayes
Camila Mendes as Eloise/ Eloise Milton
Ashton Sanders as Graham