Chosen Ones, by the year 2030, The Charmed Ones are now sort of retired from protecting the world from demons and their children have taken over the reign. This new generation, wanting a name for themselves, like their mothers before them being called the Charmed Ones, decide to become the Chosen Ones, witches chosen to defeat evil and to protect the whole community. This series details their journey in the new fight against demons and saving the the magical community as they face new dangers and new friends along their journey.
Charmed The Legacy Continues, takes place in the year 3100. Everything seems to be in peace in the city of San Francisco until trouble stirs with demon trouble as innocents become mysteriously killed. In this case, only the Halliwell family witch and witch hybrid members would be the hope needed, but unfortunately they ended up having sacrificed themselves in a fierce battle to stop the Source of all Evil five years ago and no one knew the real truth about them as the news writes them being killed in an unfortunate accident. As such, the Elders find three siblings that they deemed to be the next Charmed Ones to fight against the new evil.
Post by Darcelia Darkwell on Feb 5, 2022 3:07:19 GMT
Episode number: Season 3, Episode 22, Episode number: 69
HALLIWELL/COOP MANOR.NIGHT
[Still image of Halliwell/Coop Manor.]
[CUT TO]
HALLIWELL/COOP MANOR.PEYTON'S BEDROOM.NIGHT
[Peyton just jumps on her bed and dumps her purse on the floor. She looks exhausted.]
Peyton: That was some night. That kiss. And the reveal. I can't believe I have a daughter. How could she... But man...
Peyton (cont'd): I'm really tired.
[She turns off the lights in her room.]
[CUT TO]
PJ'S CONDO.NIGHT
[Still image of PJ's Condo.]
[CUT TO]
PJ'S CONDO.BEDROOM.NIGHT
[PJ is looking worrisome, laying her back against the pillow, wearing light pink pajamas, with a short sleeve top. Dane, with just his boxers on, jumps into bed with her. The sight of his abs in front, distracts her a bit giving a smile. But then is sulky again.]
Dane: Oh. My love. What's wrong?
PJ: It's just... I mean. That inspiration in Italy. Making my own destiny. Thought it would be great. But now...
Dane: You're not sure what to do with those words?
PJ: Yea.
Dane: I see. But it's getting late. Maybe think about it another day.
PJ: Maybe. But what if... I keep thinking. And nothing is still figured out then.
Dane: Sometimes things take time to realize... One day... You'll figure it out...
PJ: Thanks Dane. You're right. It's getting late. Very tired from today's events... I can't believe...
Dane: Olivius is gone from our lives. He won't cause more trouble anymore.
PJ: Yea.
Dane: Alright. Time for bed. My love.
PJ: Yes. It's time for some true rest.
[Dane nods and reaches his arm to turn off the lights. The two of them go under their blankets, as the night sky, with the moon shining through the windows.]
[CUT TO]
TURNER MANSION.NIGHT
[The mansion looks to be refurbished and looks somewhat like new, even within the darkness, with a slight overglow with the moonlight.]
[CUT TO]
TURNER MANSION.BASEMENT.NIGHT
[The basement is different from before. Very vacant. Barely any furniture. Only a few couches and a table. Off in a corner, a Grimoire sits on a pedestal opened up, with Collin standing in front of it. Eloise is there facing him.]
Collin: You know. There's no turning back. Eloise. From this.
Eloise: But as what I am now. We won't be happy forever. Can't provide Tamora what she needs.
Collin: You do know it's the twenty-first century. There's ways to do it now.
Eloise: Yea. I know. But looking through the records that the Dark Sorcerer left behind, my creator, it is tied to my gender. And I am a demon who lives forever. I'll never grow old with my love.
Collin: I'm surprised that both you and the Charmer Demon didn't die due the Dark Sorcerer being dead.
Eloise: Because the two of us were not created with his blood. The Dark Sorcerer did a ritual to make us who we were. Him. A Charmer Demon. And I. The Enchantress Demon.
Collin: I see. Are you ready?
Eloise: I am.
Collin: Here we go.
[Collin moves his face towards the page that he is on in the Grimoire.]
[CLOSE UP: ON GRIMOIRE.]
[It reads:]
TRANSFORMATION SPELL
A spell to change a being's form, into any shape, or any other being. Once casted, the spell is permanent and cannot be reversed unless by a higher unknown power.
Incantation
Hear my words,
Power of dark magic,
Come to me,
Beyond time and space,
Change once was before,
To something new,
To what they truly desired,
Forever unchanged.
[He begins to cast the spell.]
Collin (cont'd) (chanting): Hear my words, Power of dark magic,
Come to me, Beyond time and space, Change once was before,
To something new, To what they truly desired, Forever unchanged.
[And then it happens. Swirls of dark blueish black orbs of light surround around Eloise. Her appearance then starts to change. The medium black long hair changes to a short quiff hair, eyes remain the same, a lighter skin than usual, her body stature becoming more structured. Orbs of light now dissipate. She is truly transformed into a young handsome man, in which only half of his face can be seen, looking to be of mid-20 of a Latin ethnicity. Collin faces forward is surprised of the transformation.]
Collin: Oh my gosh. It worked. There is a true change.
Handsome Latin Young Man: Yes. Oh... My voice... too. It's deeper.
Collin: And the next step is for the identity. There's a potion in it in here too. But no rush now. We can do it tomorrow. It's getting late.
Handsome Latin Young Man: Okay. Collin.
Collin: Have you figured out a name yet?
Handsome Latin Young Man: Not yet. But hopefully by tomorrow. Time for bed now. Yea.
Collin: You remember where the guest room is? Or one of it?
Handsome Latin Young Man: Yes.
Collin: Alright. It's time to head back upstairs.
[The Handsome Latin Young Man heads up the steps first followed by Collin. And the stairs become empty as the lights are turned. Complete darkness.]
[GO OUT TO BLACK]
[OPENING CREDITS]
SAN FRANCISCO.DAY
[Several shots of all locations of San Francisco to the song of Dove Cameron's "My Destiny."]
[Lyrics playing: But that's how it's gonna be/No dream too small/Giving it my all/That's my destiny/ Every day's a crazy ride/But I'll stay strong because I/I decide my destiny/Facing a long and difficult climb, my destiny ]
[CUT TO]
THE BAY MIRROR.DAY
[BKG music fades off to the still image of The Bay Mirror.]
[CUT TO]
THE BAY MIRROR.EDITOR IN CHIEF'S OFFICE.DAY
[Coop is with a man, Ashley Phillips (25), talking with him.]
Coop: So your boss has experience?
Ashley: More than enough experience. Has three branches. New York. Chicago. And Boston.
Coop: But why send you and not meet me in person?
Ashley: Well. What can I say. She's a busy woman.
Coop: I'm sure she could have found time.
Ashley: Trust me. I tried. Being her assistant.
Coop: But I don't know about this. My wife's legacy. Afraid this new person...
Ashley: You don't have to worry about that. My boss knows of your family. And Bay Mirror's legacy. Things won't be changed.
Coop: I hope I can trust your words. But got no choice...
Ashley: Mr. Halliwell. Trust me. The Bay Mirror will be in good hands. When she arrives.
Coop: I hope your words ring true.
Ashley: It does. I'll see you soon again. With my boss.
Coop: Alright. Mr. Phillips. Thank you for meeting with me. And have a good morning.
Ashley: You too. Mr. Halliwell.
Coop: Let me escort you out. Mr. Phillips.
Ashley: Why thank you. Sir.
[Coop gets out of his seat and escorts Ashley out of the door and closes it. He gets to the desk and is assuming to be staring of a photo someone.]
Coop: Oh. Phoebe dear. I miss you so much. Hope this is the right choice.
[CLOSE UP: ON PHOTO. It is of a smiling Phoebe with Coop next to her. In front of The Bay Mirror.]
[CUT TO]
MAGIC SCHOOL.MAIN HALL.DAY
[On a wall. Lynn is drawing a large triquetra on the wall with Chris and Peyton by her side.]
Chris: We're going to miss you so much. Daughter.
Peyton: After all. You really have grown on me. My beautiful niece.
Chris: So one thing. Who's your mother? Is it a demon? You can shimmer.
Lynn: Dad. Aunt Peyton. You know I can't say.
Chris: Of course.
Lynn: I won't be gone forever. You know.
Chris: I know. Lynn. It's just... What happened? Almost lost you.
Lynn: I don't blame you. Dad. It was Olivius' doing. Now he's gone. My future will be better. And I will see her again. Alive. The one who sacrificed herself so I could go back.
Peyton: Also. Thanks for the advice. On following my heart.
Lynn: It was no problem. Aunt Peyton. You had the answer all along.
Peyton: It's just... I don't know what to do.
Lynn: You got time. Baby steps. Slowly. No rush.
Peyton: It's just so weird. I'm a mother now. So young. And now have to balance teaching at Magic School.
Lynn: I believe in you. Aunt Peyton. You're stronger than you think. Now it's time.
Chris: Yes it is. See you soon. Hopefully. I love you. Lynn.
Peyton: We both love you.
Lynn: And also. And Uncle Wyatt and Aunt PJ will keep the secret of who I am?
Chris: They will. Don't worry.
Lynn: Great. Alright. Bye dad. Aunt Peyton. It's time to go home.
Chris: One last hug. Please.
Lynn: Alright. Dad.
[The two embrace each other for a couple moments. And break apart. Lynn walks to where the Triquetra is and gets ready to cast the spell.]
Chris: See you soon. Lynn.
Peyton: And safe travels.
[Lynn nods towards them. She then moves her sight back over to the Triquetra and begins to cast the spell.]
Lynn (chanting): Hear these words, hear the rhyme, Heed the hope within my mind, Send me back to where I'll find, What I wish in place and time.
[The Triquetra then turns into a portal. She turns around waving goodbye to her father and Aunt, and then back at the wall, walking through. Finally, the portal closes.]
Chris: And now she's gone.
Peyton: Not forever. Chris.
Chris: Yea. I know. But it was nice having her around. Wanted to have more time with her.
Peyton: I understand. Chris.
[Helena then ORBS in. Chris and Peyton are surprised at her arrival.]
Chris: Helena. What are you doing here? Something wrong?
Helena: Sort of. It's complicated. But no one must be involved except you.
Peyton: Why?
Helena: Cause reasons.
Peyton: My. You Elders are so mysterious. Besides I got someplace to be anyway.
[Peyton BEAMS out.]
Chris: So what's going on? Helena.
Helena: One of the Elders had an unfortunate premonition about you. And it's bad.
Chris: How bad?
Helena: Really really bad. If you don't make this decision I'm offering.
Chris: What decision? What's going on?
[Chris looks serious now.]
Helena: One of the Elders. Saw you being the supreme leader of San Francisco. With a Phoenix Witch by your side. It wasn't a clear image. But he said the tattoo was clear.
Chris: Are you sure it's "the future the future" and not an alternate future.
Helena: It is the future. Premonition usually would reveal the true future.
Chris: So what's the offer?
Helena: Become an Elder. And leave the real life. Being down in the real world. From what the Elders think will further corrupt you.
Chris: This is outrageous. I can't leave my family just like that. Dad used to be like that. And it broke my mother's heart for a while. Till he fell from Grace.
Helena: Please. Think about it. Chris. If that future comes to be, your family would be horrified about it.
Chris: How long I got to decide?
Helena: Till the end of today. Chris.
Chris: That's not enough time. Helena.
Helena: Sorry. I'm not in charge. It was Jacob's orders.
Chris: Alright. I'll try to think about it.
Helena: I'll check by then. Chris.
[Helena ORBS out. Chris then paces around a bit in deep thought.]
Chris: This is crazy. I'm going to end up being like Olivius. Nooo... Maya loves me. She wouldn't in the... convince me to go to... I ...
[He then ORBS out.]
[GO TO COMMERCIAL BREAK.]
SAN FRANSCISCO SUPERIOR COURT.ENTRANCE.DAY
[Parker is standing a couple feet away from the entrance. She has a slight smile.]
Parker: Wow. It's been a while. Time to face the real truth of why I left this career. Fear. The bakery was a safer route and more time with Adrian...
Parker (cont'd): It's time to stop lying to myself and continue my dream. Fighting for justice.
Daniel (o/s): I always had hope for you. Miss Halliwell.
[She turns around is surprised to see her ex-boss, Daniel Jacobson.]
Parker: Mr. Jacobson. What a surprise. And how much did you hear?
Daniel: Oh. Everything.
[Parker's face goes red with embarrassment.]
Parker: I... This is...
Daniel: No need to explain. Just have one message for you. Go find your brother. Collin.
Parker: Um. Why?
Daniel: You'll find out when seeing him.
Parker: Alright. Mr. Jacobson. But seriously. But what brings you here?
Daniel: You know. Miss Halliwell. The usual. A trial.
Parker: Right. Of course. It was nice to see you again.
Daniel: Same to you. And good luck. In your future endeavors.
Parker: Thank you. Mr. Jacobson.
[Parker scurries off. Daniel then grins with delight.]
Daniel: Now it's up to you. Collin.
[He then goes up the steps and enters through the door entrance.]
[CUT TO]
MATTHEWS/MITCHELL MANOR.TAMORA'S BEDROOM (INSIDE DREAM).DAY
[On the bed, Tamora, wearing light blue dress, is laying on top of Eloise, who is wearing black lingerie.]
Tamora: Oh. My. I miss your body so much. So sorry. For letting you go.
Eloise: Stop talking. Babe. Let's enjoy the moment. Let's get you out of this dress. Shall we?
Tamora: Oh yes.
[Eloise then unzips the dress, and it reveals a white lingerie. They begin to start making love, when an echoing voice calls for Tamora.]
Echoing Voice: Miss Mitchell! Miss Mitchell!
[She is awoken.]
[CUT TO]
SOUTH BAY SOCIAL SERVICES. TAMORA'S OFFICE.DAY
[Tamora wakes up and is drooling a bit, and grabs a tissue to wipe it.]
Tamora: Right. Lucas!
Lucas (o/s): Yea. I been calling your name for like ten minutes now.
Tamora: Sorry. Lucas. What's up?
Lucas (o/s): We got a client. And he doesn't want to see me. But you.
Tamora: Alright. Let him in.
Lucas (o/s): Yes. M'am.
[Tamora walks over and opens the door. And then. The Handsome Latin Young Man walk in and closes the door right behind him. She becomes enamored by him, whose full face is revealed, as her face goes red.]
Tamora (nervous): H... i...
[He notices the nervousness in her face.]
Handsome Young Latin Man: Hello. Miss Mitchell. I should be the nervous one here. Enrique Lozada.
Tamora: I... Sorry. Don't know what's wrong with me. Yes. Tamora Mitchell. So Lucas tells me you insisted on working with me instead.
[Enrique smirks.]
Enrique: There's a reason for it.
[Tamora's eyes goes in confusion.]
Tamora: Really?
Enrique: I'll show you.
[He leans in and kisses her lips sweetly. She pushes him away and gives him a hard slap.]
Tamora: What the hell? Dude.
Enrique: Tam. It's me. I look different. But really me. Eloise.
[Tamora gasps. Her eyes go wide with shock.]
Tamora: No way. How?
Enrique: It's a long story. Babe.
Tamora: I... This is going to be hard to get used to. But... And. I'm sorry. For ending things with you.
Enrique: It's okay. I had no stable life. And now with this new identity. It can happen. And also grow old with you.
Tamora: I really missed you. Elo... Enrique now.
Enrique: We can see each other tonight. At Halliwell's. Heard your cousin got a renowned pop singer to perform.
Tamora: Yea. My sister's idol. Sure. And you can explain everything. And how all this happen.
Enrique: Yea. Sure. Babe. See you later tonight. But...
Tamora: But what?
Enrique: There's another reason for coming here besides reuniting with you. You see. The new identity, is someone who lost their home and nowhere to go. And... Jobless.
Tamora: I'll see what I can do. Maybe Collin can lend you a room. He has a big mansion.
Enrique: Yea I guess. Or could stay the night with you after our date.
Tamora: I... don't know. My parents.
Enrique: I mean. You brought me over before. Well. Other me.
Tamora: I'll think about it. Okay.
Enrique: Seem like a yes. See you. Tam.
[Enrique walks out of the door and closes it. She goes back to her desk sitting down, still a bit shocked of what was experienced. The surprised look remains.]
[CUT TO]
TOP OF GOLDEN GATE BRIDGE.DAY
[Chris is hovering, above. In deep thought. ]
Chris: This is just... I love Maya. She loves me. Wouldn't allow me to be tempted by evil. But that future Helena told me about...
[He sighs for a few seconds and continues to hover, closing his eyes, still deep in thought.]
[CUT TO]
UNKNOWN ALLEY.DAY
[Maya has a man, on the ground, looking scared, as she is able to ready her athame to finish the kill. And then it happens. A weird feeling. Vomit happens.]
Man: Ew. Gross. What the hell.
[She looks horrified.]
Maya: Seriously. Again. What is wrong with me?
[And then SHIMMERS out.]
Man: Ew. So gross. Ugh. It's going to take forever to take the smell from it off.
[He then runs off, still looking in disgust of the vomit that is on him.]
[GO TO COMMERCIAL BREAK.]
BAKER HIGH.DAY
[Still image of Baker High.]
[CUT TO]
BAKER HIGH.PRINCIPAL'S OFFICE.DAY
[Kat is with the principal, Monica.]
Monica: I'm sorry to pull out you out of your class abruptly.
Kat: It's alright. I don't mind. Principal business is always urgent.
Monica: So nice. Anyway. So there's an opening for a music professor at San Francisco State University. And I recommended you.
[She gasps.]
Kat: But why. Me. And not Gale.
Monica: Because. Ms. Morais seems to love it here. But you... Your talents are wasted in this school. Considering your level of education in comparison to Ms. Morais.
Kat: I... How. Only Gale and the last principal knows.
Monica: I have my ways. Lots of connections. Beside one of the professors you learned from, was my father. And he was very intrigued with you.
Kat: But I don't have a professor with the last name, Bright.
Monica: Oh sorry. My stepfather I mean. After my father died, he really saw me as his own daughter, and was the best friend of him. Professor Lester Bridges.
[Kat gasps again.]
Kat: That grump. I thought he... But somehow ended with an A in his class.
[Monica chuckles a bit.]
Monica: He's not as bad you think. Just likes to be professional with his students. You know what I mean.
Kat: Are you sure? Every time I asked for clarification. Told me to figure it out on my own.
Monica: That's him for you. It's just his method of teaching.
Kat: I see.
Monica: So yea. He's retiring soon. And my stepfather. Specifically asked for you.
Kat: No way. I'm taking over for him? This is a big responsibility.
Monica: You'll do fine. Miss Mitchell. If my father trusts you, then it's guaranteed. Professor Bridges has been there for many years.
Kat: Alright. Thank you. When do I start?
Monica: Next school year. Don't worry. You have time to finish off the year here at Baker High. But please keep on the down low for now. It seem some of the students do enjoy your lessons.
Kat: Thank you. Principal Bright. I don't know how to repay you.
Monica: There's no need. Just keep doing your usual work. Considering an early bday present. I know your birthday is around the summer vacation.
Kat: Again. Thank you so much.
Monica: May I escort you out? Miss Mitchell.
Kat: Sure. Of course. Thank you. Principal Bright.
[Monica gets out of his chair and escorts Kat out of the door. She then locks it heading back to her desk to do more work on the computer.]
[CUT TO]
MAGIC SCHOOL.HEADMISTRESS' OFFICE.DAY
[Peyton is sitting in front of Paige. She looks a bit nervous.]
Peyton: This is so weird. Being in this spot.
Paige: Come on. Peyton. I mean. Miss Halliwell. Stop being nervous. You got this.
[She takes a breath and relaxes a bit.]
Peyton: Thanks. Headmistress. So what's going on? Is my work as a teacher's assistant not good.
Paige: No. You're doing great. It's just I heard... About your kid.
Peyton: Oh man. I was accidentally talking in my sleep. And dad heard.
Paige: I know you always wanted to be teaching here. But with a kid now. Magic School does not pay. You got your teaching credentials. Why not apply to be a teacher in the real world?
Peyton: But this is my dream. Just a few more years. And I'll be an official teacher here.
Paige: I know. But kids take a lot of work. Till your Uncle Henry became a Chief before leaving it over to Mitchell, we barely made it through, with the twins, and Junior.
Peyton: But... Seriously.
Paige: There's still options. You can partly teach here and do full time in the real world. That's what Mr. Barten does here. Part time teaches here when needed and also is a professor in the real world.
Peyton: Well. I guess that's a good option. But it's been too late. There's no way there's any positions for teachers right now. In a couple of months, it will be the end of the school year.
Paige: Maybe try asking Kat. She works at Baker High. Maybe there's some folks whom are retiring.
Peyton: That's a possibility. I'll try calling Kat.
Paige: We're done here. Peyton. I mean. Miss Halliwell. So weird. I get what you mean.
Peyton: Yea. You're basically my boss now. Aunt Paige. I mean. Headmistress.
Paige: Alright. Of you go. Miss Halliwell.
Peyton: Yes. M'am.
[Peyton exits out of the office. Paige returns to looking at her screen doing some work.]
[CUT TO]
UNDERWORLD.VAMPIRE QUEEN'S CAVE.DAY
[Caitlin is seen, asleep on the throne, as Katherine gently grazes her head. Hirsch enters and bows down. Her mood changes and she doesn't look happy at his arrival.]
Katherine: What are you doing here? Hirsch. And stand up.
Hirsch: Of course. My Queen.
[He stands up face to face with her.]
Hirsch(cont'd): It's time to pay up. For how I helped you.
Katherine: Fat chance. I'm the vampire queen now. You dare to tell me what to do.
Hirsch: A bit emotional. Aren't we? Must be those mood swings coming from being a mother.
Katherine: You insolent Elder.
[Katherine grabs him by the sleeve and throws him far with brute strength towards the wall but he is able to shadow orb before hitting the wall and shadow orb back in, almost near distance in front of her.]
Hirsch: Not nice. Katherine. I could take this power away. The title of the Vampire Queen.
[He points to a black colored royal crest on her arm.]
Katherine: I...
[And Hirsc from behind, gets shocked with high surging powered lightning and starts to scream in pain.]
Hirsch: Aaaaaaah! Whaaaat!
[And it stops. He falls to the floor, and behind, an Elder, Paul is seen, standing next to Belphas, surprisingly. And then turns into dust.]
Paul: His race must never been allowed to exist. Was he the only one?
Belphas: For sure. Paul. Been following him since forever.
[Katherine is shocked.]
Katherine: Belphas? Why are you working with an Elder?
Belphas: We had a mutual agreement. His bosses got known of the information of this Fallen Elder. And since this guy know too much about the Elders and is a threat.
Paul: My bosses. The Head Elders. Had me work with him to deal with Hirsch. As he also saw him as a threat and a very powerful magical being.
Katherine: I see. Figures. With Olivius gone. Hirsch would be the one next powerful to rule the underworld. And you always wanted that positon for a while, pretending to be loyal to Olivius.
Belphas: Yea. And it was tiring. And now with Hirsch gone. Your obligations to him are gone. Check your arm.
[She checks her arm and sees the mark is gone.]
Katherine: Wow. That's great.
Belphas: Yea now. I must do what I need to do.
Paul: And I must head back. To my bosses.
[Paul ORBS out. Belphas begins to shimmer out when Katherine slightly pulls his hand back to get his attention.
Katherine: Wait. I have one more thing I need to know.
Belphas: Okay. Ask away.
Katherine: I want to know what happens with about the other vampires under my reign since now Hirsch is gone.
Belphas: Well. Hirsch got to them. And they were going to betray you and one of them was going to be the Queen and take your place.
Katherine: Oh I see. So I assumed you dealt with them.
Belphas: Something like that.
Katherine: So? Now what?
Belphas: You owe me. Katherine. I'll be back once I get the control that belonged to Olivius and Vincent Morgan. Do whatever you want now. There is no threat anymore. For you.
[Belphas SHIMMERS out.]
[Katherine walks over to where Caitlin and place a hand on her gently. She is still sleeping. And stares at her daughter sweetly.]
Katherine: I'll let you sleep a bit more. Caitlin. And then we'll figure out what to do later.
[She continues to look over her daughter sleeping peaceful.]
[GO TO COMMERCIAL BREAK.]
TOP OF GOLDEN GATE BRIDGE.DAY
[Chris now stops hovering, opening his eyes.]
Chris: It's time.
Chris (cont'd): Helena! Helena!
[Helena ORBS in.]
Helena: Finally made your decision. Chris.
Chris: Yes. Helena. But you have to promise me. That after I become an Elder, the same situation won't happen with my father, when he was barely around.
Helena: I can't promise you that. Chris.
Chris: At least I tried. Worth asking. I guess.
Helena: Are you ready? Chris. You have to really want it. Or the transformation won't happen.
Chris: I understand.
Helena: Alright. I'll be here waiting.
[He closes and focuses on his motivation.]
Chris: To protect my family. And everyone I care about from dying. Like Bianca. And Ma... Nvr mind. She wouldn't understand. I accept my duties.
[But nothing happens. No transformation.]
Chris (cont'd): Did it happened?
Helena: Nope. Chris. Guess it was not meant to be.
[And then a weird feeling comes to him.
Chris: I... Someone needs me. Can't identity if it's a him or her. But...
Helena: Go. Chris. Charges are more important.
Chris: Got it.
[Chris ORBS out.]
[CUT TO]
EMPTY STREETS.DAY
[Cassandra is with Leila and Vera, facing off against Maya. Off to a corner, a somewhat lifeless Aquila, with an athame that was stabbed to her heart. They shoot Energy Balls at her but Maya SHIMMERS in and out to avoid it. It seems the walls have suffered some burns.]
Cassandra: I can't believe. You. Carrying his spawn.
Leila: How could you let it go this far?
Vera: Yea. Just like Bianca.
Maya: I'm nothing like Bianca. Stop comparing myself to her.
Cassandra: Well it's true. You fell for him too.
Leila: Stop being a coward and fight.
Vera: Yea.
Maya: I can't. Don't want to put stress on my future baby. Please spare me. Let me leave the coven.
Cassandra: Sorry. Can't do that.
Leila: You and that spawn must die.
Vera: Yea.
Cassandra: Finish her now and the spawn.
[The three throw energy balls at Maya.]
Chris (o/s): Not on my watch!
[Chris ORBS in and redirects the energy balls back blowing them up.]
Maya: Chris!
Chris: Maya! You were the one in need?!
Maya: Chris! Watch out!
[From behind, Cassandra, Leila, and Vera reformed and send energy balls at him.]
Maya: Nooo!
[She then sees a flurry of Energy Balls to clash against their attacks. A rebound blast happens nearly about to knock Maya back but Chris steps in ORBING her and him out.]
Cassandra: No! We lost them!
Leila: The scent is still fresh. We can still...
Vera: Yea. Cassandra.
Cassandra: No! It's too risky. He could be getting reinforcements. We retreat for now.
[The three SHIMMER out.]
[CUT TO]
HALLIWELL MANOR.CHRIS' BEDROOM.DAY
[Chris ORBS in with Maya. She notices he looks different.]
Maya: Um. Why are you in those robes?
Chris: What robes? That's not important. Are you okay?
Maya: I'm fine. Chris. Just shaken. You haven't answered my question.
Chris: I don't get it. What robes?
Maya: Take a look at yourself.
[He takes a look of himself and notice the change. Golden robes on him.]
Chris: Wow. It happened. I'm an Elder.
Maya: I knew it would be too good to be true. You're an Elder now.
Chris: Yea I know. So what? It doesn't change what I feel about you.
Maya: But it changes our whole relationship. The other Elders wouldn't want one of their fellow kind to be in relation with someone like me. Whom loyalty kind of wavers between good and evil.
Chris: Maya. We'll find a way.
Maya: There will not be a way. Chris. I'll raise my baby on my own.
Chris: Wait. Baby! What do you mean?
Maya: That's why my kind were after me. I'm pregnant with your child. And they don't like it.
[Chris gasps.]
Chris: But how? We used protection.
Maya: Sometimes we forget. Gave into our desires. And...
Chris: We can raise the baby together. And I can protect you and the future baby with my new powers.
Maya: I don't know. Chris. This isn't going to work. I'm a still a Phoenix Witch. And one day I will be forced to kill one of your own kind, if needed.
[Jacob and Helena ORB in.]
Jacob: There's a misunderstanding.
Helena: A clearer premonition has been seen. The Elder saw your kids. What he saw only was a play.
Chris: Kids?
Maya: That's. It's not right. I'm a Phoenix Witch. And he's an Elder now.
Jacob: There was a decision. An exception for you.
Helena: Your love for Maya activated the transformation.
Jacob: As such. If you two want, the relationship between you two is not forbidden.
Maya: Wait what?!
Jacob: Yes. You two can be together.
Chris: That's great news. But I'm an Elder now. Even though we can be together, I have duties.
Helena: Chris. You're a special case. Just like your father. His love for Piper elevated him to a higher purpose.
Jacob: And your love for Maya. Elevated you. To becoming an Elder.
Chris: But I know what happened with dad. He was barely around and other future me resented him for it.
Jacob: We provided the exception for you. Chris. You don't have to leave your family. Or anything. The future baby needs both their father and mother.
Helena: Yea. And good luck. Chris. Stay safe.
Chris: Thank you. Jacob. Helena.
[They ORB out.]
Maya: Chris. This is great news. But Cassandra and the other Phoenix Witches will still be after me.
Chris: The manor has a barrier spell. I doubt no intruders can get in. And if they do, I'll be here protecting you and your baby. I mean our baby.
Maya: Um.. Wa... it. Excu... Aga.. Bath... room.
Chris: No worries. I'll orb you there.
[Chris takes Maya's hand and ORBS them out.]
[CUT TO]
HALLIWELL'S.DAY
[The building is the same but a bit wider than before. Customers can been seen eating inside.]
[CUT TO]
HALLIWELL'S.THE OFFICE.DAY
[Both Melinda and Felicia are sitting, facing each other on each side. Melinda is cheerful than usual.]
Melinda: I can't believe we got Raven Bloome. To perform on our new stage. Later tonight.
Felicia: Yea I know. Got to thank Kyle for this.
Melinda: He's such a great friend to my cousin.
Felicia: Yes. So. We're engaged now. Right? Babe.
Melinda: Yea. Where you going with this?
Felicia: Don't want to wait anymore. Let's start planning our wedding. Now. Before more trouble happens.
Melinda: That's a great idea. But let's think about that later. Have a bit of fun in the office.
Felicia: Um. Mel. I don't want to dirty the desk.
Melinda: Oh. Felicia. We're just going to make out.
Felicia: Alright. I suggest we pull the curtains down just in case.
Melinda: Right. Of course.
[Melinda runs over and closes the curtains. The room is a bit darker but the lights still show a slight glow. And then. The two begin going for it. Each of them taking their blouse, off, and Felicia pulling Melinda, kissing her, and on the wall. And the position is switched, the make out continues. The camera begins to....]
[GO OUT TO BLACK]
[GO TO COMMERCIAL BREAK]
GOLDEN GATE BRIDGE.DAY TO NIGHT.NIGHT
[Time changes on the bridge from sunlight to the night sky.]
[CUT TO]
HALLIWELL'S.DINING ROOM.STAGE AREA.NIGHT
[Enrique and Tamora, are right in dead center, in the front near the stage. He is wearing a nice black suit, and her a black dress to match. They are enjoying the music while eating their meal, of pop star sensation, Raven Bloome. Down two tables are Kat and Declan, them in matching also, in a white lacey dress, and white suit. To the left of them, are Junior and Angelie, and the right, Wyatt and Arika. It is seem that only Wyatt has wine. And water for her. The singer is on the chorus as now the camera zooms to her.]
Raven Bloome(singing): The Fire is burning, hot, hot, The fire is burning, hot, hot,The fire is burning, hot, hotLet me feel the heat of love, Coursing through my body, Let me feel those lips, Sizzling with love.
[The singing continues as the camera pans over to Kat and Declan, where she is singing along to the music.]
Kat (singing along): And the fire, is burning hot, hot, burning, hot hot, The fire is burning, hot, hot,It's time to light my heart on fire, True desire, Ignite the fire, Of love, And the fire is burning, hot, hot, Burning, hot, hot, Till the end.
[And the song ends. Kat returns to eating her meal with Declan.]
[CUT TO]
HALLIWELL/COOP MANOR.NIGHT
[Still image of Halliwell/Coop Manor.]
[CUT TO]
HALLIWELL/COOP MANOR.PEYTON'S BEDROOM.NIGHT
[Peyton is cuddling together in the same bed with Katherine, with their regular clothes still on. A white blouse and pants, and crimson tank top, with comfortable jeans on. They stare at each other dearingly.]
Peyton: So what now for us?
Katherine: No idea. But at least we are happily together. Now. With no opposition.
Peyton: I feel really bad about your brother.
Katherine: He'll get over it. Eventually.
Peyton: I'm sorry for pushing you away. Was scared.
Katherine: I pushed you away first. Should have fought for you more.
Peyton: What are we going to do about our ten year old kid? She's like younger than half my age.
Katherine: No idea. We can figure that out later.
Peyton: Yea I guess so.
Katherine: All I want do now is just be cuddled by you for the rest of the night.
Peyton: I can arrange that.
[Peyton reaches over to turn off the lights. The two come closer, hugging each other, as their eyes begin to fall asleep.]
[CUT TO]
HONOLULU, HAWAII.NIGHT
[Aerial view of the whole city. In the night sky. Clear skies. Stars and the moon can be seen. Of this beautiful landscape.]
[CUT TO]
HOTEL.NIGHT
[PJ is in her light pink lingerie, and Dane without his shirt on, sleeping peacefully in bed, the moonlight shining through the windows of the top floor].
[CUT TO]
DANIELS MANSION.ENTRANCE.NIGHT
[An auburn hair woman, Gwen Daniels( late 20's), arrives at the door, with two luggages. Only her back is seen. The outfit is a nice white blouse with a black skirt, along with black heels, and a black small purse.]
Gwen: I'm finally home. It's time to honor Phoebe Halliwell.
[She enters through the door. And it is then closed. Camera zooms on the door as it...]
[GO OUT TO BLACK.]
[END OF EPISODE.]
[END OF SEASON 3.]
[End Credits rolling to shortened theme song to reveal supporting cast and guest stars.]
Co-Starring:
Victor Webster as Coop
Rose McGowan as Paige Matthews
Ashley Greene as Arika Wilcox
Taylor Lautner as Dane Patten
Adelaide Kane as Felicia Quigley
Taron Egerton as Declan Woods
Bill Skarsgard as Collin Turner
Also Featuring:
Camila Mendes as Eloise
Paul Wesley as Ashley Phillips
Odette Annable as Lynn
Viola Davis as Helena
Orlando Bloom as Daniel Jacobson
Lucas Grabeel as Lucas Burns
Gabriel Conte as Enrique Lozana
Cerina Vincent as Maya
Elizabeth Berkley as Monica Bright
Nina Dobrev as Katherine Hunter
CC King as Caitlin
Jason Bateman as Hirsch:
Jason Isaacs as Paul
Kevin Spacey as Belphas
Katherine Heigl as Cassandra
Valerie Vernon as Leila
Katrina Devine as Vera
Cerina Vincent as Maya
James Earl Jones as Jacob
Ariana Grande as Raven Bloome
Nikki DeLoach as Gwen Daniel
Uncredited Actor as A Man
Uncredited Actor as Handsome Young Latin Man
HALLIWELL/COOP MANOR.NIGHT
[Still image of Halliwell/Coop Manor.]
[CUT TO]
HALLIWELL/COOP MANOR.PEYTON'S BEDROOM.NIGHT
[Peyton just jumps on her bed and dumps her purse on the floor. She looks exhausted.]
Peyton: That was some night. That kiss. And the reveal. I can't believe I have a daughter. How could she... But man...
Peyton (cont'd): I'm really tired.
[She turns off the lights in her room.]
[CUT TO]
PJ'S CONDO.NIGHT
[Still image of PJ's Condo.]
[CUT TO]
PJ'S CONDO.BEDROOM.NIGHT
[PJ is looking worrisome, laying her back against the pillow, wearing light pink pajamas, with a short sleeve top. Dane, with just his boxers on, jumps into bed with her. The sight of his abs in front, distracts her a bit giving a smile. But then is sulky again.]
Dane: Oh. My love. What's wrong?
PJ: It's just... I mean. That inspiration in Italy. Making my own destiny. Thought it would be great. But now...
Dane: You're not sure what to do with those words?
PJ: Yea.
Dane: I see. But it's getting late. Maybe think about it another day.
PJ: Maybe. But what if... I keep thinking. And nothing is still figured out then.
Dane: Sometimes things take time to realize... One day... You'll figure it out...
PJ: Thanks Dane. You're right. It's getting late. Very tired from today's events... I can't believe...
Dane: Olivius is gone from our lives. He won't cause more trouble anymore.
PJ: Yea.
Dane: Alright. Time for bed. My love.
PJ: Yes. It's time for some true rest.
[Dane nods and reaches his arm to turn off the lights. The two of them go under their blankets, as the night sky, with the moon shining through the windows.]
[CUT TO]
TURNER MANSION.NIGHT
[The mansion looks to be refurbished and looks somewhat like new, even within the darkness, with a slight overglow with the moonlight.]
[CUT TO]
TURNER MANSION.BASEMENT.NIGHT
[The basement is different from before. Very vacant. Barely any furniture. Only a few couches and a table. Off in a corner, a Grimoire sits on a pedestal opened up, with Collin standing in front of it. Eloise is there facing him.]
Collin: You know. There's no turning back. Eloise. From this.
Eloise: But as what I am now. We won't be happy forever. Can't provide Tamora what she needs.
Collin: You do know it's the twenty-first century. There's ways to do it now.
Eloise: Yea. I know. But looking through the records that the Dark Sorcerer left behind, my creator, it is tied to my gender. And I am a demon who lives forever. I'll never grow old with my love.
Collin: I'm surprised that both you and the Charmer Demon didn't die due the Dark Sorcerer being dead.
Eloise: Because the two of us were not created with his blood. The Dark Sorcerer did a ritual to make us who we were. Him. A Charmer Demon. And I. The Enchantress Demon.
Collin: I see. Are you ready?
Eloise: I am.
Collin: Here we go.
[Collin moves his face towards the page that he is on in the Grimoire.]
[CLOSE UP: ON GRIMOIRE.]
[It reads:]
TRANSFORMATION SPELL
A spell to change a being's form, into any shape, or any other being. Once casted, the spell is permanent and cannot be reversed unless by a higher unknown power.
Incantation
Hear my words,
Power of dark magic,
Come to me,
Beyond time and space,
Change once was before,
To something new,
To what they truly desired,
Forever unchanged.
[He begins to cast the spell.]
Collin (cont'd) (chanting): Hear my words, Power of dark magic,
Come to me, Beyond time and space, Change once was before,
To something new, To what they truly desired, Forever unchanged.
[And then it happens. Swirls of dark blueish black orbs of light surround around Eloise. Her appearance then starts to change. The medium black long hair changes to a short quiff hair, eyes remain the same, a lighter skin than usual, her body stature becoming more structured. Orbs of light now dissipate. She is truly transformed into a young handsome man, in which only half of his face can be seen, looking to be of mid-20 of a Latin ethnicity. Collin faces forward is surprised of the transformation.]
Collin: Oh my gosh. It worked. There is a true change.
Handsome Latin Young Man: Yes. Oh... My voice... too. It's deeper.
Collin: And the next step is for the identity. There's a potion in it in here too. But no rush now. We can do it tomorrow. It's getting late.
Handsome Latin Young Man: Okay. Collin.
Collin: Have you figured out a name yet?
Handsome Latin Young Man: Not yet. But hopefully by tomorrow. Time for bed now. Yea.
Collin: You remember where the guest room is? Or one of it?
Handsome Latin Young Man: Yes.
Collin: Alright. It's time to head back upstairs.
[The Handsome Latin Young Man heads up the steps first followed by Collin. And the stairs become empty as the lights are turned. Complete darkness.]
[GO OUT TO BLACK]
[OPENING CREDITS]
SAN FRANCISCO.DAY
[Several shots of all locations of San Francisco to the song of Dove Cameron's "My Destiny."]
[Lyrics playing: But that's how it's gonna be/No dream too small/Giving it my all/That's my destiny/ Every day's a crazy ride/But I'll stay strong because I/I decide my destiny/Facing a long and difficult climb, my destiny ]
[CUT TO]
THE BAY MIRROR.DAY
[BKG music fades off to the still image of The Bay Mirror.]
[CUT TO]
THE BAY MIRROR.EDITOR IN CHIEF'S OFFICE.DAY
[Coop is with a man, Ashley Phillips (25), talking with him.]
Coop: So your boss has experience?
Ashley: More than enough experience. Has three branches. New York. Chicago. And Boston.
Coop: But why send you and not meet me in person?
Ashley: Well. What can I say. She's a busy woman.
Coop: I'm sure she could have found time.
Ashley: Trust me. I tried. Being her assistant.
Coop: But I don't know about this. My wife's legacy. Afraid this new person...
Ashley: You don't have to worry about that. My boss knows of your family. And Bay Mirror's legacy. Things won't be changed.
Coop: I hope I can trust your words. But got no choice...
Ashley: Mr. Halliwell. Trust me. The Bay Mirror will be in good hands. When she arrives.
Coop: I hope your words ring true.
Ashley: It does. I'll see you soon again. With my boss.
Coop: Alright. Mr. Phillips. Thank you for meeting with me. And have a good morning.
Ashley: You too. Mr. Halliwell.
Coop: Let me escort you out. Mr. Phillips.
Ashley: Why thank you. Sir.
[Coop gets out of his seat and escorts Ashley out of the door and closes it. He gets to the desk and is assuming to be staring of a photo someone.]
Coop: Oh. Phoebe dear. I miss you so much. Hope this is the right choice.
[CLOSE UP: ON PHOTO. It is of a smiling Phoebe with Coop next to her. In front of The Bay Mirror.]
[CUT TO]
MAGIC SCHOOL.MAIN HALL.DAY
[On a wall. Lynn is drawing a large triquetra on the wall with Chris and Peyton by her side.]
Chris: We're going to miss you so much. Daughter.
Peyton: After all. You really have grown on me. My beautiful niece.
Chris: So one thing. Who's your mother? Is it a demon? You can shimmer.
Lynn: Dad. Aunt Peyton. You know I can't say.
Chris: Of course.
Lynn: I won't be gone forever. You know.
Chris: I know. Lynn. It's just... What happened? Almost lost you.
Lynn: I don't blame you. Dad. It was Olivius' doing. Now he's gone. My future will be better. And I will see her again. Alive. The one who sacrificed herself so I could go back.
Peyton: Also. Thanks for the advice. On following my heart.
Lynn: It was no problem. Aunt Peyton. You had the answer all along.
Peyton: It's just... I don't know what to do.
Lynn: You got time. Baby steps. Slowly. No rush.
Peyton: It's just so weird. I'm a mother now. So young. And now have to balance teaching at Magic School.
Lynn: I believe in you. Aunt Peyton. You're stronger than you think. Now it's time.
Chris: Yes it is. See you soon. Hopefully. I love you. Lynn.
Peyton: We both love you.
Lynn: And also. And Uncle Wyatt and Aunt PJ will keep the secret of who I am?
Chris: They will. Don't worry.
Lynn: Great. Alright. Bye dad. Aunt Peyton. It's time to go home.
Chris: One last hug. Please.
Lynn: Alright. Dad.
[The two embrace each other for a couple moments. And break apart. Lynn walks to where the Triquetra is and gets ready to cast the spell.]
Chris: See you soon. Lynn.
Peyton: And safe travels.
[Lynn nods towards them. She then moves her sight back over to the Triquetra and begins to cast the spell.]
Lynn (chanting): Hear these words, hear the rhyme, Heed the hope within my mind, Send me back to where I'll find, What I wish in place and time.
[The Triquetra then turns into a portal. She turns around waving goodbye to her father and Aunt, and then back at the wall, walking through. Finally, the portal closes.]
Chris: And now she's gone.
Peyton: Not forever. Chris.
Chris: Yea. I know. But it was nice having her around. Wanted to have more time with her.
Peyton: I understand. Chris.
[Helena then ORBS in. Chris and Peyton are surprised at her arrival.]
Chris: Helena. What are you doing here? Something wrong?
Helena: Sort of. It's complicated. But no one must be involved except you.
Peyton: Why?
Helena: Cause reasons.
Peyton: My. You Elders are so mysterious. Besides I got someplace to be anyway.
[Peyton BEAMS out.]
Chris: So what's going on? Helena.
Helena: One of the Elders had an unfortunate premonition about you. And it's bad.
Chris: How bad?
Helena: Really really bad. If you don't make this decision I'm offering.
Chris: What decision? What's going on?
[Chris looks serious now.]
Helena: One of the Elders. Saw you being the supreme leader of San Francisco. With a Phoenix Witch by your side. It wasn't a clear image. But he said the tattoo was clear.
Chris: Are you sure it's "the future the future" and not an alternate future.
Helena: It is the future. Premonition usually would reveal the true future.
Chris: So what's the offer?
Helena: Become an Elder. And leave the real life. Being down in the real world. From what the Elders think will further corrupt you.
Chris: This is outrageous. I can't leave my family just like that. Dad used to be like that. And it broke my mother's heart for a while. Till he fell from Grace.
Helena: Please. Think about it. Chris. If that future comes to be, your family would be horrified about it.
Chris: How long I got to decide?
Helena: Till the end of today. Chris.
Chris: That's not enough time. Helena.
Helena: Sorry. I'm not in charge. It was Jacob's orders.
Chris: Alright. I'll try to think about it.
Helena: I'll check by then. Chris.
[Helena ORBS out. Chris then paces around a bit in deep thought.]
Chris: This is crazy. I'm going to end up being like Olivius. Nooo... Maya loves me. She wouldn't in the... convince me to go to... I ...
[He then ORBS out.]
[GO TO COMMERCIAL BREAK.]
SAN FRANSCISCO SUPERIOR COURT.ENTRANCE.DAY
[Parker is standing a couple feet away from the entrance. She has a slight smile.]
Parker: Wow. It's been a while. Time to face the real truth of why I left this career. Fear. The bakery was a safer route and more time with Adrian...
Parker (cont'd): It's time to stop lying to myself and continue my dream. Fighting for justice.
Daniel (o/s): I always had hope for you. Miss Halliwell.
[She turns around is surprised to see her ex-boss, Daniel Jacobson.]
Parker: Mr. Jacobson. What a surprise. And how much did you hear?
Daniel: Oh. Everything.
[Parker's face goes red with embarrassment.]
Parker: I... This is...
Daniel: No need to explain. Just have one message for you. Go find your brother. Collin.
Parker: Um. Why?
Daniel: You'll find out when seeing him.
Parker: Alright. Mr. Jacobson. But seriously. But what brings you here?
Daniel: You know. Miss Halliwell. The usual. A trial.
Parker: Right. Of course. It was nice to see you again.
Daniel: Same to you. And good luck. In your future endeavors.
Parker: Thank you. Mr. Jacobson.
[Parker scurries off. Daniel then grins with delight.]
Daniel: Now it's up to you. Collin.
[He then goes up the steps and enters through the door entrance.]
[CUT TO]
MATTHEWS/MITCHELL MANOR.TAMORA'S BEDROOM (INSIDE DREAM).DAY
[On the bed, Tamora, wearing light blue dress, is laying on top of Eloise, who is wearing black lingerie.]
Tamora: Oh. My. I miss your body so much. So sorry. For letting you go.
Eloise: Stop talking. Babe. Let's enjoy the moment. Let's get you out of this dress. Shall we?
Tamora: Oh yes.
[Eloise then unzips the dress, and it reveals a white lingerie. They begin to start making love, when an echoing voice calls for Tamora.]
Echoing Voice: Miss Mitchell! Miss Mitchell!
[She is awoken.]
[CUT TO]
SOUTH BAY SOCIAL SERVICES. TAMORA'S OFFICE.DAY
[Tamora wakes up and is drooling a bit, and grabs a tissue to wipe it.]
Tamora: Right. Lucas!
Lucas (o/s): Yea. I been calling your name for like ten minutes now.
Tamora: Sorry. Lucas. What's up?
Lucas (o/s): We got a client. And he doesn't want to see me. But you.
Tamora: Alright. Let him in.
Lucas (o/s): Yes. M'am.
[Tamora walks over and opens the door. And then. The Handsome Latin Young Man walk in and closes the door right behind him. She becomes enamored by him, whose full face is revealed, as her face goes red.]
Tamora (nervous): H... i...
[He notices the nervousness in her face.]
Handsome Young Latin Man: Hello. Miss Mitchell. I should be the nervous one here. Enrique Lozada.
Tamora: I... Sorry. Don't know what's wrong with me. Yes. Tamora Mitchell. So Lucas tells me you insisted on working with me instead.
[Enrique smirks.]
Enrique: There's a reason for it.
[Tamora's eyes goes in confusion.]
Tamora: Really?
Enrique: I'll show you.
[He leans in and kisses her lips sweetly. She pushes him away and gives him a hard slap.]
Tamora: What the hell? Dude.
Enrique: Tam. It's me. I look different. But really me. Eloise.
[Tamora gasps. Her eyes go wide with shock.]
Tamora: No way. How?
Enrique: It's a long story. Babe.
Tamora: I... This is going to be hard to get used to. But... And. I'm sorry. For ending things with you.
Enrique: It's okay. I had no stable life. And now with this new identity. It can happen. And also grow old with you.
Tamora: I really missed you. Elo... Enrique now.
Enrique: We can see each other tonight. At Halliwell's. Heard your cousin got a renowned pop singer to perform.
Tamora: Yea. My sister's idol. Sure. And you can explain everything. And how all this happen.
Enrique: Yea. Sure. Babe. See you later tonight. But...
Tamora: But what?
Enrique: There's another reason for coming here besides reuniting with you. You see. The new identity, is someone who lost their home and nowhere to go. And... Jobless.
Tamora: I'll see what I can do. Maybe Collin can lend you a room. He has a big mansion.
Enrique: Yea I guess. Or could stay the night with you after our date.
Tamora: I... don't know. My parents.
Enrique: I mean. You brought me over before. Well. Other me.
Tamora: I'll think about it. Okay.
Enrique: Seem like a yes. See you. Tam.
[Enrique walks out of the door and closes it. She goes back to her desk sitting down, still a bit shocked of what was experienced. The surprised look remains.]
[CUT TO]
TOP OF GOLDEN GATE BRIDGE.DAY
[Chris is hovering, above. In deep thought. ]
Chris: This is just... I love Maya. She loves me. Wouldn't allow me to be tempted by evil. But that future Helena told me about...
[He sighs for a few seconds and continues to hover, closing his eyes, still deep in thought.]
[CUT TO]
UNKNOWN ALLEY.DAY
[Maya has a man, on the ground, looking scared, as she is able to ready her athame to finish the kill. And then it happens. A weird feeling. Vomit happens.]
Man: Ew. Gross. What the hell.
[She looks horrified.]
Maya: Seriously. Again. What is wrong with me?
[And then SHIMMERS out.]
Man: Ew. So gross. Ugh. It's going to take forever to take the smell from it off.
[He then runs off, still looking in disgust of the vomit that is on him.]
[GO TO COMMERCIAL BREAK.]
BAKER HIGH.DAY
[Still image of Baker High.]
[CUT TO]
BAKER HIGH.PRINCIPAL'S OFFICE.DAY
[Kat is with the principal, Monica.]
Monica: I'm sorry to pull out you out of your class abruptly.
Kat: It's alright. I don't mind. Principal business is always urgent.
Monica: So nice. Anyway. So there's an opening for a music professor at San Francisco State University. And I recommended you.
[She gasps.]
Kat: But why. Me. And not Gale.
Monica: Because. Ms. Morais seems to love it here. But you... Your talents are wasted in this school. Considering your level of education in comparison to Ms. Morais.
Kat: I... How. Only Gale and the last principal knows.
Monica: I have my ways. Lots of connections. Beside one of the professors you learned from, was my father. And he was very intrigued with you.
Kat: But I don't have a professor with the last name, Bright.
Monica: Oh sorry. My stepfather I mean. After my father died, he really saw me as his own daughter, and was the best friend of him. Professor Lester Bridges.
[Kat gasps again.]
Kat: That grump. I thought he... But somehow ended with an A in his class.
[Monica chuckles a bit.]
Monica: He's not as bad you think. Just likes to be professional with his students. You know what I mean.
Kat: Are you sure? Every time I asked for clarification. Told me to figure it out on my own.
Monica: That's him for you. It's just his method of teaching.
Kat: I see.
Monica: So yea. He's retiring soon. And my stepfather. Specifically asked for you.
Kat: No way. I'm taking over for him? This is a big responsibility.
Monica: You'll do fine. Miss Mitchell. If my father trusts you, then it's guaranteed. Professor Bridges has been there for many years.
Kat: Alright. Thank you. When do I start?
Monica: Next school year. Don't worry. You have time to finish off the year here at Baker High. But please keep on the down low for now. It seem some of the students do enjoy your lessons.
Kat: Thank you. Principal Bright. I don't know how to repay you.
Monica: There's no need. Just keep doing your usual work. Considering an early bday present. I know your birthday is around the summer vacation.
Kat: Again. Thank you so much.
Monica: May I escort you out? Miss Mitchell.
Kat: Sure. Of course. Thank you. Principal Bright.
[Monica gets out of his chair and escorts Kat out of the door. She then locks it heading back to her desk to do more work on the computer.]
[CUT TO]
MAGIC SCHOOL.HEADMISTRESS' OFFICE.DAY
[Peyton is sitting in front of Paige. She looks a bit nervous.]
Peyton: This is so weird. Being in this spot.
Paige: Come on. Peyton. I mean. Miss Halliwell. Stop being nervous. You got this.
[She takes a breath and relaxes a bit.]
Peyton: Thanks. Headmistress. So what's going on? Is my work as a teacher's assistant not good.
Paige: No. You're doing great. It's just I heard... About your kid.
Peyton: Oh man. I was accidentally talking in my sleep. And dad heard.
Paige: I know you always wanted to be teaching here. But with a kid now. Magic School does not pay. You got your teaching credentials. Why not apply to be a teacher in the real world?
Peyton: But this is my dream. Just a few more years. And I'll be an official teacher here.
Paige: I know. But kids take a lot of work. Till your Uncle Henry became a Chief before leaving it over to Mitchell, we barely made it through, with the twins, and Junior.
Peyton: But... Seriously.
Paige: There's still options. You can partly teach here and do full time in the real world. That's what Mr. Barten does here. Part time teaches here when needed and also is a professor in the real world.
Peyton: Well. I guess that's a good option. But it's been too late. There's no way there's any positions for teachers right now. In a couple of months, it will be the end of the school year.
Paige: Maybe try asking Kat. She works at Baker High. Maybe there's some folks whom are retiring.
Peyton: That's a possibility. I'll try calling Kat.
Paige: We're done here. Peyton. I mean. Miss Halliwell. So weird. I get what you mean.
Peyton: Yea. You're basically my boss now. Aunt Paige. I mean. Headmistress.
Paige: Alright. Of you go. Miss Halliwell.
Peyton: Yes. M'am.
[Peyton exits out of the office. Paige returns to looking at her screen doing some work.]
[CUT TO]
UNDERWORLD.VAMPIRE QUEEN'S CAVE.DAY
[Caitlin is seen, asleep on the throne, as Katherine gently grazes her head. Hirsch enters and bows down. Her mood changes and she doesn't look happy at his arrival.]
Katherine: What are you doing here? Hirsch. And stand up.
Hirsch: Of course. My Queen.
[He stands up face to face with her.]
Hirsch(cont'd): It's time to pay up. For how I helped you.
Katherine: Fat chance. I'm the vampire queen now. You dare to tell me what to do.
Hirsch: A bit emotional. Aren't we? Must be those mood swings coming from being a mother.
Katherine: You insolent Elder.
[Katherine grabs him by the sleeve and throws him far with brute strength towards the wall but he is able to shadow orb before hitting the wall and shadow orb back in, almost near distance in front of her.]
Hirsch: Not nice. Katherine. I could take this power away. The title of the Vampire Queen.
[He points to a black colored royal crest on her arm.]
Katherine: I...
[And Hirsc from behind, gets shocked with high surging powered lightning and starts to scream in pain.]
Hirsch: Aaaaaaah! Whaaaat!
[And it stops. He falls to the floor, and behind, an Elder, Paul is seen, standing next to Belphas, surprisingly. And then turns into dust.]
Paul: His race must never been allowed to exist. Was he the only one?
Belphas: For sure. Paul. Been following him since forever.
[Katherine is shocked.]
Katherine: Belphas? Why are you working with an Elder?
Belphas: We had a mutual agreement. His bosses got known of the information of this Fallen Elder. And since this guy know too much about the Elders and is a threat.
Paul: My bosses. The Head Elders. Had me work with him to deal with Hirsch. As he also saw him as a threat and a very powerful magical being.
Katherine: I see. Figures. With Olivius gone. Hirsch would be the one next powerful to rule the underworld. And you always wanted that positon for a while, pretending to be loyal to Olivius.
Belphas: Yea. And it was tiring. And now with Hirsch gone. Your obligations to him are gone. Check your arm.
[She checks her arm and sees the mark is gone.]
Katherine: Wow. That's great.
Belphas: Yea now. I must do what I need to do.
Paul: And I must head back. To my bosses.
[Paul ORBS out. Belphas begins to shimmer out when Katherine slightly pulls his hand back to get his attention.
Katherine: Wait. I have one more thing I need to know.
Belphas: Okay. Ask away.
Katherine: I want to know what happens with about the other vampires under my reign since now Hirsch is gone.
Belphas: Well. Hirsch got to them. And they were going to betray you and one of them was going to be the Queen and take your place.
Katherine: Oh I see. So I assumed you dealt with them.
Belphas: Something like that.
Katherine: So? Now what?
Belphas: You owe me. Katherine. I'll be back once I get the control that belonged to Olivius and Vincent Morgan. Do whatever you want now. There is no threat anymore. For you.
[Belphas SHIMMERS out.]
[Katherine walks over to where Caitlin and place a hand on her gently. She is still sleeping. And stares at her daughter sweetly.]
Katherine: I'll let you sleep a bit more. Caitlin. And then we'll figure out what to do later.
[She continues to look over her daughter sleeping peaceful.]
[GO TO COMMERCIAL BREAK.]
TOP OF GOLDEN GATE BRIDGE.DAY
[Chris now stops hovering, opening his eyes.]
Chris: It's time.
Chris (cont'd): Helena! Helena!
[Helena ORBS in.]
Helena: Finally made your decision. Chris.
Chris: Yes. Helena. But you have to promise me. That after I become an Elder, the same situation won't happen with my father, when he was barely around.
Helena: I can't promise you that. Chris.
Chris: At least I tried. Worth asking. I guess.
Helena: Are you ready? Chris. You have to really want it. Or the transformation won't happen.
Chris: I understand.
Helena: Alright. I'll be here waiting.
[He closes and focuses on his motivation.]
Chris: To protect my family. And everyone I care about from dying. Like Bianca. And Ma... Nvr mind. She wouldn't understand. I accept my duties.
[But nothing happens. No transformation.]
Chris (cont'd): Did it happened?
Helena: Nope. Chris. Guess it was not meant to be.
[And then a weird feeling comes to him.
Chris: I... Someone needs me. Can't identity if it's a him or her. But...
Helena: Go. Chris. Charges are more important.
Chris: Got it.
[Chris ORBS out.]
[CUT TO]
EMPTY STREETS.DAY
[Cassandra is with Leila and Vera, facing off against Maya. Off to a corner, a somewhat lifeless Aquila, with an athame that was stabbed to her heart. They shoot Energy Balls at her but Maya SHIMMERS in and out to avoid it. It seems the walls have suffered some burns.]
Cassandra: I can't believe. You. Carrying his spawn.
Leila: How could you let it go this far?
Vera: Yea. Just like Bianca.
Maya: I'm nothing like Bianca. Stop comparing myself to her.
Cassandra: Well it's true. You fell for him too.
Leila: Stop being a coward and fight.
Vera: Yea.
Maya: I can't. Don't want to put stress on my future baby. Please spare me. Let me leave the coven.
Cassandra: Sorry. Can't do that.
Leila: You and that spawn must die.
Vera: Yea.
Cassandra: Finish her now and the spawn.
[The three throw energy balls at Maya.]
Chris (o/s): Not on my watch!
[Chris ORBS in and redirects the energy balls back blowing them up.]
Maya: Chris!
Chris: Maya! You were the one in need?!
Maya: Chris! Watch out!
[From behind, Cassandra, Leila, and Vera reformed and send energy balls at him.]
Maya: Nooo!
[She then sees a flurry of Energy Balls to clash against their attacks. A rebound blast happens nearly about to knock Maya back but Chris steps in ORBING her and him out.]
Cassandra: No! We lost them!
Leila: The scent is still fresh. We can still...
Vera: Yea. Cassandra.
Cassandra: No! It's too risky. He could be getting reinforcements. We retreat for now.
[The three SHIMMER out.]
[CUT TO]
HALLIWELL MANOR.CHRIS' BEDROOM.DAY
[Chris ORBS in with Maya. She notices he looks different.]
Maya: Um. Why are you in those robes?
Chris: What robes? That's not important. Are you okay?
Maya: I'm fine. Chris. Just shaken. You haven't answered my question.
Chris: I don't get it. What robes?
Maya: Take a look at yourself.
[He takes a look of himself and notice the change. Golden robes on him.]
Chris: Wow. It happened. I'm an Elder.
Maya: I knew it would be too good to be true. You're an Elder now.
Chris: Yea I know. So what? It doesn't change what I feel about you.
Maya: But it changes our whole relationship. The other Elders wouldn't want one of their fellow kind to be in relation with someone like me. Whom loyalty kind of wavers between good and evil.
Chris: Maya. We'll find a way.
Maya: There will not be a way. Chris. I'll raise my baby on my own.
Chris: Wait. Baby! What do you mean?
Maya: That's why my kind were after me. I'm pregnant with your child. And they don't like it.
[Chris gasps.]
Chris: But how? We used protection.
Maya: Sometimes we forget. Gave into our desires. And...
Chris: We can raise the baby together. And I can protect you and the future baby with my new powers.
Maya: I don't know. Chris. This isn't going to work. I'm a still a Phoenix Witch. And one day I will be forced to kill one of your own kind, if needed.
[Jacob and Helena ORB in.]
Jacob: There's a misunderstanding.
Helena: A clearer premonition has been seen. The Elder saw your kids. What he saw only was a play.
Chris: Kids?
Maya: That's. It's not right. I'm a Phoenix Witch. And he's an Elder now.
Jacob: There was a decision. An exception for you.
Helena: Your love for Maya activated the transformation.
Jacob: As such. If you two want, the relationship between you two is not forbidden.
Maya: Wait what?!
Jacob: Yes. You two can be together.
Chris: That's great news. But I'm an Elder now. Even though we can be together, I have duties.
Helena: Chris. You're a special case. Just like your father. His love for Piper elevated him to a higher purpose.
Jacob: And your love for Maya. Elevated you. To becoming an Elder.
Chris: But I know what happened with dad. He was barely around and other future me resented him for it.
Jacob: We provided the exception for you. Chris. You don't have to leave your family. Or anything. The future baby needs both their father and mother.
Helena: Yea. And good luck. Chris. Stay safe.
Chris: Thank you. Jacob. Helena.
[They ORB out.]
Maya: Chris. This is great news. But Cassandra and the other Phoenix Witches will still be after me.
Chris: The manor has a barrier spell. I doubt no intruders can get in. And if they do, I'll be here protecting you and your baby. I mean our baby.
Maya: Um.. Wa... it. Excu... Aga.. Bath... room.
Chris: No worries. I'll orb you there.
[Chris takes Maya's hand and ORBS them out.]
[CUT TO]
HALLIWELL'S.DAY
[The building is the same but a bit wider than before. Customers can been seen eating inside.]
[CUT TO]
HALLIWELL'S.THE OFFICE.DAY
[Both Melinda and Felicia are sitting, facing each other on each side. Melinda is cheerful than usual.]
Melinda: I can't believe we got Raven Bloome. To perform on our new stage. Later tonight.
Felicia: Yea I know. Got to thank Kyle for this.
Melinda: He's such a great friend to my cousin.
Felicia: Yes. So. We're engaged now. Right? Babe.
Melinda: Yea. Where you going with this?
Felicia: Don't want to wait anymore. Let's start planning our wedding. Now. Before more trouble happens.
Melinda: That's a great idea. But let's think about that later. Have a bit of fun in the office.
Felicia: Um. Mel. I don't want to dirty the desk.
Melinda: Oh. Felicia. We're just going to make out.
Felicia: Alright. I suggest we pull the curtains down just in case.
Melinda: Right. Of course.
[Melinda runs over and closes the curtains. The room is a bit darker but the lights still show a slight glow. And then. The two begin going for it. Each of them taking their blouse, off, and Felicia pulling Melinda, kissing her, and on the wall. And the position is switched, the make out continues. The camera begins to....]
[GO OUT TO BLACK]
[GO TO COMMERCIAL BREAK]
GOLDEN GATE BRIDGE.DAY TO NIGHT.NIGHT
[Time changes on the bridge from sunlight to the night sky.]
[CUT TO]
HALLIWELL'S.DINING ROOM.STAGE AREA.NIGHT
[Enrique and Tamora, are right in dead center, in the front near the stage. He is wearing a nice black suit, and her a black dress to match. They are enjoying the music while eating their meal, of pop star sensation, Raven Bloome. Down two tables are Kat and Declan, them in matching also, in a white lacey dress, and white suit. To the left of them, are Junior and Angelie, and the right, Wyatt and Arika. It is seem that only Wyatt has wine. And water for her. The singer is on the chorus as now the camera zooms to her.]
Raven Bloome(singing): The Fire is burning, hot, hot, The fire is burning, hot, hot,The fire is burning, hot, hotLet me feel the heat of love, Coursing through my body, Let me feel those lips, Sizzling with love.
[The singing continues as the camera pans over to Kat and Declan, where she is singing along to the music.]
Kat (singing along): And the fire, is burning hot, hot, burning, hot hot, The fire is burning, hot, hot,It's time to light my heart on fire, True desire, Ignite the fire, Of love, And the fire is burning, hot, hot, Burning, hot, hot, Till the end.
[And the song ends. Kat returns to eating her meal with Declan.]
[CUT TO]
HALLIWELL/COOP MANOR.NIGHT
[Still image of Halliwell/Coop Manor.]
[CUT TO]
HALLIWELL/COOP MANOR.PEYTON'S BEDROOM.NIGHT
[Peyton is cuddling together in the same bed with Katherine, with their regular clothes still on. A white blouse and pants, and crimson tank top, with comfortable jeans on. They stare at each other dearingly.]
Peyton: So what now for us?
Katherine: No idea. But at least we are happily together. Now. With no opposition.
Peyton: I feel really bad about your brother.
Katherine: He'll get over it. Eventually.
Peyton: I'm sorry for pushing you away. Was scared.
Katherine: I pushed you away first. Should have fought for you more.
Peyton: What are we going to do about our ten year old kid? She's like younger than half my age.
Katherine: No idea. We can figure that out later.
Peyton: Yea I guess so.
Katherine: All I want do now is just be cuddled by you for the rest of the night.
Peyton: I can arrange that.
[Peyton reaches over to turn off the lights. The two come closer, hugging each other, as their eyes begin to fall asleep.]
[CUT TO]
HONOLULU, HAWAII.NIGHT
[Aerial view of the whole city. In the night sky. Clear skies. Stars and the moon can be seen. Of this beautiful landscape.]
[CUT TO]
HOTEL.NIGHT
[PJ is in her light pink lingerie, and Dane without his shirt on, sleeping peacefully in bed, the moonlight shining through the windows of the top floor].
[CUT TO]
DANIELS MANSION.ENTRANCE.NIGHT
[An auburn hair woman, Gwen Daniels( late 20's), arrives at the door, with two luggages. Only her back is seen. The outfit is a nice white blouse with a black skirt, along with black heels, and a black small purse.]
Gwen: I'm finally home. It's time to honor Phoebe Halliwell.
[She enters through the door. And it is then closed. Camera zooms on the door as it...]
[GO OUT TO BLACK.]
[END OF EPISODE.]
[END OF SEASON 3.]
[End Credits rolling to shortened theme song to reveal supporting cast and guest stars.]
Co-Starring:
Victor Webster as Coop
Rose McGowan as Paige Matthews
Ashley Greene as Arika Wilcox
Taylor Lautner as Dane Patten
Adelaide Kane as Felicia Quigley
Taron Egerton as Declan Woods
Bill Skarsgard as Collin Turner
Also Featuring:
Camila Mendes as Eloise
Paul Wesley as Ashley Phillips
Odette Annable as Lynn
Viola Davis as Helena
Orlando Bloom as Daniel Jacobson
Lucas Grabeel as Lucas Burns
Gabriel Conte as Enrique Lozana
Cerina Vincent as Maya
Elizabeth Berkley as Monica Bright
Nina Dobrev as Katherine Hunter
CC King as Caitlin
Jason Bateman as Hirsch:
Jason Isaacs as Paul
Kevin Spacey as Belphas
Katherine Heigl as Cassandra
Valerie Vernon as Leila
Katrina Devine as Vera
Cerina Vincent as Maya
James Earl Jones as Jacob
Ariana Grande as Raven Bloome
Nikki DeLoach as Gwen Daniel
Uncredited Actor as A Man
Uncredited Actor as Handsome Young Latin Man
