Chosen Ones, by the year 2030, The Charmed Ones are now sort of retired from protecting the world from demons and their children have taken over the reign. This new generation, wanting a name for themselves, like their mothers before them being called the Charmed Ones, decide to become the Chosen Ones, witches chosen to defeat evil and to protect the whole community. This series details their journey in the new fight against demons and saving the the magical community as they face new dangers and new friends along their journey.
Charmed The Legacy Continues, takes place in the year 3100. Everything seems to be in peace in the city of San Francisco until trouble stirs with demon trouble as innocents become mysteriously killed. In this case, only the Halliwell family witch and witch hybrid members would be the hope needed, but unfortunately they ended up having sacrificed themselves in a fierce battle to stop the Source of all Evil five years ago and no one knew the real truth about them as the news writes them being killed in an unfortunate accident. As such, the Elders find three siblings that they deemed to be the next Charmed Ones to fight against the new evil.
Post by Darcelia Darkwell on Feb 5, 2022 3:09:43 GMT
Season 3, Episode 17, Episode number: 64
PARIS.NIGHT
[Camera shots of all areas of Paris to the song of "Paris" by The Chainsmokers.]
[Lyrics playing: Let's show them we are, show them we are/Let's show them we are better/We were staying in Paris/Let's show them we are better/Let's show them we are, show them we are/Let's show them we are, show them we are/Let's show them we are better ]
[CUT TO]
HOTEL.BEDROOM.NIGHT
[BKG music fades out.]
[PJ is cuddling with Dane in bed. They are underdressed, with her wearing only a pink colored lingerie, and him with just no shirt and only his boxers. The two are staring at each other lovingly.]
Dane: You discover anything yet my love. Of who you really are.
PJ: Oh Dane. We haven't explored that much of Paris. Yet.
Dane: Right of course. Hopefully taking in more sights will inspire you somehow. To find out who you really are.
PJ: For now. Let's enjoy ourselves. What you did before bringing me in. Was so sweet. The rose petals.
Dane: Thanks. My love.
PJ: Now let's rest a bit for the next day.
Dane: We all need the energy that is needed to explore the wonderful city.
[The lights are turned off. They hug each other and are under their blankets as they begin to fall asleep.]
[CUT TO]
SAN FRANCISCO.DAY
[Aerial shot of the city.]
[CUT TO]
INSIDE CASTLE- DUNGEONS.SEVENTEETH CENTURY.DAY
[ON SCREEN:]
SEVENTH CENTURY
[The aesthetic of this castle dungeon seem to be of the seventeenth century. Very historic. Countess Seraphine Lovell(early 20s), wearing a black gown, of the century, stands in front of Sir Richard Banks (23), a blonde man, who seems to be chained to the wall.]
Seraphine: Soon you will be mine. Richard. Like all men have to me.
[She then grazes his face gently.]
Richard: Don't touch me! What did you do my fiance? Where is she?
Seraphine: That is of no importance. Soon you will forget her. And know only me.
Richard: No way is that going to happen.
[Seraphine just waves her hand and immediately Richard becomes drawn to her. His eyes fill with desire.]
Seraphine: So tell me. What you say about your fiancée?
Richard: What fiancée? I only know you in my heart. Seraphine.
Seraphine: Perfect. My powers have worked wonders on him.
[Olivia(30's), walks in, a women with black hair, and dressed in a green dress.]
Olivia: Good job. My protégée. We will prove women are mighty. And get back at them. For what one of those did to you.
[Seraphine turns around. Her face is revealed. It has Parker's face. This is her past life.]
Seraphine: All men are my pets. And I will use them all to my will. Richard is in line to be a prince. And I will find a way to get rid of him and rule over this kingdom. Hahahaha.
Olivia: Ah yes. And also provide an heir. She will be as powerful as you.
Seraphine: Ah yes.
[Lycan, then enters the dungeons, one of Seraphine's soldiers.]
Lycan: Countess. We have an intruder.
Seraphine: Watch over Richard. I'll take care of the intruder.
[Seraphine rushes off followed right behind by Lycan]
[CUT TO]
HALLIWELL/COOP MANOR.PARKER'S BEDROOM.DAY
[Parker is awaken, her eyes wide in shock.]
Parker: What was that? And why did that Olivia want Richard too.
Olivia: I have found you. My dear protégée. It's time to finish what we started that was failed.
Parker: What the heck. Wait. You're Olivia. The one I saw in my dream.
Olivia: A dream. Interesting. It's your past memories.
Parker: Stay away from me.
Olivia: No thanks. I have been waiting for centuries for your reincarnation to appear so we both can achieve what we failed to do in the past.
Parker: Again. Stay away from me.
Olivia: I guess it's going to be the hard way.
[Olivia waves her hand. Parker is under a different enchantment, which her past life had done with her power, and Olivia's. She now feels drawn to serve Olivia. And bows down to her.]
Parker: Mistress. I am at your command.
Olivia: Yes. My Seraphine. It's time to finish to what we were supposed to finish.
Parker: As you wish.
[She takes Parker's hand and they both disappear into a portal to an unseen area. The portal closes and now the bed is empty.]
[OPENING CREDITS]
MORGAN MANSION.DAY
[Still image of Morgan Mansion.]
[CUT TO]
MORGAN MANSION.GUEST BEDROOM.DAY
[Chris is fast asleep, sleeping with Maya. Vincent is standing next to Chris, in the middle of chanting a spell.]
Vincent (chanting): ....May we be ever bonded, Our souls intertwined, Our morals lie in balance, Bond us, Like Father and Son,We Are One And The Same.
[The spell is casted. A golden light surrounds him and then is awoken. He begins to speak.]
Chris: I am Christopher Perry Halliwell. And wish to control the city under my whim.
[His pajamas then start to shed in a red smoke like manner and is now wearing a nice crimson red suit, like the one he had on the day before.]
Vincent: I did it. The perfect revenge. Take a child away from the original Charmed Ones. Now he will be like me.
Chris: Hmm. I don't know why. But so anxious to make a deal right now.
Vincent: I have a future client for you to practice on. But first. I know you love the suit. Put on something comfortable. Breakfast should be almost ready.
Chris: As you wish. Mas... Father.
Vincent: Did you just call me father?
Chris: That was weird. I wanted to say master. But it came out. That way.
Vincent: Don't worry about it. It's alright. Chris. Now get changed. And wake up Maya for breakfast also.
Chris: As you wish. Master.
[Vincent leaves the room. Chris then heads off into the bathroom.]
[CUT TO]
UNKNOWN CAVE.DAY
[Parker is still under the control of Olivia and just stands still, seemingly waiting for orders.]
Olivia: I have done such research. And this spell is perfect. To make Seraphine will do what I want her to do. As this young woman is now under my control.
[She then turns over to face Parker. And gives a piece of paper of a spell to her.]
Olivia (cont'd): Please cast this spell. Parker.
Parker: As you wish.
[Parker then begins to cast it.]
Parker (chanting): From This Time and Place, Take My Spirit,
Beyond, Where I Wish To go, Let my life be hers, And hers be mines.
[The spell is activates. A white glow. Parker's spirit exits from the body and goes into the beyond. Another spirit enters and is shocked at where she is.]
Parker: Where am I? Olivia! Of course.
Olivia: Hello. Seraphine. Wish we could catch up. I got to guide you. Or at least your body.
[Olivia opens up a portal and travels back to the past. Seraphine/ Parker looks shocked.]
Seraphine/Parker: I'm not going to let her ruin my life. I can use this body's memories. To find help.
[Seraphine/ Parker then BEAMS out.]
[CUT TO]
CASTLE.BACK OF THE CASTLE.DAY (1650)
[ON SCREEN:]
NEW ENGLAND, 1650
[The camera then zooms onto Seraphine's body, as Parker's spirit enters it. And is in shock. The enchantment put on her is now gone. She takes a look at her new body.]
Parker/Seraphine: What the. Is going on?
Jeffrey: What's wrong? My darling Seraphine.
[Parker/ Seraphine is at shock how Jeffrey looks exactly like Adrian.]
Parker/Seraphine: Adrian?
Jeffrey: Adrian? Who's he? The stress of maintaining the farce with Olivia must be getting to you.
Parker/Seraphine: Yea maybe. Refresh me. Since my stress has made me forget.
Jeffrey: You know. Agreeing to her current plans. Like before. Remember? Those men you fooled. Due to her manipulation that all men were horrible.
Parker/Seraphine: Right. Of course.
Jeffrey: I'll see you tonight. My love. Our usual spot.
Parker/Seraphine: Okay.
[Jeffrey heads off. Parker/ Seraphine is still a bit confused.]
Parker/Jeffrey: This is so weird. Why am I in this body? And this guy looks so much like Adrian. Got to figure this out.
[Parker/ Seraphine then walks off deciding to explore the castle.]
[CUT TO]
THE BAY MIRROR.DAY
[Still image of The Bay Mirror.]
[CUT TO]
THE BAY MIRROR.EDITOR-IN-CHIEF'S OFFICE.DAY
[Coop is now in deep thought of what he experienced today. He starts to flash back.]
[FLASH BACK TO:]
THE BAY MIRROR.EDITOR-IN-CHIEF'S OFFICE.DAY (EARLIER)
[Coop sees Parker BEAM in. And is shocked.]
Coop: Parker. What are you doing here? Don't you have work?
Seraphine/Parker: Parker? Who's she? I'm Seraphine.
Coop: Wait what? Oh no. You been possessed by an evil demon.
Seraphine/Parker: No. It's not that. This is so weird. I believe I'm your daughter's past life.
Coop: Wait what? But how you know to come to me?
Seraphine/Parker: Just maneuvering through her memories. And I knew you work here. And there's a chance of helping.
Coop: How?
Seraphine/Parker: From the memories. I learned you are a cupid. And do have the ability to travel through time. I have to stop Olivia.
Coop: I can't travel through time willy nilly. There has to be a purpose. And who's Olivia?
Seraphine/Parker: A witch who manipulated me. I think she wants to change the past so things would be in her favor.
Coop: That's not my business.
Seraphine/Parker: I bet it is if it concerns your daughter. If her past exists, your daughter may not exist to come.
Coop: Why? Fine. I'll help. But time travel is tricky. You got a specific year?
Seraphine/Parker: 1650.
Coop: Any exact date?
Seraphine/Parker: Nope. Sorry.
Coop: Then how do you expect to find her?
Seraphine: You're a cupid. Channel her. This daughter of yours may be a spirit now in my body but is still there.
Coop: So what's the plan?
Seraphine/Parker: Just to go to that yearsand stop Olivia's plot.
Coop: How soon?
Seraphine/Parker: Now would be good.
Coop: I can't just up and leave this place alone.
Seraphine/Parker: Make an excuse or something. I'll check back in a few hours.
[It then flashes back to the present.]
[FLASH BACK TO PRESENT.]
THE BAY MIRROR. EDITOR-IN-CHIEF'S OFFICE.DAY
[Coop is his seat.]
Coop: This is super risky. If I don't focus, I could go to the wrong timeline. But I'll do anything save my daughter.
[He then gets back to the work on the computer.]
[CUT TO]
CASTLE.THE COUNTESS' CHAMBERS.DAY
[Olivia arrives through a portal.]
Olivia: Man it took a while to get the right point in time. Now to find her.
[She heads out of the room.]
[GO TO COMMERCIAL BREAK]
LOUVRE MUSEUM.DAY
[It is the late afternoon. In the city of France. The light shines bright on this historic monument. PJ and Dane are seen standing in front, before entering in through the entrance.]
Dane: This is the perfect place. Museums are known for inspiration.
PJ: Alright. Here goes. Time to find out who I truly am.
[They hold each other hands and enter inside.]
[CUT TO]
INSIDE LOUVRE MUSEUM.THE LOBBY.DAY
[PJ and Dane enter inside.]
Dane: Let's head to the museum director if any tours are coming. Yea.
PJ: Right.
[They see the museum director, who has just finished a tour and walks over to her.]
Museum Director: Hello. How may I help you two?
Dane: Ah yes. We were wondering if there are any tours coming up soon.
Museum Director: Actually they are all booked up.
Dane: But please. It's my fiancee's first time in Paris. We would love learn great things in this grand museum.
Museum Director: Oh boy. Man. I have seen this excuse.
Dane: Please.
Museum Director: Sorry Sir. Tours are all booked up.
PJ: Dane. It's okay. I can find inspiration elsewhere.
Dane: But... PJ.
PJ: Come on. Let's go.
Museum Director: I'm really sorry. But the tours are booked.
[Then a weird white light hits the museum director. She begins to smile.]
Museum Director (cont'd): You know what. I can arrange something. It will be in thirty minutes.
Dane: Well thanks.
Museum Director: No problem. See you two in thirty minutes.
Dane: Thank you so much.
[The museum director then rushes off.]
PJ: Well that was weird. Did you just see that also? That weird light.
Dane: Yes I did. It means someone magical got involved.
PJ: But why?
Dane: Maybe someone has hope for you. In your quest.
PJ: I guess. There's a nice little café not too far.
Dane: Stop by before the tour starts?
PJ: Yea.
[PJ and Dane then proceed to exit out of the museum.]
[CUT TO]
INSIDE LOUVRE MUSEUM.LOBBY.DAY (MOMENTS LATER)
[PJ looks upset and standing off to a wall near the exit door. And turns to Dane.]
PJ: This trip was useless. I found no inspiration.
Dane: I'm so sorry. My love. We got other places to explore. Maybe there could be inspiration in either of those.
PJ: I'm not in the mood to find it anymore.
[She rushes out of the door.]
Dane: PJ! Wait!
[He chases after her.]
[CUT TO]
LOUVRE MUSEUM.DAY
[PJ is now outside and is distracted by something, staring at it very focused. Dane goes over to her.]
Dane: PJ. Wait. What are you staring at?
PJ: That.
[She points to a flyer of a movie. It shows an empowered woman, and words on it. It reads:]
MAKE YOUR OWN DESTINY,
AND YOUR DESIRES WILL BE FULLFILLED.
[Then under in smaller text that those words, it reads:]
Check The Sequel of Destiny Heart: True Desires. Where Destiny Heart goes on a journey to find out her true desires, what makes who she is.
[Dane looks over at it. And sees nothing in his eyes. Just a movie poster of action movie.]
Dane: An action movie. That's what you are into now?
PJ: What do you mean? I see a flyer advertising about a movie called Destiny Heart 2: True Desires.
Dane: That's not what I see.
PJ: Well. Alright. I must be seeing things. But I have been inspired.
Dane: Yes. Told you other places would.
PJ: No. You were right. We're still near the museum. Not exactly in it. But it's something.
Dane: So what do you find about yourself?
PJ: Nothing much. That I should make my own destiny. And not try to be what my family wants me to do. Or what I believe they want me to do. And was part of the reason why I bought P3. Thought it was the right thing to do honor my family legacy.
Dane: And it's not that way anymore.
PJ: Yea. I'm going to start something. Being the Queen I want to do.
Dane: Not the crazy power hungry one. Right?
PJ: Of course not? But now I have find my inspiration. Kind of want to spend a bit more time in Paris.
Dane: Ooh that's great. I was scared we didn't have enough time to explore what I want you to see.
PJ: Alright. Where to next?
Dane: A fashion show later tonight. Got some connections. Back when I was Dazos.
PJ: Ooh great.
Dane: But first. Let's find a place to eat.
PJ: The food in the café we went before the tour didn't fill you up?
Dane: Not exactly. I just want to take you to my favorite restaurant in Paris.
PJ: Aw. You're so sweet. Let's go.
[PJ and Dane then walk off away from the museum.]
[CUT TO]
UNKNOWN REALM.DAY
[An all-white area. The Angel of Destiny is standing watching over.]
Angel of Destiny: I know I said I wouldn't get involved. But PJ is worth it. She is meant for something great. Why not push the first step for her.
[She then SPARKLES out.]
[CUT TO]
THE BAY MIRROR.EDITOR-IN-CHIEF'S OFFICE.DAY
[Chris ORBS in, right in front of Coop, surprising him. He is wearing a crimson colored suit.]
Coop: Is this going to be a recurring thing? Having unexpected magical guests.
Chris: Uncle Coop. Did someone meet you before?
Coop: Not important now. Chris. What brings you here? And what's with this new look? You were never one for the formal look. And would wear it for only special occasions.
Chris: I have grown since then in the three months after what happened. With our family.
Coop: Oh really. Chris. Something is up with you. Your mother told Parker about you acting weird.
Chris: That nosy women. She has no right.
Coop: What is going on? Don't talk about your own mother that way.
Chris: It's a free country. I can talk about her in any away I want. Uncle Coop.
Coop: Something is wrong with you. A spell or some sorts.
Chris: It's not a spell. I just realized who I should be. Someone of power. That can make things happen. Like Vincent Morgan can.
Coop: Seriously. You got involved with him? PJ had and now she lost P3. Forever.
Chris: Not really. Don't worry. It will stay in the family.
[Coop sighs.]
Coop: So the stuff I got for your story is true. You're going to take the reign on P3.
Chris: Yes. And that's the reason I came here. To convince you to accept the story. Trust me. It's all for the best for the family.
Coop: Or the best for yourself. To gain some fame. No matter who gets hurts in the process. Even your own family members.
Chris: It's partly true but not always. After much thought, I wonder why I didn't decide to grab P3 for myself and let little ole PJ take the reign. My own mother started that club. It was supposed to be my legacy.
Coop: You know why. Chris. Your dream was to become a professional photographer and she didn't want you to give up your dream.
Chris: That dream is gone. What idiot can make a good honest living of photography? Being the owner of something is much better and provides a better life for me.
Coop: You are acting really strange. The Chris I know wouldn't say this stuff about his true love. Photography.
Chris: Well. Uncle Coop. I'm not the Chris you know anymore. I am Christopher Perry Morgan.
Coop: Morgan? You mean Halliwell?
Chris: Oh yes. Halliwell. That's weird. Don't know why I said that. Anyways. Come on. Take the offer. It's all for the best.
Coop: I'm not going too. It's immoral.
Chris: Fine. Your loss.
[He ORBS out.]
Coop: Poor Piper. She's going to be heartbroken seeing her son in this state. And back to my own family. Time to save my daughter and figure out an excuse.
[Coop sits back in his seat and starts to ponder.]
[GO TO COMMERCIAL BREAK]
HALLIWELL'S.DAY
[Still image of Halliwell's.]
[CUT TO]
HALLIWELL'S.DINING ROOM.PRIVATE BOOTH TABLE #1.DAY
[Chris is wearing the same red crimson suit when seeing Coop a while ago and is sitting with his parents, Leo and Piper. They have been staring at him for a while, due to his different look, while eating their food.]
Leo: I couldn't believe my eyes when Coop told me.
Piper: You're in a suit.
Chris: Yes. So?
Piper: Christopher Perry Halliwell. Don't you do that attitude with me!
Leo: What the heck is wrong with you? It's like you're a whole different person.
Chris: Maybe I am what I am. I suppressed so long to appease to the family. And now I realize. It's not worth it.
Piper: Really? Do you mean what you said?
Chris: Yes. Mother. Father. I never felt so free to till now. My feelings I kept in. As I thought I truly love my older brother. Saw him as my idol. But now not anymore. Compared to him, I was nothing. And now I can be something. Once I get officially announced as the owner of P3.
Leo: Son. Come to your senses. You know that's not true.
Piper: Sure. Wyatt may be considered. More powerful than you. But you are you. You don't need to compare yourself to him.
Chris: Look at you. Defending my older brother again. Saying I don't need to compare himself to him. Really.
Piper: Um. That's not what I meant. I just...
Chris: Just trying to find excuses to show that Wyatt is so great.
Leo: Son. Please. Don't twist things around.
Chris: I'm not your son anymore. And you also. Mrs. Halliwell.
[They gasp.]
Piper: Mrs. Halliwell. Really? You refer me like that!
Leo: I mean. Piper told me about that talk before you moved out. And about being rude. And it's more than that. You're disrespectful.
Chris: Yea so? What are you going do about it? I'm an adult. You can't punish me for misbehavior when I was a young boy.
Piper: Oh. There are ways. Son. I could strip your powers from you.
[Chris smirks.]
Chris: I can find a way to get powers if that happens. You see...
Piper: What do you mean by that? Don't tell me? You...
Chris: You think I gone to the evil side. No. But it is tempting. Maybe in the future.
[Piper's eyes go wide.]
Piper: Chris! You can't be possibly thinking that.
Chris: I am. And with that. There's a chance I could be more powerful than Wyatt. You see what I learned. Being on the evil side. There's no limit to anything. Just true unlimited power.
Piper: Oh. Son. Who made you think like this? Was it the same demon who manipulated PJ?
Chris: Sorry. Can't tell you.
Piper: Cause you're afraid I'll find a way to vanquish him. And in turn. That gets my real son back.
Chris: I think we're done here. I have to get ready for my initiation.
Piper: Initiation. Really now. It's obvious something is up.
Chris: Have an enjoyable meal. Mother. Father.
Piper: You're not going to order something to eat?
Chris: Sorry. I got plans. To discuss my initiation. And I'm also provided food.
Piper: Not as good as Halliwell's cooking. I bet.
Chris: Well. I'll be the judge of that. Good day. And be sure to check the television later.
[Chris rushes off.]
Leo: Now that's strange too. Chris loves Halliwell's cooking.
Piper: You know what? After we finish this meal, I'm going home to check the Book of Shadows. Some demon must've enchanted him or something to make him act like this.
Leo: I agree. But now let's try to finish our meal and not think about that horrible conversation.
Piper: Yea.
[The two continue to eat their meal.]
[CUT TO]
UNKNOWN FOREST.DAY (1650)
[ON SCREEN:]
UNKNOWN FOREST, 1650
[Richard is with Parker/Seraphine, Parker inside Seraphine's body. They seem to be in a heated argument.]
Richard: I saw you kiss Jefferey. Are you betraying me after I gave my soul to you? I am your love.
[Olivia is in Invisible Astral Projection behind Parker/Seraphine She starts to use her Suggestion powers.]
Olivia (suggesting): Listen to me. Tell him he is your love. Jefferey is just a phase. A one-time thing. You are his true love.
Parker/Seraphine: That's not what it is. Jeffrey means nothing. A phase. I love you.
[It turns Jeffrey is there watching. And is heartbroken and jumps out to confront Parker/Seraphine.]
Jeffrey: Is that true? Seraphine. What we had mean nothing.
Olivia(cont'd): Your heart is true. Only to Richard. You were only a fling to me. A moment of weakness.
Parker/Seraphine: Richard is my one and only. You. Were just a fling to me. A moment of weakness.
Jeffrey: Really? I can't believe this. I'm out of here.
[And then Coop appears with Billie, along with Seraphine/Parker, Seraphine in Parker's body. They had been projected through time.]
Billie: Finally. We got the right point.
[Jeffrey turns around is shocked at the exact appearance. And does a double take.
Jeffrey: What is going on here? There's two of you?
Seraphine/Parker: Don't trust her. My love. That woman has been enchanted.
Jeffrey: I'm so confused.
Coop: Parker. Daughter. Fight this.
Parker/Seraphine: Fight what? And who are you?
Seraphine/Parker: Olivia has to be around here somewhere.
[Olivia unveils herself, showing she was behind Parker/Seraphine. She then uses her Suggestion power on Parker/ Seraphine again.]
Olivia (suggestion): This man is an enemy. A rival of Richard's father. End him.
Parker/Seraphine: I must end him. For Richard.
[Parker/ Seraphine sends a wave of air towards Coop. He BEAMS in and out to avoid it.]
Coop: Daughter. Come on. Fight this.
Olivia: I'm sorry. Your daughter belongs to me now. And she will do whatever I said.
Coop: Not if I destroy you first.
Olivia: With what? I assume everyone's powers useless here assuming you all came from the future. And it may have helped you get here. But it won't work getting back.
Seraphine/Parker: But I can stop you. Being in the body of my current reincarnation allowed me access to a spell.
Olivia: No spell can kill me. You know that.
Seraphine/Parker: In this time. But a future spell will.
[She begins to cast the spell.]
Seraphine/Parker (chanting): With The Power of The Witches' Rise, Vanquish This Evil, From Our Sights,
Never To Been Seen Again in Truest Blight.
[Seconds later. Nothing happens.]
Olivia: I told you. No spell can kill me.
[And then. From behind. Olivia is stabbed from behind by a cloaked figure, with a blade. The hood is then removed. It is revealed to be Elizabeth Moone, a blonde young woman. The appearance of her breaks Richard out of his trance. Her clothes seemed to be ripped up, and a bit of a pale face. It seems she was tortured.]
Richard: Elizabeth!
Elizabeth: This is for stealing Richard away from me. Through your schemes. Olivia. Sure. No spell can kill you. But a magical weapon will.
[She then takes it out forcefully. Olivia's wound begins to bleed out heavily.]
Olivia: You annoying mortal. I'm a witch. Who has a power of healing.
Elizabeth: Not with his one. It is known to nullify any magic on its victim after its attack.
[She looks back his wound and realizes it is not healing.]
Olivia: Noo! This can't be. My life can't be over like this.
[And then starts to be incinerated in flames.]
Olivia (cont'd): Noo! Pleaseee! Aaah!
[The flames dissipate and no trace of her is seen. Her destruction breaks the enchantment on Parker/ Seraphine. She is shocked.]
Parker/ Seraphine: Dad? Aunt Billie? What are you two doing here?
Coop: It's a long story. I'll explain more when I get home.
Parker/Seraphine: But we can't. Remember. Most of us are not considered yet. Our powers wouldn't work as I still heard her say it while being under her enchantment.
Seraphine/Parker: You are a witch. No matter. What time period. They all have the same ability. That is casting spells.
Parker/ Seraphine: Yes. But we got no spellbook with us.
Seraphine/Parker: Don't worry. My reincarnation. Found a spell and remembered it. You all can return to your time safely.
Parker/Seraphine: Thank you. But first let's return to our own bodies first.
Seraphine/Parker: Right of course. I assume you remember the spell.
[Parker/Seraphine nods. She begins to cast the spell.]
Parker/Seraphine (chanting): From This Time and Place,
Take My Spirit, Beyond, Where I Wish To go, Let my life return to what it was, And hers back to where it belongs.
[They both faint to the ground. And their spirits escape and enter back into their respective bodies. And then awaken.]
Parker: I'm back.
Seraphine: Me too.
Richard: Okay. That was weird. But it's nice to see you again. Elizabeth.
[Seraphine walks over to Elizabeth.]
Seraphine: I apologize for what I did. Olivia...
Elizabeth: That witch manipulated me too thinking Richard had eyes for you.
Parker: Alright. It's time to go home. Have a great life with your loved one. Seraphine.
Seraphine: Thanks you two. And please don't give up on love. It's worth it.
[Parker gasps.]
Parker: How?
Seraphine: I had access of your memories. So. Safe travels.
Parker: Thank you for everything.
Seraphine: No problem.
Parker: Ready to go home? Aunt Billie? Dad?
Coop: Yep.
Seraphine: The spell should be in your memory. It was your body I used to remember.
Parker: Right. Let's try.
[She holds hands with Coop and Billie and begins search in her memory and then finds the spell, eventually casting it.]
Parker (cont'd): Bring us back, From whence we came,
To the place, I wish in time and space.
[Swirls of white light surround them as they disappear from the place. And then a white glow spreads through Jeffrey, Seraphine, Richard, and Elizabeth. Their eyes then look confused.]
Jeffrey: What are we doing here?
Seraphine: I don't know.
Richard: Me either. Maybe we were looking for something to hunt.
Elizabeth: Yea.
Jeffrey: This is strange. It feels like a long day to me. And so tired. Let's head out of here.
[The others nod. They all start heading out of the forest.]
[GO TO COMMERCIAL BREAK]
P3.DAY
[CLOSE UP: ON GRAND RE-OPENING SIGN. In Red lettering.]
[CUT TO]
P3.DANCE FLOOR.DAY
[The place is popping. Customers are having fun dancing. Scheme is still the same. A darker color scheme of the club.]
[CUT TO]
P3.BAR COUNTER.DAY
[Chris, in his crimson colored suit, is schmoozing with two businessmen, as Kyle had attended the event also, the grand re-opening party of the club. Kyle comes over.]
Kyle: Sorry. Sirs. I need to speak with him.
Businessman #1: Sure. Young man. We just finished.
Businessman #2: Have at it.
[They head towards the dance floor.]
Chris: Kyle. It's been a while since I seen you.
Kyle: Of course. After PJ got manipulated by the boss of Morgan Tower, that I wasn't fit to be part of the new version of P3 anymore. And now it seems like you did too.
Chris: Excuse me? Mr. Morgan did not manipulate me. He provided me a great offer to be my own boss.
Kyle: You know this is wrong. Chris. This was PJ's club.
Chris: I don't care whether it was or not. This place belongs to me now.
Kyle: Chris. Snap of out of this. Whatever Vincent said is not true.
Chris: I'm Christopher now. Kyle.
Kyle: Changing your name doesn't affect the way you're acting right now. Not from the Chris I knew. The dear cousin of PJ Halliwell. My ex-boss.
Chris: You don't even know me that well.
Kyle: Oh but I do. From PJ. Anyway. There's no way of convincing you of the error of your ways right now. I'm going.
Chris: You go then.
Kyle: Fine. One day you'll regret all this.
[He storms off.]
Chris: Well that guy. Really dampened my mood. Maybe a drink will make me feel better.
[The bartender, Luther, a brunette hair young man, then places a bottle of whiskey and a glass for him on a table. He then opens a bottle and pours it into the glass.]
Luther: Here. Mr. Halliwell. This whiskey is courtesy of Mr. Morgan to celebrate your new position.
Chris: Why. Thank you. Luther. Is it?
[Chris takes a sip of the whiskey and actually enjoys it. He smiles.]
Luther: How is it?
Chris: Mr. Morgan has good taste. Mmhm. This hits the spot. From the bad mood from that unfortunate guest.
Luther: That's a shame. Please enjoy the whiskey. I have to attend to the other customers.
Chris: Yes it is. Thanks to this whiskey. I feel so much better. Give my thanks to him.
Luther: You can thank him yourself. He is basically your boss now.
Chris: Right of course. I will.
[He takes another sip. Luther moves a down a bit to assist a customer.]
[CUT TO]
MORGAN TOWER.DAY
[Still image of Morgan Tower.]
[CUT TO]
MORGAN TOWER.VINCENT'S OFFICE.DAY
[Vincent is spying on Chris through his pocket watch mirror and grins deviously.]
Vincent: That clueless witch. What Chris doesn't realize is that whiskey is mixed with a fun concoction of mines that will start to warp his morality. Soon he will believe wrong is right and right is wrong. All that remains in his heart is that power is everything.
[He waves his hand and image of Chris is gone and gets back to his work.]
[CUT TO]
HALLIWELL/COOP MANOR.DAY
[Still image of Halliwell/Coop Manor.]
[CUT TO]
HALLIWELL/COOP MANOR.LIVING ROOM.DAY
[Coop, Parker, and Peyton are in the living room as they are watching Chris' interview over and over on the re-grand opening of P3. Parker and Peyton just frown at it.]
Parker: Dad and I missed this while we were time traveling.
Peyton: Yea. This is just a shame. There's no hope for our dear cousin now.
Coop: Who knows? You two thought there was no hope to save PJ. But we did it.
Parker: You did it. Dad.
Coop: It was partly your idea. Parker. The key is love.
Parker: I doubt love is going to work on bringing normal Chris back.
Peyton: It seems he is too far gone from the right path now.
[Peyton then turns off the television.]
Coop: I wonder how Piper and Leo are feeling about this.
Parker: Probably heartbroken and disappointed.
Peyton: Poor Aunt Piper and Uncle Leo.
Parker: PJ is going to be in shock when she finds out.
Peyton: Yea probably. You know PJ bought it for mom's sake. I know Aunt Piper started it. But mom also contributed.
Parker: It was a contribution of all of them. Aunt Piper. Mom. And Aunt Prue.
Peyton: Chris had no right to say that in that interview about he deserves to own it more than PJ.
Parker: It's not the true him. He probably was manipulated by Vincent Morgan like PJ did.
Peyton: This Vincent Morgan. He never showed up before. But now he does.
Parker: It's very suspicious. Maybe we can ask Junior to do some investigative work on him.
Peyton: I don't that's wise. Junior almost lost his job by stealing evidence "persay".
Parker: Right. Good point. Let's not let Junior lose his current position. He's a Head Inspector now. Well. Got to do it the magical way then.
Peyton: What about trying the Supernatural Task force? That's what their jobis. Deal with things like that.
Parker: Yea. But what if Vincent Morgan is just a mortal who is just very manipulative. Like those in crime television shows and movies.
Peyton: Possibly. But that would rely on Junior. And hopefully we can get his boss to help. But we shouldn't involve our personal problems with the police department.
Parker: Good point there. Peyton. Both of our options have led no plan at the moment.
Peyton: Yea. There has to be another option to investigate this man.
Parker: I think there is. But we have to do it. But got to be careful.
Peyton: For sure. He is a powerful man.
Coop: Girls. I vote no on this. Don't want you two to get in trouble.
Parker: Come on. Dad. We're doing this for Chris.
Peyton: We can find out how he manipulates people like what happened with PJ and now Chris.
Coop: Okay. Just be careful.
Parker: I had a long day. So going to sleep a bit.
Peyton: And I have some homework to do.
Coop: And I got to find a new editor-in-chief soon. The recent applicants aren't quite up to par yet.
Parker: It takes time to find the right person.
Peyton: Don't give up hope on this.
Coop: I won't.
[Coop, Parker, and Peyton head out of the living room.]
[GO TO COMMERCIAL BREAK]
UNKNOWN ALLEY.DAY
[Chris is standing with Bryan Weldon (30), a man with brown hair, and a grey suit. He then pushes the man against a wall.]
Chris: Look here. Mr. Weldon. Guess you didn't want it the easy way.
Bryan: Look. Here. Mr. Halliwell. I know how Mr. Morgan works. He's been trying to get me to sell my company for years.
Chris: It's all in good interests. Mr. Weldon. Now do you still want it done the hard way?
Bryan: Look here. Kid. You're kidding yourself here. Pulling this tough guy act. In truth. You're just an insecure person who doesn't believe he's worthy compared to his own brother.
Chris: I'm not kid. But a man!
Bryan: Sure you are. Based on how you're acting.
Chris: Well. I'll show you what a man I am.
[Chris then punches Bryan hard in the gut. He groans a bit.]
Bryan: Ugh.
Chris: So? Still want to play it the hard way?
Bryan: Kid. You're wacko. This is assault. I can report you.
Chris: Oh yea. With what proof. No one know what happened is right now but us.
Bryan: We'll see about that? As I recorded that whole conversation.
[Bryan then takes the phone out and reveals the voice clip of their conversation.]
Chris: You're smarter than I think. But not smart enough.
[Chris waves his hand and the cellphone ends up flying out and cracked hard against the wall and falls on the floor.]
Chris (cont'd): No proof. Now!
Bryan: My phone! Are you serious!
Chris: I am. You wanted to play the hard way.
Bryan: I'm staying away from you. Wacko.
[Bryan begins to run off but Chris ORBS out and over to in front of him.]
Chris: Not so fast. Mr. Weldon. You're not going anywhere.
[An inner voice then calls out to Chris.]
Inner Voice: Chris. End his life now. That man will never agree to your decision. Remember whoever defies you or your master. Will meet their end.
Chris: Yes. End him.
[He puts his hand over his neck to strangle him.]
Bryan: Aagh. He...lp!
Chris: No one defies me!
Bryan: St... op. You... re... hur... ting m...e.
[And then something in Chris stops him. A tiny part of his conscience remain. He takes his hand off Bryan and realizes the horror.]
Chris: What the. I'm not.... What have I become?
[And then decides to ORB out.]
[Olivius FLAMES in.]
Olivius: But I am!
[Bryan gets incinerated into flames.]
Bryan: Aaaah!
[And then all that remains are his ashes in the flames.]
Olivius (con'td): Now that's done with. Time to deal with Chris. Have to find a way to push his morality to the dark side. But where he could have gone.
[He then FLAMES out.]
[CUT TO]
SAN FRANCISCO.DAY TO NIGHT.NIGHT
[Quick shots of all locations as the sun goes down and the moon goes up. The night sky is here to the song of "L-O-V-E" by Nat King Cole.]
[Lyrics playing: Love is all that I can give to you/Love is more than just a game for two/Two in love can make it, take my heart and please don't break it/Love was made for me and you/L is for the way you look at me/O is for the only one I see/V is very, very extraordinary/E is even more than anyone that you adore can ]
[CUT TO]
MAYA'S APARTMENT.BEDROOM.NIGHT
[BKG music fades out.]
[Chris is cuddling with Maya in bed. His back is seen. The mark has disappeared. He smiles at her.]
Chris: I'm glad you found me.
Maya: Me too. I can't believe you thought that other Maya was me.
Chris: I know. I'm sorry. Man. You were betrayed by Cassandra.
Maya: When we got separated in that room, Cassandra took me away and put another replacement with the face in that room. And I was locked in the phoenix witches lair's basement for a while.
Chris: And then Aquila found you somehow. Risking herself as she is wanted.
Maya: And I know she tried to kill you. But Aquila has repented since then.
Chris: Are you sure about that?
Maya: I'm sure. Known her all my life. Aquila was like a mother to all of us in the coven.
Chris: So what now? Olivius is still after me.
Maya: We could go into hiding.
Chris: I can't. Olivius made me owner of P3. I can't just leave it like that.
Maya: The only way to get away from him is to end his life. But he's too powerful. From what I heard, this demon has no weaknesses.
Chris: My family is considered the most powerful witches of all time. Our Power of Eight channeled through the spell my Aunt Phoebe created was able to destroy Zarax, who was revived from the dead. And the Power of Three vanquished Darkrai, a very powerful demon we have never faced before.
Maya: But that power is gone now. Ever since your cousin, PJ, got manipulated by Olivius to go to the dark side. And then became the Source of All Evil.
Chris: It can be gained again. I remember the story of when my Aunt Prue died and the Power of Three was lost. Until my Aunt Paige came into the picture and reborn those powers again.
Maya: So what's the plan? Chris.
Chris: I have no idea. But for now. Just want to appreciate your presence.
Maya: Me too. Chris.
[The lamp is turned off. The two cuddle among each other, sleeping peacefully, in the night.]
[CUT TO]
MORGAN MANSION.VINCENT'S BEDROOM.NIGHT
[Vincent has been watching through his pocket-watch mirror again and saw the conversation. And looks upset.]
Vincent: No! I can't let this happen. There must be a way to get rid of this family.
[He FLAMES out.]
[GO TO BLACK.]
[END OF EPISODE.]
[End Credits rolling to shortened theme song to reveal supporting cast and guest stars.]
Co-Starring:
Holly Marie Combs as Piper Halliwell
Brian Krause as Leo Wyatt
Victor Webster as Coop
Taylor Lautner as Dane Patten
Specially Starring:
Kaley Cuoco as Billie Jenkins
Timothée Chalamet as Jeffrey Balfont
Also Featuring:
Sterling Knight as Sir Richard Banks
Kendall Schmidt as Lycan
Katrina Law as Olivia
Chris Owen as Vincent Morgan/ Olivius
Elizabeth Dowden as Museum Director
Denise Dowse as Angel of Destiny
Elisha Cuthbert as Elizabeth Moone
Robert Pattinson as Kyle Willows
Milo Cawthorne as Luther
Kevin Zegers as Bryan Weldon
Cerina Vincent as Maya
Uncredited Actors as Businessman #1 and Businessman #2
Uncredited Actor as Inner Voice of Chris
PARIS.NIGHT
[Camera shots of all areas of Paris to the song of "Paris" by The Chainsmokers.]
[Lyrics playing: Let's show them we are, show them we are/Let's show them we are better/We were staying in Paris/Let's show them we are better/Let's show them we are, show them we are/Let's show them we are, show them we are/Let's show them we are better ]
[CUT TO]
HOTEL.BEDROOM.NIGHT
[BKG music fades out.]
[PJ is cuddling with Dane in bed. They are underdressed, with her wearing only a pink colored lingerie, and him with just no shirt and only his boxers. The two are staring at each other lovingly.]
Dane: You discover anything yet my love. Of who you really are.
PJ: Oh Dane. We haven't explored that much of Paris. Yet.
Dane: Right of course. Hopefully taking in more sights will inspire you somehow. To find out who you really are.
PJ: For now. Let's enjoy ourselves. What you did before bringing me in. Was so sweet. The rose petals.
Dane: Thanks. My love.
PJ: Now let's rest a bit for the next day.
Dane: We all need the energy that is needed to explore the wonderful city.
[The lights are turned off. They hug each other and are under their blankets as they begin to fall asleep.]
[CUT TO]
SAN FRANCISCO.DAY
[Aerial shot of the city.]
[CUT TO]
INSIDE CASTLE- DUNGEONS.SEVENTEETH CENTURY.DAY
[ON SCREEN:]
SEVENTH CENTURY
[The aesthetic of this castle dungeon seem to be of the seventeenth century. Very historic. Countess Seraphine Lovell(early 20s), wearing a black gown, of the century, stands in front of Sir Richard Banks (23), a blonde man, who seems to be chained to the wall.]
Seraphine: Soon you will be mine. Richard. Like all men have to me.
[She then grazes his face gently.]
Richard: Don't touch me! What did you do my fiance? Where is she?
Seraphine: That is of no importance. Soon you will forget her. And know only me.
Richard: No way is that going to happen.
[Seraphine just waves her hand and immediately Richard becomes drawn to her. His eyes fill with desire.]
Seraphine: So tell me. What you say about your fiancée?
Richard: What fiancée? I only know you in my heart. Seraphine.
Seraphine: Perfect. My powers have worked wonders on him.
[Olivia(30's), walks in, a women with black hair, and dressed in a green dress.]
Olivia: Good job. My protégée. We will prove women are mighty. And get back at them. For what one of those did to you.
[Seraphine turns around. Her face is revealed. It has Parker's face. This is her past life.]
Seraphine: All men are my pets. And I will use them all to my will. Richard is in line to be a prince. And I will find a way to get rid of him and rule over this kingdom. Hahahaha.
Olivia: Ah yes. And also provide an heir. She will be as powerful as you.
Seraphine: Ah yes.
[Lycan, then enters the dungeons, one of Seraphine's soldiers.]
Lycan: Countess. We have an intruder.
Seraphine: Watch over Richard. I'll take care of the intruder.
[Seraphine rushes off followed right behind by Lycan]
[CUT TO]
HALLIWELL/COOP MANOR.PARKER'S BEDROOM.DAY
[Parker is awaken, her eyes wide in shock.]
Parker: What was that? And why did that Olivia want Richard too.
Olivia: I have found you. My dear protégée. It's time to finish what we started that was failed.
Parker: What the heck. Wait. You're Olivia. The one I saw in my dream.
Olivia: A dream. Interesting. It's your past memories.
Parker: Stay away from me.
Olivia: No thanks. I have been waiting for centuries for your reincarnation to appear so we both can achieve what we failed to do in the past.
Parker: Again. Stay away from me.
Olivia: I guess it's going to be the hard way.
[Olivia waves her hand. Parker is under a different enchantment, which her past life had done with her power, and Olivia's. She now feels drawn to serve Olivia. And bows down to her.]
Parker: Mistress. I am at your command.
Olivia: Yes. My Seraphine. It's time to finish to what we were supposed to finish.
Parker: As you wish.
[She takes Parker's hand and they both disappear into a portal to an unseen area. The portal closes and now the bed is empty.]
[OPENING CREDITS]
MORGAN MANSION.DAY
[Still image of Morgan Mansion.]
[CUT TO]
MORGAN MANSION.GUEST BEDROOM.DAY
[Chris is fast asleep, sleeping with Maya. Vincent is standing next to Chris, in the middle of chanting a spell.]
Vincent (chanting): ....May we be ever bonded, Our souls intertwined, Our morals lie in balance, Bond us, Like Father and Son,We Are One And The Same.
[The spell is casted. A golden light surrounds him and then is awoken. He begins to speak.]
Chris: I am Christopher Perry Halliwell. And wish to control the city under my whim.
[His pajamas then start to shed in a red smoke like manner and is now wearing a nice crimson red suit, like the one he had on the day before.]
Vincent: I did it. The perfect revenge. Take a child away from the original Charmed Ones. Now he will be like me.
Chris: Hmm. I don't know why. But so anxious to make a deal right now.
Vincent: I have a future client for you to practice on. But first. I know you love the suit. Put on something comfortable. Breakfast should be almost ready.
Chris: As you wish. Mas... Father.
Vincent: Did you just call me father?
Chris: That was weird. I wanted to say master. But it came out. That way.
Vincent: Don't worry about it. It's alright. Chris. Now get changed. And wake up Maya for breakfast also.
Chris: As you wish. Master.
[Vincent leaves the room. Chris then heads off into the bathroom.]
[CUT TO]
UNKNOWN CAVE.DAY
[Parker is still under the control of Olivia and just stands still, seemingly waiting for orders.]
Olivia: I have done such research. And this spell is perfect. To make Seraphine will do what I want her to do. As this young woman is now under my control.
[She then turns over to face Parker. And gives a piece of paper of a spell to her.]
Olivia (cont'd): Please cast this spell. Parker.
Parker: As you wish.
[Parker then begins to cast it.]
Parker (chanting): From This Time and Place, Take My Spirit,
Beyond, Where I Wish To go, Let my life be hers, And hers be mines.
[The spell is activates. A white glow. Parker's spirit exits from the body and goes into the beyond. Another spirit enters and is shocked at where she is.]
Parker: Where am I? Olivia! Of course.
Olivia: Hello. Seraphine. Wish we could catch up. I got to guide you. Or at least your body.
[Olivia opens up a portal and travels back to the past. Seraphine/ Parker looks shocked.]
Seraphine/Parker: I'm not going to let her ruin my life. I can use this body's memories. To find help.
[Seraphine/ Parker then BEAMS out.]
[CUT TO]
CASTLE.BACK OF THE CASTLE.DAY (1650)
[ON SCREEN:]
NEW ENGLAND, 1650
[The camera then zooms onto Seraphine's body, as Parker's spirit enters it. And is in shock. The enchantment put on her is now gone. She takes a look at her new body.]
Parker/Seraphine: What the. Is going on?
Jeffrey: What's wrong? My darling Seraphine.
[Parker/ Seraphine is at shock how Jeffrey looks exactly like Adrian.]
Parker/Seraphine: Adrian?
Jeffrey: Adrian? Who's he? The stress of maintaining the farce with Olivia must be getting to you.
Parker/Seraphine: Yea maybe. Refresh me. Since my stress has made me forget.
Jeffrey: You know. Agreeing to her current plans. Like before. Remember? Those men you fooled. Due to her manipulation that all men were horrible.
Parker/Seraphine: Right. Of course.
Jeffrey: I'll see you tonight. My love. Our usual spot.
Parker/Seraphine: Okay.
[Jeffrey heads off. Parker/ Seraphine is still a bit confused.]
Parker/Jeffrey: This is so weird. Why am I in this body? And this guy looks so much like Adrian. Got to figure this out.
[Parker/ Seraphine then walks off deciding to explore the castle.]
[CUT TO]
THE BAY MIRROR.DAY
[Still image of The Bay Mirror.]
[CUT TO]
THE BAY MIRROR.EDITOR-IN-CHIEF'S OFFICE.DAY
[Coop is now in deep thought of what he experienced today. He starts to flash back.]
[FLASH BACK TO:]
THE BAY MIRROR.EDITOR-IN-CHIEF'S OFFICE.DAY (EARLIER)
[Coop sees Parker BEAM in. And is shocked.]
Coop: Parker. What are you doing here? Don't you have work?
Seraphine/Parker: Parker? Who's she? I'm Seraphine.
Coop: Wait what? Oh no. You been possessed by an evil demon.
Seraphine/Parker: No. It's not that. This is so weird. I believe I'm your daughter's past life.
Coop: Wait what? But how you know to come to me?
Seraphine/Parker: Just maneuvering through her memories. And I knew you work here. And there's a chance of helping.
Coop: How?
Seraphine/Parker: From the memories. I learned you are a cupid. And do have the ability to travel through time. I have to stop Olivia.
Coop: I can't travel through time willy nilly. There has to be a purpose. And who's Olivia?
Seraphine/Parker: A witch who manipulated me. I think she wants to change the past so things would be in her favor.
Coop: That's not my business.
Seraphine/Parker: I bet it is if it concerns your daughter. If her past exists, your daughter may not exist to come.
Coop: Why? Fine. I'll help. But time travel is tricky. You got a specific year?
Seraphine/Parker: 1650.
Coop: Any exact date?
Seraphine/Parker: Nope. Sorry.
Coop: Then how do you expect to find her?
Seraphine: You're a cupid. Channel her. This daughter of yours may be a spirit now in my body but is still there.
Coop: So what's the plan?
Seraphine/Parker: Just to go to that yearsand stop Olivia's plot.
Coop: How soon?
Seraphine/Parker: Now would be good.
Coop: I can't just up and leave this place alone.
Seraphine/Parker: Make an excuse or something. I'll check back in a few hours.
[It then flashes back to the present.]
[FLASH BACK TO PRESENT.]
THE BAY MIRROR. EDITOR-IN-CHIEF'S OFFICE.DAY
[Coop is his seat.]
Coop: This is super risky. If I don't focus, I could go to the wrong timeline. But I'll do anything save my daughter.
[He then gets back to the work on the computer.]
[CUT TO]
CASTLE.THE COUNTESS' CHAMBERS.DAY
[Olivia arrives through a portal.]
Olivia: Man it took a while to get the right point in time. Now to find her.
[She heads out of the room.]
[GO TO COMMERCIAL BREAK]
LOUVRE MUSEUM.DAY
[It is the late afternoon. In the city of France. The light shines bright on this historic monument. PJ and Dane are seen standing in front, before entering in through the entrance.]
Dane: This is the perfect place. Museums are known for inspiration.
PJ: Alright. Here goes. Time to find out who I truly am.
[They hold each other hands and enter inside.]
[CUT TO]
INSIDE LOUVRE MUSEUM.THE LOBBY.DAY
[PJ and Dane enter inside.]
Dane: Let's head to the museum director if any tours are coming. Yea.
PJ: Right.
[They see the museum director, who has just finished a tour and walks over to her.]
Museum Director: Hello. How may I help you two?
Dane: Ah yes. We were wondering if there are any tours coming up soon.
Museum Director: Actually they are all booked up.
Dane: But please. It's my fiancee's first time in Paris. We would love learn great things in this grand museum.
Museum Director: Oh boy. Man. I have seen this excuse.
Dane: Please.
Museum Director: Sorry Sir. Tours are all booked up.
PJ: Dane. It's okay. I can find inspiration elsewhere.
Dane: But... PJ.
PJ: Come on. Let's go.
Museum Director: I'm really sorry. But the tours are booked.
[Then a weird white light hits the museum director. She begins to smile.]
Museum Director (cont'd): You know what. I can arrange something. It will be in thirty minutes.
Dane: Well thanks.
Museum Director: No problem. See you two in thirty minutes.
Dane: Thank you so much.
[The museum director then rushes off.]
PJ: Well that was weird. Did you just see that also? That weird light.
Dane: Yes I did. It means someone magical got involved.
PJ: But why?
Dane: Maybe someone has hope for you. In your quest.
PJ: I guess. There's a nice little café not too far.
Dane: Stop by before the tour starts?
PJ: Yea.
[PJ and Dane then proceed to exit out of the museum.]
[CUT TO]
INSIDE LOUVRE MUSEUM.LOBBY.DAY (MOMENTS LATER)
[PJ looks upset and standing off to a wall near the exit door. And turns to Dane.]
PJ: This trip was useless. I found no inspiration.
Dane: I'm so sorry. My love. We got other places to explore. Maybe there could be inspiration in either of those.
PJ: I'm not in the mood to find it anymore.
[She rushes out of the door.]
Dane: PJ! Wait!
[He chases after her.]
[CUT TO]
LOUVRE MUSEUM.DAY
[PJ is now outside and is distracted by something, staring at it very focused. Dane goes over to her.]
Dane: PJ. Wait. What are you staring at?
PJ: That.
[She points to a flyer of a movie. It shows an empowered woman, and words on it. It reads:]
MAKE YOUR OWN DESTINY,
AND YOUR DESIRES WILL BE FULLFILLED.
[Then under in smaller text that those words, it reads:]
Check The Sequel of Destiny Heart: True Desires. Where Destiny Heart goes on a journey to find out her true desires, what makes who she is.
[Dane looks over at it. And sees nothing in his eyes. Just a movie poster of action movie.]
Dane: An action movie. That's what you are into now?
PJ: What do you mean? I see a flyer advertising about a movie called Destiny Heart 2: True Desires.
Dane: That's not what I see.
PJ: Well. Alright. I must be seeing things. But I have been inspired.
Dane: Yes. Told you other places would.
PJ: No. You were right. We're still near the museum. Not exactly in it. But it's something.
Dane: So what do you find about yourself?
PJ: Nothing much. That I should make my own destiny. And not try to be what my family wants me to do. Or what I believe they want me to do. And was part of the reason why I bought P3. Thought it was the right thing to do honor my family legacy.
Dane: And it's not that way anymore.
PJ: Yea. I'm going to start something. Being the Queen I want to do.
Dane: Not the crazy power hungry one. Right?
PJ: Of course not? But now I have find my inspiration. Kind of want to spend a bit more time in Paris.
Dane: Ooh that's great. I was scared we didn't have enough time to explore what I want you to see.
PJ: Alright. Where to next?
Dane: A fashion show later tonight. Got some connections. Back when I was Dazos.
PJ: Ooh great.
Dane: But first. Let's find a place to eat.
PJ: The food in the café we went before the tour didn't fill you up?
Dane: Not exactly. I just want to take you to my favorite restaurant in Paris.
PJ: Aw. You're so sweet. Let's go.
[PJ and Dane then walk off away from the museum.]
[CUT TO]
UNKNOWN REALM.DAY
[An all-white area. The Angel of Destiny is standing watching over.]
Angel of Destiny: I know I said I wouldn't get involved. But PJ is worth it. She is meant for something great. Why not push the first step for her.
[She then SPARKLES out.]
[CUT TO]
THE BAY MIRROR.EDITOR-IN-CHIEF'S OFFICE.DAY
[Chris ORBS in, right in front of Coop, surprising him. He is wearing a crimson colored suit.]
Coop: Is this going to be a recurring thing? Having unexpected magical guests.
Chris: Uncle Coop. Did someone meet you before?
Coop: Not important now. Chris. What brings you here? And what's with this new look? You were never one for the formal look. And would wear it for only special occasions.
Chris: I have grown since then in the three months after what happened. With our family.
Coop: Oh really. Chris. Something is up with you. Your mother told Parker about you acting weird.
Chris: That nosy women. She has no right.
Coop: What is going on? Don't talk about your own mother that way.
Chris: It's a free country. I can talk about her in any away I want. Uncle Coop.
Coop: Something is wrong with you. A spell or some sorts.
Chris: It's not a spell. I just realized who I should be. Someone of power. That can make things happen. Like Vincent Morgan can.
Coop: Seriously. You got involved with him? PJ had and now she lost P3. Forever.
Chris: Not really. Don't worry. It will stay in the family.
[Coop sighs.]
Coop: So the stuff I got for your story is true. You're going to take the reign on P3.
Chris: Yes. And that's the reason I came here. To convince you to accept the story. Trust me. It's all for the best for the family.
Coop: Or the best for yourself. To gain some fame. No matter who gets hurts in the process. Even your own family members.
Chris: It's partly true but not always. After much thought, I wonder why I didn't decide to grab P3 for myself and let little ole PJ take the reign. My own mother started that club. It was supposed to be my legacy.
Coop: You know why. Chris. Your dream was to become a professional photographer and she didn't want you to give up your dream.
Chris: That dream is gone. What idiot can make a good honest living of photography? Being the owner of something is much better and provides a better life for me.
Coop: You are acting really strange. The Chris I know wouldn't say this stuff about his true love. Photography.
Chris: Well. Uncle Coop. I'm not the Chris you know anymore. I am Christopher Perry Morgan.
Coop: Morgan? You mean Halliwell?
Chris: Oh yes. Halliwell. That's weird. Don't know why I said that. Anyways. Come on. Take the offer. It's all for the best.
Coop: I'm not going too. It's immoral.
Chris: Fine. Your loss.
[He ORBS out.]
Coop: Poor Piper. She's going to be heartbroken seeing her son in this state. And back to my own family. Time to save my daughter and figure out an excuse.
[Coop sits back in his seat and starts to ponder.]
[GO TO COMMERCIAL BREAK]
HALLIWELL'S.DAY
[Still image of Halliwell's.]
[CUT TO]
HALLIWELL'S.DINING ROOM.PRIVATE BOOTH TABLE #1.DAY
[Chris is wearing the same red crimson suit when seeing Coop a while ago and is sitting with his parents, Leo and Piper. They have been staring at him for a while, due to his different look, while eating their food.]
Leo: I couldn't believe my eyes when Coop told me.
Piper: You're in a suit.
Chris: Yes. So?
Piper: Christopher Perry Halliwell. Don't you do that attitude with me!
Leo: What the heck is wrong with you? It's like you're a whole different person.
Chris: Maybe I am what I am. I suppressed so long to appease to the family. And now I realize. It's not worth it.
Piper: Really? Do you mean what you said?
Chris: Yes. Mother. Father. I never felt so free to till now. My feelings I kept in. As I thought I truly love my older brother. Saw him as my idol. But now not anymore. Compared to him, I was nothing. And now I can be something. Once I get officially announced as the owner of P3.
Leo: Son. Come to your senses. You know that's not true.
Piper: Sure. Wyatt may be considered. More powerful than you. But you are you. You don't need to compare yourself to him.
Chris: Look at you. Defending my older brother again. Saying I don't need to compare himself to him. Really.
Piper: Um. That's not what I meant. I just...
Chris: Just trying to find excuses to show that Wyatt is so great.
Leo: Son. Please. Don't twist things around.
Chris: I'm not your son anymore. And you also. Mrs. Halliwell.
[They gasp.]
Piper: Mrs. Halliwell. Really? You refer me like that!
Leo: I mean. Piper told me about that talk before you moved out. And about being rude. And it's more than that. You're disrespectful.
Chris: Yea so? What are you going do about it? I'm an adult. You can't punish me for misbehavior when I was a young boy.
Piper: Oh. There are ways. Son. I could strip your powers from you.
[Chris smirks.]
Chris: I can find a way to get powers if that happens. You see...
Piper: What do you mean by that? Don't tell me? You...
Chris: You think I gone to the evil side. No. But it is tempting. Maybe in the future.
[Piper's eyes go wide.]
Piper: Chris! You can't be possibly thinking that.
Chris: I am. And with that. There's a chance I could be more powerful than Wyatt. You see what I learned. Being on the evil side. There's no limit to anything. Just true unlimited power.
Piper: Oh. Son. Who made you think like this? Was it the same demon who manipulated PJ?
Chris: Sorry. Can't tell you.
Piper: Cause you're afraid I'll find a way to vanquish him. And in turn. That gets my real son back.
Chris: I think we're done here. I have to get ready for my initiation.
Piper: Initiation. Really now. It's obvious something is up.
Chris: Have an enjoyable meal. Mother. Father.
Piper: You're not going to order something to eat?
Chris: Sorry. I got plans. To discuss my initiation. And I'm also provided food.
Piper: Not as good as Halliwell's cooking. I bet.
Chris: Well. I'll be the judge of that. Good day. And be sure to check the television later.
[Chris rushes off.]
Leo: Now that's strange too. Chris loves Halliwell's cooking.
Piper: You know what? After we finish this meal, I'm going home to check the Book of Shadows. Some demon must've enchanted him or something to make him act like this.
Leo: I agree. But now let's try to finish our meal and not think about that horrible conversation.
Piper: Yea.
[The two continue to eat their meal.]
[CUT TO]
UNKNOWN FOREST.DAY (1650)
[ON SCREEN:]
UNKNOWN FOREST, 1650
[Richard is with Parker/Seraphine, Parker inside Seraphine's body. They seem to be in a heated argument.]
Richard: I saw you kiss Jefferey. Are you betraying me after I gave my soul to you? I am your love.
[Olivia is in Invisible Astral Projection behind Parker/Seraphine She starts to use her Suggestion powers.]
Olivia (suggesting): Listen to me. Tell him he is your love. Jefferey is just a phase. A one-time thing. You are his true love.
Parker/Seraphine: That's not what it is. Jeffrey means nothing. A phase. I love you.
[It turns Jeffrey is there watching. And is heartbroken and jumps out to confront Parker/Seraphine.]
Jeffrey: Is that true? Seraphine. What we had mean nothing.
Olivia(cont'd): Your heart is true. Only to Richard. You were only a fling to me. A moment of weakness.
Parker/Seraphine: Richard is my one and only. You. Were just a fling to me. A moment of weakness.
Jeffrey: Really? I can't believe this. I'm out of here.
[And then Coop appears with Billie, along with Seraphine/Parker, Seraphine in Parker's body. They had been projected through time.]
Billie: Finally. We got the right point.
[Jeffrey turns around is shocked at the exact appearance. And does a double take.
Jeffrey: What is going on here? There's two of you?
Seraphine/Parker: Don't trust her. My love. That woman has been enchanted.
Jeffrey: I'm so confused.
Coop: Parker. Daughter. Fight this.
Parker/Seraphine: Fight what? And who are you?
Seraphine/Parker: Olivia has to be around here somewhere.
[Olivia unveils herself, showing she was behind Parker/Seraphine. She then uses her Suggestion power on Parker/ Seraphine again.]
Olivia (suggestion): This man is an enemy. A rival of Richard's father. End him.
Parker/Seraphine: I must end him. For Richard.
[Parker/ Seraphine sends a wave of air towards Coop. He BEAMS in and out to avoid it.]
Coop: Daughter. Come on. Fight this.
Olivia: I'm sorry. Your daughter belongs to me now. And she will do whatever I said.
Coop: Not if I destroy you first.
Olivia: With what? I assume everyone's powers useless here assuming you all came from the future. And it may have helped you get here. But it won't work getting back.
Seraphine/Parker: But I can stop you. Being in the body of my current reincarnation allowed me access to a spell.
Olivia: No spell can kill me. You know that.
Seraphine/Parker: In this time. But a future spell will.
[She begins to cast the spell.]
Seraphine/Parker (chanting): With The Power of The Witches' Rise, Vanquish This Evil, From Our Sights,
Never To Been Seen Again in Truest Blight.
[Seconds later. Nothing happens.]
Olivia: I told you. No spell can kill me.
[And then. From behind. Olivia is stabbed from behind by a cloaked figure, with a blade. The hood is then removed. It is revealed to be Elizabeth Moone, a blonde young woman. The appearance of her breaks Richard out of his trance. Her clothes seemed to be ripped up, and a bit of a pale face. It seems she was tortured.]
Richard: Elizabeth!
Elizabeth: This is for stealing Richard away from me. Through your schemes. Olivia. Sure. No spell can kill you. But a magical weapon will.
[She then takes it out forcefully. Olivia's wound begins to bleed out heavily.]
Olivia: You annoying mortal. I'm a witch. Who has a power of healing.
Elizabeth: Not with his one. It is known to nullify any magic on its victim after its attack.
[She looks back his wound and realizes it is not healing.]
Olivia: Noo! This can't be. My life can't be over like this.
[And then starts to be incinerated in flames.]
Olivia (cont'd): Noo! Pleaseee! Aaah!
[The flames dissipate and no trace of her is seen. Her destruction breaks the enchantment on Parker/ Seraphine. She is shocked.]
Parker/ Seraphine: Dad? Aunt Billie? What are you two doing here?
Coop: It's a long story. I'll explain more when I get home.
Parker/Seraphine: But we can't. Remember. Most of us are not considered yet. Our powers wouldn't work as I still heard her say it while being under her enchantment.
Seraphine/Parker: You are a witch. No matter. What time period. They all have the same ability. That is casting spells.
Parker/ Seraphine: Yes. But we got no spellbook with us.
Seraphine/Parker: Don't worry. My reincarnation. Found a spell and remembered it. You all can return to your time safely.
Parker/Seraphine: Thank you. But first let's return to our own bodies first.
Seraphine/Parker: Right of course. I assume you remember the spell.
[Parker/Seraphine nods. She begins to cast the spell.]
Parker/Seraphine (chanting): From This Time and Place,
Take My Spirit, Beyond, Where I Wish To go, Let my life return to what it was, And hers back to where it belongs.
[They both faint to the ground. And their spirits escape and enter back into their respective bodies. And then awaken.]
Parker: I'm back.
Seraphine: Me too.
Richard: Okay. That was weird. But it's nice to see you again. Elizabeth.
[Seraphine walks over to Elizabeth.]
Seraphine: I apologize for what I did. Olivia...
Elizabeth: That witch manipulated me too thinking Richard had eyes for you.
Parker: Alright. It's time to go home. Have a great life with your loved one. Seraphine.
Seraphine: Thanks you two. And please don't give up on love. It's worth it.
[Parker gasps.]
Parker: How?
Seraphine: I had access of your memories. So. Safe travels.
Parker: Thank you for everything.
Seraphine: No problem.
Parker: Ready to go home? Aunt Billie? Dad?
Coop: Yep.
Seraphine: The spell should be in your memory. It was your body I used to remember.
Parker: Right. Let's try.
[She holds hands with Coop and Billie and begins search in her memory and then finds the spell, eventually casting it.]
Parker (cont'd): Bring us back, From whence we came,
To the place, I wish in time and space.
[Swirls of white light surround them as they disappear from the place. And then a white glow spreads through Jeffrey, Seraphine, Richard, and Elizabeth. Their eyes then look confused.]
Jeffrey: What are we doing here?
Seraphine: I don't know.
Richard: Me either. Maybe we were looking for something to hunt.
Elizabeth: Yea.
Jeffrey: This is strange. It feels like a long day to me. And so tired. Let's head out of here.
[The others nod. They all start heading out of the forest.]
[GO TO COMMERCIAL BREAK]
P3.DAY
[CLOSE UP: ON GRAND RE-OPENING SIGN. In Red lettering.]
[CUT TO]
P3.DANCE FLOOR.DAY
[The place is popping. Customers are having fun dancing. Scheme is still the same. A darker color scheme of the club.]
[CUT TO]
P3.BAR COUNTER.DAY
[Chris, in his crimson colored suit, is schmoozing with two businessmen, as Kyle had attended the event also, the grand re-opening party of the club. Kyle comes over.]
Kyle: Sorry. Sirs. I need to speak with him.
Businessman #1: Sure. Young man. We just finished.
Businessman #2: Have at it.
[They head towards the dance floor.]
Chris: Kyle. It's been a while since I seen you.
Kyle: Of course. After PJ got manipulated by the boss of Morgan Tower, that I wasn't fit to be part of the new version of P3 anymore. And now it seems like you did too.
Chris: Excuse me? Mr. Morgan did not manipulate me. He provided me a great offer to be my own boss.
Kyle: You know this is wrong. Chris. This was PJ's club.
Chris: I don't care whether it was or not. This place belongs to me now.
Kyle: Chris. Snap of out of this. Whatever Vincent said is not true.
Chris: I'm Christopher now. Kyle.
Kyle: Changing your name doesn't affect the way you're acting right now. Not from the Chris I knew. The dear cousin of PJ Halliwell. My ex-boss.
Chris: You don't even know me that well.
Kyle: Oh but I do. From PJ. Anyway. There's no way of convincing you of the error of your ways right now. I'm going.
Chris: You go then.
Kyle: Fine. One day you'll regret all this.
[He storms off.]
Chris: Well that guy. Really dampened my mood. Maybe a drink will make me feel better.
[The bartender, Luther, a brunette hair young man, then places a bottle of whiskey and a glass for him on a table. He then opens a bottle and pours it into the glass.]
Luther: Here. Mr. Halliwell. This whiskey is courtesy of Mr. Morgan to celebrate your new position.
Chris: Why. Thank you. Luther. Is it?
[Chris takes a sip of the whiskey and actually enjoys it. He smiles.]
Luther: How is it?
Chris: Mr. Morgan has good taste. Mmhm. This hits the spot. From the bad mood from that unfortunate guest.
Luther: That's a shame. Please enjoy the whiskey. I have to attend to the other customers.
Chris: Yes it is. Thanks to this whiskey. I feel so much better. Give my thanks to him.
Luther: You can thank him yourself. He is basically your boss now.
Chris: Right of course. I will.
[He takes another sip. Luther moves a down a bit to assist a customer.]
[CUT TO]
MORGAN TOWER.DAY
[Still image of Morgan Tower.]
[CUT TO]
MORGAN TOWER.VINCENT'S OFFICE.DAY
[Vincent is spying on Chris through his pocket watch mirror and grins deviously.]
Vincent: That clueless witch. What Chris doesn't realize is that whiskey is mixed with a fun concoction of mines that will start to warp his morality. Soon he will believe wrong is right and right is wrong. All that remains in his heart is that power is everything.
[He waves his hand and image of Chris is gone and gets back to his work.]
[CUT TO]
HALLIWELL/COOP MANOR.DAY
[Still image of Halliwell/Coop Manor.]
[CUT TO]
HALLIWELL/COOP MANOR.LIVING ROOM.DAY
[Coop, Parker, and Peyton are in the living room as they are watching Chris' interview over and over on the re-grand opening of P3. Parker and Peyton just frown at it.]
Parker: Dad and I missed this while we were time traveling.
Peyton: Yea. This is just a shame. There's no hope for our dear cousin now.
Coop: Who knows? You two thought there was no hope to save PJ. But we did it.
Parker: You did it. Dad.
Coop: It was partly your idea. Parker. The key is love.
Parker: I doubt love is going to work on bringing normal Chris back.
Peyton: It seems he is too far gone from the right path now.
[Peyton then turns off the television.]
Coop: I wonder how Piper and Leo are feeling about this.
Parker: Probably heartbroken and disappointed.
Peyton: Poor Aunt Piper and Uncle Leo.
Parker: PJ is going to be in shock when she finds out.
Peyton: Yea probably. You know PJ bought it for mom's sake. I know Aunt Piper started it. But mom also contributed.
Parker: It was a contribution of all of them. Aunt Piper. Mom. And Aunt Prue.
Peyton: Chris had no right to say that in that interview about he deserves to own it more than PJ.
Parker: It's not the true him. He probably was manipulated by Vincent Morgan like PJ did.
Peyton: This Vincent Morgan. He never showed up before. But now he does.
Parker: It's very suspicious. Maybe we can ask Junior to do some investigative work on him.
Peyton: I don't that's wise. Junior almost lost his job by stealing evidence "persay".
Parker: Right. Good point. Let's not let Junior lose his current position. He's a Head Inspector now. Well. Got to do it the magical way then.
Peyton: What about trying the Supernatural Task force? That's what their jobis. Deal with things like that.
Parker: Yea. But what if Vincent Morgan is just a mortal who is just very manipulative. Like those in crime television shows and movies.
Peyton: Possibly. But that would rely on Junior. And hopefully we can get his boss to help. But we shouldn't involve our personal problems with the police department.
Parker: Good point there. Peyton. Both of our options have led no plan at the moment.
Peyton: Yea. There has to be another option to investigate this man.
Parker: I think there is. But we have to do it. But got to be careful.
Peyton: For sure. He is a powerful man.
Coop: Girls. I vote no on this. Don't want you two to get in trouble.
Parker: Come on. Dad. We're doing this for Chris.
Peyton: We can find out how he manipulates people like what happened with PJ and now Chris.
Coop: Okay. Just be careful.
Parker: I had a long day. So going to sleep a bit.
Peyton: And I have some homework to do.
Coop: And I got to find a new editor-in-chief soon. The recent applicants aren't quite up to par yet.
Parker: It takes time to find the right person.
Peyton: Don't give up hope on this.
Coop: I won't.
[Coop, Parker, and Peyton head out of the living room.]
[GO TO COMMERCIAL BREAK]
UNKNOWN ALLEY.DAY
[Chris is standing with Bryan Weldon (30), a man with brown hair, and a grey suit. He then pushes the man against a wall.]
Chris: Look here. Mr. Weldon. Guess you didn't want it the easy way.
Bryan: Look. Here. Mr. Halliwell. I know how Mr. Morgan works. He's been trying to get me to sell my company for years.
Chris: It's all in good interests. Mr. Weldon. Now do you still want it done the hard way?
Bryan: Look here. Kid. You're kidding yourself here. Pulling this tough guy act. In truth. You're just an insecure person who doesn't believe he's worthy compared to his own brother.
Chris: I'm not kid. But a man!
Bryan: Sure you are. Based on how you're acting.
Chris: Well. I'll show you what a man I am.
[Chris then punches Bryan hard in the gut. He groans a bit.]
Bryan: Ugh.
Chris: So? Still want to play it the hard way?
Bryan: Kid. You're wacko. This is assault. I can report you.
Chris: Oh yea. With what proof. No one know what happened is right now but us.
Bryan: We'll see about that? As I recorded that whole conversation.
[Bryan then takes the phone out and reveals the voice clip of their conversation.]
Chris: You're smarter than I think. But not smart enough.
[Chris waves his hand and the cellphone ends up flying out and cracked hard against the wall and falls on the floor.]
Chris (cont'd): No proof. Now!
Bryan: My phone! Are you serious!
Chris: I am. You wanted to play the hard way.
Bryan: I'm staying away from you. Wacko.
[Bryan begins to run off but Chris ORBS out and over to in front of him.]
Chris: Not so fast. Mr. Weldon. You're not going anywhere.
[An inner voice then calls out to Chris.]
Inner Voice: Chris. End his life now. That man will never agree to your decision. Remember whoever defies you or your master. Will meet their end.
Chris: Yes. End him.
[He puts his hand over his neck to strangle him.]
Bryan: Aagh. He...lp!
Chris: No one defies me!
Bryan: St... op. You... re... hur... ting m...e.
[And then something in Chris stops him. A tiny part of his conscience remain. He takes his hand off Bryan and realizes the horror.]
Chris: What the. I'm not.... What have I become?
[And then decides to ORB out.]
[Olivius FLAMES in.]
Olivius: But I am!
[Bryan gets incinerated into flames.]
Bryan: Aaaah!
[And then all that remains are his ashes in the flames.]
Olivius (con'td): Now that's done with. Time to deal with Chris. Have to find a way to push his morality to the dark side. But where he could have gone.
[He then FLAMES out.]
[CUT TO]
SAN FRANCISCO.DAY TO NIGHT.NIGHT
[Quick shots of all locations as the sun goes down and the moon goes up. The night sky is here to the song of "L-O-V-E" by Nat King Cole.]
[Lyrics playing: Love is all that I can give to you/Love is more than just a game for two/Two in love can make it, take my heart and please don't break it/Love was made for me and you/L is for the way you look at me/O is for the only one I see/V is very, very extraordinary/E is even more than anyone that you adore can ]
[CUT TO]
MAYA'S APARTMENT.BEDROOM.NIGHT
[BKG music fades out.]
[Chris is cuddling with Maya in bed. His back is seen. The mark has disappeared. He smiles at her.]
Chris: I'm glad you found me.
Maya: Me too. I can't believe you thought that other Maya was me.
Chris: I know. I'm sorry. Man. You were betrayed by Cassandra.
Maya: When we got separated in that room, Cassandra took me away and put another replacement with the face in that room. And I was locked in the phoenix witches lair's basement for a while.
Chris: And then Aquila found you somehow. Risking herself as she is wanted.
Maya: And I know she tried to kill you. But Aquila has repented since then.
Chris: Are you sure about that?
Maya: I'm sure. Known her all my life. Aquila was like a mother to all of us in the coven.
Chris: So what now? Olivius is still after me.
Maya: We could go into hiding.
Chris: I can't. Olivius made me owner of P3. I can't just leave it like that.
Maya: The only way to get away from him is to end his life. But he's too powerful. From what I heard, this demon has no weaknesses.
Chris: My family is considered the most powerful witches of all time. Our Power of Eight channeled through the spell my Aunt Phoebe created was able to destroy Zarax, who was revived from the dead. And the Power of Three vanquished Darkrai, a very powerful demon we have never faced before.
Maya: But that power is gone now. Ever since your cousin, PJ, got manipulated by Olivius to go to the dark side. And then became the Source of All Evil.
Chris: It can be gained again. I remember the story of when my Aunt Prue died and the Power of Three was lost. Until my Aunt Paige came into the picture and reborn those powers again.
Maya: So what's the plan? Chris.
Chris: I have no idea. But for now. Just want to appreciate your presence.
Maya: Me too. Chris.
[The lamp is turned off. The two cuddle among each other, sleeping peacefully, in the night.]
[CUT TO]
MORGAN MANSION.VINCENT'S BEDROOM.NIGHT
[Vincent has been watching through his pocket-watch mirror again and saw the conversation. And looks upset.]
Vincent: No! I can't let this happen. There must be a way to get rid of this family.
[He FLAMES out.]
[GO TO BLACK.]
[END OF EPISODE.]
[End Credits rolling to shortened theme song to reveal supporting cast and guest stars.]
Co-Starring:
Holly Marie Combs as Piper Halliwell
Brian Krause as Leo Wyatt
Victor Webster as Coop
Taylor Lautner as Dane Patten
Specially Starring:
Kaley Cuoco as Billie Jenkins
Timothée Chalamet as Jeffrey Balfont
Also Featuring:
Sterling Knight as Sir Richard Banks
Kendall Schmidt as Lycan
Katrina Law as Olivia
Chris Owen as Vincent Morgan/ Olivius
Elizabeth Dowden as Museum Director
Denise Dowse as Angel of Destiny
Elisha Cuthbert as Elizabeth Moone
Robert Pattinson as Kyle Willows
Milo Cawthorne as Luther
Kevin Zegers as Bryan Weldon
Cerina Vincent as Maya
Uncredited Actors as Businessman #1 and Businessman #2
Uncredited Actor as Inner Voice of Chris
