Chosen Ones, by the year 2030, The Charmed Ones are now sort of retired from protecting the world from demons and their children have taken over the reign. This new generation, wanting a name for themselves, like their mothers before them being called the Charmed Ones, decide to become the Chosen Ones, witches chosen to defeat evil and to protect the whole community. This series details their journey in the new fight against demons and saving the the magical community as they face new dangers and new friends along their journey.
Charmed The Legacy Continues, takes place in the year 3100. Everything seems to be in peace in the city of San Francisco until trouble stirs with demon trouble as innocents become mysteriously killed. In this case, only the Halliwell family witch and witch hybrid members would be the hope needed, but unfortunately they ended up having sacrificed themselves in a fierce battle to stop the Source of all Evil five years ago and no one knew the real truth about them as the news writes them being killed in an unfortunate accident. As such, the Elders find three siblings that they deemed to be the next Charmed Ones to fight against the new evil.
Post by Darcelia Darkwell on Feb 5, 2022 3:13:03 GMT
Season 3, Episode 9, Episode number: 56
PHOENIX WITCHES' LAIR.DAY
[Still image of Phoenix Witches' Lair.]
[CUT TO]
PHOENIX WITCHES' LAIR.HEAD PHOENIX WITCH'S OFFICE.DAY
[Aquila looks furious and slaps Maya, hard, so hard that her faces turns a bit, right in front of Leila and Vera, as the two look shocked.]
Aquila (furious): I give you three one task! Only one task! It's that simple! To capture Bianca and take her back to me so I can issue her punishment.
Maya: I'm sorry. Aquila. We tried. Bianca left no trace in her apartment.
Leila: Don't take it out on Maya.
Vera: Besides we had an intruder.
Aquila: Who!
Maya: Bianca's target. It seems he was looking for her.
Aquila: That's it. How we can find Bianca. Through him.
Maya: No way. Am I going against him? I heard he's one of the strongest witches.
Aquila: I don't care! Find a way. Make some potions. Something to weaken him.
Maya: As you wish. Aquila.
Maya (to Leila and Aquila): Alright. Girls. Let's go. We got work to do.
Leila: Got it.
Vera: At your orders. Maya.
[Maya, Leila, and Vera SHIMMER out. A demon, Belphas, a bit scarred on the half of his all red face, SHIMMER in.]
Aquila: Hmm. Looks like I got a new client.
Belphas: Yes you do. But it's especially for you.
Aquila: Oh me. Why?
Belphas: You're the best of course. The head of all them. Of course you're perfect for the job.
Aquila: What's the job?
Belphas: I need a talisman from the witch. And she is bound to it.
Aquila: Ah. I see. If you pay well, I may be interested.
Belphas: Don't worry about that. I got you on that.
Aquila: Give me the address. And of course a picture of what the talisman looks like.
Belphas: Right. Of course.
[Belphas conjures up a folder and hands to Aquila. She takes it.]
Aquila: Why thank you.
Belphas: I'll come back in a few hours. I'm sure that's enough time for the task to be done.
Aquila: More than enough. Thank you for doing business with me.
Belphas: No problem.
[He then SHIMMERS out. Aquila opens the folder and takes a good glance on the information and the image of the tablet. She then also SHIMMERS out.]
[CUT TO]
GOLDEN GATE PARK.DAY
[Aerial shot of the location.]
[CUT TO]
GOLDEN GATE PARK.PARKGROUNDS.DAY
[The area of the park is empty in the mid-morning. Chris and Bianca are sitting on a picnic table, with a red plaid tablecloth, over it, with a good spread of food, a couple of chicken sandwiches, two bottles of sparkling apple cider chilled in an ice bucket, a small key lime pie, a fruit salad, and potato chips. The picnic basket is on the corner, next to the stack of plastic cups, the box of plastic utensils, and napkins.]
Chris: I know it is still risky meeting in the open like this while still trying to hide. But I'm glad you came.
Bianca: Yea. I'm glad I came too. We need moments like this. Chris.
Chris: Yes. First. Let's celebrate to our budding relationship.
[Chris takes two cups out for them. He then opens up the one of the bottles and pours a good amount into the cups, in which one of them, is handed to Bianca. She takes it.]
Bianca: I agree.
[The two of then clink their cups.]
Chris/Bianca: To us.
[They each take a sip.]
Chris: Now let's eat. I'm starving.
Bianca: Me too.
[Chris and Bianca each grab a chicken sandwich and start to chow down.]
[CUT TO]
WITCH'S HOUSE.DAY
[It is just a quaint house. One story. Most of the walls are blue. The doors is white. And a couple of windows.]
[CUT TO]
WITCH'S HOUSE.BEDROOM.DAY
Mathias: No...I failed you. How come she didn't call for me?
[Aquila then turns around to look at Mathias.]
Aquila: Oh. She mighty did. But I was too quick and covered her mouth. And then. You know what happens after.
Mathias: You monster.
Aquila: Now get of my way. And give me that talisman.
Mathias: Heck no.
[He grabs it quick and ORBS out. Aquila is now infuriated.]
Aquila: No. So close. That demon didn't warn me she had a whitelighter. Grr.
[She then SHIMMERS out angrily. The witch remains, dead, as more blood spills out of her slashed neck.]
[OPENING CREDITS]
GOLDEN GATE PARK.PARKGROUNDS.DAY
[Chris and Bianca have just finished their date are cleaning up and when Maya, Leila, and Vera SHIMMER in front of them. They are each holding a potion bottle.]
Chris: Not you three again!
Bianca: Maya. Leila. Vera. How nice to see you?
Maya: We're bringing you in. Bianca.
Leila: Don't try escaping.
Vera: Because you know how fast and skilled we are. You try anything. I can strike your little boy toy.
Chris: Stay away from here. Or else. Do you all want a piece of me again?
Maya: Oh. We're prepared.
[They throw their potions. Chris and Bianca instantly fall asleep.]
Leila: Alright. Let's grab her.
Vera: Yea.
Maya: I really want to kill this witch too. But it's not what Aquila ordered.
Leila: Good move. Don't want to get her madder as she was before.
Vera: That slap was harsh.
Maya: Time to move out. Girls.
[Maya SHIMMERS out. Leila and Vera walk over to Bianca grabbing her and then also SHIMMERING out.]
[CUT TO]
ROBIN'S HOUSE.BEDROOM.DAY
[The area is blocked up with yellow tape alongside poles as the crime scene photographer has just finished up and leaves to his car. Junior and Ryan enter inside the yellow tape putting their feet over.]
Junior: What a shame. She was pretty young.
Ryan: A shame that. What wicked person would do this?
Junior: It's San Francisco. There's so many criminals out there. This girl could be one of those victims of those crimes.
Ryan: What's the analysis? Inspector Mitchell.
Junior: From looking at it. It seems there was no struggle. And a quick kill.
Ryan: Anything else.
Junior: Why don't you take a look? You need more practice anyways. Inspector Lakeland.
Ryan: Um. Of course. Well.
[He takes a good lock over at Robin's wound.]
Ryan (cont'd): I can see that the young woman was slashed by the neck. Based on the size of the cut, it could be a blade or knife. So the kill weapon could be around somewhere.
Junior: Good observation. But. The killer could have taken the weapon so the evidence couldn't be found.
Ryan: And that's why you're Head Inspector.
Junior: Oh. Inspector. You flatter you.
Ryan: It's the truth.
Junior: Still. We should search around the other areas to see if we can find some clues related to this death.
Ryan: I'll go check the kitchen.
Junior: And I'll head to the living room.
[Junior and Ryan then head out of the bedroom.]
[CUT TO]
UPPER REGIONS.DAY
[Jacob and Helena are standing and waiting. Wyatt ORBS in.]
Wyatt: What's up?
Jacob: Hello. Wyatt.
Helena: We have an emergency.
Jacob: And it seems your brother has not arrived yet?
Wyatt: Well. Chris said he was occupied with his girlfriend today.
Helena: Even though. Chris would find an excuse. Something is wrong.
Wyatt: Yea maybe. So? What do you need us for?
Jacob: A huge emergency.
Helena: A powerful talisman was almost stolen from the current guardian of it. Who unfortunately was killed.
Jacob: So. We thought there would be no protector. After this event.
Helena: But it turns one of that family still exist. It was out of an affair.
Wyatt: That's shocking. So what is our task?
Jacob: Chris. And yourself. Are considered to be the most powerful witches in the Warren family line. And the only ones strong enough to protect this girl.
Wyatt: All right. I'm up to it. You're lucky I took the day off today.
Jacob: I guess we are. Perfect timing.
Helena: The girl now becomes each of your charges. Her name is Sally Fields.
Jacob: And Mathias will come to you. The one that was in charge of the first guardian. We had him assigned to help Sally understand what is going on.
Wyatt: You got it. Don't worry. And I'll go find Chris to tell him.
Jacob: Good luck.
[Wyatt ORBS out. Jacob and Helena then ORB out also.]
[CUT TO]
HALLIWELL MANOR.DAY
[Still image of Halliwell Manor.]
[CUT TO]
HALLIWELL MANOR.ATTIC.DAY
[Chris is looking irritated frantically looking almost every page of the Book of Shadows.]
Chris: Come on. There has to be something. To find Bianca. I can't lose her again.
Chris (cont'd): Stupid book.
[Then he closes the book and then throws it off hard out of anger. Wyatt ORBS in and catches it on time.]
Wyatt: Hey. Hey. Be careful with our family's Book of Shadows. What's with you?
[Wyatt then walks over and puts the book back where it is.]
Chris: My girlfriend got kidnapped by Phoenix Witches.
Wyatt: Phoenix what?
Chris: They are assassin witches. I have to find her. But the book is not helping.
Wyatt: Sorry about that. But I got news. Bad news. And it may deter your girlfriend looking.
Chris: Let me guess. Another demon killing innocents.
Wyatt: Not exactly. We're assigned to protect someone. The Elders we're considered the most powerful witches of the family.
Chris: But I need to protect Bianca and save her.
Wyatt: We have to put this on hold. This person is more important than your girlfriend.
Chris: Are you serious? Wyatt. I love her.
Wyatt: Chris. We're witches. Got to protect the innocents. And worry about love later.
Chris: Is that why you have been avoiding Arika. Your fiancée.
Wyatt: I...
Chris: The Elders are wrong. They don't need me. Just you.
Wyatt: Yes they do. Chris. That's why they asked for the both of us.
Chris: Whatever. I'm done being the errand boy for the Elders. If my own brother won't help, I'll find my own way.
[Chris angrily ORBS out.]
Wyatt: Chris! Don't...
[Mathias then ORBS in with Sally Fields in which she is wearing her family talisman.]
Mathias: Wyatt Halliwell.
Wyatt: That's me. You must be Mathias. And that's Sally Fields.
Sally: Hi. It's still a little weird. Was just figuring out my powers just a few weeks ago. And now I find out I'm the guardian of a powerful talisman that is not to be ever go to the evil side.
[Mathias then looks around and doesn't see Chris.]
Mathias: The Elders said there was your brother.
Wyatt: It's complicated. But I know he will come around eventually.
Mathias: Alright. My job is done. Take good care protecting her.
Wyatt: Don't worry. I will.
Mathias: You better. The talisman cannot be released out of her sight ever.
[Mathias ORBS out. Wyatt then walks over to Sally.]
Wyatt: So what now?
Sally: I'm starving. Got some food?
Wyatt: I can make something in the kitchen.
Sally: Sounds good.
[Wyatt then leads Sally downstairs from the attic heading downstairs.]
[GO TO COMMERCIAL BREAK]
UNDERWORLD.DARK CORRIDORS.DAY
[Chris has been storming around the dark corridors of the underworld, trying to find information on how to find Bianca. It seems he has been bashing through a couple of demons, as his shirts looks torn up.]
Chris: There has to be a demon who knows where those Phoenix Witches are keeping Bianca.
[From behind, a demon fires an energy ball at him. A voice then calls out.]
Voice: Duck!
[Chris heeds the warning and ducks. The energy balls flies off into distance, making a soft thump as it hits a wall. He turns around to face the demon but surprisingly it is set ablaze in fire, and turns into ashes. Right behind is Collin, who smirks.]
Collin: Hey cousin. You know it is dangerous wandering in these areas by yourself. If I didn't appear, your life would have been ended.
Chris: Collin! Of course you would be here.
Collin: That's might rude. Already assuming the worst of me. I actually have my own mission.
Chris: I really don't care. Need to find more demons to get information.
Collin: About who? I can help. You know. I do know this place pretty well. And I have ways to get information.
Chris: No thanks. Demons are untrustworthy.
Collin: Oh cousin. I'm truly offering help. After all, you are all are my family.
Chris: Nice try. But you didn't think about back then when you were trying to kill us.
Collin: As I said. Being alive has changed me. I value my family more. Please. Let me help.
Chris: If you wanted to know, I'm looking for information where some Phoenix Witches could be holding my girlfriend, Bianca.
Collin: Why would Phoenix Witches want.. wait. Your girlfriend is a Phoenix. And she went against their orders?
Chris: Yes. So? Can you help me or not?
Collin: It's a bit tricky. But I'll help. But you owe me.
Chris: I knew it. It wasn't that easy to get you to do something.
Collin: Of course. Anyways. Don't worry. I'll find your little Bianca.
Chris: You better. Because if you don't, and if something happens to you. I won't ever forgive you.
Collin: Now. I got it covered. I think you're best at protecting innocents than taking on demons. That's more of your brother than yourself.
[Chris crinkles his nose angrily.]
Chris: Why you...
Collin: Hmm. That temper. You really got Aunt Piper's anger.
[He then FLAMES out.]
Chris: Grr. He just.... Collin made a good point. I'm better protecting innocents. The Elders put their trust on me. And I will accept that task.
[Chris then ORBS out.]
[CUT TO]
PHOENIX WITCHES' LAIR.BASEMENT.DAY
[Bianca is being kicked around by Aquila. She groans a bit and looks pretty bruised.]
Aquila: I needed this. Bianca. After my mission failed. You're the perfect punching bag. Or I mean. Kicking bag.
[She kicks Bianca around some more.]
Bianca: Ugh.
[Bianca is starting to feel the pain as she can barely get up.]
Aquila: How could you? Bianca. I gave you. Everything. Made you my best assassin.
Bianca: I... changed my mind. My Ch.. ris. I couldn't.
Aquila: Stupid witch. Chris Halliwell. He turned you against me. And now punishment is done. And I'll bring your dead body to him.
[Aquila then punches Bianca in the stomach. She groans again from the pain.]
Bianca: Ugh. Chr.. is wi... ll fi... nd. And you wi..... sh you'll ne... ver me.. .. ss wi.. th h... im.
Aquila: I doubt your little boyfriend will make it time. But I don't want to kill you too soon. Here's a tease.
[Aquila then shoots an energy ball at Bianca blasting, causing her to hit her head against the wall and falls down. A bit of blood can be slightly through her hair, on a portion of her head. It knocks her out.]
Aquila (cont'd): Insolent girl. Just had to allow love in your heart. Love is weakness.
[She marches back upstairs out of the basement as Bianca lies unconscious on the ground, the blood on her head still seen.]
[CUT TO]
HALLIWELL MANOR.LIVING ROOM.DAY
[Sally is looking bored sitting on one of the couches as Wyatt is watching over on another couch across from her.]
Sally: This is so boring. I know you have to protect me. Can we go somewhere else?
Wyatt: Sorry. Sally. The manor is the safest place you can find. Plus. There's a protection spell. No one can get in.
Sally: Alright. Fine. How long do I have to stay here?
Wyatt: Until we find out who is after your talisman?
[She sighs. Chris then enters.]
Chris: Hey Wyatt. I'm sorry for what happened. And what I said.
Wyatt: It's no worries. If Arika was in trouble, I would act like that too.
Chris: My task now to protect this person with you. As the Elders have trusted us.
Wyatt: I'm glad you come to your senses.
Chris: Yea.
[Sally rolls her eyes at Chris.]
Sally (irritated voice): Great. Another one just to watch over me.
Chris (cont'd): I see that she is an interesting one indeed.
Wyatt: I can't believe we're stuck watching here when the both of us, the strongest witches, should be out there finding who is after this talisman.
Chris: I agree.
Wyatt: But we can't leave her here.
Chris: Maybe take her with us?
Wyatt: Bad idea. What if we're not looking, and the person who is after her talisman attacks?
Chris: Don't worry about that? Cover both sides. Like you in front of her. And I in the back.
Wyatt: Good idea.
Chris: Alright. Girl. Ready for some adventure.
Sally: Sure. Beats staying here than being bored to death.
Wyatt: Alright. Let's move.
[Wyatt, Chris, and Sally head out of the living room.]
[CUT TO]
PRESCOTT STREET.DAY
[Roxy is spying on the Halliwell Manor and sees Wyatt, Chris, entering into a car with a woman, she doesn't recognize.]
Roxy: Hmm. Who could that be? Time to report to my queen. What I saw.
[She SHIMMERS out.]
[CUT TO]
DANE'S LAIR.BEDROOM.DAY
[PJ and Dane are making love under the blankets when Roxy SHIMMERS in surprising them. They only pop their heads out.]
Roxy: Sorry to interrupt. My liege. My Queen. I have news about your family. It seems your cousins, Wyatt and Chris, are with a young woman, which I do not recognize.
PJ: Hmm. Interesting. Must be someone they must protect.
Roxy: Possibly. What do you want me to do? My Queen.
PJ: Try to capture her. Bring that woman to me. I wish to know why my dear cousins are protecting her.
Roxy: As you wish. My Queen. I'll try to be slow. To give you...
PJ: That's a good girl. Thank you. Roxy.
Roxy: Have fun. My Sources.
[She SHIMMERS out. PJ then turns back facing herself towards Dane.]
PJ: Now where were we? Babe.
Dane: Why don't you lead the way? My dear PJ.
PJ: Oh. Dane. You're so sweet.
[The sheets are pulled over. They continue to make love, with much giggling and moaning.]
[GO TO COMMERCIAL BREAK]
PHOENIX WITCHES' LAIR.DAY
[The place is swarmed with ten Phoenix Witches, all around. Collin is watching from a good distance.]
Collin: Man. This is going to be harder than I thought. Can't draw attention. Maybe I'll draw them away.
[He then shoots a stream of fire making it land in a corner. This alerts the Phoenix Witches, as they run off to take care of it.]
Collin (cont'd): That was easy. Time to go in.
[Collin then runs in as fast as he can before the witches return.]
[CUT TO]
PHOENIX WITCHES' LAIR.ENTRANCE HALL.DAY
[Maya, Leila, and Vera are seen patrolling the area.]
Maya: I don't get why we are in guard duty.
Leila: We should be doing something better.
Vera: Yea. This is so unfair.
Maya: We do so much for her and yet all she cares about is old little Bianca. That traitor.
Leila: So unfair.
[Collin enters in, right behind, ever so quietly, and then rushes forward. This alerts the three.]
Maya: Hey!
Leila: Come back.
Vera: We cannot let that intruder get away.
[They rush after him.]
[CUT TO]
SAN FRANCISCO STREETS.DAY
[Wyatt, Chris, and Sally are walking along the sidewalk with both of them looking back and forth at her to make sure she is safe.]
Sally: I thought this was going to be fun. But it's basically the same thing. You two don't have to look back at me every two seconds. I'm not useless.
Wyatt: Yes. But you did mention you were still figuring your powers a few days ago.
Chris: Yea. My brother makes a good point.
Sally: Fine. Anyways. I'm tired of walking so much. Can we stop by somewhere and rest?
Wyatt: No. And put you in more risk. Of course not. It's best we keep moving.
Sally: But I'm tired.
Chris: Come on. Wyatt. Appease to her.
Wyatt: It's too risky.
Chris: I know. We shouldn't walk too far. Cause you know our car is back the other way.
Wyatt: Right. I guess we can walk back.
Sally: And when we get to the car. Can we go somewhere to eat? All the walking is making me hungry.
Wyatt: What is with you always being hungry?
Sally: I'm only in my early 20s. My body is still growing.
Wyatt: Fine. The things I do to fulfill the Elders' whims.
Chris: Great. I'm hungry too. We can stop by mom's and dad's diner.
Wyatt: How are we going to explain her?
Chris: They will understand. Especially Mom. She has been through this before. Protecting innocents.
Wyatt: Let's go. And head back.
[The three of them then turn around start walking towards the direction of where their car should be. Roxy has finally tracked them down, and is following them at a safe distance, about six feet away.]
Roxy: Alright. I'm on their trail. And then make my move.
[She follows right behind keeping the same distance as before.]
[CUT TO]
PHOENIX WITCHES'LAIR.BASEMENT.DAY
[Bianca has just woken up from being knocked out a while ago. She feels a bad headache.]
Bianca: Oh. My head. Aquila doesn't kid around.
[She then hears footsteps coming down and is worried.]
Bianca (cont'd): Oh shoot. She's back.
[Bianca then goes back to the same location she had hit her head out and lays down pretending to be still unconscious. It is Collin who arrives downstairs and walks around to find her.]
Collin: Bianca. Are you here? I went through a lot of risk to find you.
[She then stands up and walks over.]
Bianca: Who are you?
Collin: That's not important now. I'm here to save you. So come with me. Quick. Before they figure out I found this place.
Bianca: But how? I have no powers. And considering you came to save me. You must be a witch. So good magic is useless.
Collin: Trust me. Honey. I'm not a regular witch. Never mind. I'll just grab you and go.
[Collin grabs Bianca's hand then FLAMES out with her. Now more footsteps can be heard. Maya, Leila, and Vera are walking as quick they can and are shocked.]
Maya: No. That intruder rescued her.
Leila: This is bad.
Vera: Aquila is going to be so mad when she comes down and finds out Bianca was able to escape.
Leila: What do you we do?
Maya: Face the consequences. We were assigned to guard the area. And the three of us failed. Let's go prepare for our punishment.
Leila: I guess we have too.
Vera: Time to march to Aquila.
[The three of them then walk back upstairs out of the basement as then the lights turn off as they have arrived near the top.]
[CUT TO]
HALLIWELL DINER.DAY
[Still image of Halliwell Diner.]
[CUT TO]
HALLIWELL DINER.WOMEN'S RESTROOM.DAY
[Sally is washing her hands at the sink, when Roxy walks very quietly grabbing her behind, and SHIMMERING out quickly.]
Sally (as she is shimmered away): Nooooooo!
[CUT TO]
HALLIWELL DINER.COUNTER.DAY
[Wyatt and Chris are sitting next to each in a chair. They see Piper cooking in the back as Leo is talking with them.]
Wyatt: I don't get it. Why us?
Chris: Yea. Sally is such a hassle. She complains so much.
Leo: Come on. Boys. The woman is someone who recently just got her powers. It's going to take some time getting used to.
Wyatt: Good point. Dad. Also. Chris. Could you check on Sally? She's taking a quite long time washing her hands.
Chris: I think Sally is fine. She is a woman. They usually take a while in the restroom.
Wyatt: Just check on her. Okay. Now if it was Bianca, it would be a different situation. Huh? Chris.
[This name shocks Leo.]
Leo: Wait what? Bianca. The....
Wyatt: Wait. Dad. You know about Chris' new girlfriend?
Leo: It's a complicated past. But yea. Whoa.
Wyatt: I can't believe this. Does anyone else now.
Leo: Well. How about I explain this when we get home? The most important now is keeping Sally safe. Now. Do as your big brother says. Go check on her.
Chris: Fine. Fine.
[Chris heads towards the hallway of the restrooms.]
[CUT TO]
HALLIWELL DINER.RESTROOM HALLWAY.DAY
[Chris arrives and knocks on the women's bathroom door]
Chris: Sally. Are you alright? We're getting worried about you.
[He then knocks again.]
Chris (cont'd): Sally. Hello.
[There is no answer still. This makes him feel worried.]
Chris (cont'd): Alright. Time to bust through.
[Chris gets a good step back and slams his arm hard into the door. It still doesn't budge.]
Chris (cont'd): One more time.
[He goes for it again and enters.]
[CUT TO]
HALLIWELL DINER.WOMEN'S BATHROOM.DAY
[Chris is now inside. He takes a look around the area and also each stall.]
Chris: This is bad. I better tell Wyatt.
[He rushes out of the room and closes the door.]
[CUT TO]
HALLIWELL DINER.COUNTER.DAY
[Chris comes looking frantic. Wyatt notices it.]
Wyatt: Oh my gosh. What happened?
Chris: Sally. She's gone. Was taken I think.
[Leo sighs.]
Leo: That's bad. You have to go find Sally now. Whoever took her can't be too far.
Chris: Or gone by now. That's why we didn't hear any noise.
Wyatt: Then we gotta sense for her. But not here.
Chris: Right. Mortals.
Wyatt: Tell mom we're sorry we couldn't enjoy the food.
Leo: No worries. I'll let her now. Go now!
[Wyatt and Chris nod. They rush out of the diner.]
[CUT TO]
UNDERWORLD.CAVE.DUNGEON.DAY
[Sally is now tied up to the wall with chains as Roxy stands in front of her.]
Sally: What do you want with me? I'm scared.
[She is freaking out and tries to yank her chains out of the way but can't.]
Roxy: Aw. The little witch is scared.
Sally: I... (starts to break into tears)
Roxy: Oh. Jeez. Keep your composure. Don't want to see your tearing face in front of my Queen.
Sally: Queen? What do you mean? Your Queen wants me?
Roxy: She's coming soon.
[PJ walks in with the same outfit, when she was wearing during the meeting of all of the demons. And gets near Sally, cupping her chin with her hands.]
PJ: She's a pretty one.
Sally: Get yo.. ur ha.. nds of.. f m.. ee.
[Sally now burst into tears.]
PJ: I'm going to have some fun with this one here. And Roxy. You can leave me with her.
Roxy: As you wish. My Queen.
[Roxy bows and then SHIMMERS out.]
PJ: Now tell me. What's so special about you that two other witches are protecting you?
[Sally decides she shouldn't give in to her fear. She holds her tears and gets serious.]
Sally: That's not of your business. You evil bitch!
PJ: You're feisty. I like you.
Sally: What do you want with me?
PJ: As I said. Before. Why are two witches protecting you?
Sally: Again. Not telling. I rather die here now than tell you.
PJ: That can actually be arranged.
[PJ smirks. Sally now looks scared knowing she is about to die and goes into tears ago.]
Sally: Please! Don't kill me. I was only kidding. What a laugh? Right?
PJ: No. Not really. Anyways. If you tell me what you know, I won't kill you.
Sally: My talisman. It's powerful. The witches were my protectors. And I made a silly mistake of not allowing them to accompany me. And here I am.
PJ: Yes you are here. In my domain.
[Eventually Wyatt and Chris, arrive with Arika, all of them SHIMMERING in.]
Wyatt: Stop. Evil demoness. Not expecting a backup plan in case we couldn't sense her.
Chris: Thought you could get away that easy. Huh?
Arika: Luckily I was able to track your servant's scent and it got me here.
PJ (mouths silently: Dang.
[PJ then FLAMES out to avoid being recognized by her cousins.]
Wyatt: Wait. We're not done with you.
Chris: It's fine. Wyatt. Sally is safe. As long with the talisman.
Arika: Yea. Thanks to my help. I deserve to be pampered. Babe. After this.
Wyatt: I promise. But let's get here out of this chains. Excalibur!
[Excalibur arrives orbing in landing in his hand. Sally is shocked.]
Sally: Oh my gosh. Is that the legendary sword? Thought it was just a legend.
Wyatt: You thought wrong. Sally. Stretch your hands a bit out. I don't want to accidentally cut them off.
Sally: Right. Of course.
[Sally stretches as far as she can. Wyatt slashes away. The chains are broken. He waves with his other hand and the sword goes away.]
Wyatt: Now. Let's get out of this horrible place.
Sally: I agree.
Arika: Meet at your place?
Wyatt: Yea.
Arika: Alright. Take my hand. Sally.
Sally: Alright.
[Sally takes Arika's hand. She then SHIMMERS them out. Wyatt and Chris then ORB out.]
[GO TO COMMERCIAL BREAK]
HALLIWELL MANOR.LIVING ROOM.DAY
[Wyatt, Chris, Arika, and Sally are all in the living room.]
Wyatt: What do we do now?
Chris: If Sally goes outside again, she is put in danger again.
Sally: And I don't want to be put in that horrible place again.
Wyatt: I know the Elders assigned you and me to watch over me. But we got real lives.
Chris: Can't be her bodyguards forever.
Sally: I can't hide inside a house forever. Besides I have a real life too. Had to call in sick for a few days.
Wyatt: This is a predicament.
Chris: Is there a way to unbound you from the talisman? And then we can take it to a safe place.
Sally: I have no idea. Mathias just put in my hand and I had a weird sensation. Guess that was the bond.
Wyatt: Then we're screwed.
Chris: Sally would be in danger for the rest of her life because of the talisman.
[Helena ORBS in.]
Wyatt: Helena.
Helena: I got something that solves the issue. But Sally will be unable to live her regular life again.
Sally: Wait what! No ways. What about my friends? My co-workers.
Helena: The Cleaners will take care of that. Miss Fields. This is for your own protection.
Sally: More like the talisman's protection. This is outrageous.
Wyatt: This isn't fair for her. Helena.
Helena: I know. But we didn't foresee the other guardian would get killed. Evil knows no bounds. You know.
Wyatt: But....
Helena: But nothing. I'll take Sally for now. Wyatt. Chris. You are relieved of being her protectors.
Sally: I just can't just leave without saying goodbye to them. My dear friends and co-workers.
Helena: You must. Any interaction will put them in danger as evil knows no bounds.
Sally: Wyatt. Chris. I'm sorry for being annoying.
Wyatt: We forgive you.
Chris: It was nice hanging with her even though it was so short.
Sally: You guys helped save my life.
Arika (clears her throat a bit loudly): Ahem.
Sally: Of course. You too. Sorry.
Arika: Thank you.
Helena: Alright. It's time to go.
Sally: Well. Thanks for everything.
[She walks to Helena. Helena takes her hand and ORBS out with her.]
Arika: Now that craziness is over. It's time to make it up to me.
Wyatt: To my bed?
Arika: Oh yes.
Chris: Oh great. Your room is across from me. How am I going to sleep well?
Wyatt: Try earplugs? Well later. I'm going to enjoy my fiancée today.
[Wyatt grabs Arika in with his hands and kisses her. He then ORBS out with her. Then a ring happens. It is Chris' phone. He opens it sees it's an unknown number.]
Chris: Nah. Probably those scams.
[Chris then puts his phone back in his pocket.]
Chris (cont'd): It's been a long day. Time to rest.
[His phone rings again.]
Chris (cont'd: Seriously? Might as well just answer it. That way I can tell them to stop calling.
[He takes his phone and answers. Chris recognizes the voice. ]
Chris (on phone): Oh it's you. I thought it was some telemarketer.
Collin (on phone): Someone hasn't been happy today.
Chris (on phone): It's been a long day. Just spit it out. Were you able to save Bianca or not?
Collin (on phone): Wow. Someone did have a big day. Bianca is fine persay.
Chris (on phone): What! What do you mean? Persay?
Collin (on phone): Bianca was beaten up. Her head got hurt. Doctors are checking on her now just in case she has a concussion.
Chris (on phone): Oh my gosh. I'm coming now! What hospital!
Collin (on phone): San Francisco Memorial Hospital. I'll see you there.
Chris (on phone): But I mean. The hospital are pretty strict at accepting patients last minute. How.
Collin (on phone): As I said. Cousin. I can be very persuasive. Besides you stop talking with me. And come immediately to see how your girlfriend is.
Chris (on phone): Good point. I'll meet you there. See you soon.
Collin (on phone): Yea. Bye.
[Chris hangs up the phone. He immediately rushes out of the living room and grabs his car keys.]
[CUT TO]
HALLIWELL/COOP MANOR.DAY
[CUT TO]
HALLIWELL/COOP MANOR.DAY.FRONT DOOR.DAY
[Peyton opens the door for the delivery man and is surprised.]
Peyton: Flowers. I don't remember ordering flowers.
Delivery Man: Oh. Hello. It's a gift. For someone who lives here. Are you Parker Halliwell?
Peyton: I'm not. But I'll take it in for her.
[The delivery man hands the flowers to her. He then leaves.]
Peyton (cont'd: That's strange. Who would order flowers for Parker? I doubt it's from mom and dad. Could be a secret admirer.
[She then kicks the door closed and brings the bouquet of flowers inside.]
[CUT TO]
PHOENIX WITCHES' LAIR.HEAD PHOENIX WITCH'S OFFICE.DAY
[There is a heated argument between Aquila and Belphas in the middle of the office for failing his task. And then it happens. His rage gets the best of him and he grabs and throws her forcefully hard off to almost hitting the wall but she SHIMMERS out and in to land before touching the wall.]
Aquila: Man. You're crazy. I shouldn't have never accepted your offer.
Belphas: Humph. You're the one who was greedy. And I thought you were the best.
Aquila: I am. It was just. I didn't anticipate the whitelighter that was going to come protect the target.
Belphas: That's not like what I have heard of you. Aquila. I think you're getting a bit old. Or my boss says so.
Aquila: You're kidding! I'm not old!
Belphas: Yea yea yea. Whatever.
Aquila: You know what. I want you to get out of my office. Now!
Belphas: It's not yours anymore. You see. My boss finds you not useful any more.
Aquila: What! Who's your boss?
Belphas: The same one you serve. Olivius.
Aquila: That wicked man. How dare he? I done so much for him. Help with his needed targets to kill.
Belphas: Sorry. It's his decision. Goodbye. Aquila.
Aquila: Not if you catch me first.
[Aquila SHIMMERS out as quickly as possible.]
Belphas: You can't run forever. I will find you. And Olivius will find you.
[Belphas SHIMMERS out.]
[GO TO COMMERCIAL BREAK]
SOUTH BAY SOCIAL SERVICES.DAY
[Still image of South Bay Social Services.]
[CUT TO]
SOUTH BAY SOCIAL SERVICES.RONALD BAY'S OFFICE.DAY
[Ronald is with Tamora in his office with actually a smile on his face. She notices it.]
Tamora: This is actually weird. For the short time you worked here, I have never seen you smile once.
Ronald: Yea I know. Because our company is doing great. Funds are good.
Tamora: That's good news. Is that all? It has to be something big to have you smile.
Ronald: You got me. Miss Mitchell. I'm smiling because fate has helped me.
Tamora: That's good news. New job transfer?
Ronald: Yea. It's my dream city. New York. A shame I have to leave so soon.
Tamora: But you only just got here.
Ronald: I know. Destiny calls.
Tamora: How long you got?
Ronald: Till two months.
Tamora: But who's going to take over. Mr. Edmunds was fired as you said.
Ronald: When that time comes. You will find out. For now. Just worry about now. You're doing great.
Tamora: Thanks. Mr. Bay. But it was Mr. Edmunds. He taught me all I need to know. And even though I don't want to admit it. You helped too.
Ronald: What a good day. Today. I'm even getting compliments from you.
Tamora: It's true. You have taught you can't always be friends with people. Got to be tough. Keep good boundaries.
Ronald: You remember all of that?
Tamora: Just a summary. Bits and pieces.
Ronald: You're good here. Miss Mitchell. Get back to work.
Tamora: Yes. Sir.
[Tamora walks out of the door and closes it. Ronald gets back on his computer to continue his work.]
[CUT TO]
SAN FRANCISCO.DAY TO NIGHT.NIGHT
[Aerial shot of the whole city of San Francisco.]
[CUT TO]
DEVILING HOUSE.FRONT PORCH.NIGHT
[Junior is dressed in a nice black suit, carrying a bouquet of white flowers. He rings the doorbell.]
Junior: I hope Angelie likes this. Really need to make it up for her.
[Angelie is in her nightgown and opens the door.]
Angelie: What is it? Junior. I don't want to talk to you.
Junior: Please. Let me make it up to you. I know I have put work ahead of us.
Angelie: Yes you have. So you expect this gesture will draw me in?
Junior: Come on. Let me take you out. For a nice dinner.
Angelie: You do look handsome. And those flowers are beautiful.
Junior: So you'll get changed. And come out.
Angelie: I got a better idea. Tear you out of those clothes. My handsome fiancée.
Junior: Really? But I reserved a spot for us. At a fancy restaurant.
Angelie: Then unbook it. You want to make it up to me. This is the way.
Junior: Fine. I'll call them inside. And then we can dig in into what you want.
Angelie: But I want a little taste. Come on. My dear Junior.
[Angelie kisses him, and pulls him forcefully, causing him to drop the flowers on the ground. Still kissing him, she then stretches a bit to close the door.]
[CUT TO]
MATTHEWS/ MITCHELL MANOR.NIGHT
[Still image of Matthews/Mitchel Manor.]
[CUT TO]
MATTHEWS/ MITCHELL MANOR.TAMORA'S BEDROOM.NIGHT
[Tamora is getting ready for bed about to put her pajamas when Eloise SWIRLDS in standing in front of her. Her face goes red with embarrassment as she is not quite dressed.]
Tamora: Eloise. You're back. Oh I missed you so much. Sorry you have to see me like this. Not quite dressed you see.
Eloise: It's alright. I do miss your body. My kisses on it.
Tamora: Oh. Eloise. You're as lovely as ever.
Eloise: It's a good thing you're not quite dressed.
Tamora: Why is that?
Eloise: So I can take the rest all off.
[Tamora blushes.]
Tamora: Oh. I missed your humor.
Eloise: And I missed your body. Time to show how much you have missed you.
Tamora: And you too.
[Eloise then sets Tamora gently onto the bed, pulling the blankets all the way up to their shoulders. She then unstraps the bra, taking it and throwing it off to the floor.]
Eloise: You won't be needing this. Tonight.
Tamora: Yes I won't. Make me want you.
Eloise: Oh I will.
[Eloise starts to passionately kiss her boobs. Eventually. The whole blanket covers them as she pleasures Tamora to her wildest dreams.]
Tamora: Oh my god. Yes. More.
[Eloise continues with it as Tamora continues to moan in pleasure.]
[CUT TO]
HALLIWELL/COOP MANOR.PEYTON'S BEDROOM.NIGHT
[Peyton goes to the window and opens it for the two bats that are flying outside.]
Peyton: You two may come in.
[She steps back a bit. The bats then transform in to Lachlan and Katherine.]
Lachlan: So you finally forgiven us.
[Katherine goes to close the window and cover the rest with the curtains. She then walks over to join Lachlan, standing next to him.]
Peyton: I don't know. Possibly.
Lachlan: Possibly is a good start.
Katherine: And I think we need to talk. The both of us love you. But...
Peyton: I know. Got to choose.
Lachlan: We're not going to wait for you to choose forever.
Katherine: Actually we can. Vampires. But I get what you mean. Brother.
Peyton: It's hard. My feelings are very confusing. Never thought I see Katherine again. And then I fell for your brother.
Lachlan: It's a hard choice.
Katherine: We both have pretty good qualities.
Lachlan: And some have bad ones.
Katherine: Shut it. Lachlan.
Lachlan: No. You shut it.
Peyton: This is why I don't want to choose. The two of you are siblings. What if choosing one breaks your bond.
Lachlan: It won't. I mean we'll get a bit angry with each other.
Katherine: But not to a point where we'll kill each other. Peyton.
Peyton: I can't choose now. But let's do what we're meant to do. Make love. Willingly. With each other.
Lachlan: Yes. Not like that night.
Katherine: Of course. That night.
Peyton: I know it won't help me choose any easier. All I want to do now is be in both of you two's arms and make love.
Lachlan: Let's do it. You're the master.
Katherine: Tell us what you want us to do.
Peyton: Gladly obliged. I don't need to tell. But show.
[Peyton walks over to Lachlan first and kisses him passionately on the lips. He reciprocates.]
Katherine: I got it.
[Katherine pulls Peyton's sleeves a bit and starts kissing her arms from the side.]
[CUT TO]
HALLIWELL/COOP MANOR.PEYTON'S BEDROOM.NIGHT (MOMENTS LATER)
[The three of them are now in the bed, with Lachlan to the left of her, and Katherine to her left, in which Lachlan has no shirt on, and the girls, only with a bra on. Peyton is kissing Katherine now as Lachlan is kissing her shoulders. She turns around to Lachlan and kisses for a bit and then touches his abs.]
Peyton: Oh. Lachlan. Why do you have to be so hot? It's so hard to choose.
Lachlan: Can't help it.
[The two continues to kiss for a bit as Katherine now does what Lachlan doing before. It starts to go, back and forth, as Peyton switches between the two siblings. The camera starts to fade out as the image of the three of them become harder to see.]
[GO TO BLACK]
[END OF EPISODE.]
[End Credits rolling to shortened theme song to reveal supporting cast and guest stars.]
Co-Starring:
Holly Marie Combs as Piper Halliwell
Brian Krause as Leo Wyatt
Ashley Greene as Arika Wilcox
Avan Jogia as Ryan Lakeland
Taylor Lautner as Dane Patten
Kat Dennings as Angelie Deviling
Bill Skargard as Collin Turner
Also Featuring:
Rebecca Mader as Aquila
Cerina Vincent as Maya
Valerie Vernon as Leila
Katrina Devine as Vera
Kevin Spacey as Belphas
Marisol Nichols as Bianca
Madeline Zima as Female Witch
James Wolk as Mathias
James Earl Jones as Jacob
Viola Davis as Helena
Dakota Johnson as Sally Fields
Agnes Bruckner as Roxy
Luke Bracey as Delivery Man
Henry Cavill as Ronald Bay
Camila Mendes as Eloise
Josh Bowman as Lachlan Hunter
Nina Dobrev as Katherine Hunter
Uncredited Actor as Crime Scene Photographer
Uncredited Actresses as Phoenix Witches
PHOENIX WITCHES' LAIR.DAY
[Still image of Phoenix Witches' Lair.]
[CUT TO]
PHOENIX WITCHES' LAIR.HEAD PHOENIX WITCH'S OFFICE.DAY
[Aquila looks furious and slaps Maya, hard, so hard that her faces turns a bit, right in front of Leila and Vera, as the two look shocked.]
Aquila (furious): I give you three one task! Only one task! It's that simple! To capture Bianca and take her back to me so I can issue her punishment.
Maya: I'm sorry. Aquila. We tried. Bianca left no trace in her apartment.
Leila: Don't take it out on Maya.
Vera: Besides we had an intruder.
Aquila: Who!
Maya: Bianca's target. It seems he was looking for her.
Aquila: That's it. How we can find Bianca. Through him.
Maya: No way. Am I going against him? I heard he's one of the strongest witches.
Aquila: I don't care! Find a way. Make some potions. Something to weaken him.
Maya: As you wish. Aquila.
Maya (to Leila and Aquila): Alright. Girls. Let's go. We got work to do.
Leila: Got it.
Vera: At your orders. Maya.
[Maya, Leila, and Vera SHIMMER out. A demon, Belphas, a bit scarred on the half of his all red face, SHIMMER in.]
Aquila: Hmm. Looks like I got a new client.
Belphas: Yes you do. But it's especially for you.
Aquila: Oh me. Why?
Belphas: You're the best of course. The head of all them. Of course you're perfect for the job.
Aquila: What's the job?
Belphas: I need a talisman from the witch. And she is bound to it.
Aquila: Ah. I see. If you pay well, I may be interested.
Belphas: Don't worry about that. I got you on that.
Aquila: Give me the address. And of course a picture of what the talisman looks like.
Belphas: Right. Of course.
[Belphas conjures up a folder and hands to Aquila. She takes it.]
Aquila: Why thank you.
Belphas: I'll come back in a few hours. I'm sure that's enough time for the task to be done.
Aquila: More than enough. Thank you for doing business with me.
Belphas: No problem.
[He then SHIMMERS out. Aquila opens the folder and takes a good glance on the information and the image of the tablet. She then also SHIMMERS out.]
[CUT TO]
GOLDEN GATE PARK.DAY
[Aerial shot of the location.]
[CUT TO]
GOLDEN GATE PARK.PARKGROUNDS.DAY
[The area of the park is empty in the mid-morning. Chris and Bianca are sitting on a picnic table, with a red plaid tablecloth, over it, with a good spread of food, a couple of chicken sandwiches, two bottles of sparkling apple cider chilled in an ice bucket, a small key lime pie, a fruit salad, and potato chips. The picnic basket is on the corner, next to the stack of plastic cups, the box of plastic utensils, and napkins.]
Chris: I know it is still risky meeting in the open like this while still trying to hide. But I'm glad you came.
Bianca: Yea. I'm glad I came too. We need moments like this. Chris.
Chris: Yes. First. Let's celebrate to our budding relationship.
[Chris takes two cups out for them. He then opens up the one of the bottles and pours a good amount into the cups, in which one of them, is handed to Bianca. She takes it.]
Bianca: I agree.
[The two of then clink their cups.]
Chris/Bianca: To us.
[They each take a sip.]
Chris: Now let's eat. I'm starving.
Bianca: Me too.
[Chris and Bianca each grab a chicken sandwich and start to chow down.]
[CUT TO]
WITCH'S HOUSE.DAY
[It is just a quaint house. One story. Most of the walls are blue. The doors is white. And a couple of windows.]
[CUT TO]
WITCH'S HOUSE.BEDROOM.DAY
Mathias: No...I failed you. How come she didn't call for me?
[Aquila then turns around to look at Mathias.]
Aquila: Oh. She mighty did. But I was too quick and covered her mouth. And then. You know what happens after.
Mathias: You monster.
Aquila: Now get of my way. And give me that talisman.
Mathias: Heck no.
[He grabs it quick and ORBS out. Aquila is now infuriated.]
Aquila: No. So close. That demon didn't warn me she had a whitelighter. Grr.
[She then SHIMMERS out angrily. The witch remains, dead, as more blood spills out of her slashed neck.]
[OPENING CREDITS]
GOLDEN GATE PARK.PARKGROUNDS.DAY
[Chris and Bianca have just finished their date are cleaning up and when Maya, Leila, and Vera SHIMMER in front of them. They are each holding a potion bottle.]
Chris: Not you three again!
Bianca: Maya. Leila. Vera. How nice to see you?
Maya: We're bringing you in. Bianca.
Leila: Don't try escaping.
Vera: Because you know how fast and skilled we are. You try anything. I can strike your little boy toy.
Chris: Stay away from here. Or else. Do you all want a piece of me again?
Maya: Oh. We're prepared.
[They throw their potions. Chris and Bianca instantly fall asleep.]
Leila: Alright. Let's grab her.
Vera: Yea.
Maya: I really want to kill this witch too. But it's not what Aquila ordered.
Leila: Good move. Don't want to get her madder as she was before.
Vera: That slap was harsh.
Maya: Time to move out. Girls.
[Maya SHIMMERS out. Leila and Vera walk over to Bianca grabbing her and then also SHIMMERING out.]
[CUT TO]
ROBIN'S HOUSE.BEDROOM.DAY
[The area is blocked up with yellow tape alongside poles as the crime scene photographer has just finished up and leaves to his car. Junior and Ryan enter inside the yellow tape putting their feet over.]
Junior: What a shame. She was pretty young.
Ryan: A shame that. What wicked person would do this?
Junior: It's San Francisco. There's so many criminals out there. This girl could be one of those victims of those crimes.
Ryan: What's the analysis? Inspector Mitchell.
Junior: From looking at it. It seems there was no struggle. And a quick kill.
Ryan: Anything else.
Junior: Why don't you take a look? You need more practice anyways. Inspector Lakeland.
Ryan: Um. Of course. Well.
[He takes a good lock over at Robin's wound.]
Ryan (cont'd): I can see that the young woman was slashed by the neck. Based on the size of the cut, it could be a blade or knife. So the kill weapon could be around somewhere.
Junior: Good observation. But. The killer could have taken the weapon so the evidence couldn't be found.
Ryan: And that's why you're Head Inspector.
Junior: Oh. Inspector. You flatter you.
Ryan: It's the truth.
Junior: Still. We should search around the other areas to see if we can find some clues related to this death.
Ryan: I'll go check the kitchen.
Junior: And I'll head to the living room.
[Junior and Ryan then head out of the bedroom.]
[CUT TO]
UPPER REGIONS.DAY
[Jacob and Helena are standing and waiting. Wyatt ORBS in.]
Wyatt: What's up?
Jacob: Hello. Wyatt.
Helena: We have an emergency.
Jacob: And it seems your brother has not arrived yet?
Wyatt: Well. Chris said he was occupied with his girlfriend today.
Helena: Even though. Chris would find an excuse. Something is wrong.
Wyatt: Yea maybe. So? What do you need us for?
Jacob: A huge emergency.
Helena: A powerful talisman was almost stolen from the current guardian of it. Who unfortunately was killed.
Jacob: So. We thought there would be no protector. After this event.
Helena: But it turns one of that family still exist. It was out of an affair.
Wyatt: That's shocking. So what is our task?
Jacob: Chris. And yourself. Are considered to be the most powerful witches in the Warren family line. And the only ones strong enough to protect this girl.
Wyatt: All right. I'm up to it. You're lucky I took the day off today.
Jacob: I guess we are. Perfect timing.
Helena: The girl now becomes each of your charges. Her name is Sally Fields.
Jacob: And Mathias will come to you. The one that was in charge of the first guardian. We had him assigned to help Sally understand what is going on.
Wyatt: You got it. Don't worry. And I'll go find Chris to tell him.
Jacob: Good luck.
[Wyatt ORBS out. Jacob and Helena then ORB out also.]
[CUT TO]
HALLIWELL MANOR.DAY
[Still image of Halliwell Manor.]
[CUT TO]
HALLIWELL MANOR.ATTIC.DAY
[Chris is looking irritated frantically looking almost every page of the Book of Shadows.]
Chris: Come on. There has to be something. To find Bianca. I can't lose her again.
Chris (cont'd): Stupid book.
[Then he closes the book and then throws it off hard out of anger. Wyatt ORBS in and catches it on time.]
Wyatt: Hey. Hey. Be careful with our family's Book of Shadows. What's with you?
[Wyatt then walks over and puts the book back where it is.]
Chris: My girlfriend got kidnapped by Phoenix Witches.
Wyatt: Phoenix what?
Chris: They are assassin witches. I have to find her. But the book is not helping.
Wyatt: Sorry about that. But I got news. Bad news. And it may deter your girlfriend looking.
Chris: Let me guess. Another demon killing innocents.
Wyatt: Not exactly. We're assigned to protect someone. The Elders we're considered the most powerful witches of the family.
Chris: But I need to protect Bianca and save her.
Wyatt: We have to put this on hold. This person is more important than your girlfriend.
Chris: Are you serious? Wyatt. I love her.
Wyatt: Chris. We're witches. Got to protect the innocents. And worry about love later.
Chris: Is that why you have been avoiding Arika. Your fiancée.
Wyatt: I...
Chris: The Elders are wrong. They don't need me. Just you.
Wyatt: Yes they do. Chris. That's why they asked for the both of us.
Chris: Whatever. I'm done being the errand boy for the Elders. If my own brother won't help, I'll find my own way.
[Chris angrily ORBS out.]
Wyatt: Chris! Don't...
[Mathias then ORBS in with Sally Fields in which she is wearing her family talisman.]
Mathias: Wyatt Halliwell.
Wyatt: That's me. You must be Mathias. And that's Sally Fields.
Sally: Hi. It's still a little weird. Was just figuring out my powers just a few weeks ago. And now I find out I'm the guardian of a powerful talisman that is not to be ever go to the evil side.
[Mathias then looks around and doesn't see Chris.]
Mathias: The Elders said there was your brother.
Wyatt: It's complicated. But I know he will come around eventually.
Mathias: Alright. My job is done. Take good care protecting her.
Wyatt: Don't worry. I will.
Mathias: You better. The talisman cannot be released out of her sight ever.
[Mathias ORBS out. Wyatt then walks over to Sally.]
Wyatt: So what now?
Sally: I'm starving. Got some food?
Wyatt: I can make something in the kitchen.
Sally: Sounds good.
[Wyatt then leads Sally downstairs from the attic heading downstairs.]
[GO TO COMMERCIAL BREAK]
UNDERWORLD.DARK CORRIDORS.DAY
[Chris has been storming around the dark corridors of the underworld, trying to find information on how to find Bianca. It seems he has been bashing through a couple of demons, as his shirts looks torn up.]
Chris: There has to be a demon who knows where those Phoenix Witches are keeping Bianca.
[From behind, a demon fires an energy ball at him. A voice then calls out.]
Voice: Duck!
[Chris heeds the warning and ducks. The energy balls flies off into distance, making a soft thump as it hits a wall. He turns around to face the demon but surprisingly it is set ablaze in fire, and turns into ashes. Right behind is Collin, who smirks.]
Collin: Hey cousin. You know it is dangerous wandering in these areas by yourself. If I didn't appear, your life would have been ended.
Chris: Collin! Of course you would be here.
Collin: That's might rude. Already assuming the worst of me. I actually have my own mission.
Chris: I really don't care. Need to find more demons to get information.
Collin: About who? I can help. You know. I do know this place pretty well. And I have ways to get information.
Chris: No thanks. Demons are untrustworthy.
Collin: Oh cousin. I'm truly offering help. After all, you are all are my family.
Chris: Nice try. But you didn't think about back then when you were trying to kill us.
Collin: As I said. Being alive has changed me. I value my family more. Please. Let me help.
Chris: If you wanted to know, I'm looking for information where some Phoenix Witches could be holding my girlfriend, Bianca.
Collin: Why would Phoenix Witches want.. wait. Your girlfriend is a Phoenix. And she went against their orders?
Chris: Yes. So? Can you help me or not?
Collin: It's a bit tricky. But I'll help. But you owe me.
Chris: I knew it. It wasn't that easy to get you to do something.
Collin: Of course. Anyways. Don't worry. I'll find your little Bianca.
Chris: You better. Because if you don't, and if something happens to you. I won't ever forgive you.
Collin: Now. I got it covered. I think you're best at protecting innocents than taking on demons. That's more of your brother than yourself.
[Chris crinkles his nose angrily.]
Chris: Why you...
Collin: Hmm. That temper. You really got Aunt Piper's anger.
[He then FLAMES out.]
Chris: Grr. He just.... Collin made a good point. I'm better protecting innocents. The Elders put their trust on me. And I will accept that task.
[Chris then ORBS out.]
[CUT TO]
PHOENIX WITCHES' LAIR.BASEMENT.DAY
[Bianca is being kicked around by Aquila. She groans a bit and looks pretty bruised.]
Aquila: I needed this. Bianca. After my mission failed. You're the perfect punching bag. Or I mean. Kicking bag.
[She kicks Bianca around some more.]
Bianca: Ugh.
[Bianca is starting to feel the pain as she can barely get up.]
Aquila: How could you? Bianca. I gave you. Everything. Made you my best assassin.
Bianca: I... changed my mind. My Ch.. ris. I couldn't.
Aquila: Stupid witch. Chris Halliwell. He turned you against me. And now punishment is done. And I'll bring your dead body to him.
[Aquila then punches Bianca in the stomach. She groans again from the pain.]
Bianca: Ugh. Chr.. is wi... ll fi... nd. And you wi..... sh you'll ne... ver me.. .. ss wi.. th h... im.
Aquila: I doubt your little boyfriend will make it time. But I don't want to kill you too soon. Here's a tease.
[Aquila then shoots an energy ball at Bianca blasting, causing her to hit her head against the wall and falls down. A bit of blood can be slightly through her hair, on a portion of her head. It knocks her out.]
Aquila (cont'd): Insolent girl. Just had to allow love in your heart. Love is weakness.
[She marches back upstairs out of the basement as Bianca lies unconscious on the ground, the blood on her head still seen.]
[CUT TO]
HALLIWELL MANOR.LIVING ROOM.DAY
[Sally is looking bored sitting on one of the couches as Wyatt is watching over on another couch across from her.]
Sally: This is so boring. I know you have to protect me. Can we go somewhere else?
Wyatt: Sorry. Sally. The manor is the safest place you can find. Plus. There's a protection spell. No one can get in.
Sally: Alright. Fine. How long do I have to stay here?
Wyatt: Until we find out who is after your talisman?
[She sighs. Chris then enters.]
Chris: Hey Wyatt. I'm sorry for what happened. And what I said.
Wyatt: It's no worries. If Arika was in trouble, I would act like that too.
Chris: My task now to protect this person with you. As the Elders have trusted us.
Wyatt: I'm glad you come to your senses.
Chris: Yea.
[Sally rolls her eyes at Chris.]
Sally (irritated voice): Great. Another one just to watch over me.
Chris (cont'd): I see that she is an interesting one indeed.
Wyatt: I can't believe we're stuck watching here when the both of us, the strongest witches, should be out there finding who is after this talisman.
Chris: I agree.
Wyatt: But we can't leave her here.
Chris: Maybe take her with us?
Wyatt: Bad idea. What if we're not looking, and the person who is after her talisman attacks?
Chris: Don't worry about that? Cover both sides. Like you in front of her. And I in the back.
Wyatt: Good idea.
Chris: Alright. Girl. Ready for some adventure.
Sally: Sure. Beats staying here than being bored to death.
Wyatt: Alright. Let's move.
[Wyatt, Chris, and Sally head out of the living room.]
[CUT TO]
PRESCOTT STREET.DAY
[Roxy is spying on the Halliwell Manor and sees Wyatt, Chris, entering into a car with a woman, she doesn't recognize.]
Roxy: Hmm. Who could that be? Time to report to my queen. What I saw.
[She SHIMMERS out.]
[CUT TO]
DANE'S LAIR.BEDROOM.DAY
[PJ and Dane are making love under the blankets when Roxy SHIMMERS in surprising them. They only pop their heads out.]
Roxy: Sorry to interrupt. My liege. My Queen. I have news about your family. It seems your cousins, Wyatt and Chris, are with a young woman, which I do not recognize.
PJ: Hmm. Interesting. Must be someone they must protect.
Roxy: Possibly. What do you want me to do? My Queen.
PJ: Try to capture her. Bring that woman to me. I wish to know why my dear cousins are protecting her.
Roxy: As you wish. My Queen. I'll try to be slow. To give you...
PJ: That's a good girl. Thank you. Roxy.
Roxy: Have fun. My Sources.
[She SHIMMERS out. PJ then turns back facing herself towards Dane.]
PJ: Now where were we? Babe.
Dane: Why don't you lead the way? My dear PJ.
PJ: Oh. Dane. You're so sweet.
[The sheets are pulled over. They continue to make love, with much giggling and moaning.]
[GO TO COMMERCIAL BREAK]
PHOENIX WITCHES' LAIR.DAY
[The place is swarmed with ten Phoenix Witches, all around. Collin is watching from a good distance.]
Collin: Man. This is going to be harder than I thought. Can't draw attention. Maybe I'll draw them away.
[He then shoots a stream of fire making it land in a corner. This alerts the Phoenix Witches, as they run off to take care of it.]
Collin (cont'd): That was easy. Time to go in.
[Collin then runs in as fast as he can before the witches return.]
[CUT TO]
PHOENIX WITCHES' LAIR.ENTRANCE HALL.DAY
[Maya, Leila, and Vera are seen patrolling the area.]
Maya: I don't get why we are in guard duty.
Leila: We should be doing something better.
Vera: Yea. This is so unfair.
Maya: We do so much for her and yet all she cares about is old little Bianca. That traitor.
Leila: So unfair.
[Collin enters in, right behind, ever so quietly, and then rushes forward. This alerts the three.]
Maya: Hey!
Leila: Come back.
Vera: We cannot let that intruder get away.
[They rush after him.]
[CUT TO]
SAN FRANCISCO STREETS.DAY
[Wyatt, Chris, and Sally are walking along the sidewalk with both of them looking back and forth at her to make sure she is safe.]
Sally: I thought this was going to be fun. But it's basically the same thing. You two don't have to look back at me every two seconds. I'm not useless.
Wyatt: Yes. But you did mention you were still figuring your powers a few days ago.
Chris: Yea. My brother makes a good point.
Sally: Fine. Anyways. I'm tired of walking so much. Can we stop by somewhere and rest?
Wyatt: No. And put you in more risk. Of course not. It's best we keep moving.
Sally: But I'm tired.
Chris: Come on. Wyatt. Appease to her.
Wyatt: It's too risky.
Chris: I know. We shouldn't walk too far. Cause you know our car is back the other way.
Wyatt: Right. I guess we can walk back.
Sally: And when we get to the car. Can we go somewhere to eat? All the walking is making me hungry.
Wyatt: What is with you always being hungry?
Sally: I'm only in my early 20s. My body is still growing.
Wyatt: Fine. The things I do to fulfill the Elders' whims.
Chris: Great. I'm hungry too. We can stop by mom's and dad's diner.
Wyatt: How are we going to explain her?
Chris: They will understand. Especially Mom. She has been through this before. Protecting innocents.
Wyatt: Let's go. And head back.
[The three of them then turn around start walking towards the direction of where their car should be. Roxy has finally tracked them down, and is following them at a safe distance, about six feet away.]
Roxy: Alright. I'm on their trail. And then make my move.
[She follows right behind keeping the same distance as before.]
[CUT TO]
PHOENIX WITCHES'LAIR.BASEMENT.DAY
[Bianca has just woken up from being knocked out a while ago. She feels a bad headache.]
Bianca: Oh. My head. Aquila doesn't kid around.
[She then hears footsteps coming down and is worried.]
Bianca (cont'd): Oh shoot. She's back.
[Bianca then goes back to the same location she had hit her head out and lays down pretending to be still unconscious. It is Collin who arrives downstairs and walks around to find her.]
Collin: Bianca. Are you here? I went through a lot of risk to find you.
[She then stands up and walks over.]
Bianca: Who are you?
Collin: That's not important now. I'm here to save you. So come with me. Quick. Before they figure out I found this place.
Bianca: But how? I have no powers. And considering you came to save me. You must be a witch. So good magic is useless.
Collin: Trust me. Honey. I'm not a regular witch. Never mind. I'll just grab you and go.
[Collin grabs Bianca's hand then FLAMES out with her. Now more footsteps can be heard. Maya, Leila, and Vera are walking as quick they can and are shocked.]
Maya: No. That intruder rescued her.
Leila: This is bad.
Vera: Aquila is going to be so mad when she comes down and finds out Bianca was able to escape.
Leila: What do you we do?
Maya: Face the consequences. We were assigned to guard the area. And the three of us failed. Let's go prepare for our punishment.
Leila: I guess we have too.
Vera: Time to march to Aquila.
[The three of them then walk back upstairs out of the basement as then the lights turn off as they have arrived near the top.]
[CUT TO]
HALLIWELL DINER.DAY
[Still image of Halliwell Diner.]
[CUT TO]
HALLIWELL DINER.WOMEN'S RESTROOM.DAY
[Sally is washing her hands at the sink, when Roxy walks very quietly grabbing her behind, and SHIMMERING out quickly.]
Sally (as she is shimmered away): Nooooooo!
[CUT TO]
HALLIWELL DINER.COUNTER.DAY
[Wyatt and Chris are sitting next to each in a chair. They see Piper cooking in the back as Leo is talking with them.]
Wyatt: I don't get it. Why us?
Chris: Yea. Sally is such a hassle. She complains so much.
Leo: Come on. Boys. The woman is someone who recently just got her powers. It's going to take some time getting used to.
Wyatt: Good point. Dad. Also. Chris. Could you check on Sally? She's taking a quite long time washing her hands.
Chris: I think Sally is fine. She is a woman. They usually take a while in the restroom.
Wyatt: Just check on her. Okay. Now if it was Bianca, it would be a different situation. Huh? Chris.
[This name shocks Leo.]
Leo: Wait what? Bianca. The....
Wyatt: Wait. Dad. You know about Chris' new girlfriend?
Leo: It's a complicated past. But yea. Whoa.
Wyatt: I can't believe this. Does anyone else now.
Leo: Well. How about I explain this when we get home? The most important now is keeping Sally safe. Now. Do as your big brother says. Go check on her.
Chris: Fine. Fine.
[Chris heads towards the hallway of the restrooms.]
[CUT TO]
HALLIWELL DINER.RESTROOM HALLWAY.DAY
[Chris arrives and knocks on the women's bathroom door]
Chris: Sally. Are you alright? We're getting worried about you.
[He then knocks again.]
Chris (cont'd): Sally. Hello.
[There is no answer still. This makes him feel worried.]
Chris (cont'd): Alright. Time to bust through.
[Chris gets a good step back and slams his arm hard into the door. It still doesn't budge.]
Chris (cont'd): One more time.
[He goes for it again and enters.]
[CUT TO]
HALLIWELL DINER.WOMEN'S BATHROOM.DAY
[Chris is now inside. He takes a look around the area and also each stall.]
Chris: This is bad. I better tell Wyatt.
[He rushes out of the room and closes the door.]
[CUT TO]
HALLIWELL DINER.COUNTER.DAY
[Chris comes looking frantic. Wyatt notices it.]
Wyatt: Oh my gosh. What happened?
Chris: Sally. She's gone. Was taken I think.
[Leo sighs.]
Leo: That's bad. You have to go find Sally now. Whoever took her can't be too far.
Chris: Or gone by now. That's why we didn't hear any noise.
Wyatt: Then we gotta sense for her. But not here.
Chris: Right. Mortals.
Wyatt: Tell mom we're sorry we couldn't enjoy the food.
Leo: No worries. I'll let her now. Go now!
[Wyatt and Chris nod. They rush out of the diner.]
[CUT TO]
UNDERWORLD.CAVE.DUNGEON.DAY
[Sally is now tied up to the wall with chains as Roxy stands in front of her.]
Sally: What do you want with me? I'm scared.
[She is freaking out and tries to yank her chains out of the way but can't.]
Roxy: Aw. The little witch is scared.
Sally: I... (starts to break into tears)
Roxy: Oh. Jeez. Keep your composure. Don't want to see your tearing face in front of my Queen.
Sally: Queen? What do you mean? Your Queen wants me?
Roxy: She's coming soon.
[PJ walks in with the same outfit, when she was wearing during the meeting of all of the demons. And gets near Sally, cupping her chin with her hands.]
PJ: She's a pretty one.
Sally: Get yo.. ur ha.. nds of.. f m.. ee.
[Sally now burst into tears.]
PJ: I'm going to have some fun with this one here. And Roxy. You can leave me with her.
Roxy: As you wish. My Queen.
[Roxy bows and then SHIMMERS out.]
PJ: Now tell me. What's so special about you that two other witches are protecting you?
[Sally decides she shouldn't give in to her fear. She holds her tears and gets serious.]
Sally: That's not of your business. You evil bitch!
PJ: You're feisty. I like you.
Sally: What do you want with me?
PJ: As I said. Before. Why are two witches protecting you?
Sally: Again. Not telling. I rather die here now than tell you.
PJ: That can actually be arranged.
[PJ smirks. Sally now looks scared knowing she is about to die and goes into tears ago.]
Sally: Please! Don't kill me. I was only kidding. What a laugh? Right?
PJ: No. Not really. Anyways. If you tell me what you know, I won't kill you.
Sally: My talisman. It's powerful. The witches were my protectors. And I made a silly mistake of not allowing them to accompany me. And here I am.
PJ: Yes you are here. In my domain.
[Eventually Wyatt and Chris, arrive with Arika, all of them SHIMMERING in.]
Wyatt: Stop. Evil demoness. Not expecting a backup plan in case we couldn't sense her.
Chris: Thought you could get away that easy. Huh?
Arika: Luckily I was able to track your servant's scent and it got me here.
PJ (mouths silently: Dang.
[PJ then FLAMES out to avoid being recognized by her cousins.]
Wyatt: Wait. We're not done with you.
Chris: It's fine. Wyatt. Sally is safe. As long with the talisman.
Arika: Yea. Thanks to my help. I deserve to be pampered. Babe. After this.
Wyatt: I promise. But let's get here out of this chains. Excalibur!
[Excalibur arrives orbing in landing in his hand. Sally is shocked.]
Sally: Oh my gosh. Is that the legendary sword? Thought it was just a legend.
Wyatt: You thought wrong. Sally. Stretch your hands a bit out. I don't want to accidentally cut them off.
Sally: Right. Of course.
[Sally stretches as far as she can. Wyatt slashes away. The chains are broken. He waves with his other hand and the sword goes away.]
Wyatt: Now. Let's get out of this horrible place.
Sally: I agree.
Arika: Meet at your place?
Wyatt: Yea.
Arika: Alright. Take my hand. Sally.
Sally: Alright.
[Sally takes Arika's hand. She then SHIMMERS them out. Wyatt and Chris then ORB out.]
[GO TO COMMERCIAL BREAK]
HALLIWELL MANOR.LIVING ROOM.DAY
[Wyatt, Chris, Arika, and Sally are all in the living room.]
Wyatt: What do we do now?
Chris: If Sally goes outside again, she is put in danger again.
Sally: And I don't want to be put in that horrible place again.
Wyatt: I know the Elders assigned you and me to watch over me. But we got real lives.
Chris: Can't be her bodyguards forever.
Sally: I can't hide inside a house forever. Besides I have a real life too. Had to call in sick for a few days.
Wyatt: This is a predicament.
Chris: Is there a way to unbound you from the talisman? And then we can take it to a safe place.
Sally: I have no idea. Mathias just put in my hand and I had a weird sensation. Guess that was the bond.
Wyatt: Then we're screwed.
Chris: Sally would be in danger for the rest of her life because of the talisman.
[Helena ORBS in.]
Wyatt: Helena.
Helena: I got something that solves the issue. But Sally will be unable to live her regular life again.
Sally: Wait what! No ways. What about my friends? My co-workers.
Helena: The Cleaners will take care of that. Miss Fields. This is for your own protection.
Sally: More like the talisman's protection. This is outrageous.
Wyatt: This isn't fair for her. Helena.
Helena: I know. But we didn't foresee the other guardian would get killed. Evil knows no bounds. You know.
Wyatt: But....
Helena: But nothing. I'll take Sally for now. Wyatt. Chris. You are relieved of being her protectors.
Sally: I just can't just leave without saying goodbye to them. My dear friends and co-workers.
Helena: You must. Any interaction will put them in danger as evil knows no bounds.
Sally: Wyatt. Chris. I'm sorry for being annoying.
Wyatt: We forgive you.
Chris: It was nice hanging with her even though it was so short.
Sally: You guys helped save my life.
Arika (clears her throat a bit loudly): Ahem.
Sally: Of course. You too. Sorry.
Arika: Thank you.
Helena: Alright. It's time to go.
Sally: Well. Thanks for everything.
[She walks to Helena. Helena takes her hand and ORBS out with her.]
Arika: Now that craziness is over. It's time to make it up to me.
Wyatt: To my bed?
Arika: Oh yes.
Chris: Oh great. Your room is across from me. How am I going to sleep well?
Wyatt: Try earplugs? Well later. I'm going to enjoy my fiancée today.
[Wyatt grabs Arika in with his hands and kisses her. He then ORBS out with her. Then a ring happens. It is Chris' phone. He opens it sees it's an unknown number.]
Chris: Nah. Probably those scams.
[Chris then puts his phone back in his pocket.]
Chris (cont'd): It's been a long day. Time to rest.
[His phone rings again.]
Chris (cont'd: Seriously? Might as well just answer it. That way I can tell them to stop calling.
[He takes his phone and answers. Chris recognizes the voice. ]
Chris (on phone): Oh it's you. I thought it was some telemarketer.
Collin (on phone): Someone hasn't been happy today.
Chris (on phone): It's been a long day. Just spit it out. Were you able to save Bianca or not?
Collin (on phone): Wow. Someone did have a big day. Bianca is fine persay.
Chris (on phone): What! What do you mean? Persay?
Collin (on phone): Bianca was beaten up. Her head got hurt. Doctors are checking on her now just in case she has a concussion.
Chris (on phone): Oh my gosh. I'm coming now! What hospital!
Collin (on phone): San Francisco Memorial Hospital. I'll see you there.
Chris (on phone): But I mean. The hospital are pretty strict at accepting patients last minute. How.
Collin (on phone): As I said. Cousin. I can be very persuasive. Besides you stop talking with me. And come immediately to see how your girlfriend is.
Chris (on phone): Good point. I'll meet you there. See you soon.
Collin (on phone): Yea. Bye.
[Chris hangs up the phone. He immediately rushes out of the living room and grabs his car keys.]
[CUT TO]
HALLIWELL/COOP MANOR.DAY
[CUT TO]
HALLIWELL/COOP MANOR.DAY.FRONT DOOR.DAY
[Peyton opens the door for the delivery man and is surprised.]
Peyton: Flowers. I don't remember ordering flowers.
Delivery Man: Oh. Hello. It's a gift. For someone who lives here. Are you Parker Halliwell?
Peyton: I'm not. But I'll take it in for her.
[The delivery man hands the flowers to her. He then leaves.]
Peyton (cont'd: That's strange. Who would order flowers for Parker? I doubt it's from mom and dad. Could be a secret admirer.
[She then kicks the door closed and brings the bouquet of flowers inside.]
[CUT TO]
PHOENIX WITCHES' LAIR.HEAD PHOENIX WITCH'S OFFICE.DAY
[There is a heated argument between Aquila and Belphas in the middle of the office for failing his task. And then it happens. His rage gets the best of him and he grabs and throws her forcefully hard off to almost hitting the wall but she SHIMMERS out and in to land before touching the wall.]
Aquila: Man. You're crazy. I shouldn't have never accepted your offer.
Belphas: Humph. You're the one who was greedy. And I thought you were the best.
Aquila: I am. It was just. I didn't anticipate the whitelighter that was going to come protect the target.
Belphas: That's not like what I have heard of you. Aquila. I think you're getting a bit old. Or my boss says so.
Aquila: You're kidding! I'm not old!
Belphas: Yea yea yea. Whatever.
Aquila: You know what. I want you to get out of my office. Now!
Belphas: It's not yours anymore. You see. My boss finds you not useful any more.
Aquila: What! Who's your boss?
Belphas: The same one you serve. Olivius.
Aquila: That wicked man. How dare he? I done so much for him. Help with his needed targets to kill.
Belphas: Sorry. It's his decision. Goodbye. Aquila.
Aquila: Not if you catch me first.
[Aquila SHIMMERS out as quickly as possible.]
Belphas: You can't run forever. I will find you. And Olivius will find you.
[Belphas SHIMMERS out.]
[GO TO COMMERCIAL BREAK]
SOUTH BAY SOCIAL SERVICES.DAY
[Still image of South Bay Social Services.]
[CUT TO]
SOUTH BAY SOCIAL SERVICES.RONALD BAY'S OFFICE.DAY
[Ronald is with Tamora in his office with actually a smile on his face. She notices it.]
Tamora: This is actually weird. For the short time you worked here, I have never seen you smile once.
Ronald: Yea I know. Because our company is doing great. Funds are good.
Tamora: That's good news. Is that all? It has to be something big to have you smile.
Ronald: You got me. Miss Mitchell. I'm smiling because fate has helped me.
Tamora: That's good news. New job transfer?
Ronald: Yea. It's my dream city. New York. A shame I have to leave so soon.
Tamora: But you only just got here.
Ronald: I know. Destiny calls.
Tamora: How long you got?
Ronald: Till two months.
Tamora: But who's going to take over. Mr. Edmunds was fired as you said.
Ronald: When that time comes. You will find out. For now. Just worry about now. You're doing great.
Tamora: Thanks. Mr. Bay. But it was Mr. Edmunds. He taught me all I need to know. And even though I don't want to admit it. You helped too.
Ronald: What a good day. Today. I'm even getting compliments from you.
Tamora: It's true. You have taught you can't always be friends with people. Got to be tough. Keep good boundaries.
Ronald: You remember all of that?
Tamora: Just a summary. Bits and pieces.
Ronald: You're good here. Miss Mitchell. Get back to work.
Tamora: Yes. Sir.
[Tamora walks out of the door and closes it. Ronald gets back on his computer to continue his work.]
[CUT TO]
SAN FRANCISCO.DAY TO NIGHT.NIGHT
[Aerial shot of the whole city of San Francisco.]
[CUT TO]
DEVILING HOUSE.FRONT PORCH.NIGHT
[Junior is dressed in a nice black suit, carrying a bouquet of white flowers. He rings the doorbell.]
Junior: I hope Angelie likes this. Really need to make it up for her.
[Angelie is in her nightgown and opens the door.]
Angelie: What is it? Junior. I don't want to talk to you.
Junior: Please. Let me make it up to you. I know I have put work ahead of us.
Angelie: Yes you have. So you expect this gesture will draw me in?
Junior: Come on. Let me take you out. For a nice dinner.
Angelie: You do look handsome. And those flowers are beautiful.
Junior: So you'll get changed. And come out.
Angelie: I got a better idea. Tear you out of those clothes. My handsome fiancée.
Junior: Really? But I reserved a spot for us. At a fancy restaurant.
Angelie: Then unbook it. You want to make it up to me. This is the way.
Junior: Fine. I'll call them inside. And then we can dig in into what you want.
Angelie: But I want a little taste. Come on. My dear Junior.
[Angelie kisses him, and pulls him forcefully, causing him to drop the flowers on the ground. Still kissing him, she then stretches a bit to close the door.]
[CUT TO]
MATTHEWS/ MITCHELL MANOR.NIGHT
[Still image of Matthews/Mitchel Manor.]
[CUT TO]
MATTHEWS/ MITCHELL MANOR.TAMORA'S BEDROOM.NIGHT
[Tamora is getting ready for bed about to put her pajamas when Eloise SWIRLDS in standing in front of her. Her face goes red with embarrassment as she is not quite dressed.]
Tamora: Eloise. You're back. Oh I missed you so much. Sorry you have to see me like this. Not quite dressed you see.
Eloise: It's alright. I do miss your body. My kisses on it.
Tamora: Oh. Eloise. You're as lovely as ever.
Eloise: It's a good thing you're not quite dressed.
Tamora: Why is that?
Eloise: So I can take the rest all off.
[Tamora blushes.]
Tamora: Oh. I missed your humor.
Eloise: And I missed your body. Time to show how much you have missed you.
Tamora: And you too.
[Eloise then sets Tamora gently onto the bed, pulling the blankets all the way up to their shoulders. She then unstraps the bra, taking it and throwing it off to the floor.]
Eloise: You won't be needing this. Tonight.
Tamora: Yes I won't. Make me want you.
Eloise: Oh I will.
[Eloise starts to passionately kiss her boobs. Eventually. The whole blanket covers them as she pleasures Tamora to her wildest dreams.]
Tamora: Oh my god. Yes. More.
[Eloise continues with it as Tamora continues to moan in pleasure.]
[CUT TO]
HALLIWELL/COOP MANOR.PEYTON'S BEDROOM.NIGHT
[Peyton goes to the window and opens it for the two bats that are flying outside.]
Peyton: You two may come in.
[She steps back a bit. The bats then transform in to Lachlan and Katherine.]
Lachlan: So you finally forgiven us.
[Katherine goes to close the window and cover the rest with the curtains. She then walks over to join Lachlan, standing next to him.]
Peyton: I don't know. Possibly.
Lachlan: Possibly is a good start.
Katherine: And I think we need to talk. The both of us love you. But...
Peyton: I know. Got to choose.
Lachlan: We're not going to wait for you to choose forever.
Katherine: Actually we can. Vampires. But I get what you mean. Brother.
Peyton: It's hard. My feelings are very confusing. Never thought I see Katherine again. And then I fell for your brother.
Lachlan: It's a hard choice.
Katherine: We both have pretty good qualities.
Lachlan: And some have bad ones.
Katherine: Shut it. Lachlan.
Lachlan: No. You shut it.
Peyton: This is why I don't want to choose. The two of you are siblings. What if choosing one breaks your bond.
Lachlan: It won't. I mean we'll get a bit angry with each other.
Katherine: But not to a point where we'll kill each other. Peyton.
Peyton: I can't choose now. But let's do what we're meant to do. Make love. Willingly. With each other.
Lachlan: Yes. Not like that night.
Katherine: Of course. That night.
Peyton: I know it won't help me choose any easier. All I want to do now is be in both of you two's arms and make love.
Lachlan: Let's do it. You're the master.
Katherine: Tell us what you want us to do.
Peyton: Gladly obliged. I don't need to tell. But show.
[Peyton walks over to Lachlan first and kisses him passionately on the lips. He reciprocates.]
Katherine: I got it.
[Katherine pulls Peyton's sleeves a bit and starts kissing her arms from the side.]
[CUT TO]
HALLIWELL/COOP MANOR.PEYTON'S BEDROOM.NIGHT (MOMENTS LATER)
[The three of them are now in the bed, with Lachlan to the left of her, and Katherine to her left, in which Lachlan has no shirt on, and the girls, only with a bra on. Peyton is kissing Katherine now as Lachlan is kissing her shoulders. She turns around to Lachlan and kisses for a bit and then touches his abs.]
Peyton: Oh. Lachlan. Why do you have to be so hot? It's so hard to choose.
Lachlan: Can't help it.
[The two continues to kiss for a bit as Katherine now does what Lachlan doing before. It starts to go, back and forth, as Peyton switches between the two siblings. The camera starts to fade out as the image of the three of them become harder to see.]
[GO TO BLACK]
[END OF EPISODE.]
[End Credits rolling to shortened theme song to reveal supporting cast and guest stars.]
Co-Starring:
Holly Marie Combs as Piper Halliwell
Brian Krause as Leo Wyatt
Ashley Greene as Arika Wilcox
Avan Jogia as Ryan Lakeland
Taylor Lautner as Dane Patten
Kat Dennings as Angelie Deviling
Bill Skargard as Collin Turner
Also Featuring:
Rebecca Mader as Aquila
Cerina Vincent as Maya
Valerie Vernon as Leila
Katrina Devine as Vera
Kevin Spacey as Belphas
Marisol Nichols as Bianca
Madeline Zima as Female Witch
James Wolk as Mathias
James Earl Jones as Jacob
Viola Davis as Helena
Dakota Johnson as Sally Fields
Agnes Bruckner as Roxy
Luke Bracey as Delivery Man
Henry Cavill as Ronald Bay
Camila Mendes as Eloise
Josh Bowman as Lachlan Hunter
Nina Dobrev as Katherine Hunter
Uncredited Actor as Crime Scene Photographer
Uncredited Actresses as Phoenix Witches
