Post by Darcelia Darkwell on Feb 5, 2022 3:15:31 GMT
Season 3, Episode 6, Episode number: 53
MATTHEWS/ MITCHELL MANOR.DAY
[Still image of Matthews/Mitchell Manor.]
[CUT TO]
MATTHEWS/ MITCHELL MANOR.TAMORA'S BEDROOM.DAY
[Tamora is in her room getting ready and puts on her white blouse and grey blazer with grey pants along with black dress shoes. She is thinking about something.]
Tamora: Oh. Mr. Edmunds. It's a shame losing you. We'll never find a great boss as you.
[She walks out of her room and close the door.]
[CUT TO]
GOLDEN GATE NATIONAL CEMENTARY.DAY
[Aerial view of the location.]
[CUT TO]
INSIDE GOLDEN GATE NATIONAL CEMENTARY.DAY
[Parker is standing in front of Adrian's tomb. Her tears start to drop. On tomb, it reads,]
ADRIAN HART
HONEST AND HOPEFUL MAN, GREAT FRIEND, PURE OF HEART
2008-2034
Parker: Oh Adrian. It's hard to live without you. You meant so much to me.
[She places flowers on his grave and then walks away.]
[CUT TO]
A PARK.DAY (INSIDE AN ALTERNATE MEMORY)
[We see a younger Chris and Bianca, sitting at a bench in a park. Around them, the city looks to be in ruins.]
Younger Bianca: So what's going on? Chris.
[The Younger Chris smiles.]
Younger Chris: You'll find out.
Younger Bianca: You know I hate surprises.
[He smiles again. Younger Chris pulls a ring out and is about to place the ring onto Younger Bianca's finger.]
Younger Chris: Will you do the honor and marry me?
Younger Bianca: Oh. Chris. Not now. The city is not in a good place.
Younger Chris: Please. There's a chance I could lose you again.
Younger Bianca: Okay. I accept.
Younger Chris: That's great.
[Younger Chris places the ring on Young Bianca's finger. They kiss. And then Chris wakes up.]
[CUT TO]
HALLIWELL MANOR.CHRIS' BEDROOM.DAY
[Chris wakes up in a t shirt and grey sweat pants.]
Chris: My gosh. What was that? I have to figure out things about us. Me and Bianca. But the only one who could provide answers is basically Aunt Paige. But if I tell her, she would tell mom. Not now.
[He heads out of bed and then heads into the bathroom to freshen up.]
[CUT TO]
ADRIAN'S SWEET DELIGHTS.DAY
[Parker is now walking by and starts to imagine Adrian opening up the bakery early in the morning. And waving at her.]
Parker: Oh. Adrian. I can't stop thinking about you.
[The illusion fades away in her eyes. She then walks away and bumps into a man, and is shocked.]
Parker (cont'd): Adrian!
Adrian: Yes it is me.
Parker: But how!
Adrian: I'll explain later. Really miss your kisses.
Parker: I do too.
[Adrian gives Parker a kiss. Her lips start to glow white and can't stop kissing him.]
Adrian (thinking): It worked as planned. As my boss has said.
[He BLINKS out.]
[OPENING CREDITS]
CUPID'S TEMPLE.DAY
[Outside the temple, Marissa is with Coop. They were discussing something. He looks unsure about some decision.]
Coop: Are you sure about this? Marissa. I mean Peyton doesn't even know real love yet.
Marissa: That's the point. These charges. It's a different experience for a person like Peyton who has not experienced a great love as her sisters. Each afraid to make the first move. As they were both hurt in the past. Afraid to lose someone again.
Coop: I mean. This task could be perfect for PJ or even Parker.
Marissa: I talked with the council. And they want a fresh perspective on things. One without experience. Prevents less bias.
Coop: I'm still unsure about this. But you are the head cupid and know what is best.
Marissa: Yes. I believe Peyton will be a great influence on them. And don't forget to give her this.
[Marissa hands Peyton's cupid ring to Coop. He takes it.]
Coop: Alright.
[Coop BEAMS out. Marissa then walks away towards the direction of the temple.]
[CUT TO]
BIANCA'S APARTMENT.BEDROOM.DAY
[Bianca looks really tired, her eyes a bit droopy. It is like she couldn't sleep all night.]
Bianca: What does it mean? Did my alternate self sacrificed herself for a good reason? Am I meant to be with him? Those memories. How I tried to kill to Chris and end up falling for him. Like I am now. So confusing. But now. I must rest. Take those memories one at a time and figure out my history with Chris.
[She cuddles back into blanket and closes her eyes to sleep.]
[CUT TO]
SOUTH BAY SOCIAL SERVICES.DAY
[Ronald Bay, a tall man, around five feet seven inches, with brown hair, and blue eyes, along with a serious looking face, in a fancy black suit, walks through the door.]
[CUT TO]
SOUTH BAY SOCIAL SERVICES.MAIN WORKPLACE.DAY
[Ronald walks through, takes a short glance at Tamora and Lucas, and then turns away, ignoring them, continuing to walk straight forward towards his office. The both of them turn their chairs around and glance back at him.]
Tamora: Well. That was rude.
Lucas: Yea. What type of person does he think he is just ignoring us like that? Like we're nothing.
Tamora: Yea I agree. Time to give him a good talk.
Lucas: Don't. What if you get fired?
Tamora: I don't really care. Mr. Edmunds is the only boss to me.
Lucas: Don't do this. You worked hard. To get to the position you are in today.
Tamora: Wow. It's nice know you care about me. Lucas.
Lucas: Of course I do. You're my friend. Please rethink this.
Tamora: Come on. Lucas. You have known me. How stubborn I am.
Lucas: Fine. I was trying to be a good friend. But it's always hard to convince you.
Tamora: Sometimes. Remember I had a certain moment of giving up on Wilma. But you gave me hope.
Lucas: Yea. Then take this advice now too. Tamora. Don't mess with the new boss.
Tamora: I made my decision. Here I go.
[She heads out of her chair and goes into the hallway leading to the office. Lucas returns to his work.]
[CUT TO]
SOUTH BAY SOCIAL SERVICES.RONALD BAY'S OFFICE.DAY
[Ronald is on a phone call when Tamora bust through the door.]
Tamora: We need to talk. Now!
[Her eyes has a piercing glaze. He turns around and sees her, noticing it.]
Ronald (on phone): Excuse me. I have some urgent issues. Call you back.
[The phone is hung up.]
Ronald (cont'd): You couldn't have waited? I was in an important phone call.
Tamora: The issue couldn't wait. Whatever your name is?
Ronald: It's Ronald Bay. You may refer me as Mr. Bay.
Tamora: I want to say you were rude to us. And barely glanced at us and then walk on.
Ronald: What can I say? I'm a busy man. Got no time for bonding. No wonder your old boss was fired. He was too friendly.
[Tamora's eyes goes wide.]
Tamora: Fired?! I thought he was transferred.
Ronald: That's what higher ups want the employees to know. As to not spread scandal.
Tamora: You're lying.
Ronald: Why would I? My bosses. The higher ups see you as a good asset. So I wouldn't dare lie to you.
Tamora: Doesn't matter. Don't try to change topic of you being rude to us.
Ronald: I'm your boss. Not here to make friends.
Tamora: I.... Grr.
Ronald: Well. I what? Cat got your tongue. My words rung true. Huh.
Tamora: You won't last long. I'll find a way to get Mr. Edmunds back where he belongs.
Ronald: Good luck. Miss Mitchell.
Tamora: I won't need luck. My willful determination will figure out a way.
Ronald: Sure. Sure.
[Tamora storms out of the door and slams it hard.]
[Ronald then starts to flashback to a moment in time.]
[FLASH BACK TO:]
SOUTH BAY SOCIAL SERVICES.MR. EDMUNDS' OFFICE.DAY
[ON SCREEN]
THREE DAYS BEFORE
[Mr. Edmunds is talking and standing with Ronald. They are chatting up some plan.]
Ronald: Are you are sure about this? Buddy? From what I heard. This woman really regards you well.
Mr. Edmunds: Far too well. Like I'm a friend.
Ronald: I thought you wanted that. Edmunds.
Mr. Edmunds: Yes. I guess. But oh. Ronnie. Things are more complicated than that. Being in charge you have to make hard decisions. Can't favor employees.
Ronald Bay: I understand. Edmunds.
Mr. Edmunds: The act has to be perfect. And you have to call me. So it seems real.
Ronald: There's still some time to go back on this decision. Are you willing to lose being with your best working employee.
Mr. Edmunds: It's worth it. I want her to take over for me. And you're perfect. They all call you "Heartless Bay" for a reason.
Ronald: Oh. Edmunds. I was raised that way. Never to mix personal stuff with work stuff.
Mr. Edmunds: And that's perfect. And don't worry. I told our uppers. They are fine with it.
Ronald: How you managed that? Edmunds.
Mr. Edmunds: I have my ways. Leave as soon as possible. My employees should be back from work soon.
Ronald: Right. You want no loose ends. But you owe me.
Mr. Edmunds: I know. Ronnie.
[Ronald leaves the room.]
[FLASH TO PRESENT.]
SOUTH BAY SOCIAL SERVICES.RONALD BAY'S OFFICE.DAY
[Ronald sighs in disappointment.]
Ronald: One day you'll understand. Miss Mitchell. Your dear ex-boss wants the best for you.
[He then grabs a file from a drawer and starts reading through it.]
[GO TO COMMERCIAL BREAK]
UC BERKELEY.ENGLISH BUILDING.HALLWAY.DAY
[Peyton is exiting out of her class when her phone beeps. And notices an unknown number.]
Peyton: No. It could be a trap. Or maybe... Katherine. Doesn't hurt me to check.
[She goes off to the side a bit so other students can keep walking and reads it.]
Peyton (reading text):
Hey Peyton. I know it's weird I found your number. But my brother gave it. Please. We need to talk. About us. And what happened last night. I'm in parking lot #3 if you can find some time.
[Peyton then puts the phone away and walks off.]
[CUT TO]
UC BERKELEY.PARKING LOT #3.DAY
[After a good distance, Peyton arrives near Katherine's door. The door is unlocked and she walks in and sits down.]
[CUT TO]
INSIDE KATHERINE'S CAR.DAY
[Katherine is seen as wearing the same purple necklace once Again. She turns her face to see Peyton.]
Katherine: Peyton. I'm glad you came.
Peyton: I needed to. To clear some things.
Katherine: Right. Yes. I never meant to hurt you. And what happened last night. Wasn't me.
[Peyton scuffs.]
Peyton: Are you sure? Maybe the ghost just motivated your true desires. To have me at no matter what cost.
Katherine: That's not true. Peyton. I care for you too much to do that.
Peyton: Besides. It already has been done. You have me. My virginity.
Katherine: I... That wasn't supposed to happen. Got caught up in the moment.
Peyton: And yea. As I said. Rose just edged you because you were too scared to do what you really want.
Katherine: Peyton. You really think I am that person.
Peyton: I don't know. You didn't stop.
Katherine: Because you didn't. Peyton. Don't play the blame game. You wanted it too. But since it was a new experience, you were scared.
Peyton: That's not true. We're done here.
[Peyton tries to open the door and exit out of the car but Katherine stops her, pulling her back, with unseen force. And kisses her. But then is slapped.
Katherine: What the heck was that?
Peyton: You deserved it. Katherine. Stop it. I don't love you anymore. And what was that weird strength?
Katherine: It was nothing. Just gave all my might to pull you back. As we are not done.
Peyton: I say that we are. After you pulled that move on me.
Katherine: Peyton. Please. I love you. I don't care no matter what it costs.
Peyton: Yes. No matter what it costs. Huh? Katherine. You were always heartless. Rose just enhanced it.
Katherine: No. Peyton. Don't think that. I'm not that way anymore.
Peyton: You're just saying that. To appeal to me.
Katherine: No. It's not. I have changed. Peyton.
Peyton: I don't believe you. Leave me alone and don't contact me again.
[Peyton exits out of the car and storms off. Katherine sighs.]
Katherine (to herself): I'll prove it. That my love is true. Peyton. I'm not the same person I was.
[Once the coast is clear, Katherine drives out of the parking lot.]
[CUT TO]
UNDERWORLD.DARK ALTAR.DAY
[Olivius is standing behind an asleep Parker and has his hands over her head seemingly to do something to her mind and she has glowing white eyes and starts to murmur.]
Parker (murmuring): Oh. Adrian. You're so sweet. So handsome.
[Adrian stands in front, being charming as he is. Olivius takes his hands away and the eyes stops glowing.].
[Adrian now unglamours back to Eric.]
Eric: Now time for my princess to wake up.
[Parker wakes up and starts to see the figure become Adrian at first.]
Parker: Adrian? You're still here.
Eric: I'm not Adrian. He has never existed. All you ever love is Eric. Look closely.
[She blinks her eyes a bit and sees the change. And now Eric is seen in her eyes.]
Parker: Oh. Eric. I love you.
Eric: I love you too. Let's get married.
[This comments breaks Parker out of her trance. She sees Eric for who he is.]
Parker: What the. Adrian would never be too forward. I'm out of here.
[She tries to beam out but can't.]
Eric: Nice try. Witch. But not going to happen.
Olivius: Yes. Time for you to sleep.
[Olivius waves his hand and Parker instantly falls asleep.]
Eric: It was perfect.
Olivius: You. Eric. When you pretend to be someone, try not to be yourself.
Eric: But every witch has fallen for my moves.
Olivius: Parker Halliwell is not every witch or actually your booty call.
Eric: Alright. I'll find another way to woo her.
Olivius: You don't need to. Didn't want to resort to this. But it's the only way.
[He waves his hand and Eric instantly falls asleep too.]
Olivius (cont'd): Now to create the perfect potion for what I need to do.
[Olivius FLAMES out.]
[CUT TO]
UNDERWORLD.DARK ALTAR.DAY(MOMENTS LATER)
[Now on the altar, a sleeping Parker and Eric lie on there. Their hands are touching as a black colored string is tied around their wrists. Olivius is there with a pedestal and his Grimoire, and a potion. He pours it over the string.]
Olivius (chanting): Let this string, Tie them together, In the truest bond, Unbreakable and True, Let Evil Bind their Hearts, They are one and true, For one and another, And Serve For Evil.
[They awaken. The two look at each other with desire, and in their eyes, you can see evil, as their eyes glow black for a second.]
Parker: My true love.
Eric: My true love.
[Parker and Eric then turn around and bow to Olivius.]
Parker: I am yours to command.
Eric: As I am. And may evil reign.
Olivius: Yes indeed. And soon the transformation of your sisters will be complete. At least for one. It will be stable.
Eric: Let's go. Have some fun in my house.
Parker: Of course. My love.
[Eric grabs Parker and BLINKS out.]
Olivius: And my job is done here. For now.
[Olivius FLAMES out.]
[GO TO COMMERCIAL BREAK]
BIANCA' S APARTMENT.BEDROOM.DAY
[Chris ORBS in and sees that Bianca is sleeping peacefully.]
Chris: Alright. I guess I'll come back.
[His arrival stirs her up. Bianca opens her eyes wide and wakes up seeing him.]
Bianca: Chris? What are you doing here?
Chris: I... Here it goes. To find answers about those memories I saw. And from my dreams I saw. Today.
Bianca: Ah I see. I want to also. Couldn't sleep all night.
Chris: What if we're not meant to be together again?
Bianca: It won't happen. Especially when I. Guess the both of us have now a chance to renew our love again.
Chris: Along with still figuring our other past.
Bianca: Yea. But one step at a time.
Chris: I agree also. Those memories. We saw rushing through us. That day. It was crazy. I lost you.
Bianca: You won't lose me again. And I don't want to lose you. I'm really starting to fall for you deeply.
Chris: As am I.
Bianca: You know your family will be against this. Our relationship.
Chris: I don't really care. My heart is starting to belong to you.
Bianca: Me too. I don't want you to lose your family in the process for choosing to be with me.
Chris: I understand. For now. Let's enjoy each other's company.
Bianca: I like that. It's always lonely being a Phoenix Witch.
Chris: Good thing I'm here.
Bianca: Yea.
Chris: Anyway. Are you hungry?
Bianca: Starving.
Chris: Stay right here. I'll cook you something. Want to spoil you.
Bianca: Oh Chris. You're so wonderful. Sometimes I wish.... Never mind.
Chris: Wish what? Please don't be scared to tell what you want to say.
Bianca: It's complicated. Chris. Don't worry. When I'm ready, I'll tell you.
Chris: Okay. Wait right here.
[Chris walks out of the room. Bianca sighs.]
Bianca (to herself): This is such as a shame. I'm falling for him but one day I know I must kill him.
[She then lays back on her bed waiting for Chris to return.]
[CUT TO]
GOLDEN GATE PARK.PARKGROUNDS.DAY
[Peyton is sitting on a bench by herself, as she keeps going back and forth glaring at her cupid ring and ahead of her.]
Peyton: Am I ready for this duty? I can't even solve the current problem with my own love life. They expect to help two other people fall in love. Marissa and the rest of the Cupid Council is putting too much pressure on me. Why couldn't it be PJ or Parker?
[She then get a call, ringing in her ears, for her charges, and then BEAMS out.]
A COUNTRY CLUB.DAY
[CUT TO]
COUNTRY CLUB.BALLROOM.DAY
[Banners are all around. In the center of the wall, a huge banner shows in gold sparkly lettering, '50 ANNIVERSARY, CONGRATULATION, MARTIN AND ANNA. It is a fiftieth anniversary part, tables full of fancy appetizers, including quiches, fruit tarts, caviar, etch. Peyton arrives, BEAMING IN. Luckily everyone is distracting with entertaining among themselves. They don't notice her arrival.]
Peyton: The feeling I got. My charges could be nearby.
[Focusing on the power of her cupid ring, Peyton temporarily freezes time for the whole room as she searches for her charges. She becomes drawn to Melody, a brunette hair woman, in a nice lavender dress, whose stance looks nervous, standing to her redhead friend, Caroline, who is in a green dress and seemingly is about attempt to head to someone, and notice her eyes are in direction of a man, Tate, a blonde hair man with hazel eyes, in a nice white suit, who is standing at the food table, with his friend, Fred, who is also blonde, but has blue eyes, wearing a grey suit.]
Peyton (cont'd): Alright. Here it goes.
[Peyton walks over to Melody, and prepares to guide her first.]
Peyton (cont'd): Melody. I know you're scared of your loss. But it doesn't have to always turn out bad. Give your heart a chance.
[She then goes over to Tate.]
Peyton (cont'd): I know you are drawn to Melody. She could be your next soulmate. I know you think your love life is cursed. Your loved ones end up dying from an unfortunate end. Give her a chance. And also yours. You can't .... (gets interrupted)
Peyton (cont'd): Forget it. Who cares about them? I need to worry about my love life.
[Peyton BEAMS out. It is different this time, darker crimson color, with a black heart in the middle. Time returns to normal. Melody braves herself and walks over to Tate.]
Melody: Hey. Tate. This takes me a lot of courage. Um. So awkward. I been scared for too long. Would you agree to a date with me?
[Fred gasps.]
Fred: Well. Tate. That's my cue to leave.
[He grabs a bit more food onto his plate and walks off. Tate scratches his head in thought.]
Tate: I love the sentiment. You may think what I say next means I don't feel the same way. But. I'm just not ready. Melody. I'm cursed.
Melody: I understand. Tate. I hope you will find a way to move past this. I'll be waiting.
Tate: It's going to take a while. Are you willing to wait?
Melody: No matter what.
Tate: Alright. I'll see you around.
Melody: Yea.
[She walks off and goes back to her friend, Caroline.]
Caroline: So how it go? Melody.
Melody: Not well. Tate said he still needs more time. Think I need a drink after this. To the bar.
Caroline: That's a shame. And I'll make sure you don't drink too much.
Melody: I think I can handle myself.
Caroline: Yea right.
Melody: Fine. "Mom."
[Melody heads toward the bar area of the ballroom as Caroline follows right behind.]
[CUT TO]
HALLIWELL/COOP MANOR.DAY
[Still image of Halliwell/Coop Manor.]
[CUT TO]
HALLIWELL/COOP MANOR.PEYTON'S BEDROOM.DAY
[Peyton is shuffling through her closet and seems to not find anything she wants throw most of her clothes on the bed.]
Peyton: No no. Nothing sexy. Or black. Too goody two shoes. Rebellious. But not badass. I have to wow them. Make them desire me even more than before. Guess it's time to go shopping.
[She finds her purse on the table and marches out of the door.]
[CUT TO]
HALLIWELL MANOR.DAY
[Still image of Halliwell Manor.]
[CUT TO]
HALLIWELL MANOR.ATTIC.DAY
[CLOSE UP: ON BOOK OF SHADOWS]
[GO TO COMMERCIAL BREAK]
HALLIWELL MANOR.ATTIC.DAY
[Olivius FLAMES in. He notices the Book of Shadows.]
Olivius: There it is. The infamous Book of Shadows. Now free for my taking. As I assume would happen. As it would spread to the other sister, last part of the current keepers of the Power of Three, the current Charmed Ones.]
[Olivius proceeds to the Book of Shadows. It does not rebound away. He touches it.]
Olivius (cont'd): Perfect. The Book of Shadows is now in my belonging.
[And then. He FLAMES out with it.]
[CUT TO]
MAGIC SCHOOL.HEADMISTRESS' OFFICE.DAY
[Paige is looking through couple of folders when she is shocked by the arrival of Chris and Bianca, especially Bianca.]
Paige: What. The. Chris. What the hell is that bitch doing here? She's evil. And how?
Chris: Whoa! Aunt Paige. That's rude. And you know Bianca?
Paige: I... Um. Yes.
Bianca: It's alright. Chris. I heard worst things said at me. Part of the job.
Chris: Still it wasn't right.
Bianca: Chris. Look. Its better you just take me home. I can see the animosity from your Aunt's eyes.
Paige: It's reasonable. And I do apologize. I can't be angry at you just because your other self did bad things.
Chris: Why thank you.
Bianca: So. You know about me? Huh?
Paige: Yea. And also a few others.
Chris: Wait! What? So everyone knows but me.
Paige: Not exactly like that. Chris. It's complicated. All I can say. Is Wyatt, Melinda, and your cousins know nothing about it.
Chris: So that means mom and dad know. And hid it from me. And also Aunt Phoebe, Uncle Coop, and Uncle Henry. And now also you.
Paige: We're sorry. All wanted the best for you. It was a horrid past. And the other Bianca was hard to trust. And hurt you.
Bianca: I know. Mrs. Matthews. We saw it. Our memories. All of it.
Chris: Yea. Aunt Paige. Please tell us everything. Probably better than our wonky memories. That could be accurate or not accurate.
Paige: I'm a bit occupied at the moment.
Chris: Come on. Aunt Paige. Please. I want to know. Actually we want to know.
Paige: It's not worth it. To dig up the past. Better to not dwell.
Bianca: Your Aunt makes a good point. We like our current present. It's doing great.
Chris: I want answers. Now!
Paige: What the hell! Chris.
Chris: Answer. Or I'll shoot you with this arrow.
Paige: I don't think so. Timbuktu!
[Paige waves her hand over Chris and Bianca, remote orbing them out.]
[CUT TO]
UNDERWORLD.CAVE.DAY
[Olivius has finished casting a spell from the now evil Book of Shadows. The page can be seen slightly but not clear enough to read from the audience's view.]
[CLOSE UP: CURRENT PAGE OF EVIL BOOK OF SHADOWS.]
[The page reads:]
DARK BOND SPELL
The Sister's Bond,
Now Severed,
Power of Three Now Broken,
Now to Be Renewed Again,
A New Path Lies,
Let Evil Flow Through,
Extend to the Power of Eight,
Merge Their Bond As One,
Let Evil Flow,
From Time and Space,
The New Bond,
Now Complete.
Olivius (cont'd): And now the transformation for the rest of them will be soon complete. Muhaha.
[He FLAMES out.]
[CUT TO]
HALLIWELL'S.DAY
[Still image of Halliwell's]
[CUT TO]
HALLIWELL'S.THE OFFICE.DAY
[Felicia is with Melinda as she has rushed her into the office, forcefully, and then locks the door.]
Felicia: What the hell? Mel. You would never treat your employees like that. And also you went off on that food critic.
Melinda: That guy deserved it. Making inappropriate comments on our customers.
Felicia: So? That doesn't give you to the right to do that. You're acting weird. What's wrong?
Melinda: I'm fine. Don't be a stick in the mud.
[And Felicia is turned into a stick in the mud. She grins.]
Melinda (cont'd): Ooh. Neat trick. Time to find that critic and give him a lesson.
[Melinda focuses and ORBS out. Her orbs are different now, more blackish.]
[CUT TO]
GOLDEN GATE BRIDGE.DAY TO NIGHT.NIGHT
[Camera view of the Golden Gate Bridge as the sun goes down and signals the night. Lights shine bright upon the bridge.]
[CUT TO]
P3.NIGHT.ENTRANCE
[Lachlan and Katherine enter through the doors at the same time and bump into each other.]
Lachlan: Katherine?
Katherine: LACHLAN?
Lachlan/Katherine: What are you doing here?
Lachlan: Well. Peyton sent me a text to meet her at the bar at eight pm sharp.
Katherine: The same with me. Something weird is going on. She's not the type to do something like this.
Lachlan: Yea.
Katherine: I'm glad we agreed on something. After you.
[She waves her hand allowing for Lachlan to go in first.]
Lachlan: No. After you.
[He does the same as she did.]
Katherine: This is just going to go back and forth. Let's just enter together.
Lachlan: This is going to be so awkward. We have been agreeing too much than normal.
Katherine: I know. Right. Let's go.
[CUT TO]
[Lachlan and Katherine walk in together through the door.]
[CUT TO]
P3.BAR COUNTER.DAY
[Lachlan and Katherine arrive and see Peyton, in a different appearance than usual, and very shocked. She has red streaks in her hair and is wearing a very revealing, sexy black dress. They then walk over.]
Peyton: Hello. My loves. Did I wow you two?
[They both blush.]
Lachlan: It's something.
Katherine: Yea. But. What's the deal? Why both of us?
Peyton: Isn't it obvious? I want you both. Solved the problem. No one will get hurt.
Lachlan: Um. Peyton. Are you okay?
Katherine: This is very unlike you. And more like...
Peyton: You? Well. I like this new me. True about my feelings. Voicing my desires.
Katherine: I don't know. Peyton. I... Oh. (moaning)
[Katherine feels the seductive kisses of Peyton.]
Katherine (moaning a bit more): Oh my. Maybe I like this new you.
[Lachlan rolls her eyes at Katherine.]
Lachlan: Come on. Katherine. You know this isn't right.
[Katherine breaks away.]
Katherine: Right. Of course. Peyton. Snap out of this. This isn't you.
Peyton: What if it is? It's so nice to not hide my desires any more. And being afraid of hurting one or the other. The three of us can be together.
Lachlan: As much as that sounds nice. We can't accept that. Right? Katherine.
[Lachlan signals Katherine with his eyes.]
Katherine: Well...
Lachlan (clearing his throat): Ahem.
Katherine: Fine.
Lachlan: What do we do? We can't take her to her house. It be suspicious.
Katherine: Also. I don't think her family knows about us in her life.
Lachlan: Come on. Who can we trust?
Katherine: There's the friend. Valentina. We could feed her a story of her being too drunk.
Lachlan: But she had no alcohol.
Katherine: This is difficult.
[Then from behind. An unknown figure, sprinkles some pink dust, onto Lachlan and Katherine. He then runs off. They brush it off.]
Lachlan: What the heck was that?
Katherine: No idea. But I feel...
[Katherine starts to succumb to her desires. And starts to kiss Peyton passionately on the lips. She reciprocates.]
Lachlan: No. Katherine. Wait.... I....
[Then the effects of the powder affects Lachlan also as he goes and kisses Peyton from behind. Valentina, appears with Jaime, a young man, she had got acquainted with, at P3, a few days ago, and is shocked.]
Valentina: Oh my gosh. My friend. Peyton.
Jaime: My gosh. Is that really her? She's hot.
[Valentina then stomps on his feet.]
Jaime: Ouch. That hurts.
Valentina: You deserved it. Seriously? Jaime.
Jaime: What! I can't glance?
Valentina: She's my best friend.
Jaime: Whatever. I thought you were fun.
Valentina: I am.
Jaime: Could have fooled me. Looks you and your friend switch places. Now she's the fun one. And you're not.
Valentina: I am fun!
Jaime: Sure. I'll see you when you are more fun again.
[He just walks off.]
Valentina: Wait. Hold on. Jaime! Don't go. You're my ride.
[Valentina wants to go up to Peyton but resists it and goes to chase after Jaime. The passionate kissing continues as now Peyton switches over to kissing Lachlan, while Katherine is now caressing her neck kissing it.]
[The camera is zoomed on them as most of the customers are now drawn to it, watching the scene. Everyone opens their camera and records it.]
[GO TO COMMERCIAL BREAK]
HALLIWELL/COOP MANOR.LIVING ROOM.NIGHT
[Coop is hugging Phoebe in comfort as tears roll down her eyes.]
Phoebe: Why is it? Always our daughters to be lured into the evil side. I'm cursed. I was that way. Too. And passed it on to them.
Coop: Oh. Phoebe. Don't blame yourself. We'll figure it out.
Phoebe: And what if we don't?
Collin (o/s): Then I got a solution.
[Coop and Phoebe turn around and are surprised to see him.]
Coop: I knew it. You're involved.
Phoebe: Now now. Let's not make rash decisions and point blame. And how long did you arrived? And even got in.
Collin: Surprisingly. The barrier was down. And only ten minutes. To hear the sob story. Trust me. I can help.
Coop: How?
Collin: I was investigating in the underworld. Heard something about using Parker's love for Adrian to prey on her weakness. But to help. I need your help. Coop. Only you.
Coop: And why is that? Collin. Besides I don't trust you. It could be a trap. You were probably sent.
Collin: As I said. I'm a changed man. Besides Phoebe is my mother. I know it's going to sound weird. But I wouldn't want her to be any hurt as she is now.
Coop: So spill it. How can I help?
Collin: Your cupid powers. Sensing ability. To track down. Parker.
Coop: It's too risky. I was ambushed last time when I tried to save my daughter.
Collin: You got me. I'll accompany you.
Coop: This seems too good to be true.
Collin: But it's the only way to find Parker. And get the others back to the good side again. I hear that they are causing much trouble. To family. Friends. And even fellow colleagues.
Coop: What! How.
Collin: I have my ways. Have been around a lot. For years, you know I had been planning when I was evil to get revenge.
Coop: Let's do it. Come on. Take my hand.
Collin: Sure. Coop.
[Collin extends his hand over for Coop to hold. Coop focuses on his love for Parker and BEAMS out with Collin.]
[CUT TO]
ERIC'S LOFT.LIVING ROOM.NIGHT
[On the couch, Eric has his shirt off and Parker, with only her bra and underwear, with her on top, are making out hard, with passion and desire. This is when Coop BEAMS in with Collin and sees the horror.]
Coop: Oh my gosh. This again. Always drawn to the bad boys. Just as bad as her sister.
Collin: Oh. Coop. Don't you know it's not truly her.
Coop: But. Ugh.
[Their arrival causes noise and interrupts them. Eric and Parker turn around.]
Parker: What the heck are doing here? Dad. And how you find me?
Eric: Who are you two? And how did you two get here?
Collin: Sorry. Coop. Hold that answer.
[Collin waves his hand using Telekinesis to move Eric against the wall and then sets him on fire.]
Eric (screaming in pain): Nooo! My boss will get you... for thiiiiissss!
[The fire completely set him ablaze and he turns into charred remains. Parker is back to normal and finds a table cloth to cover her body, feeling embarrassed, her face going red.]
Parker: Oh my god. What happened? I'm so embarrassed. Especially this guy who saw me.
Collin: A thank you would be nice. I saved the rest of your family from being permanently evil.
[She looks over at Coop.]
Parker: Is what he said true? Dad?
Coop: Yes it is. It seems like Collin has truly changed.
Parker: Or Collin did it so we owe him.
Collin: Smart girl. I'll be off now. Have a safe night.
[Collin FLAMES out.]
Coop: Come on. It's time to go home.
Parker: Yea.
[Parker walks over to Coop. Coop then BEAMS them out.]
[CUT TO]
RANDOM ALLEY.NIGHT
[Chris is about to finish off a man, with a final punch, in his early 30s, who looks pretty beat up, and barely able to function or even stand up. Bianca is there.]
Bianca: Stop. Chris. This is not you.
Man: Plea... se.. I'm so... ry.
[Chris comes to and is in shocked.]
Chris: Oh my god. What have I done? Bianca.
Bianca: It's okay. Chris. We know it wasn't totally you.
Chris: I'm a horrible person. Don't deserve your love.
[He breaks into tears and then ORBS out.]
Bianca: Oh. Chris. My poor handsome prince. And I know who's involve with what happened.
[She puts a serious face on and SHIMMERS out angrily.]
[CUT TO]
PHOENIX WITCHES' LAIR.AQUILA'S OFFICE.NIGHT
[Aquila has just finished a phone call when Bianca SHIMMERS in, right in front of her. She then summon her athame and points it near Aquila's neck.]
Bianca: This was that boss' fault? Isn't it? What was done with Chris? He acted weird.
Aquila: Careful. There. Don't need to get angry. Bianca.
Bianca: Tell me. Now! Or your neck won't be so pretty anymore.
Aquila: You have gone weak. Bianca. What has that man done to you? And you are willing attack your own.
Bianca: Answer me!
Aquila: I don't need to. Because you know the answer. You only came to confirm and also confirm my own suspicions that you have fallen for Chris Halliwell.
Bianca: I... That's.
Aquila: Yea. Can't deny it. Huh? Bianca. Shame I have bad news.
Bianca: And what is that?
Aquila: It's hard to talk with the point of blade pointed at my neck.
Bianca: Fine.
[Bianca unsummons her athame.]
Aquila: Now that's a reasonable girl. Before you came, an hour, ago, the boss gave the order. It's time.
Bianca: Time for what?
Aquila: You know. Bianca. Our chosen duty.
Bianca: No. So soon.
Aquila: Oh my. You really have fallen for him.
Bianca (denying it): I do not.
Aquila: You do. My dear Bianca. If you didn't, you wouldn't say something like this. Like it was so soon.
Bianca: I need more time. Aquila.
Aquila: The order is final. You got by tomorrow night to finish Chris Halliwell. Complete your task that was delayed.
Bianca: But...
Aquila: But nothing. Phoenix Witches must always complete their bounty. No matter what. Or certain consequences will happen.
Bianca: Yes. Aquila. Understood.
Aquila: Good girl. Now leave.
Bianca: As you wish. Aquila.
[Bianca SHIMMERS out. Aquila then walks out of her office and closes the door after turning off the lights and locking it.]
[CUT TO]
HALLIWELL MANOR.MELINDA'S BEDROOM.NIGHT
[Melinda feels uneased unable to sleep for what she did while being evil, to her employees, a food critic, and her fiancée, Felicia.]
Melinda: I can't believe what I did. Have to apologize. To everyone.
[She turns off the lights and pulls the blanket over her face trying to ease her mind and fall asleep.]
[CUT TO]
HALLIWELL MANOR.ATTIC.NIGHT
[On the pedestal, the Book of Shadows is back at its rightful home and place. It belongs to the good side once again.]
[GO OUT TO BLACK]
[END OF EPISODE.]
[End Credits rolling to shortened theme song to reveal supporting cast and guest stars.]
Co-Starring:
Alyssa Milano as Phoebe Halliwell
Victor Webster as Coop
Rose McGowan as Paige Matthews
Adelaide Kane as Felicia Quigley
Timothée Chalamet as Adrian Hart
Bill Skarsgård as Collin Turner
Also Featuring:
Shay Mitchell as Marissa
Marisol Nichols as Bianca
Henry Cavill as Ronald Bay
Lucas Gabreel as Lucas Burns
Zachary Levi as Mr. Edmunds(flashback only)
Nina Dobrev as Katherine
Chris Owen as Vincent Morgan/Olivius
Michael Trevino as Eric Blackwood
Amy Miller as Melody
Christina Hendricks as Caroline
Alex Pettyfer as Tate
Austin North as Fred
Josh Bowman as Lachlan
Demi Lovato as Valentina
Diego Tinoco as Jorge
Rebecca Mader as Aquila
Uncredited Actor as Unknown Figure
Uncredited Actor as Man
MATTHEWS/ MITCHELL MANOR.DAY
[Still image of Matthews/Mitchell Manor.]
[CUT TO]
MATTHEWS/ MITCHELL MANOR.TAMORA'S BEDROOM.DAY
[Tamora is in her room getting ready and puts on her white blouse and grey blazer with grey pants along with black dress shoes. She is thinking about something.]
Tamora: Oh. Mr. Edmunds. It's a shame losing you. We'll never find a great boss as you.
[She walks out of her room and close the door.]
[CUT TO]
GOLDEN GATE NATIONAL CEMENTARY.DAY
[Aerial view of the location.]
[CUT TO]
INSIDE GOLDEN GATE NATIONAL CEMENTARY.DAY
[Parker is standing in front of Adrian's tomb. Her tears start to drop. On tomb, it reads,]
ADRIAN HART
HONEST AND HOPEFUL MAN, GREAT FRIEND, PURE OF HEART
2008-2034
Parker: Oh Adrian. It's hard to live without you. You meant so much to me.
[She places flowers on his grave and then walks away.]
[CUT TO]
A PARK.DAY (INSIDE AN ALTERNATE MEMORY)
[We see a younger Chris and Bianca, sitting at a bench in a park. Around them, the city looks to be in ruins.]
Younger Bianca: So what's going on? Chris.
[The Younger Chris smiles.]
Younger Chris: You'll find out.
Younger Bianca: You know I hate surprises.
[He smiles again. Younger Chris pulls a ring out and is about to place the ring onto Younger Bianca's finger.]
Younger Chris: Will you do the honor and marry me?
Younger Bianca: Oh. Chris. Not now. The city is not in a good place.
Younger Chris: Please. There's a chance I could lose you again.
Younger Bianca: Okay. I accept.
Younger Chris: That's great.
[Younger Chris places the ring on Young Bianca's finger. They kiss. And then Chris wakes up.]
[CUT TO]
HALLIWELL MANOR.CHRIS' BEDROOM.DAY
[Chris wakes up in a t shirt and grey sweat pants.]
Chris: My gosh. What was that? I have to figure out things about us. Me and Bianca. But the only one who could provide answers is basically Aunt Paige. But if I tell her, she would tell mom. Not now.
[He heads out of bed and then heads into the bathroom to freshen up.]
[CUT TO]
ADRIAN'S SWEET DELIGHTS.DAY
[Parker is now walking by and starts to imagine Adrian opening up the bakery early in the morning. And waving at her.]
Parker: Oh. Adrian. I can't stop thinking about you.
[The illusion fades away in her eyes. She then walks away and bumps into a man, and is shocked.]
Parker (cont'd): Adrian!
Adrian: Yes it is me.
Parker: But how!
Adrian: I'll explain later. Really miss your kisses.
Parker: I do too.
[Adrian gives Parker a kiss. Her lips start to glow white and can't stop kissing him.]
Adrian (thinking): It worked as planned. As my boss has said.
[He BLINKS out.]
[OPENING CREDITS]
CUPID'S TEMPLE.DAY
[Outside the temple, Marissa is with Coop. They were discussing something. He looks unsure about some decision.]
Coop: Are you sure about this? Marissa. I mean Peyton doesn't even know real love yet.
Marissa: That's the point. These charges. It's a different experience for a person like Peyton who has not experienced a great love as her sisters. Each afraid to make the first move. As they were both hurt in the past. Afraid to lose someone again.
Coop: I mean. This task could be perfect for PJ or even Parker.
Marissa: I talked with the council. And they want a fresh perspective on things. One without experience. Prevents less bias.
Coop: I'm still unsure about this. But you are the head cupid and know what is best.
Marissa: Yes. I believe Peyton will be a great influence on them. And don't forget to give her this.
[Marissa hands Peyton's cupid ring to Coop. He takes it.]
Coop: Alright.
[Coop BEAMS out. Marissa then walks away towards the direction of the temple.]
[CUT TO]
BIANCA'S APARTMENT.BEDROOM.DAY
[Bianca looks really tired, her eyes a bit droopy. It is like she couldn't sleep all night.]
Bianca: What does it mean? Did my alternate self sacrificed herself for a good reason? Am I meant to be with him? Those memories. How I tried to kill to Chris and end up falling for him. Like I am now. So confusing. But now. I must rest. Take those memories one at a time and figure out my history with Chris.
[She cuddles back into blanket and closes her eyes to sleep.]
[CUT TO]
SOUTH BAY SOCIAL SERVICES.DAY
[Ronald Bay, a tall man, around five feet seven inches, with brown hair, and blue eyes, along with a serious looking face, in a fancy black suit, walks through the door.]
[CUT TO]
SOUTH BAY SOCIAL SERVICES.MAIN WORKPLACE.DAY
[Ronald walks through, takes a short glance at Tamora and Lucas, and then turns away, ignoring them, continuing to walk straight forward towards his office. The both of them turn their chairs around and glance back at him.]
Tamora: Well. That was rude.
Lucas: Yea. What type of person does he think he is just ignoring us like that? Like we're nothing.
Tamora: Yea I agree. Time to give him a good talk.
Lucas: Don't. What if you get fired?
Tamora: I don't really care. Mr. Edmunds is the only boss to me.
Lucas: Don't do this. You worked hard. To get to the position you are in today.
Tamora: Wow. It's nice know you care about me. Lucas.
Lucas: Of course I do. You're my friend. Please rethink this.
Tamora: Come on. Lucas. You have known me. How stubborn I am.
Lucas: Fine. I was trying to be a good friend. But it's always hard to convince you.
Tamora: Sometimes. Remember I had a certain moment of giving up on Wilma. But you gave me hope.
Lucas: Yea. Then take this advice now too. Tamora. Don't mess with the new boss.
Tamora: I made my decision. Here I go.
[She heads out of her chair and goes into the hallway leading to the office. Lucas returns to his work.]
[CUT TO]
SOUTH BAY SOCIAL SERVICES.RONALD BAY'S OFFICE.DAY
[Ronald is on a phone call when Tamora bust through the door.]
Tamora: We need to talk. Now!
[Her eyes has a piercing glaze. He turns around and sees her, noticing it.]
Ronald (on phone): Excuse me. I have some urgent issues. Call you back.
[The phone is hung up.]
Ronald (cont'd): You couldn't have waited? I was in an important phone call.
Tamora: The issue couldn't wait. Whatever your name is?
Ronald: It's Ronald Bay. You may refer me as Mr. Bay.
Tamora: I want to say you were rude to us. And barely glanced at us and then walk on.
Ronald: What can I say? I'm a busy man. Got no time for bonding. No wonder your old boss was fired. He was too friendly.
[Tamora's eyes goes wide.]
Tamora: Fired?! I thought he was transferred.
Ronald: That's what higher ups want the employees to know. As to not spread scandal.
Tamora: You're lying.
Ronald: Why would I? My bosses. The higher ups see you as a good asset. So I wouldn't dare lie to you.
Tamora: Doesn't matter. Don't try to change topic of you being rude to us.
Ronald: I'm your boss. Not here to make friends.
Tamora: I.... Grr.
Ronald: Well. I what? Cat got your tongue. My words rung true. Huh.
Tamora: You won't last long. I'll find a way to get Mr. Edmunds back where he belongs.
Ronald: Good luck. Miss Mitchell.
Tamora: I won't need luck. My willful determination will figure out a way.
Ronald: Sure. Sure.
[Tamora storms out of the door and slams it hard.]
[Ronald then starts to flashback to a moment in time.]
[FLASH BACK TO:]
SOUTH BAY SOCIAL SERVICES.MR. EDMUNDS' OFFICE.DAY
[ON SCREEN]
THREE DAYS BEFORE
[Mr. Edmunds is talking and standing with Ronald. They are chatting up some plan.]
Ronald: Are you are sure about this? Buddy? From what I heard. This woman really regards you well.
Mr. Edmunds: Far too well. Like I'm a friend.
Ronald: I thought you wanted that. Edmunds.
Mr. Edmunds: Yes. I guess. But oh. Ronnie. Things are more complicated than that. Being in charge you have to make hard decisions. Can't favor employees.
Ronald Bay: I understand. Edmunds.
Mr. Edmunds: The act has to be perfect. And you have to call me. So it seems real.
Ronald: There's still some time to go back on this decision. Are you willing to lose being with your best working employee.
Mr. Edmunds: It's worth it. I want her to take over for me. And you're perfect. They all call you "Heartless Bay" for a reason.
Ronald: Oh. Edmunds. I was raised that way. Never to mix personal stuff with work stuff.
Mr. Edmunds: And that's perfect. And don't worry. I told our uppers. They are fine with it.
Ronald: How you managed that? Edmunds.
Mr. Edmunds: I have my ways. Leave as soon as possible. My employees should be back from work soon.
Ronald: Right. You want no loose ends. But you owe me.
Mr. Edmunds: I know. Ronnie.
[Ronald leaves the room.]
[FLASH TO PRESENT.]
SOUTH BAY SOCIAL SERVICES.RONALD BAY'S OFFICE.DAY
[Ronald sighs in disappointment.]
Ronald: One day you'll understand. Miss Mitchell. Your dear ex-boss wants the best for you.
[He then grabs a file from a drawer and starts reading through it.]
[GO TO COMMERCIAL BREAK]
UC BERKELEY.ENGLISH BUILDING.HALLWAY.DAY
[Peyton is exiting out of her class when her phone beeps. And notices an unknown number.]
Peyton: No. It could be a trap. Or maybe... Katherine. Doesn't hurt me to check.
[She goes off to the side a bit so other students can keep walking and reads it.]
Peyton (reading text):
Hey Peyton. I know it's weird I found your number. But my brother gave it. Please. We need to talk. About us. And what happened last night. I'm in parking lot #3 if you can find some time.
[Peyton then puts the phone away and walks off.]
[CUT TO]
UC BERKELEY.PARKING LOT #3.DAY
[After a good distance, Peyton arrives near Katherine's door. The door is unlocked and she walks in and sits down.]
[CUT TO]
INSIDE KATHERINE'S CAR.DAY
[Katherine is seen as wearing the same purple necklace once Again. She turns her face to see Peyton.]
Katherine: Peyton. I'm glad you came.
Peyton: I needed to. To clear some things.
Katherine: Right. Yes. I never meant to hurt you. And what happened last night. Wasn't me.
[Peyton scuffs.]
Peyton: Are you sure? Maybe the ghost just motivated your true desires. To have me at no matter what cost.
Katherine: That's not true. Peyton. I care for you too much to do that.
Peyton: Besides. It already has been done. You have me. My virginity.
Katherine: I... That wasn't supposed to happen. Got caught up in the moment.
Peyton: And yea. As I said. Rose just edged you because you were too scared to do what you really want.
Katherine: Peyton. You really think I am that person.
Peyton: I don't know. You didn't stop.
Katherine: Because you didn't. Peyton. Don't play the blame game. You wanted it too. But since it was a new experience, you were scared.
Peyton: That's not true. We're done here.
[Peyton tries to open the door and exit out of the car but Katherine stops her, pulling her back, with unseen force. And kisses her. But then is slapped.
Katherine: What the heck was that?
Peyton: You deserved it. Katherine. Stop it. I don't love you anymore. And what was that weird strength?
Katherine: It was nothing. Just gave all my might to pull you back. As we are not done.
Peyton: I say that we are. After you pulled that move on me.
Katherine: Peyton. Please. I love you. I don't care no matter what it costs.
Peyton: Yes. No matter what it costs. Huh? Katherine. You were always heartless. Rose just enhanced it.
Katherine: No. Peyton. Don't think that. I'm not that way anymore.
Peyton: You're just saying that. To appeal to me.
Katherine: No. It's not. I have changed. Peyton.
Peyton: I don't believe you. Leave me alone and don't contact me again.
[Peyton exits out of the car and storms off. Katherine sighs.]
Katherine (to herself): I'll prove it. That my love is true. Peyton. I'm not the same person I was.
[Once the coast is clear, Katherine drives out of the parking lot.]
[CUT TO]
UNDERWORLD.DARK ALTAR.DAY
[Olivius is standing behind an asleep Parker and has his hands over her head seemingly to do something to her mind and she has glowing white eyes and starts to murmur.]
Parker (murmuring): Oh. Adrian. You're so sweet. So handsome.
[Adrian stands in front, being charming as he is. Olivius takes his hands away and the eyes stops glowing.].
[Adrian now unglamours back to Eric.]
Eric: Now time for my princess to wake up.
[Parker wakes up and starts to see the figure become Adrian at first.]
Parker: Adrian? You're still here.
Eric: I'm not Adrian. He has never existed. All you ever love is Eric. Look closely.
[She blinks her eyes a bit and sees the change. And now Eric is seen in her eyes.]
Parker: Oh. Eric. I love you.
Eric: I love you too. Let's get married.
[This comments breaks Parker out of her trance. She sees Eric for who he is.]
Parker: What the. Adrian would never be too forward. I'm out of here.
[She tries to beam out but can't.]
Eric: Nice try. Witch. But not going to happen.
Olivius: Yes. Time for you to sleep.
[Olivius waves his hand and Parker instantly falls asleep.]
Eric: It was perfect.
Olivius: You. Eric. When you pretend to be someone, try not to be yourself.
Eric: But every witch has fallen for my moves.
Olivius: Parker Halliwell is not every witch or actually your booty call.
Eric: Alright. I'll find another way to woo her.
Olivius: You don't need to. Didn't want to resort to this. But it's the only way.
[He waves his hand and Eric instantly falls asleep too.]
Olivius (cont'd): Now to create the perfect potion for what I need to do.
[Olivius FLAMES out.]
[CUT TO]
UNDERWORLD.DARK ALTAR.DAY(MOMENTS LATER)
[Now on the altar, a sleeping Parker and Eric lie on there. Their hands are touching as a black colored string is tied around their wrists. Olivius is there with a pedestal and his Grimoire, and a potion. He pours it over the string.]
Olivius (chanting): Let this string, Tie them together, In the truest bond, Unbreakable and True, Let Evil Bind their Hearts, They are one and true, For one and another, And Serve For Evil.
[They awaken. The two look at each other with desire, and in their eyes, you can see evil, as their eyes glow black for a second.]
Parker: My true love.
Eric: My true love.
[Parker and Eric then turn around and bow to Olivius.]
Parker: I am yours to command.
Eric: As I am. And may evil reign.
Olivius: Yes indeed. And soon the transformation of your sisters will be complete. At least for one. It will be stable.
Eric: Let's go. Have some fun in my house.
Parker: Of course. My love.
[Eric grabs Parker and BLINKS out.]
Olivius: And my job is done here. For now.
[Olivius FLAMES out.]
[GO TO COMMERCIAL BREAK]
BIANCA' S APARTMENT.BEDROOM.DAY
[Chris ORBS in and sees that Bianca is sleeping peacefully.]
Chris: Alright. I guess I'll come back.
[His arrival stirs her up. Bianca opens her eyes wide and wakes up seeing him.]
Bianca: Chris? What are you doing here?
Chris: I... Here it goes. To find answers about those memories I saw. And from my dreams I saw. Today.
Bianca: Ah I see. I want to also. Couldn't sleep all night.
Chris: What if we're not meant to be together again?
Bianca: It won't happen. Especially when I. Guess the both of us have now a chance to renew our love again.
Chris: Along with still figuring our other past.
Bianca: Yea. But one step at a time.
Chris: I agree also. Those memories. We saw rushing through us. That day. It was crazy. I lost you.
Bianca: You won't lose me again. And I don't want to lose you. I'm really starting to fall for you deeply.
Chris: As am I.
Bianca: You know your family will be against this. Our relationship.
Chris: I don't really care. My heart is starting to belong to you.
Bianca: Me too. I don't want you to lose your family in the process for choosing to be with me.
Chris: I understand. For now. Let's enjoy each other's company.
Bianca: I like that. It's always lonely being a Phoenix Witch.
Chris: Good thing I'm here.
Bianca: Yea.
Chris: Anyway. Are you hungry?
Bianca: Starving.
Chris: Stay right here. I'll cook you something. Want to spoil you.
Bianca: Oh Chris. You're so wonderful. Sometimes I wish.... Never mind.
Chris: Wish what? Please don't be scared to tell what you want to say.
Bianca: It's complicated. Chris. Don't worry. When I'm ready, I'll tell you.
Chris: Okay. Wait right here.
[Chris walks out of the room. Bianca sighs.]
Bianca (to herself): This is such as a shame. I'm falling for him but one day I know I must kill him.
[She then lays back on her bed waiting for Chris to return.]
[CUT TO]
GOLDEN GATE PARK.PARKGROUNDS.DAY
[Peyton is sitting on a bench by herself, as she keeps going back and forth glaring at her cupid ring and ahead of her.]
Peyton: Am I ready for this duty? I can't even solve the current problem with my own love life. They expect to help two other people fall in love. Marissa and the rest of the Cupid Council is putting too much pressure on me. Why couldn't it be PJ or Parker?
[She then get a call, ringing in her ears, for her charges, and then BEAMS out.]
A COUNTRY CLUB.DAY
[CUT TO]
COUNTRY CLUB.BALLROOM.DAY
[Banners are all around. In the center of the wall, a huge banner shows in gold sparkly lettering, '50 ANNIVERSARY, CONGRATULATION, MARTIN AND ANNA. It is a fiftieth anniversary part, tables full of fancy appetizers, including quiches, fruit tarts, caviar, etch. Peyton arrives, BEAMING IN. Luckily everyone is distracting with entertaining among themselves. They don't notice her arrival.]
Peyton: The feeling I got. My charges could be nearby.
[Focusing on the power of her cupid ring, Peyton temporarily freezes time for the whole room as she searches for her charges. She becomes drawn to Melody, a brunette hair woman, in a nice lavender dress, whose stance looks nervous, standing to her redhead friend, Caroline, who is in a green dress and seemingly is about attempt to head to someone, and notice her eyes are in direction of a man, Tate, a blonde hair man with hazel eyes, in a nice white suit, who is standing at the food table, with his friend, Fred, who is also blonde, but has blue eyes, wearing a grey suit.]
Peyton (cont'd): Alright. Here it goes.
[Peyton walks over to Melody, and prepares to guide her first.]
Peyton (cont'd): Melody. I know you're scared of your loss. But it doesn't have to always turn out bad. Give your heart a chance.
[She then goes over to Tate.]
Peyton (cont'd): I know you are drawn to Melody. She could be your next soulmate. I know you think your love life is cursed. Your loved ones end up dying from an unfortunate end. Give her a chance. And also yours. You can't .... (gets interrupted)
Peyton (cont'd): Forget it. Who cares about them? I need to worry about my love life.
[Peyton BEAMS out. It is different this time, darker crimson color, with a black heart in the middle. Time returns to normal. Melody braves herself and walks over to Tate.]
Melody: Hey. Tate. This takes me a lot of courage. Um. So awkward. I been scared for too long. Would you agree to a date with me?
[Fred gasps.]
Fred: Well. Tate. That's my cue to leave.
[He grabs a bit more food onto his plate and walks off. Tate scratches his head in thought.]
Tate: I love the sentiment. You may think what I say next means I don't feel the same way. But. I'm just not ready. Melody. I'm cursed.
Melody: I understand. Tate. I hope you will find a way to move past this. I'll be waiting.
Tate: It's going to take a while. Are you willing to wait?
Melody: No matter what.
Tate: Alright. I'll see you around.
Melody: Yea.
[She walks off and goes back to her friend, Caroline.]
Caroline: So how it go? Melody.
Melody: Not well. Tate said he still needs more time. Think I need a drink after this. To the bar.
Caroline: That's a shame. And I'll make sure you don't drink too much.
Melody: I think I can handle myself.
Caroline: Yea right.
Melody: Fine. "Mom."
[Melody heads toward the bar area of the ballroom as Caroline follows right behind.]
[CUT TO]
HALLIWELL/COOP MANOR.DAY
[Still image of Halliwell/Coop Manor.]
[CUT TO]
HALLIWELL/COOP MANOR.PEYTON'S BEDROOM.DAY
[Peyton is shuffling through her closet and seems to not find anything she wants throw most of her clothes on the bed.]
Peyton: No no. Nothing sexy. Or black. Too goody two shoes. Rebellious. But not badass. I have to wow them. Make them desire me even more than before. Guess it's time to go shopping.
[She finds her purse on the table and marches out of the door.]
[CUT TO]
HALLIWELL MANOR.DAY
[Still image of Halliwell Manor.]
[CUT TO]
HALLIWELL MANOR.ATTIC.DAY
[CLOSE UP: ON BOOK OF SHADOWS]
[GO TO COMMERCIAL BREAK]
HALLIWELL MANOR.ATTIC.DAY
[Olivius FLAMES in. He notices the Book of Shadows.]
Olivius: There it is. The infamous Book of Shadows. Now free for my taking. As I assume would happen. As it would spread to the other sister, last part of the current keepers of the Power of Three, the current Charmed Ones.]
[Olivius proceeds to the Book of Shadows. It does not rebound away. He touches it.]
Olivius (cont'd): Perfect. The Book of Shadows is now in my belonging.
[And then. He FLAMES out with it.]
[CUT TO]
MAGIC SCHOOL.HEADMISTRESS' OFFICE.DAY
[Paige is looking through couple of folders when she is shocked by the arrival of Chris and Bianca, especially Bianca.]
Paige: What. The. Chris. What the hell is that bitch doing here? She's evil. And how?
Chris: Whoa! Aunt Paige. That's rude. And you know Bianca?
Paige: I... Um. Yes.
Bianca: It's alright. Chris. I heard worst things said at me. Part of the job.
Chris: Still it wasn't right.
Bianca: Chris. Look. Its better you just take me home. I can see the animosity from your Aunt's eyes.
Paige: It's reasonable. And I do apologize. I can't be angry at you just because your other self did bad things.
Chris: Why thank you.
Bianca: So. You know about me? Huh?
Paige: Yea. And also a few others.
Chris: Wait! What? So everyone knows but me.
Paige: Not exactly like that. Chris. It's complicated. All I can say. Is Wyatt, Melinda, and your cousins know nothing about it.
Chris: So that means mom and dad know. And hid it from me. And also Aunt Phoebe, Uncle Coop, and Uncle Henry. And now also you.
Paige: We're sorry. All wanted the best for you. It was a horrid past. And the other Bianca was hard to trust. And hurt you.
Bianca: I know. Mrs. Matthews. We saw it. Our memories. All of it.
Chris: Yea. Aunt Paige. Please tell us everything. Probably better than our wonky memories. That could be accurate or not accurate.
Paige: I'm a bit occupied at the moment.
Chris: Come on. Aunt Paige. Please. I want to know. Actually we want to know.
Paige: It's not worth it. To dig up the past. Better to not dwell.
Bianca: Your Aunt makes a good point. We like our current present. It's doing great.
Chris: I want answers. Now!
Paige: What the hell! Chris.
Chris: Answer. Or I'll shoot you with this arrow.
Paige: I don't think so. Timbuktu!
[Paige waves her hand over Chris and Bianca, remote orbing them out.]
[CUT TO]
UNDERWORLD.CAVE.DAY
[Olivius has finished casting a spell from the now evil Book of Shadows. The page can be seen slightly but not clear enough to read from the audience's view.]
[CLOSE UP: CURRENT PAGE OF EVIL BOOK OF SHADOWS.]
[The page reads:]
DARK BOND SPELL
The Sister's Bond,
Now Severed,
Power of Three Now Broken,
Now to Be Renewed Again,
A New Path Lies,
Let Evil Flow Through,
Extend to the Power of Eight,
Merge Their Bond As One,
Let Evil Flow,
From Time and Space,
The New Bond,
Now Complete.
Olivius (cont'd): And now the transformation for the rest of them will be soon complete. Muhaha.
[He FLAMES out.]
[CUT TO]
HALLIWELL'S.DAY
[Still image of Halliwell's]
[CUT TO]
HALLIWELL'S.THE OFFICE.DAY
[Felicia is with Melinda as she has rushed her into the office, forcefully, and then locks the door.]
Felicia: What the hell? Mel. You would never treat your employees like that. And also you went off on that food critic.
Melinda: That guy deserved it. Making inappropriate comments on our customers.
Felicia: So? That doesn't give you to the right to do that. You're acting weird. What's wrong?
Melinda: I'm fine. Don't be a stick in the mud.
[And Felicia is turned into a stick in the mud. She grins.]
Melinda (cont'd): Ooh. Neat trick. Time to find that critic and give him a lesson.
[Melinda focuses and ORBS out. Her orbs are different now, more blackish.]
[CUT TO]
GOLDEN GATE BRIDGE.DAY TO NIGHT.NIGHT
[Camera view of the Golden Gate Bridge as the sun goes down and signals the night. Lights shine bright upon the bridge.]
[CUT TO]
P3.NIGHT.ENTRANCE
[Lachlan and Katherine enter through the doors at the same time and bump into each other.]
Lachlan: Katherine?
Katherine: LACHLAN?
Lachlan/Katherine: What are you doing here?
Lachlan: Well. Peyton sent me a text to meet her at the bar at eight pm sharp.
Katherine: The same with me. Something weird is going on. She's not the type to do something like this.
Lachlan: Yea.
Katherine: I'm glad we agreed on something. After you.
[She waves her hand allowing for Lachlan to go in first.]
Lachlan: No. After you.
[He does the same as she did.]
Katherine: This is just going to go back and forth. Let's just enter together.
Lachlan: This is going to be so awkward. We have been agreeing too much than normal.
Katherine: I know. Right. Let's go.
[CUT TO]
[Lachlan and Katherine walk in together through the door.]
[CUT TO]
P3.BAR COUNTER.DAY
[Lachlan and Katherine arrive and see Peyton, in a different appearance than usual, and very shocked. She has red streaks in her hair and is wearing a very revealing, sexy black dress. They then walk over.]
Peyton: Hello. My loves. Did I wow you two?
[They both blush.]
Lachlan: It's something.
Katherine: Yea. But. What's the deal? Why both of us?
Peyton: Isn't it obvious? I want you both. Solved the problem. No one will get hurt.
Lachlan: Um. Peyton. Are you okay?
Katherine: This is very unlike you. And more like...
Peyton: You? Well. I like this new me. True about my feelings. Voicing my desires.
Katherine: I don't know. Peyton. I... Oh. (moaning)
[Katherine feels the seductive kisses of Peyton.]
Katherine (moaning a bit more): Oh my. Maybe I like this new you.
[Lachlan rolls her eyes at Katherine.]
Lachlan: Come on. Katherine. You know this isn't right.
[Katherine breaks away.]
Katherine: Right. Of course. Peyton. Snap out of this. This isn't you.
Peyton: What if it is? It's so nice to not hide my desires any more. And being afraid of hurting one or the other. The three of us can be together.
Lachlan: As much as that sounds nice. We can't accept that. Right? Katherine.
[Lachlan signals Katherine with his eyes.]
Katherine: Well...
Lachlan (clearing his throat): Ahem.
Katherine: Fine.
Lachlan: What do we do? We can't take her to her house. It be suspicious.
Katherine: Also. I don't think her family knows about us in her life.
Lachlan: Come on. Who can we trust?
Katherine: There's the friend. Valentina. We could feed her a story of her being too drunk.
Lachlan: But she had no alcohol.
Katherine: This is difficult.
[Then from behind. An unknown figure, sprinkles some pink dust, onto Lachlan and Katherine. He then runs off. They brush it off.]
Lachlan: What the heck was that?
Katherine: No idea. But I feel...
[Katherine starts to succumb to her desires. And starts to kiss Peyton passionately on the lips. She reciprocates.]
Lachlan: No. Katherine. Wait.... I....
[Then the effects of the powder affects Lachlan also as he goes and kisses Peyton from behind. Valentina, appears with Jaime, a young man, she had got acquainted with, at P3, a few days ago, and is shocked.]
Valentina: Oh my gosh. My friend. Peyton.
Jaime: My gosh. Is that really her? She's hot.
[Valentina then stomps on his feet.]
Jaime: Ouch. That hurts.
Valentina: You deserved it. Seriously? Jaime.
Jaime: What! I can't glance?
Valentina: She's my best friend.
Jaime: Whatever. I thought you were fun.
Valentina: I am.
Jaime: Could have fooled me. Looks you and your friend switch places. Now she's the fun one. And you're not.
Valentina: I am fun!
Jaime: Sure. I'll see you when you are more fun again.
[He just walks off.]
Valentina: Wait. Hold on. Jaime! Don't go. You're my ride.
[Valentina wants to go up to Peyton but resists it and goes to chase after Jaime. The passionate kissing continues as now Peyton switches over to kissing Lachlan, while Katherine is now caressing her neck kissing it.]
[The camera is zoomed on them as most of the customers are now drawn to it, watching the scene. Everyone opens their camera and records it.]
[GO TO COMMERCIAL BREAK]
HALLIWELL/COOP MANOR.LIVING ROOM.NIGHT
[Coop is hugging Phoebe in comfort as tears roll down her eyes.]
Phoebe: Why is it? Always our daughters to be lured into the evil side. I'm cursed. I was that way. Too. And passed it on to them.
Coop: Oh. Phoebe. Don't blame yourself. We'll figure it out.
Phoebe: And what if we don't?
Collin (o/s): Then I got a solution.
[Coop and Phoebe turn around and are surprised to see him.]
Coop: I knew it. You're involved.
Phoebe: Now now. Let's not make rash decisions and point blame. And how long did you arrived? And even got in.
Collin: Surprisingly. The barrier was down. And only ten minutes. To hear the sob story. Trust me. I can help.
Coop: How?
Collin: I was investigating in the underworld. Heard something about using Parker's love for Adrian to prey on her weakness. But to help. I need your help. Coop. Only you.
Coop: And why is that? Collin. Besides I don't trust you. It could be a trap. You were probably sent.
Collin: As I said. I'm a changed man. Besides Phoebe is my mother. I know it's going to sound weird. But I wouldn't want her to be any hurt as she is now.
Coop: So spill it. How can I help?
Collin: Your cupid powers. Sensing ability. To track down. Parker.
Coop: It's too risky. I was ambushed last time when I tried to save my daughter.
Collin: You got me. I'll accompany you.
Coop: This seems too good to be true.
Collin: But it's the only way to find Parker. And get the others back to the good side again. I hear that they are causing much trouble. To family. Friends. And even fellow colleagues.
Coop: What! How.
Collin: I have my ways. Have been around a lot. For years, you know I had been planning when I was evil to get revenge.
Coop: Let's do it. Come on. Take my hand.
Collin: Sure. Coop.
[Collin extends his hand over for Coop to hold. Coop focuses on his love for Parker and BEAMS out with Collin.]
[CUT TO]
ERIC'S LOFT.LIVING ROOM.NIGHT
[On the couch, Eric has his shirt off and Parker, with only her bra and underwear, with her on top, are making out hard, with passion and desire. This is when Coop BEAMS in with Collin and sees the horror.]
Coop: Oh my gosh. This again. Always drawn to the bad boys. Just as bad as her sister.
Collin: Oh. Coop. Don't you know it's not truly her.
Coop: But. Ugh.
[Their arrival causes noise and interrupts them. Eric and Parker turn around.]
Parker: What the heck are doing here? Dad. And how you find me?
Eric: Who are you two? And how did you two get here?
Collin: Sorry. Coop. Hold that answer.
[Collin waves his hand using Telekinesis to move Eric against the wall and then sets him on fire.]
Eric (screaming in pain): Nooo! My boss will get you... for thiiiiissss!
[The fire completely set him ablaze and he turns into charred remains. Parker is back to normal and finds a table cloth to cover her body, feeling embarrassed, her face going red.]
Parker: Oh my god. What happened? I'm so embarrassed. Especially this guy who saw me.
Collin: A thank you would be nice. I saved the rest of your family from being permanently evil.
[She looks over at Coop.]
Parker: Is what he said true? Dad?
Coop: Yes it is. It seems like Collin has truly changed.
Parker: Or Collin did it so we owe him.
Collin: Smart girl. I'll be off now. Have a safe night.
[Collin FLAMES out.]
Coop: Come on. It's time to go home.
Parker: Yea.
[Parker walks over to Coop. Coop then BEAMS them out.]
[CUT TO]
RANDOM ALLEY.NIGHT
[Chris is about to finish off a man, with a final punch, in his early 30s, who looks pretty beat up, and barely able to function or even stand up. Bianca is there.]
Bianca: Stop. Chris. This is not you.
Man: Plea... se.. I'm so... ry.
[Chris comes to and is in shocked.]
Chris: Oh my god. What have I done? Bianca.
Bianca: It's okay. Chris. We know it wasn't totally you.
Chris: I'm a horrible person. Don't deserve your love.
[He breaks into tears and then ORBS out.]
Bianca: Oh. Chris. My poor handsome prince. And I know who's involve with what happened.
[She puts a serious face on and SHIMMERS out angrily.]
[CUT TO]
PHOENIX WITCHES' LAIR.AQUILA'S OFFICE.NIGHT
[Aquila has just finished a phone call when Bianca SHIMMERS in, right in front of her. She then summon her athame and points it near Aquila's neck.]
Bianca: This was that boss' fault? Isn't it? What was done with Chris? He acted weird.
Aquila: Careful. There. Don't need to get angry. Bianca.
Bianca: Tell me. Now! Or your neck won't be so pretty anymore.
Aquila: You have gone weak. Bianca. What has that man done to you? And you are willing attack your own.
Bianca: Answer me!
Aquila: I don't need to. Because you know the answer. You only came to confirm and also confirm my own suspicions that you have fallen for Chris Halliwell.
Bianca: I... That's.
Aquila: Yea. Can't deny it. Huh? Bianca. Shame I have bad news.
Bianca: And what is that?
Aquila: It's hard to talk with the point of blade pointed at my neck.
Bianca: Fine.
[Bianca unsummons her athame.]
Aquila: Now that's a reasonable girl. Before you came, an hour, ago, the boss gave the order. It's time.
Bianca: Time for what?
Aquila: You know. Bianca. Our chosen duty.
Bianca: No. So soon.
Aquila: Oh my. You really have fallen for him.
Bianca (denying it): I do not.
Aquila: You do. My dear Bianca. If you didn't, you wouldn't say something like this. Like it was so soon.
Bianca: I need more time. Aquila.
Aquila: The order is final. You got by tomorrow night to finish Chris Halliwell. Complete your task that was delayed.
Bianca: But...
Aquila: But nothing. Phoenix Witches must always complete their bounty. No matter what. Or certain consequences will happen.
Bianca: Yes. Aquila. Understood.
Aquila: Good girl. Now leave.
Bianca: As you wish. Aquila.
[Bianca SHIMMERS out. Aquila then walks out of her office and closes the door after turning off the lights and locking it.]
[CUT TO]
HALLIWELL MANOR.MELINDA'S BEDROOM.NIGHT
[Melinda feels uneased unable to sleep for what she did while being evil, to her employees, a food critic, and her fiancée, Felicia.]
Melinda: I can't believe what I did. Have to apologize. To everyone.
[She turns off the lights and pulls the blanket over her face trying to ease her mind and fall asleep.]
[CUT TO]
HALLIWELL MANOR.ATTIC.NIGHT
[On the pedestal, the Book of Shadows is back at its rightful home and place. It belongs to the good side once again.]
[GO OUT TO BLACK]
[END OF EPISODE.]
[End Credits rolling to shortened theme song to reveal supporting cast and guest stars.]
Co-Starring:
Alyssa Milano as Phoebe Halliwell
Victor Webster as Coop
Rose McGowan as Paige Matthews
Adelaide Kane as Felicia Quigley
Timothée Chalamet as Adrian Hart
Bill Skarsgård as Collin Turner
Also Featuring:
Shay Mitchell as Marissa
Marisol Nichols as Bianca
Henry Cavill as Ronald Bay
Lucas Gabreel as Lucas Burns
Zachary Levi as Mr. Edmunds(flashback only)
Nina Dobrev as Katherine
Chris Owen as Vincent Morgan/Olivius
Michael Trevino as Eric Blackwood
Amy Miller as Melody
Christina Hendricks as Caroline
Alex Pettyfer as Tate
Austin North as Fred
Josh Bowman as Lachlan
Demi Lovato as Valentina
Diego Tinoco as Jorge
Rebecca Mader as Aquila
Uncredited Actor as Unknown Figure
Uncredited Actor as Man