Chosen Ones, by the year 2030, The Charmed Ones are now sort of retired from protecting the world from demons and their children have taken over the reign. This new generation, wanting a name for themselves, like their mothers before them being called the Charmed Ones, decide to become the Chosen Ones, witches chosen to defeat evil and to protect the whole community. This series details their journey in the new fight against demons and saving the the magical community as they face new dangers and new friends along their journey.
Charmed The Legacy Continues, takes place in the year 3100. Everything seems to be in peace in the city of San Francisco until trouble stirs with demon trouble as innocents become mysteriously killed. In this case, only the Halliwell family witch and witch hybrid members would be the hope needed, but unfortunately they ended up having sacrificed themselves in a fierce battle to stop the Source of all Evil five years ago and no one knew the real truth about them as the news writes them being killed in an unfortunate accident. As such, the Elders find three siblings that they deemed to be the next Charmed Ones to fight against the new evil.
Post by Darcelia Darkwell on Mar 28, 2022 1:20:45 GMT
Season 1, Episode 6, Episode number: 06
THE SAN FRANCISCO SKY. DAWN.
[On the sky. It is still a bit dark. The sun nearly rising just a peak of it.]
[CUT TO]
HALLIWELL MANOR. DAWN.
[On the backlot of the nearly dark sky. The Halliwell Manor is shown to have the attic light on.]
[CUT TO]
HALLIWELL MANOR. ATTIC. DAWN.
[Piper, Phoebe, Paige, and their kids, Wyatt, Chris, Melinda, PJ, Parker, Peyton, Tamora, and Kat are all seen surrounded in a circle around the pedestal that has the Book of Shadows. The kids seem to be sleepy and yawning.]
Wyatt: (yawning): Seriously? Do we really have to do this early in the morning?
Chris: Yea. Mom. I haven't had enough beauty's sleep.
PJ: I only just gotten home a few hours ago. From the club.
Parker: I need to feel rested for work. If I fall asleep on the job, come on.
Peyton: Luckily I have an afternoon class. But still it's really early.
Tamora: Agreed.
Kat: Yea
Piper: Sorry. It was Phoebe's idea. To do it this early. Signal the awakening. If you all were able to stay awake, during that whole speech. About your eight's destiny.
[ Melinda then yawns.]
Melinda: Yea I guess. Bits and pieces.
Phoebe: It's time to start. Kids. Please. Come closer and put your all hands onto the Book of Shadows.
Wyatt: I don't know about this. Feels like being initiated into a cult or something.
Chris: Yea. Aunt Phoebe.
Melinda: This seems too strange.
PJ: Do we really have to do this?
Parker: Come on. I think we're fine with our current powers.
Peyton: Yea.
Tamora: Come on. We're Warren Witches.
Kat: We don't need more power.
Phoebe: There is no time to waste. And Kat. It may be needed. One day.
Kat: Alright.
Phoebe: So come on. Everyone. Hands on the Book of Shadows.
[They all nod agreeing and then move closer to the book placing their hands upon it.]
Wyatt: We're ready. Aunt Phoebe. Mom. Aunt Paige.
Phoebe: Alright. Sisters. It's time.
[Phoebe takes out a piece of paper from inside her coat pocket. Piper and Paige then go closer to get a better view of the paper also.]
Piper: We're ready as ever.
Paige: It's time to give the kids the power they need.
Phoebe: Time to begin.
[The three sisters then begin chant and read what is on the paper.]
Piper/ Phoebe/ Paige: "Us sisters three, With the power within us, Give the strength, To their current destiny, May the power that flowed through us, This Power of Three, Will be theirs to share, And give them hope, the eight they are, this Power of Eight."
[The triquetra on the Book of Shadows begins to glow and a huge beam of red light blasts from it as high as the ceiling above and then spreads past the sisters and the eight of them surrounding all in that light. A scream is heard from both sides and a thump.]
[CUT TO]
HALLIWELL MANOR. ATTIC. DAWN(A BIT OF TIME HAS PASSED)
[Piper, Phoebe, Paige are seen just having bumped against a couch that has fallen down as the three begin to get up. The rest seem to have bumped against the wall. All of them then begin to stand up, seemingly unphased from any injuries, going up to where the Book of Shadows is.]
Piper: Well that that was something.
Phoebe: Yep
Paige: Did it work? You all feel anything different.
Wyatt: Just a bit shaken. From the light blast.
Chris: Nothing feels different.
Melinda: Was it done right?
PJ: Yea. Mom.
Parker: We feel no different.
Peyton: Same as always.
Tamora: Yep.
Kat: Just usual Kat.
Piper: It had to have worked. You know when a big thing happens.
Phoebe: Sometimes it is not felt till the right time. You know. Remember when I first read the incantation to get our powers on that day.
Paige: What do you mean by ours?
Phoebe: Right. Paige. You weren't at the moment.
Paige: I see.
Wyatt: Since things are done, would like to get a few hours of sleep in.
Melinda: Same here.
Others: Likewise.
Piper: Alright. Who doesn't live here can leave here and go back to their place. And the rest to their beds.
Paige: I'll take you home. Phoebe.
Phoebe: Thanks.
[Paige takes Phoebe's hand and then ORBS them both out. PJ, Parker, and Peyton BEAM out. Tamora and Kat ORB out. Wyatt, Chris, Melinda, and Piper then head out of the attic. The lights are then off. ]
[After all of them leave. From the window, the sun can be seen rising, signaling the beginning of a new day].
[OPENING CREDITS]
CITY OF SAN FRANCISCO. THE NEXT DAY. DAY.
[Visual shots of all of San Francisco to the song of " I Knew You Were Trouble" by Taylor Swift.]
[Lyrics playing:" Cause I knew you were troublе when you walked in/So shame on mе now. I'll flew me to places I'd never been/Til you put me down, oh, I knew you were trouble when you walked in/So shame on me now/Flew me to places I'd never been/ Now I'm lying on the cold hard ground/Oh, oh-o, Trouble, trouble, trouble "]
[CUT TO]
LARSON'S HOUSE. DAY
[Music fades out.]
[Still image of Larson's house. A one story plain color house.]
[CUT TO]
LARSON'S HOUSE. LIVING ROOM. DAY.
[Larson is seen laying in his living room of the new house about to have lunch and watching television when his cellphone starts to ring. He grabs it from his pocket and answers it.]
Larson( on phone): Hello. Who is it?
Axaria/ Angelie (on phone): It's me. Did you settled in alright?
Larson( on phone): Oh Boss. How nice to hear your voice. Yea it's a nice place. Very roomy.
Axaria/ Angelie( on phone): Just called to remind you to make you abide my orders and to let you know that I just got information that San Francisco Police Department just sent a search alert for you. So be careful.
Larson: I know boss. Don't rat you out and thanks for the warning about the cops. Bye boss.
Axaria/ Angelie: I'm glad you remember my message. And good luck. Bye.
[Larson then hang up the phone and start enjoying his lunch while turning on the TV to watch something.]
[CUT TO]
SAN FRANCISCO P.D. DAY.
[The outside the of the police department. Christian is seen walking out of the department with Richie, Eveline, and Caleb, having successfully bailing them out of jail as Chadwick, Kai, and Isabelle see them coming out and but hides so Christian and the others do not see them. The three of them head to the front entrance of the department when the coast is clear.]
Chadwick: That was close. They could have seen us.
Isabelle: What a close call.
Kai: Yep. Let's head in then. Chadwick, so the officers that visited your apartment hat we could pick Sonya's from the department, right.
Chadwick: Yea. It's going to be hard to see Sonya's body. I never seen a dead body and don't how to prepare.
Kai: If you faint from seeing it, Isabelle and I will be here to pick me up and drive you home if anything happens.
Chadwick: Thanks, you two. Let's go, then.
[Chadwick, Kai, and Isabelle then enter inside through one of the doors.]
[CUT TO]
SAN FRANCISCO. PD. LOBBY AREA.DAY.
[In the lobby area before the main area. Chadwick and his friends, Kai and Isabelle, are at the front desk about to talk to an officer.]
Desk Officer: How may I help you all?
Chadwick: Well, I'm listed as a close contact of a Sonya Sanders. Two officers came to my home and said I can pick up the body.
Desk Officer: Okay, sir. I will make a call to let the department know that someone is here to pick up her body.
Chadwick: Thank you, officer.
Desk Officer: No problem. I'll make the call right now.
[The desk officer then grabs the phone on his desk and makes a call.]
[CUT TO]
SAN FRANCISCO P.D. THE INTERROGATION ROOM. DAY
[[In the interrogation room of the police department. Reed and Officer Hayes are seen about to interrogate with the perpetrator of the fireball attacks. An officer comes in and holding three cups of water and hands it to the three of them.]
Reed: Thanks Officer Fox for the waters.
Officer Fox: No problem. I'll leave you two. Have fun interrogating.
Officer Hayes: We will. Later Officer Fox.
Officer Fox: Later.
[Officer Fox then leaves the room. Reed, Officer Hayes, and Blaine then each take a sip of water from their cups.]
Perpetrator: The name is Blaine. I don't even know why you two are wasting time interrogating me. There is no need. I turned myself in willingly and admitted to those acts. Just put me in jail already.
Officer Hayes: Mr. Blaine. I'm sure a criminal like yourself would not understand how a police arrest works. We can't just incriminate you right way. There are some rules that the department must abide too and questions must be asked. What if you could be lying to protect a friend?
Blaine: I assure you. Officer (looking at Officer Hayes badge) Hayes is it? That I am not lying to protect my friend and the one that attacked one of your colleagues and the department.
Officer Hayes: I don't trust your words but my colleague are wasting time just chatting when we should be questioning you. Inspector Reed and myself have another important case to worry about. Let's get started shall we?
Blaine (feeling weird and groans in pain): What is going on? It's like I'm in pain.
[Blaine is holding his chest tight and still feels in pain. Reed and Hayes are outrages at this.]
Reed: Mr. Blaine. I hope this isn't a ploy of you to avoid asking questions.
Officer Hayes: Yes. This is just going to keep you here if you keep doing this outrageous ploy.
Blane (groaning): I am not kidding around. Really. Ugh. Feel in pain.
[Then suddenly Blaine falls dead to the ground. Officer Hayes then goes to check his pulse and there is nothing.]
Officer Hayes: His pulse is gone. Blaine is dead.
Reed: You have got be kidding me. Another criminal captured and dying before they get interrogated. Feels like someone is playing a sick joke on us and it's not funny. The same thing happened with Tobias who killed before we took him in.
Officer Hayes: Let's bring this body to the Doctor Lonzo's lab. Maybe she can figure out what the cause of death was.
Reed: Yea. Let's move. I'll grab the leg side and you grab the head side.
Officer Hayes: Got it, Inspector.
[Reed and Officer Hayes then grab Blaine's body and walk out of the interrogation room as one of them use one hand to close the door behind them.]
[GO TO COMMERCIAL BREAK]
SAN FRANCISCO P.D. KATERINA'S OFFICE. DAY.
[In the office of Katerina's at the police department. Chadwick has just finished forms with Katerina on receiving Sonya's body and some forms to turn into the state for a death certificate. Kai and Isabelle are sitting next to him.]
Katerina: Mr. Merrick. All the forms are done for Sonya. You can now claim the body now to prepare for her funeral. I can have some officers to help carry the body to the car. A human body is pretty heavy to carry.
Chadwick: Please call me, Chadwick. Mr. Merrick makes me sound too old. And thank you for offer, Doctor Lonzo. But my friends can help me. They make not look it but these two are pretty strong.
Katerina: Okay. Chadwick. Have a nice day. And again so sorry for your loss.
Chadwick: Thanks for the words. Well, my friends and I have to go now. We got an appointment in about an hour with the cemetery director Bye, Doctor.
Kai: Thank you a lot for helping with the forms.
Isabelle: And for especially for coming to my friend's house to let him know.
Katerina: It was no problem. Bye. The three of you have a nice day. And I'll call to let the officers know that three of you will carry the body yourselves.
Chadwick: Thank you, Doctor Lonzo. Bye then.
[Katerina, Chadwick, Kai, and Isabelle get out of their chairs. The three of wave goodbye to Katerina as they leave the office closing the door behind them. ]
[CUT TO]
SAN FRANCISCO P.D. DAY
[Outside of the police department. Chadwick's car is parked near the sidewalk of it. The body bag containing Sonya is now in the trunk of his car and then closes it tightly. Chadwick, Kai, and Isabelle then enter inside the car. The car then drives outside into the road to head off to a cemetery.]
SAN FRANCISCO NATIONAL CEMETARY.FRONT ENTRANCE.DAY
[Still image of the front entrance of the cemetery.]
[CUT TO]
SAN FRANCISCO NATIONAL CEMETARY.DAY
[Inside the cemetery area. Chadwick, Kai, and Isabelle are seen standing in front of Sonya's grave after it had been buried completely underground. The three of them place flowers near the gravesite and say their condolences.]
Chadwick: I'm so sorry, Sonya. We couldn't protect you from Christian's wrath. You didn't deserve to die.
Kai: Chadwick, Rohan, and myself, you were a like a sister to us. We formed such a close bond. This so hard losing you.
[Kai starts to cry and then wipes his tears away. Isabelle goes over to comfort him.]
Isabelle: It's going to be alright, Kai. We will get through the death of Sonya together.
[Chadwick comes near to comfort Kai too.]
Chadwick: Yea. It must be hard you too, Isabelle, losing her. She was like a daughter to being raised by throughout her childhood.
[Isabelle then starts to tear up too but then wipes her tears away.]
Isabelle: Yea. It's hard. The thing is now I have to deal with Sonya's share of her family's company. Do I donate it to a charity or take her share too. But taking her share would be so wrong.
Chadwick: Donating it to charity would be a good idea, to honor her.
Isabelle: Yea, you are right, Chadwick.
Kai: I hope Sonya has a better time in her next life. It was just so sad. Thinking her fiancé cheated on her, then killing him accidentally, and killed the next day after he just died.
Isabelle: And I'll do whatever it takes to keep Sanders' Designs running without her to honor Sonya and her parents, may they rest in peace.
Chadwick: And I swear on Sonya's grave, that the three of us will find a way to make Christian pay for what he did. Are you two with me, on this?
Kai: Yea, of course.
Isabelle: Agreed.
Chadwick: Also, Rohan is visiting me this weekend. Think it is best to tell him about Sonya. Was going to give a call but it is better to tell him in person.
Kai: Yes, we should let him know about this. He is going so heartbroken like us right now.
Isabelle: Anyways, I have to head back to the company. Only took the morning off for Sonya's burial. Then I got to deal with the lawyers tomorrow on the situation with Isabelle's share due to her death. And let me know when Rohan visits, it's been a while since I have seen him. Bye you two.
Chadwick: Thanks for coming though.
Kai: We were glad you were able make it and put Sonya's body to rest together.
Isabelle: Yea, it was no problem. Later then.
Chadwick: Bye.
Kai: And tell your family we said hi.
Isabelle: I will.
[Isabelle then leaves the area. Chadwick and Kai then leave the area also a little later after Isabelle had left.]
[GO TO COMMERICAL BREAK]
SAN FRANCISCO. DAY THEN BECOME NIGHT. NIGHT
[ Wide shot of all of San Francisco as the sun is seen in the background to come down and the moon and stars has risen to light up the night sky.]
[CUT TO]
SAN FRANCISCO MEMORIAL HOSPITAL. NIGHT
[Still image of the hospital.]
[CUT TO]
SAN FRANCISCO MEMORIAL HOSPITAL. JUNIOR'S BEDROOM.NIGHT
[At the hospital bedroom of Junior's. He is seen sitting on his bed surrounded by Axaria/Angelie, Paige, Henry, Tamora, and Kat near him.]
Paige: Are you sure this is okay, Junior? All five of us here in the room. I thought the limit was two people in a room.
Junior: Yes, mom. I asked the doctor for special permission because I have special news and wanted to share it with everyone I care about.
Henry: Is it that you will be discharged soon?
[Junior then puts one of his hands out and Axaria/Angelie knows the signal and comes closer to hold his hand.]
Junior: The special news is that Angelie has accepted my proposal and we will be married very soon.
Henry/ Paige/ Tamora/ Kat (shocked): What?!
Henry: Hold on, Junior. This seems a little sudden wanting to marry her after only going out for only three months. Are you sure you are not rushing into things my son? I wanted to have a talk about it a while ago but you always made excuses to avoid it as you have been busy with the ongoing cases that the department has to deal with.
Junior: Trust me, father. I am not rushing. Angelia and myself are in love and I don't want to wait.
Henry: I understand. But your mother and I was in love too. The two of us chose to wait a couple of months before we decided to marry each other.
Paige: Your dad is right. Please reconsider. Take more time to get to know each other.
Tamora: As your oldest sister, I agree with mom and dad are saying.
Kat: As do I, little brother.
Junior: In the three months that I have dated Angelie, I have known enough about her and she is the one for me. The decision is final. Working as an inspector in the police department is dangerous business. Look what happened. I got kidnapped and almost died. What if one day I die and will not get a chance to marry my true love? Best do it soon than later.
Henry: That was just a one-time thing, Junior. There's no chance that situation is going to happen to you again, my son.
Junior: Father. As you said, there's also a possible chance that situation could happen again and it would be too late. Mom. Dad. Tamora. Kat. My decision is final. I will not reconsider it. If you four are still against this, then don't come to my wedding and forget ever having me as a son or as a brother.
Paige: Son. How could you say something like that? Has being with Angelie made you act like this? I don't even know my own son anymore. You would never talk back like that to your parents and your older sister like that.
Junior: Maybe I have always been this way and all of you never noticed.
Henry: Son what is with this attitude? Stop acting like this.
Junior: It's not an attitude. I'm just voicing my thoughts. Plus I'm not a kid anymore and I can do what I want with my own life.]
[Junior is looking mad at his parents as Axaria/Angelie pretends to feel awkward about the situation and goes over to talk to Paige and Henry.]
Axaria/ Angelie: I'm so sorry, everyone. Had no idea that my acceptance to Junior's proposal would cause so much trouble. Mr. Mitchell. Mrs. Matthews. You two do have a point. Think it's best we wait.
Junior: Please. Angelie. Don't leave yet. Maybe the two of us can try to convince them.
Axaria/Angelie: It's best we call off the engagement. I really hurt about his and don't want to fight with your family anymore. See you later, Junior.
[She gives Junior a cheek kiss and then exits the room. Paige, Henry, Junior, Tamora, and Kat is still in the room. Junior is still looking super mad at his parents staring at them.]
[CUT TO]
SAN FRANCISCO MEMORIAL HOSPITAL. JUNIOR'S BEDROOM.NIGHT( BIT OF TIME HAS PASSED)
[It seems a period of time has passed. Junior is now seen in an argument with Paige, Henry, Tamora, and Kat. He looks furious.]
Paige: Son, please calm down.
Henry: Yes, I know you are really upset. But please you know we only want the best for you. And wanting to marry after three months is not ideal.
Tamora: Please, Junior. Listen to mom and dad. Don't be upset about this.
Kat: Even your girlfriend understood. You could tell Angelie felt bad that she felt like leaving the room.
Junior: Angelie only felt bad because the four of you was not okay with it. Mom. Dad. Tamora. Kat. If y'all had been okay with and not argue with me, she would have called it off or even leave the room. Besides, I need some time to calm down and want to be alone. Please, everyone. GET OUT.
Henry: Son, we can talk about this. Please don't kick us out.
Junior: I'm really upset and don't feel like talking or even arguing about the situation anymore. Please, dad, let me be alone for a while. Hopefully I'll calm down and we can talk tomorrow.
Henry: Alright, son. I understand.
Henry(cont'd)(to Paige, Tamora, Kat): Let's go and let Junior just be by himself.
Paige: But honey we need to talk to him.
Henry: As Junior has said, we can chat with him when he has cooled down a bit.
Tamora: Think's it's best.
Kat: Listen to dad. The conversation is not going to go anywhere if he is still upset not.
Paige: You're right. Guess we'll see him tomorrow to talk.
Paige(cont'd)(to Junior): Bye son.
[Everyone then gives Junior a hug before they leave out of the room.]
[CUT TO]
AXARIA/ANGELIE'S HOUSE. NIGHT
[Still image of Axaria's/ Angelie's house.]
[CUT TO]
AXARIA/ANGELIE'S HOUSE. BEDROOM.NIGHT
[In the bedroom area of the house. Axaria/Angelie is seen on her laptop doing work stuff when she starts to think about something.]
Axaria/Angellie (thinking to herself): I can't believe how my plan worked. That stupid Junior got into a huge argument with his parents and sisters. Bet he is still upset right now and refuses to talk with them. Better give him a call.
[She then grabs her cellphone and finds Junior on the contact list and dials a number to call him.]
[CUT TO]
MATTHEWS/MITCHELL MANOR. NIGHT
[The exterior of the manor. A silver van and a green Toyota Corolla is seen parked in front of the house near the driveway. Paige and Henry get out of the van while Tamora and Kat step out of the green Toyota corolla as they start to walk along the pathway to the house with their faces in worry.
[CUT TO]
P3. NIGHT
[Still image of the P3. The club.]
[CUT TO]
P3. PJ'S OFFICE. NIGHT
[PJ is in her office doing some work on the computer and begins to ponder about something.]
PJ( to herself): Is what that woman said true? In my dream. That I must become the Queen of the Underworld to protect my family.
[She pauses a bit.]
PJ( cont'd)( to herself): No. I'm stronger now. Hopefully. Sure. All of us didn't feel anything at first. But. When I used one of my powers today, I felt a bit stronger than before. Maybe that spell did work. But now...
PJ( cont'd)( to herself): Must get back to work.
[PJ then continues to type away on the computer.]
[CUT TO]
MATTHEWS/MITCHELL MANOR. DINING ROOM. NIGHT.
[In the dining room of the Matthews and Mitchell Manor. Paige, Henry, Tamora, and Kat are seen having dinner with steak, mashed potatoes, and sweet corn. Paige and Henry are drinking white wine while Tamora and Kat are having sparkling cider. The four of them seem still worried about Junior. Tamora is messing around with her mashed potatoes as the other three continue biting into their steak. ]
Paige: I'm so worried about Junior. He seemed really upset. And also my son doesn't seem like himself.
Tamora: I agree mom. Did you see how he went off on his family? Junior would never talk that way to you dad and man that way and also especially in that rude way to his own sisters either.
Kat: Yea, it was strange. Mom. Dad. Do you think it could Angelie's effect on him? Maybe she is an angel on the outside but a devil within.
Henry: Kat. Don't say about your brother's girlfriend. Good thing Junior is not here to hear this. He would be super upset.
Kat: Sorry dad. I was just assuming.
Paige: How about we finished dinner before it gets late or none of us are going get any good sleep. Plus we need all the rest we can get from our multiple trips to the hospital for Junior.
Kat: Okay mom.
Tamora: You're right. We can worry about him tomorrow. Best to finish dinner.
Henry: I agree honey. Let's move on and finish our dinner before we all go to bed.
[Paige, Henry, Tamora, and Kat then proceed to finish their meal.]
[CUT TO]
SAN FRANCISCO GOLDEN GATE BRIDGE. NIGHT TO DAY. DAY.
[Shot of the Golden Gate Bridge against the night sky, its lights shining bright and then the next day comes, with the sun shining on the bridge signaling the next day.]
[CUT TO]
SAN FRANCISCO P.D.DAY
[Still image of the police department.]
[CUT TO]
SAN FRANCISCO P.D.KATERINA'S OFFICE-DAY
[In her office. Katerina is seen on her computer trying to find information on how to explain the claw wounds on two victims of an ongoing case that she is part of. A knock on the door is heard.]
Katerina: Who is it?
Reed(o/s): It's Inspector Havenfield. And I also have Inspector Hayes with it. We want to know what you found form examining Blaine's body.
Katerina: Oh, okay. The two of you please come right in.
Reed(o/s): Alright.
[Reed then opens and walks inside the room Officer Hayes behind him and then closes the door tightly. The two of them then go sit down in the two seats in front of Katerina's desk.]
Katerina: Okay. Inspector Havenfield. Officer Hayes. I have the information from examining Blaine's body.
Reed: What have you found? Doctor Lonzo.
Officer Hayes: Yes, please give us the details.
Katerina: It seems that Blaine was poisoned.
Reed: Poisoned how?
Katerina: I was lucky that the cup of water that the victim drunk was not thrown away. The poison in the water matched the poison samples from examining the body. It seems someone did not want Blaine to not rat them out and so poisoned him.
Reed: How could he be poisoned? I thought the three of us has the same water in our cups. Hold on a minute. A thought just came to me.
Officer Hayes: What are you thinking?
Katerina: Yes, I'm wondering what your thought is too. Inspector.
Reed: Maybe someone tampered with Blaine's cup before it got delivered with our cups inside the interrogation room by Officer Fox.
Katerina: How can it be tampered? The department has good security are here and all police should be aware if drinks are ever to be poisoned. I'm starting that believe Officer Fox, the one that delivered the cups of water, is the one that tampered with the water. Best to investigate this situation.
Reed: Officer Fox has been working in the department for many years and he seems very loyal. Why would he do something like this?
Katerina: Maybe Officer Fox had no choice and someone threatened his family unless he does the act.
Officer Hayes: That seems logical.
Reed (to Officer Hayes): Alright. I think the two of us should investigate right now.
Reed( cont'd)(to Katerina):See you later. Doctor Lonzo. Thank you for the information. It was useful.
Katerina: It was no problem. Glad to help. Alright, then. See you later. Inspector Havenfield. Officer Hayes.
[The three of them shakes hands with each other and then Reed and Officer Hayes leave the office as Katerina heads back to doing her work].
[GO TO COMMERCIAL BREAK]
MAGIC SCHOOL. HEADMISTRESS' OFFICE. DAY.
[Inside the Headmistress' Office. Paige is seen looking really worried on a call with Henry.}
Paige(on phone): I'm so worried about Junior. He hasn't answered our calls. What if something happens to him?
Henry(on phone): I'm sure things will be alright. Our dear friend, Chief Haines has made sure that officers are there to make no one gets to him. Have put different ones at different shifts. And also made sure he is under 24 hour supervision.
Henry(cont'd)(on phone) : Besides he's not taking our calls probably due to being still mad at us. I'm sure our son will eventually calm down and understand we just wanted the best for him and rushing into marriage was too impulsive on his part after only dating Angelie for only three months.
Paige(on phone): Yea, you're right. Henry. Junior will eventually calm down. And the officers being there at the hospital keep me at peace that nothing bad will happen to him.
Henry(on phone): Okay. Paige. It is enough worries now. Dear. In due time. Things will be alright. We both must get back to our real lives. Me doing my usual. And you. Your current job.
Paige(on phone): Alright. I can't keep losing sleep worrying. I'm the Headmistress of Magic School.
Henry(on phone): That's right.
Paige(on phone): Yea. Keep well. Honey.
Henry(on phone): You too. Dear.
[Paige hangs up on her side and continues her work.]
[CUT TO]
VIRGINIA/LIONEL'S HOUSE. DAY
[Outside a two story crimson colored house. Reed and Officer Hayes are seen at Virginia and Lionel's house with their police car parked outside on the street. They had just seen what Lionel did to his wife through the window. The two of them then decide to head to the door. ]
[CUT TO]
VIRGINIA/LIONEL'S HOUSE. FRONT DOOR/ FOYER/ ENTRANCE AREA.DAY
[Front door area. Reed and Officer Hayes are seen busting through opening the door and then rush inside.]
[Now inside the premises near the front door of the foyer and entrance area. They are seen pointing their gun at Lionel who seems is about to use her hands to beat Virginia again.]
Reed: Hold it right there. Lionel.
Officer Hayes: Don't worry. We have a warrant to enter inside. Plus you are under arrest for domestic violence.
Reed: Hands up in the air and don't move.
[Lionel tries to resist and run away but is stopped by Reed and Junior who hold him down as Junior takes his hands putting behind his back and cuffing him.]
Officer Hayes (reading the Miranda Rights): You have the right to remain silent. Anything you say can and will be used against you in a court of law. You have the right to an attorney. If you cannot afford an attorney, one will be provided for you.
[Officer Hayes then walks him out and puts him inside the back of the police car and pushes the button on the key remote to lock the doors so Lionel doesn't try to escape as Reed goes over to talk with Virginia].
Reed: You alright, Miss?
Virginia: A bit shaken. But pretty outright. Thanks you two officers.
Reed: Here. Let me help you get up.
[Virginia nods agreeing. Reed then helps her stand up.]
Virginia: Thank you Officer.
Reed: It's actually Inspector. Inspector Havenfield at your service.
[Virginia feels a bit weak from the beating from her husband and almost falls down but Reed is able to catch her so she doesn't fall. Officer Hayes goes over to where Reed is. ]
Officer Hayes: Ready to go?
Reed: Yea. But I want to call our other officers to bring her back in a separate car.
Officer Hayes: Great idea. Yea to prevent things from going crazy.
[Reed then reaches his mic and calls in for dispatch. About fifteen minutes later, the officers arrive and place Virginia in the car and drive off. ]
Reed: We should get going too.
Officer Hayes: Yea. I got him in the car already.
Reed: Okay.
[Reed and Officer Hayes then both get in the car. Richie then drives away heading back to the department.]
[CUT TO]
HONDOUR APARTMENT. ROOM 314. DAY.
[Still outer image of the door of the Hondour Apartment Room number 314.]
[CUT TO]
HONDOUR APARTMENT. ROOM 314. LIVING ROOM.DAY
[In the living of Room 314. Chadwick is seen talking with Isabelle and Kai about what to do about Christian.]
Kai: We have to find a way to stop them. I hear Christian and his pack are attacking at midnight on this day.
Chadwick: That is bad news.
Isabelle: We should get help from those brothers to help us. They might be able to stop him and the pack.
Chadwick: That's a great idea. They did give us their business card. Let's call them.
[He takes it out and call the number.]
[CUT TO]
W&C MAGAZINE. DAY
[Still image of the magazine building.]
[CUT TO]
W&C MAGAZINE. WYATT'S OFFICE .DAY
[Inside the office. Wyatt is seen on the phone with Chadwick.]
Wyatt (on phone): You got it. My brother and I will stop by after work.
Chadwick( on phone): Thanks. Mr. Halliwell.
Wyatt( on phone): Please just call me Wyatt.
Chadwick(on phone): Okay see you then.
[Chadwick hangs up on his side. Wyatt then puts the phone back.]
Wyatt: Time to tell Chris.
[He walks out of his office closing and locking his door before heading over to Chris' office.]
[GO TO COMMERCIAL BREAK]
SAN FRANCISO MEMORIAL HOSPITAL.DAY
[Still image of the hospital.]
[CUT TO]
SAN FRANCISCO MEMORIAL HOSPITAL. CORRIDORS. DAY
[Along the corridors near Junior's room. Five officers are seen patrolling the corridors back and forth watching the room to make sure no one suspicious can enter.]
[CUT TO]
SAN FRANCISCO MEMORIAL HOSPITAL. JUNIOR'S BEDROOM. DAY
[In a hospital bedroom. Junior is seen sitting in his bed eating his lunch when Axaria/ Angelie walks in with a bouquet of flowers and lays it on a table.
Junior: Hey babe. What a great sight to see.
Axaria/ Angelie: Just wanted to stop by before I head to the company.
Junior: Thanks Angelie. For stopping by. You just made my day better.
Axaria/Angelie: Really? I did?
[Axaria/Angelie then walks over closer to him and kisses Junior on the cheek. He then starts to blush.]
Junior: What was that for? Not that I hate it.
Axaria/ Angelie: To show how much I love you.
Junior: Thanks Angie. You always know how to make me feel better when I am down.
Axaria/ Angelie: I know. My Junior bee.
Junior: How long can you stay starting from right now? My Angie boo.
Axaria/ Angelie: Actually I have to head back right now. Have a business meeting today and need to plan for it.
Junior: Okay. That is a shame. See you later then.
Axaria/ Angelie: Yea. Babe.
[Axaria/Angelie then kisses the Junior on lips passionately. Junior is wowed by it.]
Junior: That was amazing. Where did that come from?
Axaria/ Angelie: Just showing how much I love you again after what happened. I don't want to ever lose a chance to kiss you like that.
Junior: Thanks. So I guess you must leave now.
Axaria/Angelie: Yea.
[Axaria/Angelie leaves the room closing the door. Junior continues to eat as he thinks about the amazing kiss he just had.]
[CUT TO]
SAN FRANCISO P.D. INTERROGATION ROOM.DAY
[In the interrogation room. Reed and Officer Hayes are seen having just finished taking the testimony of the Virginia.]
Reed: Thank you for giving us your testimony. Your dear hubby is going be locked up for many years.
Officer Hayes: We have a cop car waiting outside to take you safely back home.
Virginia: Thank you.
Reed: No problem.
[Virginia then exits the room.]
Officer Hayes: Well that is another case solved and resolved.
Reed: Yea. You hungry.
Officer Hayes: Starving.
Reed: Let's go get something to eat.
Inspector Hayes: Yea.
[Reed and Inspector Hayes walk out of the door and head out closing the door after they leave.]
[CUT TO]
W & C MAGAZINE. DAY
[Still image of the magazine building.]
[CUT TO]
W & C MAGAZINE. CHRIS' OFFICE. OUTSIDE THE DOOR.
[Wyatt is outside and knocks on the door.]
Wyatt: Chris. It's me. Your big bro. May I come in?
Chris(o/s): Sure.
[Chris then goes to open the door for Wyatt. He walks in.]
[CUT TO]
W & C MAGAZINE. CHRIS' OFFICE.
[Inside Chris' office. Wyatt had just walked in through entering the office. The door is then closed after he enters. The two of them then move near the desk in the office to talk.]
Wyatt: Thanks.
Chris: So what is up? Big bro.
Wyatt: We got trouble.
Chris: Demons again?
Wyatt: I wish. Cause they are easier to deal with.
Chris: Don't tell me. Is it those werewolves again?
Wyatt: Yep. Chadwick asked us to meet so we can devise a plan to stop them.
Chris: Stop them from what?
Wyatt: Their attack. They want to show they are more powerful than humans.
Chris: That is bad. You know when they are attacking?
Wyatt: Chadwick says midnight. That way almost everyone is asleep including the police officers.
Chris: We should give Chief Haines the heads up about this.
Wyatt: Yep we should>
Chris: I'll call his extension immediately.
[Chris then grabs his phone out to call MItchell.]
[CUT TO]
W & C MAGAZINE. CHRIS' OFFICE. DAY(SOME TIME HAS PASSED)
[The lights are off in the room. Blinds are shut closed. It seems the resident had left.]
[CUT TO]
W & C MAGAZINE. OUTSIDE THE BUILDING.DAY
[Outside the door. Chris and Wyatt are seen outside of the building ready to leave.]
[CUT TO]
W & C MAGAZINE. PARKING LOT.DAY
[In the parking lot of the building. Wyatt is seen driving his car out with Chris on the passenger side as he proceeds to exit the lot.]
[CUT TO]
P3. DAY.
[Close-up on sign.]
[CUT TO]
P3. PJ'S OFFICE.DAY
[In PJ's office. PJ is seen to be talking with her mother, Phoebe, voicing her worries.
PJ: Mom. I'm just so worried. That dream. I guess nightmare.
Phoebe: Honey. Ladybug. A dream is just a dream.
PJ: But it seemed so real. And maybe...
Phoebe: Maybe what?
PJ: That woman in my dream had a point. About me being not strong enough to protect our family.
Phoebe: That's not true.
PJ: Is it? Mom? I wasn't strong enough to escape from Zarax, who succeeded in kidnapping me.
Phoebe: Oh honey. That has nothing to do with strength. You were blindsided. That's all.
PJ: If you say so.
Phoebe: I know so. Come. You're strong. Not just in powers. But mentally and emotionally too.
PJ: You're just saying that to make me feel better.
Phoebe: That's partly true. Still. Come on. PJ. Don't ever doubt yourself. As I said, and dream is just a dream.
PJ: But yet it felt so real. And that woman. Never seen her before. Why was she in my dream?
Phoebe: I wouldn't know. Maybe you did. I don't know your mind.
PJ: Good point. This is just too much for me. Thinking about this. And then watching over this club.
Phoebe: Remember. You chose to buy this club again after your Aunt Piper had sold it years ago. To open up her restaurant.
PJ: Because the stories. I felt it was our family's legacy. To have this. The others chose their own dreams.
Phoebe: You didn't have to do that. Sure. I would love it in our family. PJ. You should live your own dream. And not for the family legacy.
PJ: I don't have dreams. According to Tamora. And Kat. I'm a supposed workaholic.
Phoebe: You know your cousins just like to mess with you. PJ.
PJ: I know. But they have a point. I am a workaholic. Back then in school and in work. Didn't have time for any relationships.
Phoebe: PJ. You're not a workaholic. Just a hard worker.
PJ: I have to go get the club ready to open. Thanks for leaving work a bit earlier than usual.
Phoebe: My daughter needed to talk. So I had to. My ladybug. You mean a lot to me.
PJ: I know you do. But I'll be okay. Worry about my other sisters.
Phoebe: I don't need too. They got their lives figured out. You. However. Are a different case.
PJ: Look. Mom. I have to go. You know how to let yourself out.
Phoebe: PJ. We have to talk more. You can always delay. Being the boss of this club.
PJ: Some other time. Mom. I really have to...
[PJ then gets out of her chair and then prepares to exit the office as Phoebe rushes over to her daughter, trying to forcefully pull the hand back.]
Phoebe: No. We're not finished.
[PREMONITION HAPPENS]
[CUT TO]
INSIDE PREMONITION: PJ'S CONDO. UNKNOWN ROOM. UNKNOWN TIME OF DAY
[Phoebe sees a distressed PJ crushing someone's heart with her powers clutching her fists tight. The figure is blurred out but is off a woman as she falls to the ground instantly dead.]
[THE PREMONITION ENDS.]
[BACK TO PRESENT]
[CUT TO]
P3. PJ'S OFFICE.DAY
[Phoebe comes back from her premonition in shock. She then lets her hand away from PJ's.]
Phoebe(shocked expression): My god. PJ. You're right. Let's talk some other time.
[Phoebe then rushes out quickly out of the door slamming it.]
[PJ's eyes now look of confusion.]
PJ: What the heck was that? What did mom really see?
[PJ pauses a bit.]
PJ(cont'd): Now I really must get the club ready to open.
[PJ then heads out of the door. It is heard locked after she leaves.]
[GO TO COMMERCIAL BREAK]
HONDOUR APARTMENT. DAY
[Still image of the Hondour Apartment complex.]
[CUT TO]
HONDOUR APARTMENT. ROOM 314. LIVING ROOM. DAY
[In Room 314's living room of the Hondour Apartment complex. Chadwick, Kai, Isabelle, Wyatt, and Chris are now seen all gathering around in the living room having a discussion.]
Chadwick: So the plan is that we stake out the area before midnight to catch them in their act.
Chris: Yea. And I called the Chief to prepare some officers nearby just in case.
Kai: That sounds good. But isn't it too risky.
Isabelle: They are no match for werewolves.
Wyatt: True. Chris and I told Uncle Henry that. But he said the officers didn't care and were willing to put their life on the line.
Chadwick: Wow. Now that is passion.
Kai: But I'm still worried for them.
Isabelle: Same.
Chadwick: That is when needed. Get those officers out to safety. Wyatt. Chris. I don't want any more innocent people or even werewolves to be killed.
Wyatt: Heck no. We are fighting together.
Chris: Yea. And don't worry about the officers. They got tasers.
Chadwick: You may be right. They may be werewolves but they are also human too. Those things won't be enough to knock them out and it can paralyze them.
Isabelle: If not. We can knock them out ourselves.
Kai: Except Christian. He's the stronger one out of all of them.
Wyatt: So we got a plan. See everyone there later.
Chadwick: Yea.
Chris: Will do.
Kai: Uh huh.
Isabelle: For sure.
[They then all begin to get ready for the plan]
[CUT TO]
DYREWOOD FOREST. DAY.
[In a secluded part of Dyrewood Forest. Christian is seen standing next to an early 20s young woman with black hair like him, wearing a leather jacket, a white shirt, and jeans talking to a group of people including Richie, Eveline, and Caleb. She is wearing a light lavender blouse and khaki slacks.]
Christian: Today is the day our clan makes our mark. Prove those mortals that we are superior to them.
[Richie, Eveline, and Caleb, and the others all cheer for Chadwick's words. The young woman then turns and face Christian.]
Young woman: It is time. Dad. Those mortals won't know what is coming to that.
[She then turns back to face the others.]
Christian: Yes. Josephine. My dear daughter. We shall reign.
Richie, Eveline, Caleb, and the others clap in excitement.
Young Woman/ Josephine: Yes we will. The all of us will attack at midnight.
[Everyone in the crowd including Richie, Eveline, and Caleb nod their heads in agreement. Christian then walks closer to them along with Josephine to start discussing the plan.]
[CUT TO]
SAN FRANCISCO. DAY TO NIGHT. NIGHT
[Several shots of locations of San Francisco are shown as the sky turns from bright to night. The moon is up in the dark sky.]
[CUT TO]
SAN FRANCISCO P.D.NIGHT
[Outside of the police department. Police Officers are seen standing at a good distance of twenty feet from the department along with Reed who is heading the team with Officer Hayes. Wyatt and Chris are hovering above the scene and are invisible. Chadwick, Kai, and Isabelle are there too disguised as officers.]
Chadwick: Let's hope this plan works.
Kai: Cause destroying the police department would be really bad.
Reed: Yes. Guys. And thank you allowing for us to help.
Isabelle: No problem. We're glad to help. Besides without a department. People can't report crimes.
Chadwick: And we're not letting that happen.
Reed: Thanks. Just only an hour before midnight. Hopefully they will be here.
Kai: Yea.
[Wyatt and Chris are in the sky discussing.]
Wyatt: Really hope this plan works.
Chris: If all else. We got a few sleeping potions ready to go.
Wyatt: No we just wait up here.
Chris: Yep.
[They continue hovering invisible in the dark sky. Then all a sudden a strange dark cloud covers around them including even Wyatt and Chris hovering in the sky]
[CUT TO]
SAN FRANCISCO P.D. NIGHT( SOME TIME HAS PASSED)
[The dark cloud has now dissipated. Christian, Josephine, Richie, Eveline, and Caleb along with the others in their pack are seen laying dead on the ground their eyes wide. Reed, Officer Hayes, Chadwick, Kai, Isabelle, Wyatt, Chris and the officers seem to have awaken from a deep sleep and are in shock at the sight. Once coming to, all of them then head over to check on them.
Reed: What just happened? How they turned like this?
Kai: I don't know. Last thing I saw was. Um. Don't remember. It's like someone messed with my mind.
Officer #1: This is strange. I don't remember anything either. Like you.
Chadwick: Me too.
Wyatt/ Chris: Same.
Officer Hayes: It's like someone messed purposely messed with our minds so we wouldn't let out of the truth.
Reed: Possibly.
Officer Hayes: But now. What to do with these bodies?
Reed: Send them to the morgue first.
Officer Hayes: What if Doctor Lonzo wants to examine them?
Reed: You're right. Let's get body bags for them.
Officer Hayes: Yea. Officers. You all go.
Officer #1/ Other Officers: Yes sir. Officer Hayes.
[They head into the department. Wyatt, Chris, Reed, Officer Hayes, Chadwick, Kai, and Isabelle continue examining the scene trying figuring out what has really happened and why their memories are a blur from what happened a few hours before with all of them scratching their heads in wonder.]
[CUT TO]
UNDERWORLD CAVE. THRONE ROOM. NIGHT
Demon: My Lord Dazos and dear Lady Johanna. It is done. I had my evil witches took care of that problem at the police department.
[He stands up and smirks.]
Dazos: That is great. Lucius. I knew you would never fail me. You would make your father, Vicus, proud.
[Johanna also stands up.]
Johanna: My love is right. Vicus would be proud of you.
[She then kisses Dazos very passionately with tongue. He does it back.]
Lucius: Thank you my lord and lady. I even had them do some memory manipulation on the others who weren't meant to die.
Dazos: Great job. Lucius. You may leave now and turn more evil witches to our side.
Lucius: Yes my lord.
[He shimmers out in the same way like his father as his eyes and mouth are seen grinning while shimmering away.]
[CUT TO]
GOLDEN GATE BRIDGE. TOP OF BRIDGE.NIGHT
[At the Golden Gate Bridge. On top of it. Wyatt and Chris are seen talking with an Elder, Paul, on what really happened at the police department.]
Wyatt: Why is that we don't remember what happened hours before those werewolves got killed?
Chris: Yea. Elder. Did you all see anything?
Paul: Unfortunately no. Something or someone was blocking us from watching over.
Wyatt: But who could be so powerful to do that.
Chris: Your Elders are powerful yourself.
Paul: Maybe it's someone higher than us. I don't think the Angels. They would never do things like that.
Wyatt: I'm thinking it could be an avatar. Maybe he or she got corrupted with power.
Paul: That is a good theory.
Wyatt: Thanks. Another question. Have the Elders decided who the next Charmed Ones will be?
Chris: I was just about to ask that same question. Big brother.
Paul: Not yet. But will let you all know when we finalized the decision.
Wyatt: Okay.
Chris: Later then.
Paul: Yes.
[Paul orbs out.]
Wyatt: Chris. Now that he is gone. Something has got me thinking. I don't think it might be the avatars.
Chris: Why do you think that that? Wyatt.
Wyatt: Cause the avatars only want peace and balance between good and evil. I mean what they would gain in killing werewolves.
Chris: You're right. Big brother. If it is not the Avatars, who could it be?
Wyatt: That I am trying to figure out.
Chris: Anyways. I'm hungry. Let's head home.
[His stomach starts to growl as does Wyatt's. Wyatt smiles.]
Wyatt: Me too.
[Wyatt and Chris ORBS out.]
[CUT TO]
HONDOUR APARTMENT. ROOM 314.NIGHT
[Outside of the door of Room 314. Chadwick is seen entering into the apartment followed by Kai and Isabelle. ]
[CUT TO]
HONDOUR APARTMENT. ROOM 314.LIVING ROOM.NIGHT
[In the living room.]
[Close-up on wall clock. It reads past midnight]
[Chadwick, Kai, and Isabelle are now seen sitting on the couch.]
Chadwick: That was strange. Right. All of dead like that.
Kai: And that most of us don't remember anything before what we saw.
Isabelle: It was seeing them like that. But now the threat of them against us is gone.
Chadwick: You're right. We don't have to worry about them anymore.
Kai: Me and Isabelle and the rest of us can live in peace.
Isabelle: And incognito. Anyways mind if I crash here tonight? It's really late.
Chadwick: No problem. You can take Sonya's old room.
Isabelle: Thanks.
Kai: May I crash too?
Chadwick: Yea sure. But you're getting the couch.
Kai: Agreed. It is your apartment.
Chadwick: Guess it's time for bed for us. Kai. I'll get pillows and a blanket for you.
Kai: Thanks buddy.
Chadwick: No problem.
[Chadwick leaves the living room. Isabelle leave too heading in the direction to Sonya's old room. Kai gets the couch ready by fluffing it up.]
[CUT TO]
HALLIWELL/ COOP MANOR. NIGHT.
[Still image of the manor.]
[CUT TO]
HALLIWELL/ COOP MANOR. MASTER BEDROOM.NIGHT
[In the master bedroom of the Halliwell-Coop Manor. Coop is seen sleeping peacefully as Phoebe is still awake not being able to sleep. The lamp near her side is dimly lit.]
Phoebe: What I saw. Oh. PJ. I have to stop it from happening. But how?
[Phoebe sighs heavily.]
[The sighs then awaken Coop. He turns to face her. And then yawns a bit.]
Coop: It's late. You should be asleep. For then energy.
Phoebe: Sorry. Coop dear. It's just the premonition. I saw today. Of PJ doing something horrible. And I wish to stop it.
Coop: Look. Phoebe. Premonitions can change. Things will be alright.
Phoebe: I don't know. Back then. The premonition of Andy dying. No one could what happened to him no matter what. He was meant to die.
Coop: It's really late. How about talk about this later. Please rest.
Phoebe: Okay. Honey.
[Phoebe turns off the lamp and cuddles back into bed closing her eyes. Coop lays back down. And now heads back to sleep.]
[GO TO BLACK]
[END OF EPISODE]
[BACK ON BLACK]
[End Credits rolling to shortened theme song to reveal supporting cast and guest stars.]
Now on screen:
Co- Starring:
Holly Marie Combs as Piper Halliwell
Alyssa Milano as Phoebe Halliwell
Victor Webster as Coop
Rose McGowan as Paige Matthews
Ivan Sergei as Henry Mitchell
Patrick Dempsey as Reed Havenfield
Seamus Dever as Mitchell Haines
Gabrielle Ruiz as Katerina Lonzo
Also Featuring:
Kat Dennings as Axaria/Angelie Deviling
Lucas Till as Larson
Javier Bardem as Christian Aragon
Kayla Ewell as Josephine Aragon
Gregg Sulkin as Richie/Brown Fur Werewolf
Bridgit Mendler as Eveline/Grey Fur Werewolf
David Henrie as Caleb/ Silver Fur Werewolf
Steven R. McQueen as Chadwick Merrick
Ryusuke Kobayashi as Kai Atashi
Kate Upton as Isabelle Reddings
James Franco as Front Desk Officer
James Marsden as Officer Hayes
Ian Somerhalder as Officer Fox
Taylor Kinney as Blaine
Shailene Woodley as Virginia
Matt Davis as Lionel
Daniel Radcliffe as Lucius
Jason Isaacs as Elder Paul
Uncredited Actors as Five Officers at Hospital
Uncredited Actors/Actresses as Other Silver Fangs Pack Members
Uncredited Actors as Officers Outside Police Department
Uncredited Actor as Dazos
Uncredited Actress as Johanna
THE SAN FRANCISCO SKY. DAWN.
[On the sky. It is still a bit dark. The sun nearly rising just a peak of it.]
[CUT TO]
HALLIWELL MANOR. DAWN.
[On the backlot of the nearly dark sky. The Halliwell Manor is shown to have the attic light on.]
[CUT TO]
HALLIWELL MANOR. ATTIC. DAWN.
[Piper, Phoebe, Paige, and their kids, Wyatt, Chris, Melinda, PJ, Parker, Peyton, Tamora, and Kat are all seen surrounded in a circle around the pedestal that has the Book of Shadows. The kids seem to be sleepy and yawning.]
Wyatt: (yawning): Seriously? Do we really have to do this early in the morning?
Chris: Yea. Mom. I haven't had enough beauty's sleep.
PJ: I only just gotten home a few hours ago. From the club.
Parker: I need to feel rested for work. If I fall asleep on the job, come on.
Peyton: Luckily I have an afternoon class. But still it's really early.
Tamora: Agreed.
Kat: Yea
Piper: Sorry. It was Phoebe's idea. To do it this early. Signal the awakening. If you all were able to stay awake, during that whole speech. About your eight's destiny.
[ Melinda then yawns.]
Melinda: Yea I guess. Bits and pieces.
Phoebe: It's time to start. Kids. Please. Come closer and put your all hands onto the Book of Shadows.
Wyatt: I don't know about this. Feels like being initiated into a cult or something.
Chris: Yea. Aunt Phoebe.
Melinda: This seems too strange.
PJ: Do we really have to do this?
Parker: Come on. I think we're fine with our current powers.
Peyton: Yea.
Tamora: Come on. We're Warren Witches.
Kat: We don't need more power.
Phoebe: There is no time to waste. And Kat. It may be needed. One day.
Kat: Alright.
Phoebe: So come on. Everyone. Hands on the Book of Shadows.
[They all nod agreeing and then move closer to the book placing their hands upon it.]
Wyatt: We're ready. Aunt Phoebe. Mom. Aunt Paige.
Phoebe: Alright. Sisters. It's time.
[Phoebe takes out a piece of paper from inside her coat pocket. Piper and Paige then go closer to get a better view of the paper also.]
Piper: We're ready as ever.
Paige: It's time to give the kids the power they need.
Phoebe: Time to begin.
[The three sisters then begin chant and read what is on the paper.]
Piper/ Phoebe/ Paige: "Us sisters three, With the power within us, Give the strength, To their current destiny, May the power that flowed through us, This Power of Three, Will be theirs to share, And give them hope, the eight they are, this Power of Eight."
[The triquetra on the Book of Shadows begins to glow and a huge beam of red light blasts from it as high as the ceiling above and then spreads past the sisters and the eight of them surrounding all in that light. A scream is heard from both sides and a thump.]
[CUT TO]
HALLIWELL MANOR. ATTIC. DAWN(A BIT OF TIME HAS PASSED)
[Piper, Phoebe, Paige are seen just having bumped against a couch that has fallen down as the three begin to get up. The rest seem to have bumped against the wall. All of them then begin to stand up, seemingly unphased from any injuries, going up to where the Book of Shadows is.]
Piper: Well that that was something.
Phoebe: Yep
Paige: Did it work? You all feel anything different.
Wyatt: Just a bit shaken. From the light blast.
Chris: Nothing feels different.
Melinda: Was it done right?
PJ: Yea. Mom.
Parker: We feel no different.
Peyton: Same as always.
Tamora: Yep.
Kat: Just usual Kat.
Piper: It had to have worked. You know when a big thing happens.
Phoebe: Sometimes it is not felt till the right time. You know. Remember when I first read the incantation to get our powers on that day.
Paige: What do you mean by ours?
Phoebe: Right. Paige. You weren't at the moment.
Paige: I see.
Wyatt: Since things are done, would like to get a few hours of sleep in.
Melinda: Same here.
Others: Likewise.
Piper: Alright. Who doesn't live here can leave here and go back to their place. And the rest to their beds.
Paige: I'll take you home. Phoebe.
Phoebe: Thanks.
[Paige takes Phoebe's hand and then ORBS them both out. PJ, Parker, and Peyton BEAM out. Tamora and Kat ORB out. Wyatt, Chris, Melinda, and Piper then head out of the attic. The lights are then off. ]
[After all of them leave. From the window, the sun can be seen rising, signaling the beginning of a new day].
[OPENING CREDITS]
CITY OF SAN FRANCISCO. THE NEXT DAY. DAY.
[Visual shots of all of San Francisco to the song of " I Knew You Were Trouble" by Taylor Swift.]
[Lyrics playing:" Cause I knew you were troublе when you walked in/So shame on mе now. I'll flew me to places I'd never been/Til you put me down, oh, I knew you were trouble when you walked in/So shame on me now/Flew me to places I'd never been/ Now I'm lying on the cold hard ground/Oh, oh-o, Trouble, trouble, trouble "]
[CUT TO]
LARSON'S HOUSE. DAY
[Music fades out.]
[Still image of Larson's house. A one story plain color house.]
[CUT TO]
LARSON'S HOUSE. LIVING ROOM. DAY.
[Larson is seen laying in his living room of the new house about to have lunch and watching television when his cellphone starts to ring. He grabs it from his pocket and answers it.]
Larson( on phone): Hello. Who is it?
Axaria/ Angelie (on phone): It's me. Did you settled in alright?
Larson( on phone): Oh Boss. How nice to hear your voice. Yea it's a nice place. Very roomy.
Axaria/ Angelie( on phone): Just called to remind you to make you abide my orders and to let you know that I just got information that San Francisco Police Department just sent a search alert for you. So be careful.
Larson: I know boss. Don't rat you out and thanks for the warning about the cops. Bye boss.
Axaria/ Angelie: I'm glad you remember my message. And good luck. Bye.
[Larson then hang up the phone and start enjoying his lunch while turning on the TV to watch something.]
[CUT TO]
SAN FRANCISCO P.D. DAY.
[The outside the of the police department. Christian is seen walking out of the department with Richie, Eveline, and Caleb, having successfully bailing them out of jail as Chadwick, Kai, and Isabelle see them coming out and but hides so Christian and the others do not see them. The three of them head to the front entrance of the department when the coast is clear.]
Chadwick: That was close. They could have seen us.
Isabelle: What a close call.
Kai: Yep. Let's head in then. Chadwick, so the officers that visited your apartment hat we could pick Sonya's from the department, right.
Chadwick: Yea. It's going to be hard to see Sonya's body. I never seen a dead body and don't how to prepare.
Kai: If you faint from seeing it, Isabelle and I will be here to pick me up and drive you home if anything happens.
Chadwick: Thanks, you two. Let's go, then.
[Chadwick, Kai, and Isabelle then enter inside through one of the doors.]
[CUT TO]
SAN FRANCISCO. PD. LOBBY AREA.DAY.
[In the lobby area before the main area. Chadwick and his friends, Kai and Isabelle, are at the front desk about to talk to an officer.]
Desk Officer: How may I help you all?
Chadwick: Well, I'm listed as a close contact of a Sonya Sanders. Two officers came to my home and said I can pick up the body.
Desk Officer: Okay, sir. I will make a call to let the department know that someone is here to pick up her body.
Chadwick: Thank you, officer.
Desk Officer: No problem. I'll make the call right now.
[The desk officer then grabs the phone on his desk and makes a call.]
[CUT TO]
SAN FRANCISCO P.D. THE INTERROGATION ROOM. DAY
[[In the interrogation room of the police department. Reed and Officer Hayes are seen about to interrogate with the perpetrator of the fireball attacks. An officer comes in and holding three cups of water and hands it to the three of them.]
Reed: Thanks Officer Fox for the waters.
Officer Fox: No problem. I'll leave you two. Have fun interrogating.
Officer Hayes: We will. Later Officer Fox.
Officer Fox: Later.
[Officer Fox then leaves the room. Reed, Officer Hayes, and Blaine then each take a sip of water from their cups.]
Perpetrator: The name is Blaine. I don't even know why you two are wasting time interrogating me. There is no need. I turned myself in willingly and admitted to those acts. Just put me in jail already.
Officer Hayes: Mr. Blaine. I'm sure a criminal like yourself would not understand how a police arrest works. We can't just incriminate you right way. There are some rules that the department must abide too and questions must be asked. What if you could be lying to protect a friend?
Blaine: I assure you. Officer (looking at Officer Hayes badge) Hayes is it? That I am not lying to protect my friend and the one that attacked one of your colleagues and the department.
Officer Hayes: I don't trust your words but my colleague are wasting time just chatting when we should be questioning you. Inspector Reed and myself have another important case to worry about. Let's get started shall we?
Blaine (feeling weird and groans in pain): What is going on? It's like I'm in pain.
[Blaine is holding his chest tight and still feels in pain. Reed and Hayes are outrages at this.]
Reed: Mr. Blaine. I hope this isn't a ploy of you to avoid asking questions.
Officer Hayes: Yes. This is just going to keep you here if you keep doing this outrageous ploy.
Blane (groaning): I am not kidding around. Really. Ugh. Feel in pain.
[Then suddenly Blaine falls dead to the ground. Officer Hayes then goes to check his pulse and there is nothing.]
Officer Hayes: His pulse is gone. Blaine is dead.
Reed: You have got be kidding me. Another criminal captured and dying before they get interrogated. Feels like someone is playing a sick joke on us and it's not funny. The same thing happened with Tobias who killed before we took him in.
Officer Hayes: Let's bring this body to the Doctor Lonzo's lab. Maybe she can figure out what the cause of death was.
Reed: Yea. Let's move. I'll grab the leg side and you grab the head side.
Officer Hayes: Got it, Inspector.
[Reed and Officer Hayes then grab Blaine's body and walk out of the interrogation room as one of them use one hand to close the door behind them.]
[GO TO COMMERCIAL BREAK]
SAN FRANCISCO P.D. KATERINA'S OFFICE. DAY.
[In the office of Katerina's at the police department. Chadwick has just finished forms with Katerina on receiving Sonya's body and some forms to turn into the state for a death certificate. Kai and Isabelle are sitting next to him.]
Katerina: Mr. Merrick. All the forms are done for Sonya. You can now claim the body now to prepare for her funeral. I can have some officers to help carry the body to the car. A human body is pretty heavy to carry.
Chadwick: Please call me, Chadwick. Mr. Merrick makes me sound too old. And thank you for offer, Doctor Lonzo. But my friends can help me. They make not look it but these two are pretty strong.
Katerina: Okay. Chadwick. Have a nice day. And again so sorry for your loss.
Chadwick: Thanks for the words. Well, my friends and I have to go now. We got an appointment in about an hour with the cemetery director Bye, Doctor.
Kai: Thank you a lot for helping with the forms.
Isabelle: And for especially for coming to my friend's house to let him know.
Katerina: It was no problem. Bye. The three of you have a nice day. And I'll call to let the officers know that three of you will carry the body yourselves.
Chadwick: Thank you, Doctor Lonzo. Bye then.
[Katerina, Chadwick, Kai, and Isabelle get out of their chairs. The three of wave goodbye to Katerina as they leave the office closing the door behind them. ]
[CUT TO]
SAN FRANCISCO P.D. DAY
[Outside of the police department. Chadwick's car is parked near the sidewalk of it. The body bag containing Sonya is now in the trunk of his car and then closes it tightly. Chadwick, Kai, and Isabelle then enter inside the car. The car then drives outside into the road to head off to a cemetery.]
SAN FRANCISCO NATIONAL CEMETARY.FRONT ENTRANCE.DAY
[Still image of the front entrance of the cemetery.]
[CUT TO]
SAN FRANCISCO NATIONAL CEMETARY.DAY
[Inside the cemetery area. Chadwick, Kai, and Isabelle are seen standing in front of Sonya's grave after it had been buried completely underground. The three of them place flowers near the gravesite and say their condolences.]
Chadwick: I'm so sorry, Sonya. We couldn't protect you from Christian's wrath. You didn't deserve to die.
Kai: Chadwick, Rohan, and myself, you were a like a sister to us. We formed such a close bond. This so hard losing you.
[Kai starts to cry and then wipes his tears away. Isabelle goes over to comfort him.]
Isabelle: It's going to be alright, Kai. We will get through the death of Sonya together.
[Chadwick comes near to comfort Kai too.]
Chadwick: Yea. It must be hard you too, Isabelle, losing her. She was like a daughter to being raised by throughout her childhood.
[Isabelle then starts to tear up too but then wipes her tears away.]
Isabelle: Yea. It's hard. The thing is now I have to deal with Sonya's share of her family's company. Do I donate it to a charity or take her share too. But taking her share would be so wrong.
Chadwick: Donating it to charity would be a good idea, to honor her.
Isabelle: Yea, you are right, Chadwick.
Kai: I hope Sonya has a better time in her next life. It was just so sad. Thinking her fiancé cheated on her, then killing him accidentally, and killed the next day after he just died.
Isabelle: And I'll do whatever it takes to keep Sanders' Designs running without her to honor Sonya and her parents, may they rest in peace.
Chadwick: And I swear on Sonya's grave, that the three of us will find a way to make Christian pay for what he did. Are you two with me, on this?
Kai: Yea, of course.
Isabelle: Agreed.
Chadwick: Also, Rohan is visiting me this weekend. Think it is best to tell him about Sonya. Was going to give a call but it is better to tell him in person.
Kai: Yes, we should let him know about this. He is going so heartbroken like us right now.
Isabelle: Anyways, I have to head back to the company. Only took the morning off for Sonya's burial. Then I got to deal with the lawyers tomorrow on the situation with Isabelle's share due to her death. And let me know when Rohan visits, it's been a while since I have seen him. Bye you two.
Chadwick: Thanks for coming though.
Kai: We were glad you were able make it and put Sonya's body to rest together.
Isabelle: Yea, it was no problem. Later then.
Chadwick: Bye.
Kai: And tell your family we said hi.
Isabelle: I will.
[Isabelle then leaves the area. Chadwick and Kai then leave the area also a little later after Isabelle had left.]
[GO TO COMMERICAL BREAK]
SAN FRANCISCO. DAY THEN BECOME NIGHT. NIGHT
[ Wide shot of all of San Francisco as the sun is seen in the background to come down and the moon and stars has risen to light up the night sky.]
[CUT TO]
SAN FRANCISCO MEMORIAL HOSPITAL. NIGHT
[Still image of the hospital.]
[CUT TO]
SAN FRANCISCO MEMORIAL HOSPITAL. JUNIOR'S BEDROOM.NIGHT
[At the hospital bedroom of Junior's. He is seen sitting on his bed surrounded by Axaria/Angelie, Paige, Henry, Tamora, and Kat near him.]
Paige: Are you sure this is okay, Junior? All five of us here in the room. I thought the limit was two people in a room.
Junior: Yes, mom. I asked the doctor for special permission because I have special news and wanted to share it with everyone I care about.
Henry: Is it that you will be discharged soon?
[Junior then puts one of his hands out and Axaria/Angelie knows the signal and comes closer to hold his hand.]
Junior: The special news is that Angelie has accepted my proposal and we will be married very soon.
Henry/ Paige/ Tamora/ Kat (shocked): What?!
Henry: Hold on, Junior. This seems a little sudden wanting to marry her after only going out for only three months. Are you sure you are not rushing into things my son? I wanted to have a talk about it a while ago but you always made excuses to avoid it as you have been busy with the ongoing cases that the department has to deal with.
Junior: Trust me, father. I am not rushing. Angelia and myself are in love and I don't want to wait.
Henry: I understand. But your mother and I was in love too. The two of us chose to wait a couple of months before we decided to marry each other.
Paige: Your dad is right. Please reconsider. Take more time to get to know each other.
Tamora: As your oldest sister, I agree with mom and dad are saying.
Kat: As do I, little brother.
Junior: In the three months that I have dated Angelie, I have known enough about her and she is the one for me. The decision is final. Working as an inspector in the police department is dangerous business. Look what happened. I got kidnapped and almost died. What if one day I die and will not get a chance to marry my true love? Best do it soon than later.
Henry: That was just a one-time thing, Junior. There's no chance that situation is going to happen to you again, my son.
Junior: Father. As you said, there's also a possible chance that situation could happen again and it would be too late. Mom. Dad. Tamora. Kat. My decision is final. I will not reconsider it. If you four are still against this, then don't come to my wedding and forget ever having me as a son or as a brother.
Paige: Son. How could you say something like that? Has being with Angelie made you act like this? I don't even know my own son anymore. You would never talk back like that to your parents and your older sister like that.
Junior: Maybe I have always been this way and all of you never noticed.
Henry: Son what is with this attitude? Stop acting like this.
Junior: It's not an attitude. I'm just voicing my thoughts. Plus I'm not a kid anymore and I can do what I want with my own life.]
[Junior is looking mad at his parents as Axaria/Angelie pretends to feel awkward about the situation and goes over to talk to Paige and Henry.]
Axaria/ Angelie: I'm so sorry, everyone. Had no idea that my acceptance to Junior's proposal would cause so much trouble. Mr. Mitchell. Mrs. Matthews. You two do have a point. Think it's best we wait.
Junior: Please. Angelie. Don't leave yet. Maybe the two of us can try to convince them.
Axaria/Angelie: It's best we call off the engagement. I really hurt about his and don't want to fight with your family anymore. See you later, Junior.
[She gives Junior a cheek kiss and then exits the room. Paige, Henry, Junior, Tamora, and Kat is still in the room. Junior is still looking super mad at his parents staring at them.]
[CUT TO]
SAN FRANCISCO MEMORIAL HOSPITAL. JUNIOR'S BEDROOM.NIGHT( BIT OF TIME HAS PASSED)
[It seems a period of time has passed. Junior is now seen in an argument with Paige, Henry, Tamora, and Kat. He looks furious.]
Paige: Son, please calm down.
Henry: Yes, I know you are really upset. But please you know we only want the best for you. And wanting to marry after three months is not ideal.
Tamora: Please, Junior. Listen to mom and dad. Don't be upset about this.
Kat: Even your girlfriend understood. You could tell Angelie felt bad that she felt like leaving the room.
Junior: Angelie only felt bad because the four of you was not okay with it. Mom. Dad. Tamora. Kat. If y'all had been okay with and not argue with me, she would have called it off or even leave the room. Besides, I need some time to calm down and want to be alone. Please, everyone. GET OUT.
Henry: Son, we can talk about this. Please don't kick us out.
Junior: I'm really upset and don't feel like talking or even arguing about the situation anymore. Please, dad, let me be alone for a while. Hopefully I'll calm down and we can talk tomorrow.
Henry: Alright, son. I understand.
Henry(cont'd)(to Paige, Tamora, Kat): Let's go and let Junior just be by himself.
Paige: But honey we need to talk to him.
Henry: As Junior has said, we can chat with him when he has cooled down a bit.
Tamora: Think's it's best.
Kat: Listen to dad. The conversation is not going to go anywhere if he is still upset not.
Paige: You're right. Guess we'll see him tomorrow to talk.
Paige(cont'd)(to Junior): Bye son.
[Everyone then gives Junior a hug before they leave out of the room.]
[CUT TO]
AXARIA/ANGELIE'S HOUSE. NIGHT
[Still image of Axaria's/ Angelie's house.]
[CUT TO]
AXARIA/ANGELIE'S HOUSE. BEDROOM.NIGHT
[In the bedroom area of the house. Axaria/Angelie is seen on her laptop doing work stuff when she starts to think about something.]
Axaria/Angellie (thinking to herself): I can't believe how my plan worked. That stupid Junior got into a huge argument with his parents and sisters. Bet he is still upset right now and refuses to talk with them. Better give him a call.
[She then grabs her cellphone and finds Junior on the contact list and dials a number to call him.]
[CUT TO]
MATTHEWS/MITCHELL MANOR. NIGHT
[The exterior of the manor. A silver van and a green Toyota Corolla is seen parked in front of the house near the driveway. Paige and Henry get out of the van while Tamora and Kat step out of the green Toyota corolla as they start to walk along the pathway to the house with their faces in worry.
[CUT TO]
P3. NIGHT
[Still image of the P3. The club.]
[CUT TO]
P3. PJ'S OFFICE. NIGHT
[PJ is in her office doing some work on the computer and begins to ponder about something.]
PJ( to herself): Is what that woman said true? In my dream. That I must become the Queen of the Underworld to protect my family.
[She pauses a bit.]
PJ( cont'd)( to herself): No. I'm stronger now. Hopefully. Sure. All of us didn't feel anything at first. But. When I used one of my powers today, I felt a bit stronger than before. Maybe that spell did work. But now...
PJ( cont'd)( to herself): Must get back to work.
[PJ then continues to type away on the computer.]
[CUT TO]
MATTHEWS/MITCHELL MANOR. DINING ROOM. NIGHT.
[In the dining room of the Matthews and Mitchell Manor. Paige, Henry, Tamora, and Kat are seen having dinner with steak, mashed potatoes, and sweet corn. Paige and Henry are drinking white wine while Tamora and Kat are having sparkling cider. The four of them seem still worried about Junior. Tamora is messing around with her mashed potatoes as the other three continue biting into their steak. ]
Paige: I'm so worried about Junior. He seemed really upset. And also my son doesn't seem like himself.
Tamora: I agree mom. Did you see how he went off on his family? Junior would never talk that way to you dad and man that way and also especially in that rude way to his own sisters either.
Kat: Yea, it was strange. Mom. Dad. Do you think it could Angelie's effect on him? Maybe she is an angel on the outside but a devil within.
Henry: Kat. Don't say about your brother's girlfriend. Good thing Junior is not here to hear this. He would be super upset.
Kat: Sorry dad. I was just assuming.
Paige: How about we finished dinner before it gets late or none of us are going get any good sleep. Plus we need all the rest we can get from our multiple trips to the hospital for Junior.
Kat: Okay mom.
Tamora: You're right. We can worry about him tomorrow. Best to finish dinner.
Henry: I agree honey. Let's move on and finish our dinner before we all go to bed.
[Paige, Henry, Tamora, and Kat then proceed to finish their meal.]
[CUT TO]
SAN FRANCISCO GOLDEN GATE BRIDGE. NIGHT TO DAY. DAY.
[Shot of the Golden Gate Bridge against the night sky, its lights shining bright and then the next day comes, with the sun shining on the bridge signaling the next day.]
[CUT TO]
SAN FRANCISCO P.D.DAY
[Still image of the police department.]
[CUT TO]
SAN FRANCISCO P.D.KATERINA'S OFFICE-DAY
[In her office. Katerina is seen on her computer trying to find information on how to explain the claw wounds on two victims of an ongoing case that she is part of. A knock on the door is heard.]
Katerina: Who is it?
Reed(o/s): It's Inspector Havenfield. And I also have Inspector Hayes with it. We want to know what you found form examining Blaine's body.
Katerina: Oh, okay. The two of you please come right in.
Reed(o/s): Alright.
[Reed then opens and walks inside the room Officer Hayes behind him and then closes the door tightly. The two of them then go sit down in the two seats in front of Katerina's desk.]
Katerina: Okay. Inspector Havenfield. Officer Hayes. I have the information from examining Blaine's body.
Reed: What have you found? Doctor Lonzo.
Officer Hayes: Yes, please give us the details.
Katerina: It seems that Blaine was poisoned.
Reed: Poisoned how?
Katerina: I was lucky that the cup of water that the victim drunk was not thrown away. The poison in the water matched the poison samples from examining the body. It seems someone did not want Blaine to not rat them out and so poisoned him.
Reed: How could he be poisoned? I thought the three of us has the same water in our cups. Hold on a minute. A thought just came to me.
Officer Hayes: What are you thinking?
Katerina: Yes, I'm wondering what your thought is too. Inspector.
Reed: Maybe someone tampered with Blaine's cup before it got delivered with our cups inside the interrogation room by Officer Fox.
Katerina: How can it be tampered? The department has good security are here and all police should be aware if drinks are ever to be poisoned. I'm starting that believe Officer Fox, the one that delivered the cups of water, is the one that tampered with the water. Best to investigate this situation.
Reed: Officer Fox has been working in the department for many years and he seems very loyal. Why would he do something like this?
Katerina: Maybe Officer Fox had no choice and someone threatened his family unless he does the act.
Officer Hayes: That seems logical.
Reed (to Officer Hayes): Alright. I think the two of us should investigate right now.
Reed( cont'd)(to Katerina):See you later. Doctor Lonzo. Thank you for the information. It was useful.
Katerina: It was no problem. Glad to help. Alright, then. See you later. Inspector Havenfield. Officer Hayes.
[The three of them shakes hands with each other and then Reed and Officer Hayes leave the office as Katerina heads back to doing her work].
[GO TO COMMERCIAL BREAK]
MAGIC SCHOOL. HEADMISTRESS' OFFICE. DAY.
[Inside the Headmistress' Office. Paige is seen looking really worried on a call with Henry.}
Paige(on phone): I'm so worried about Junior. He hasn't answered our calls. What if something happens to him?
Henry(on phone): I'm sure things will be alright. Our dear friend, Chief Haines has made sure that officers are there to make no one gets to him. Have put different ones at different shifts. And also made sure he is under 24 hour supervision.
Henry(cont'd)(on phone) : Besides he's not taking our calls probably due to being still mad at us. I'm sure our son will eventually calm down and understand we just wanted the best for him and rushing into marriage was too impulsive on his part after only dating Angelie for only three months.
Paige(on phone): Yea, you're right. Henry. Junior will eventually calm down. And the officers being there at the hospital keep me at peace that nothing bad will happen to him.
Henry(on phone): Okay. Paige. It is enough worries now. Dear. In due time. Things will be alright. We both must get back to our real lives. Me doing my usual. And you. Your current job.
Paige(on phone): Alright. I can't keep losing sleep worrying. I'm the Headmistress of Magic School.
Henry(on phone): That's right.
Paige(on phone): Yea. Keep well. Honey.
Henry(on phone): You too. Dear.
[Paige hangs up on her side and continues her work.]
[CUT TO]
VIRGINIA/LIONEL'S HOUSE. DAY
[Outside a two story crimson colored house. Reed and Officer Hayes are seen at Virginia and Lionel's house with their police car parked outside on the street. They had just seen what Lionel did to his wife through the window. The two of them then decide to head to the door. ]
[CUT TO]
VIRGINIA/LIONEL'S HOUSE. FRONT DOOR/ FOYER/ ENTRANCE AREA.DAY
[Front door area. Reed and Officer Hayes are seen busting through opening the door and then rush inside.]
[Now inside the premises near the front door of the foyer and entrance area. They are seen pointing their gun at Lionel who seems is about to use her hands to beat Virginia again.]
Reed: Hold it right there. Lionel.
Officer Hayes: Don't worry. We have a warrant to enter inside. Plus you are under arrest for domestic violence.
Reed: Hands up in the air and don't move.
[Lionel tries to resist and run away but is stopped by Reed and Junior who hold him down as Junior takes his hands putting behind his back and cuffing him.]
Officer Hayes (reading the Miranda Rights): You have the right to remain silent. Anything you say can and will be used against you in a court of law. You have the right to an attorney. If you cannot afford an attorney, one will be provided for you.
[Officer Hayes then walks him out and puts him inside the back of the police car and pushes the button on the key remote to lock the doors so Lionel doesn't try to escape as Reed goes over to talk with Virginia].
Reed: You alright, Miss?
Virginia: A bit shaken. But pretty outright. Thanks you two officers.
Reed: Here. Let me help you get up.
[Virginia nods agreeing. Reed then helps her stand up.]
Virginia: Thank you Officer.
Reed: It's actually Inspector. Inspector Havenfield at your service.
[Virginia feels a bit weak from the beating from her husband and almost falls down but Reed is able to catch her so she doesn't fall. Officer Hayes goes over to where Reed is. ]
Officer Hayes: Ready to go?
Reed: Yea. But I want to call our other officers to bring her back in a separate car.
Officer Hayes: Great idea. Yea to prevent things from going crazy.
[Reed then reaches his mic and calls in for dispatch. About fifteen minutes later, the officers arrive and place Virginia in the car and drive off. ]
Reed: We should get going too.
Officer Hayes: Yea. I got him in the car already.
Reed: Okay.
[Reed and Officer Hayes then both get in the car. Richie then drives away heading back to the department.]
[CUT TO]
HONDOUR APARTMENT. ROOM 314. DAY.
[Still outer image of the door of the Hondour Apartment Room number 314.]
[CUT TO]
HONDOUR APARTMENT. ROOM 314. LIVING ROOM.DAY
[In the living of Room 314. Chadwick is seen talking with Isabelle and Kai about what to do about Christian.]
Kai: We have to find a way to stop them. I hear Christian and his pack are attacking at midnight on this day.
Chadwick: That is bad news.
Isabelle: We should get help from those brothers to help us. They might be able to stop him and the pack.
Chadwick: That's a great idea. They did give us their business card. Let's call them.
[He takes it out and call the number.]
[CUT TO]
W&C MAGAZINE. DAY
[Still image of the magazine building.]
[CUT TO]
W&C MAGAZINE. WYATT'S OFFICE .DAY
[Inside the office. Wyatt is seen on the phone with Chadwick.]
Wyatt (on phone): You got it. My brother and I will stop by after work.
Chadwick( on phone): Thanks. Mr. Halliwell.
Wyatt( on phone): Please just call me Wyatt.
Chadwick(on phone): Okay see you then.
[Chadwick hangs up on his side. Wyatt then puts the phone back.]
Wyatt: Time to tell Chris.
[He walks out of his office closing and locking his door before heading over to Chris' office.]
[GO TO COMMERCIAL BREAK]
SAN FRANCISO MEMORIAL HOSPITAL.DAY
[Still image of the hospital.]
[CUT TO]
SAN FRANCISCO MEMORIAL HOSPITAL. CORRIDORS. DAY
[Along the corridors near Junior's room. Five officers are seen patrolling the corridors back and forth watching the room to make sure no one suspicious can enter.]
[CUT TO]
SAN FRANCISCO MEMORIAL HOSPITAL. JUNIOR'S BEDROOM. DAY
[In a hospital bedroom. Junior is seen sitting in his bed eating his lunch when Axaria/ Angelie walks in with a bouquet of flowers and lays it on a table.
Junior: Hey babe. What a great sight to see.
Axaria/ Angelie: Just wanted to stop by before I head to the company.
Junior: Thanks Angelie. For stopping by. You just made my day better.
Axaria/Angelie: Really? I did?
[Axaria/Angelie then walks over closer to him and kisses Junior on the cheek. He then starts to blush.]
Junior: What was that for? Not that I hate it.
Axaria/ Angelie: To show how much I love you.
Junior: Thanks Angie. You always know how to make me feel better when I am down.
Axaria/ Angelie: I know. My Junior bee.
Junior: How long can you stay starting from right now? My Angie boo.
Axaria/ Angelie: Actually I have to head back right now. Have a business meeting today and need to plan for it.
Junior: Okay. That is a shame. See you later then.
Axaria/ Angelie: Yea. Babe.
[Axaria/Angelie then kisses the Junior on lips passionately. Junior is wowed by it.]
Junior: That was amazing. Where did that come from?
Axaria/ Angelie: Just showing how much I love you again after what happened. I don't want to ever lose a chance to kiss you like that.
Junior: Thanks. So I guess you must leave now.
Axaria/Angelie: Yea.
[Axaria/Angelie leaves the room closing the door. Junior continues to eat as he thinks about the amazing kiss he just had.]
[CUT TO]
SAN FRANCISO P.D. INTERROGATION ROOM.DAY
[In the interrogation room. Reed and Officer Hayes are seen having just finished taking the testimony of the Virginia.]
Reed: Thank you for giving us your testimony. Your dear hubby is going be locked up for many years.
Officer Hayes: We have a cop car waiting outside to take you safely back home.
Virginia: Thank you.
Reed: No problem.
[Virginia then exits the room.]
Officer Hayes: Well that is another case solved and resolved.
Reed: Yea. You hungry.
Officer Hayes: Starving.
Reed: Let's go get something to eat.
Inspector Hayes: Yea.
[Reed and Inspector Hayes walk out of the door and head out closing the door after they leave.]
[CUT TO]
W & C MAGAZINE. DAY
[Still image of the magazine building.]
[CUT TO]
W & C MAGAZINE. CHRIS' OFFICE. OUTSIDE THE DOOR.
[Wyatt is outside and knocks on the door.]
Wyatt: Chris. It's me. Your big bro. May I come in?
Chris(o/s): Sure.
[Chris then goes to open the door for Wyatt. He walks in.]
[CUT TO]
W & C MAGAZINE. CHRIS' OFFICE.
[Inside Chris' office. Wyatt had just walked in through entering the office. The door is then closed after he enters. The two of them then move near the desk in the office to talk.]
Wyatt: Thanks.
Chris: So what is up? Big bro.
Wyatt: We got trouble.
Chris: Demons again?
Wyatt: I wish. Cause they are easier to deal with.
Chris: Don't tell me. Is it those werewolves again?
Wyatt: Yep. Chadwick asked us to meet so we can devise a plan to stop them.
Chris: Stop them from what?
Wyatt: Their attack. They want to show they are more powerful than humans.
Chris: That is bad. You know when they are attacking?
Wyatt: Chadwick says midnight. That way almost everyone is asleep including the police officers.
Chris: We should give Chief Haines the heads up about this.
Wyatt: Yep we should>
Chris: I'll call his extension immediately.
[Chris then grabs his phone out to call MItchell.]
[CUT TO]
W & C MAGAZINE. CHRIS' OFFICE. DAY(SOME TIME HAS PASSED)
[The lights are off in the room. Blinds are shut closed. It seems the resident had left.]
[CUT TO]
W & C MAGAZINE. OUTSIDE THE BUILDING.DAY
[Outside the door. Chris and Wyatt are seen outside of the building ready to leave.]
[CUT TO]
W & C MAGAZINE. PARKING LOT.DAY
[In the parking lot of the building. Wyatt is seen driving his car out with Chris on the passenger side as he proceeds to exit the lot.]
[CUT TO]
P3. DAY.
[Close-up on sign.]
[CUT TO]
P3. PJ'S OFFICE.DAY
[In PJ's office. PJ is seen to be talking with her mother, Phoebe, voicing her worries.
PJ: Mom. I'm just so worried. That dream. I guess nightmare.
Phoebe: Honey. Ladybug. A dream is just a dream.
PJ: But it seemed so real. And maybe...
Phoebe: Maybe what?
PJ: That woman in my dream had a point. About me being not strong enough to protect our family.
Phoebe: That's not true.
PJ: Is it? Mom? I wasn't strong enough to escape from Zarax, who succeeded in kidnapping me.
Phoebe: Oh honey. That has nothing to do with strength. You were blindsided. That's all.
PJ: If you say so.
Phoebe: I know so. Come. You're strong. Not just in powers. But mentally and emotionally too.
PJ: You're just saying that to make me feel better.
Phoebe: That's partly true. Still. Come on. PJ. Don't ever doubt yourself. As I said, and dream is just a dream.
PJ: But yet it felt so real. And that woman. Never seen her before. Why was she in my dream?
Phoebe: I wouldn't know. Maybe you did. I don't know your mind.
PJ: Good point. This is just too much for me. Thinking about this. And then watching over this club.
Phoebe: Remember. You chose to buy this club again after your Aunt Piper had sold it years ago. To open up her restaurant.
PJ: Because the stories. I felt it was our family's legacy. To have this. The others chose their own dreams.
Phoebe: You didn't have to do that. Sure. I would love it in our family. PJ. You should live your own dream. And not for the family legacy.
PJ: I don't have dreams. According to Tamora. And Kat. I'm a supposed workaholic.
Phoebe: You know your cousins just like to mess with you. PJ.
PJ: I know. But they have a point. I am a workaholic. Back then in school and in work. Didn't have time for any relationships.
Phoebe: PJ. You're not a workaholic. Just a hard worker.
PJ: I have to go get the club ready to open. Thanks for leaving work a bit earlier than usual.
Phoebe: My daughter needed to talk. So I had to. My ladybug. You mean a lot to me.
PJ: I know you do. But I'll be okay. Worry about my other sisters.
Phoebe: I don't need too. They got their lives figured out. You. However. Are a different case.
PJ: Look. Mom. I have to go. You know how to let yourself out.
Phoebe: PJ. We have to talk more. You can always delay. Being the boss of this club.
PJ: Some other time. Mom. I really have to...
[PJ then gets out of her chair and then prepares to exit the office as Phoebe rushes over to her daughter, trying to forcefully pull the hand back.]
Phoebe: No. We're not finished.
[PREMONITION HAPPENS]
[CUT TO]
INSIDE PREMONITION: PJ'S CONDO. UNKNOWN ROOM. UNKNOWN TIME OF DAY
[Phoebe sees a distressed PJ crushing someone's heart with her powers clutching her fists tight. The figure is blurred out but is off a woman as she falls to the ground instantly dead.]
[THE PREMONITION ENDS.]
[BACK TO PRESENT]
[CUT TO]
P3. PJ'S OFFICE.DAY
[Phoebe comes back from her premonition in shock. She then lets her hand away from PJ's.]
Phoebe(shocked expression): My god. PJ. You're right. Let's talk some other time.
[Phoebe then rushes out quickly out of the door slamming it.]
[PJ's eyes now look of confusion.]
PJ: What the heck was that? What did mom really see?
[PJ pauses a bit.]
PJ(cont'd): Now I really must get the club ready to open.
[PJ then heads out of the door. It is heard locked after she leaves.]
[GO TO COMMERCIAL BREAK]
HONDOUR APARTMENT. DAY
[Still image of the Hondour Apartment complex.]
[CUT TO]
HONDOUR APARTMENT. ROOM 314. LIVING ROOM. DAY
[In Room 314's living room of the Hondour Apartment complex. Chadwick, Kai, Isabelle, Wyatt, and Chris are now seen all gathering around in the living room having a discussion.]
Chadwick: So the plan is that we stake out the area before midnight to catch them in their act.
Chris: Yea. And I called the Chief to prepare some officers nearby just in case.
Kai: That sounds good. But isn't it too risky.
Isabelle: They are no match for werewolves.
Wyatt: True. Chris and I told Uncle Henry that. But he said the officers didn't care and were willing to put their life on the line.
Chadwick: Wow. Now that is passion.
Kai: But I'm still worried for them.
Isabelle: Same.
Chadwick: That is when needed. Get those officers out to safety. Wyatt. Chris. I don't want any more innocent people or even werewolves to be killed.
Wyatt: Heck no. We are fighting together.
Chris: Yea. And don't worry about the officers. They got tasers.
Chadwick: You may be right. They may be werewolves but they are also human too. Those things won't be enough to knock them out and it can paralyze them.
Isabelle: If not. We can knock them out ourselves.
Kai: Except Christian. He's the stronger one out of all of them.
Wyatt: So we got a plan. See everyone there later.
Chadwick: Yea.
Chris: Will do.
Kai: Uh huh.
Isabelle: For sure.
[They then all begin to get ready for the plan]
[CUT TO]
DYREWOOD FOREST. DAY.
[In a secluded part of Dyrewood Forest. Christian is seen standing next to an early 20s young woman with black hair like him, wearing a leather jacket, a white shirt, and jeans talking to a group of people including Richie, Eveline, and Caleb. She is wearing a light lavender blouse and khaki slacks.]
Christian: Today is the day our clan makes our mark. Prove those mortals that we are superior to them.
[Richie, Eveline, and Caleb, and the others all cheer for Chadwick's words. The young woman then turns and face Christian.]
Young woman: It is time. Dad. Those mortals won't know what is coming to that.
[She then turns back to face the others.]
Christian: Yes. Josephine. My dear daughter. We shall reign.
Richie, Eveline, Caleb, and the others clap in excitement.
Young Woman/ Josephine: Yes we will. The all of us will attack at midnight.
[Everyone in the crowd including Richie, Eveline, and Caleb nod their heads in agreement. Christian then walks closer to them along with Josephine to start discussing the plan.]
[CUT TO]
SAN FRANCISCO. DAY TO NIGHT. NIGHT
[Several shots of locations of San Francisco are shown as the sky turns from bright to night. The moon is up in the dark sky.]
[CUT TO]
SAN FRANCISCO P.D.NIGHT
[Outside of the police department. Police Officers are seen standing at a good distance of twenty feet from the department along with Reed who is heading the team with Officer Hayes. Wyatt and Chris are hovering above the scene and are invisible. Chadwick, Kai, and Isabelle are there too disguised as officers.]
Chadwick: Let's hope this plan works.
Kai: Cause destroying the police department would be really bad.
Reed: Yes. Guys. And thank you allowing for us to help.
Isabelle: No problem. We're glad to help. Besides without a department. People can't report crimes.
Chadwick: And we're not letting that happen.
Reed: Thanks. Just only an hour before midnight. Hopefully they will be here.
Kai: Yea.
[Wyatt and Chris are in the sky discussing.]
Wyatt: Really hope this plan works.
Chris: If all else. We got a few sleeping potions ready to go.
Wyatt: No we just wait up here.
Chris: Yep.
[They continue hovering invisible in the dark sky. Then all a sudden a strange dark cloud covers around them including even Wyatt and Chris hovering in the sky]
[CUT TO]
SAN FRANCISCO P.D. NIGHT( SOME TIME HAS PASSED)
[The dark cloud has now dissipated. Christian, Josephine, Richie, Eveline, and Caleb along with the others in their pack are seen laying dead on the ground their eyes wide. Reed, Officer Hayes, Chadwick, Kai, Isabelle, Wyatt, Chris and the officers seem to have awaken from a deep sleep and are in shock at the sight. Once coming to, all of them then head over to check on them.
Reed: What just happened? How they turned like this?
Kai: I don't know. Last thing I saw was. Um. Don't remember. It's like someone messed with my mind.
Officer #1: This is strange. I don't remember anything either. Like you.
Chadwick: Me too.
Wyatt/ Chris: Same.
Officer Hayes: It's like someone messed purposely messed with our minds so we wouldn't let out of the truth.
Reed: Possibly.
Officer Hayes: But now. What to do with these bodies?
Reed: Send them to the morgue first.
Officer Hayes: What if Doctor Lonzo wants to examine them?
Reed: You're right. Let's get body bags for them.
Officer Hayes: Yea. Officers. You all go.
Officer #1/ Other Officers: Yes sir. Officer Hayes.
[They head into the department. Wyatt, Chris, Reed, Officer Hayes, Chadwick, Kai, and Isabelle continue examining the scene trying figuring out what has really happened and why their memories are a blur from what happened a few hours before with all of them scratching their heads in wonder.]
[CUT TO]
UNDERWORLD CAVE. THRONE ROOM. NIGHT
Demon: My Lord Dazos and dear Lady Johanna. It is done. I had my evil witches took care of that problem at the police department.
[He stands up and smirks.]
Dazos: That is great. Lucius. I knew you would never fail me. You would make your father, Vicus, proud.
[Johanna also stands up.]
Johanna: My love is right. Vicus would be proud of you.
[She then kisses Dazos very passionately with tongue. He does it back.]
Lucius: Thank you my lord and lady. I even had them do some memory manipulation on the others who weren't meant to die.
Dazos: Great job. Lucius. You may leave now and turn more evil witches to our side.
Lucius: Yes my lord.
[He shimmers out in the same way like his father as his eyes and mouth are seen grinning while shimmering away.]
[CUT TO]
GOLDEN GATE BRIDGE. TOP OF BRIDGE.NIGHT
[At the Golden Gate Bridge. On top of it. Wyatt and Chris are seen talking with an Elder, Paul, on what really happened at the police department.]
Wyatt: Why is that we don't remember what happened hours before those werewolves got killed?
Chris: Yea. Elder. Did you all see anything?
Paul: Unfortunately no. Something or someone was blocking us from watching over.
Wyatt: But who could be so powerful to do that.
Chris: Your Elders are powerful yourself.
Paul: Maybe it's someone higher than us. I don't think the Angels. They would never do things like that.
Wyatt: I'm thinking it could be an avatar. Maybe he or she got corrupted with power.
Paul: That is a good theory.
Wyatt: Thanks. Another question. Have the Elders decided who the next Charmed Ones will be?
Chris: I was just about to ask that same question. Big brother.
Paul: Not yet. But will let you all know when we finalized the decision.
Wyatt: Okay.
Chris: Later then.
Paul: Yes.
[Paul orbs out.]
Wyatt: Chris. Now that he is gone. Something has got me thinking. I don't think it might be the avatars.
Chris: Why do you think that that? Wyatt.
Wyatt: Cause the avatars only want peace and balance between good and evil. I mean what they would gain in killing werewolves.
Chris: You're right. Big brother. If it is not the Avatars, who could it be?
Wyatt: That I am trying to figure out.
Chris: Anyways. I'm hungry. Let's head home.
[His stomach starts to growl as does Wyatt's. Wyatt smiles.]
Wyatt: Me too.
[Wyatt and Chris ORBS out.]
[CUT TO]
HONDOUR APARTMENT. ROOM 314.NIGHT
[Outside of the door of Room 314. Chadwick is seen entering into the apartment followed by Kai and Isabelle. ]
[CUT TO]
HONDOUR APARTMENT. ROOM 314.LIVING ROOM.NIGHT
[In the living room.]
[Close-up on wall clock. It reads past midnight]
[Chadwick, Kai, and Isabelle are now seen sitting on the couch.]
Chadwick: That was strange. Right. All of dead like that.
Kai: And that most of us don't remember anything before what we saw.
Isabelle: It was seeing them like that. But now the threat of them against us is gone.
Chadwick: You're right. We don't have to worry about them anymore.
Kai: Me and Isabelle and the rest of us can live in peace.
Isabelle: And incognito. Anyways mind if I crash here tonight? It's really late.
Chadwick: No problem. You can take Sonya's old room.
Isabelle: Thanks.
Kai: May I crash too?
Chadwick: Yea sure. But you're getting the couch.
Kai: Agreed. It is your apartment.
Chadwick: Guess it's time for bed for us. Kai. I'll get pillows and a blanket for you.
Kai: Thanks buddy.
Chadwick: No problem.
[Chadwick leaves the living room. Isabelle leave too heading in the direction to Sonya's old room. Kai gets the couch ready by fluffing it up.]
[CUT TO]
HALLIWELL/ COOP MANOR. NIGHT.
[Still image of the manor.]
[CUT TO]
HALLIWELL/ COOP MANOR. MASTER BEDROOM.NIGHT
[In the master bedroom of the Halliwell-Coop Manor. Coop is seen sleeping peacefully as Phoebe is still awake not being able to sleep. The lamp near her side is dimly lit.]
Phoebe: What I saw. Oh. PJ. I have to stop it from happening. But how?
[Phoebe sighs heavily.]
[The sighs then awaken Coop. He turns to face her. And then yawns a bit.]
Coop: It's late. You should be asleep. For then energy.
Phoebe: Sorry. Coop dear. It's just the premonition. I saw today. Of PJ doing something horrible. And I wish to stop it.
Coop: Look. Phoebe. Premonitions can change. Things will be alright.
Phoebe: I don't know. Back then. The premonition of Andy dying. No one could what happened to him no matter what. He was meant to die.
Coop: It's really late. How about talk about this later. Please rest.
Phoebe: Okay. Honey.
[Phoebe turns off the lamp and cuddles back into bed closing her eyes. Coop lays back down. And now heads back to sleep.]
[GO TO BLACK]
[END OF EPISODE]
[BACK ON BLACK]
[End Credits rolling to shortened theme song to reveal supporting cast and guest stars.]
Now on screen:
Co- Starring:
Holly Marie Combs as Piper Halliwell
Alyssa Milano as Phoebe Halliwell
Victor Webster as Coop
Rose McGowan as Paige Matthews
Ivan Sergei as Henry Mitchell
Patrick Dempsey as Reed Havenfield
Seamus Dever as Mitchell Haines
Gabrielle Ruiz as Katerina Lonzo
Also Featuring:
Kat Dennings as Axaria/Angelie Deviling
Lucas Till as Larson
Javier Bardem as Christian Aragon
Kayla Ewell as Josephine Aragon
Gregg Sulkin as Richie/Brown Fur Werewolf
Bridgit Mendler as Eveline/Grey Fur Werewolf
David Henrie as Caleb/ Silver Fur Werewolf
Steven R. McQueen as Chadwick Merrick
Ryusuke Kobayashi as Kai Atashi
Kate Upton as Isabelle Reddings
James Franco as Front Desk Officer
James Marsden as Officer Hayes
Ian Somerhalder as Officer Fox
Taylor Kinney as Blaine
Shailene Woodley as Virginia
Matt Davis as Lionel
Daniel Radcliffe as Lucius
Jason Isaacs as Elder Paul
Uncredited Actors as Five Officers at Hospital
Uncredited Actors/Actresses as Other Silver Fangs Pack Members
Uncredited Actors as Officers Outside Police Department
Uncredited Actor as Dazos
Uncredited Actress as Johanna
