1x11 Lustful Desires

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Darcelia Darkwell
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1x11 Lustful Desires May 6, 2021 3:37:15 GMT

Post by Darcelia Darkwell on May 6, 2021 3:37:15 GMT

Charmed The Legacy Continues

" Lustful Desires"

Episode number: 1x11

TEASER

FADE IN:

EXT. THE MAJESTY-NIGHT

CLOSE UP: ON SIGN

CUT TO:

INT. THE MAJESTY-THE OFFICE-NIGHT

A faint pink cloud of smoke surrounds the office. Nothing can barely be seen. Only two figures, the manager of The Majesty, GEORGE LEIGHTON(32), and Amora is seen, in the office chair, being continually kissed with desire on her back, which is revealed due to the dress, being party unzipped. His tie is hanging over the computer, and an unbuttoned shirt with just pants and shoes.

AMORA

Oh yes. George. More. It’s so nice to feel this feeling again. Of desire.

George pauses a bit.

GEORGE

I want to do more than just kissing you.

AMORA

I know. Patience. There’s all the time in the world.

GEORGE

But I can’t wait. I desire you so much.

AMORA

Yes I know. But there is a time and place for everything. You must focus on running this place. Make sure it turns into a love paradise.

He turns the chair around so she can face him.

GEORGE

That’s is not in my view. When I got this place.

AMORA

Darling. Do it for me.

GEORGE

I want to. But I can’t.

AMORA

I know. Darling. One more thing.

GEORGE

What? Is it more than kissing?

AMORA

Not exactly.

Amora then kisses George on the neck very intensely, and breaks away. A dark pink colored hickey is formed. His eyes glow pink and is now in a trance.

AMORA

( CONT’D)

Now darling. Follow the example of everyone. And your staff and employees. Achieve what you desire from me. In others. There are plenty outside.

GEORGE

As you wish. My teddy bear.

He marches out, still in a trance, heeding her orders. She then smirks.

AMORA

And soon all of them here will belong to me. And the rest. The ones will make feel truest pleasure.

And then walks out of the office.

FADE OUT TO BLACK.

END OF TEASER

Last Edit: Mar 16, 2022 18:11:47 GMT by Darcelia Darkwell

Darcelia Darkwell
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1x11 Lustful Desires Sept 27, 2021 4:22:47 GMT

Post by Darcelia Darkwell on Sept 27, 2021 4:22:47 GMT

ACT ONE

FADE IN:

EXT. SAN FRANCISCO-DAY

Shots of all of San Francisco to the song of “Lust for Life” Lana Del Rey ft. The Weekend.

CUT TO:

EXT. THE BAY MIRROR-DAY(STILL)

BKG music fades out.

CUT TO:

INT. THE BAY MIRROR-EDITOR-IN-CHIEF’S OFFICE-DAY

CLOSE UP: ON THE COMPUTER. It is of the first page of the news story. A image of Alia and headline: Mayor’s Disappearance After Unveiled Scandal.

The camera moves away back to the woman looking at the monitor, Diana, the Editor-in-Chief. The face is seen.

DIANA
My work has to go on beside all the magical craziness that went on yesterday. And this will be another great story.

A knock is heard on the door.

DIANA
(CONT’D)
Who is it?

A voice responds. It is of Diana’s assistant, TANYA.

TANYA
(O/S)
Ms. Diana. It’s me. Tanya. A messenger gave me an invitation for you.

DIANA
Oh. Please come in. The door should be open.

Tanya walks in. She is a Black woman, looking to be in her 20’s. And then walks over facing her boss, with the invitation in her hand.

TANYA
Here’s the invitation.
She hands it over. Diana takes it and then places on a spot on her desk.

DIANA
Thank you. Tanya. What’s the invitation about?

TANYA
I think you should read it yourself. Ms. Diana.

DIANA
Okay. Tanya. Alright. Thank you.

TANYA
Also. Don’t forget you have a lunch business meeting later today at a nearby café.

DIANA
Yes. Of course. Thank you. And also. Could you let the copy editor know I’m going to email something for him to look over, before publishing?

TANYA
Sure. Of course. Ms. Diana.

DIANA
Good day. Tanya. And keep up the good work. And I’ll call for you for anything else.

TANYA
Thanks. Good day to you too. Later.

She leaves the room and closes the door. Diana starts to read the invitation. It is light blue paper with fancy handwriting in black colored font.

It reads:

DIANA

(reading)

We invite you to Stefan Grafton’s 35th Birthday Bash.

Come this weekend.

For the most of your life.

Meet around eight o’clock at night at the San Francisco Docks.

For more information, please email, grafton57@gmail.com or text at the number, (415) 545-5699.

She then puts the invitation away into one of the drawers in her office. And sighs. She then rolls her chair closer, back to work on her computer, scrolling to the next page.

CUT TO:

EXT. SAN FRANCISCO P.D-DAY(STILL)

CUT TO:

INT. SAN FRANCISCO P.D- MAIN WORKPLACE-DAY

The whole area seems to be empty, with just Morgan, there, who is pacing around the room, looking a bit annoyed.

MORGAN
(annoyed)
Where the heck is Inspector Mitchell! He should be here by now!

Graham walks out and goes over to Morgan, and notices her expression.

GRAHAM
Looks like someone is having a bad day.

She calms down a bit.

MORGAN
Kind of. I guess. Your nephew hasn’t shown up at his usual shift.

GRAHAM
That is strange. I thought he stayed over at Kristi’s place. And would show up later. And then I called the place. This morning. To check on Inspector Mitchell’s status. And her parents told me she never came home either.

MORGAN
That is strange. And also. Every time I call him. It goes straight to voice mail.

GRAHAM
I see. But let’s worry about that later. We got another case in hand.

MORGAN
Great. Brief me on it.

GRAHAM
Reports of civilians just walking around, and sometimes don’t see where they are going. Like in a trance. To a certain location. And three was revealed to be hit by a car, and are in the hospital. And one of them woke up, not remembering anything.

MORGAN
That is strange. I’ll go get on that now.

GRAHAM
You go. Detective Chase.

MORGAN
Yes sir.

She heads out of quickly. He heads back into the hallway heading back to his office.

CUT TO:

EXT. SAN FRANCISCO STREETS-DAY

At a traffic crossing, four civilians, two young woman and young men, look to be in a sort of the trance, walk while the walking light is not showing the walking symbol, as two cars, nearly collide into each other, almost crashing. The drivers get out of their car and go to meet each other.

DRIVER #1
What the hell? You could have killed me.

DRIVER #2
The same to you. It wasn’t my fault. There was jaywalkers.

DRIVER #1
Same problem.

DRIVER #2
Sorry.

DRIVER #1
Sorry. Too. Let’s just ignore this.

DRIVER #2
I agree. It was an unfortunate accident.

The two drivers get back in their cars and then drive off back on the road.

CUT TO:

EXT. SAN FRANCISCO UNIVERSITY-DAY (STILL)

Aerial view of campus.

CUT TO:

INT. SAN FRANCISCO UNIVERSITY- ENGLISH LITERATURE CLASS-DAY

All students are already seated in the classroom, as Cecilia, prepares to shut the door, when William runs in, squeezing through. She rolls her eyes at him.

CECILIA
Mr. Covington. Tsk tsk tsk. You nearly were late. That’s not like you at all.
He blushes a bit, surprised that she is the professor, of the class, currently. No one notices the color changed on his face.

WILLIAM
Professor Redford?! I didn’t know you teach that class.

CECILIA
Professor Allen had an emergency. And I was asked to take over. Now please. Take a seat in the only seat left. You already wasted enough time. And also. Stay after class. A bit. I hope you have no other plans.

WILLIAM
No. I only have this class today.

CECILIA
Great. Hurry up and take a seat.

WILLIAM
Yes. Professor.

William takes a seat next to a classmate, LUCAS VARNEN( 20’s).

LUCAS
Close call. Dude. What’s up with you? You aren’t…

WILLIAM
I know. Let’s face her. I don’t want to get any more trouble than I am already. For being almost late.

LUCAS
Right. Of course.

The two turn around and face Cecilia in front. She begins put on a holographic projector, to start the lecture.

CECILIA
Alright. Students. Today’s lecture will be about William Shakespeare. And also our starting play book. Will be discussed today. So any questions?

WILLIAM/ LUCAS/ SAN FRANCISCO UNIVERSITY STUDENTS
No. Professor.

CECILIA
Let’s get started.

The slide starts as she starts to lecture to the whole classroom.

CUT TO:

EXT. LENNOX WINE-DAY(STILL)

CUT TO:

INT. LENNOX WINE- OLIVER’S OFFICE-DAY

Oliver is on his computer, having just watching the moment between William and Cecilia. He smirks.

OLIVER
Very interesting. Their weaknesses. I could do the same for him and the eldest one too like dear old Wilbur.

Amora then FADES in a dark pink afterglow.

AMORA
Hello. Master.

OLIVER
Amora. What a surprise. You have fun in the city.

AMORA
Yes. The clone I sent out is creating havoc. Soon all of San Francisco citizens would be under my grasp.

OLIVER
That’s great. Are you here to report? Or something else.

AMORA

I been browsing in the underworld and heard rumors of the Covington witches that have been bothering you. I can take care of them for you. Master. Prey on their lust. Like I did with two of their allies, unknowingly.
Oliver squints his eyes a bit in intrigue.

OLIVER
What allies?

AMORA

I think they go by the name of Sam Henry Mitchell and Kristi Lawson.
OLIVER

No way.
AMORA

They are my prized thralls. I didn’t think I would be able to capture witches.
OLIVER

You are wrong. Sam from what I learned is a mortal.
AMORA

Not anymore. He has powers now.
OLIVER

Very interesting. And these two are still under your control.

AMORA

Yes. They tried to resist. I think because of their love for each other. And being magical. But don’t worry. I got that taken of.

OLIVER

So. You can do the same for the Covington siblings. Make them your thralls also.

AMORA

Yes.
OLIVER

Then do it. And use your prized thralls. One of them is a good friend of them. Kristi.

AMORA

You got it.
She FADES out in a dark pink afterglow. Oliver reveals a wicked grin.

OLIVER

Who knew that these sins could make things go the way I want. No one to oppose me. Let’s hope no one else resists and gets rid of this demon.

He then heads out of the office and closes the door behind him, and the sound of locking it is heard.

CUT TO:

EXT. CABIN-DAY

A medium sized cabin lays in a vacant area.

CUT TO:

INT. CABIN- LIVING ROOM-DAY

A living room, seemingly looking larger than the cabin is outside. It is similar to a mansion’s version of a living room, and a sort of love’s nest. There are love couches everywhere around, and some beds. On one of the beds, shirtless young men, including George, and young women, wearing just black colored lingerie, are seen catering to Amora, who is wearing a light pink sexy dress, a bit thin, revealing her bra. They are massaging her, fanning her, and even feed her chocolate strawberries and grapes.

AMORA

This is nice. I love being freed.

George then goes up to Amora. His eyes are in a true trance.

GEORGE

Is it time to do more?

AMORA

Of course. Darling. George.

She sends out a cloud of light pink smoke all around the room shot out through her hands, covering the whole room where nothing can be seen. And the smoke dissipates. Everyone there, include George, falls asleep, and seeming to be dreaming something, about desire. They are start muttering the same phrases.

GEORGE/ YOUNG MEN/ YOUNG WOMEN

(muttering in dream)
Oh my love queen. You’re so sweet. I want you forever.
AMORA

( CONT’D)
That was fun. But I got some important matters. These normal thralls used to satisfy in the past. But not today. There are two that are on my mind.

She walks out of the living room.

CUT TO:

INT. CABIN- AMORA’S BEDROOM-DAY

The bedroom has a pink and white theme, on the walls, furniture, the bed, bedsheets, pillows, and the blanket. Sam and Kristi, just stand still as a statue in a room, like they are frozen in time. Amora walks in and glances at them.

AMORA

This is what it means to be frozen in love. How kind of them to wait for me.
On their neck. It is a blue colored mark on their neck, in the shape of lips.

AMORA
(CONT’D)

I guess living in the underworld back then has its perks. I would have no idea to stop these two from leaving, when they resisted. Through my lust power on them.
And then the mark starts to dissipate. Sam and Kristi become unfrozen and look confused where they are, and who the stranger is in front of them.

SAM

What the. Where are we?

KRISTI

And who are you?

AMORA

Both of those questions don’t matter. All you need is to remember last night.
She then blows light pink dust into their faces.

AMORA
( CON’TD)

Now remember.

The two begin to feel dizzy.

SAM

(dizzy spell)

What is…

KRISTI
( dizzy spell)

What di.. yo.. u d.. o
They then remember. Their eyes glow white. And begin to lust for each other. Sam and Kristi, start making out passionately, and then go for the bed, giving into their desires, taking their clothes off slowly, as Amora watches.

AMORA

Yes give in. Be my thralls again.

She smirks.

CUT TO:

INT. CABIN- AMORA’S BEDROOM-DAY( LATER)

Sam and Kristi are seen facing Amora, but don’t have the trance looking eyes like the civilians in the streets, and George.

SAM

Amora.
KRISTI

We both apologize for resisting you. It’s just…

AMORA

I understand. After all, I’m the deadly sin demon of lust. I can sense between you two, that there is more than lust there.
SAM

We are at your command. My lady.
KRISTI

What you said. We abide.
AMORA

Come. With me to the underworld.
SAM

The underworld. Why? It’s dangerous.

KRISTI

Yea. We’re witches.

AMORA

Don’t worry. My dearies. I will take care of it. A couple of them know me. They don’t want dare to hurt those who serve me.

SAM

Thank you. My lady.

KRISTI

We are honored to serve you.
AMORA

Now. My lovelies. Let’s go.

They nod in agreement. She takes their hands and FADE out with them in a pink afterglow.

FADE OUT.

END OF ACT ONE.

Last Edit: Mar 16, 2022 18:12:29 GMT by Darcelia Darkwell

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1x11 Lustful Desires Sept 28, 2021 2:19:37 GMT

Post by Darcelia Darkwell on Sept 28, 2021 2:19:37 GMT

ACT TWO

FADE IN:

EXT. UNKNOWN FOREST-DAY

Morgan is on the move, following with a good distance, from a group of people, various ages of 20's to 30's. Who keeping walking forward and havn't stopped.

MORGAN

So close. I'll figure out this case for the Chief.

She continues to follow them.

CUT TO:

EXT. CABIN-DAY

The group of people finally make a halt and not move. Morgan steps forward a bit, but accidentally makes stepping on a small branch. They are alerted and turn around, looking at her for a few seconds, and then turn back around, still at a halt in front of the cabin.

MORGAN

(CON'TD)

What the heck is going on? Have to report. But need to stay more for more information.

She then finds a tree nearby to hide behind and wait to see what else will happen.

CUT TO:

EXT. PETER'S APARTMENT-DAY(STILL)

CUT TO:

INT. PETER'S APARTMENT-LIVING ROOM-DAY

Peter is currently on a holographic screen call with Captain Rodgers, once again.

PETER

A lot of stuff. These demons never appeared in the history reports.

CAPTAIN RODGERS

Well. Someone is trying to make our future dark. But we must stop them. Do whatever it takes. Lieutenant.

PETER

I'm trying. But not of us have powers. And we can't reveal too much.

CAPTAIN RODGERS

I understand. Lieutenant Parks.

PETER

And some accidents have happened. People are walking in the street, in a sort of a trance. And car accidents happen.

CAPTAIN RODGERS

That's unfortunate. Please try to investigate more on that. But also be careful.

PETER

I will. Captain. Good day.

CAPTAIN RODGERS

Good day. Lieutenant.

He then taps edges of the antennas and the screen shuts off. And then grabs the tech and walks away.

CUT TO:

EXT. ABANDONED WAREHOUSE-DAY(STILL)

CUT TO:

INT. ABANDONED WAREHOUSE-DAY

The room is barely lit. Willa, William, and Wilbur enter.

WILLA

I know this is a trap. But Kristi has helped us much.

WILLIAM

Yea.

WILBUR

Yea. Like helped with what happened yesterday, when all of three of us were enchanted by something.

And then the lights all flicker on. The only thing in full light, is Kristi, tied up, looking a bit beaten, with Amora.

KRISTI

Guys. Why you three come? It's a trap.

AMORA

Shut up. Woman.

She slaps her hard in the face, leaving a bit of red mark. The three siblings' eyes go wide.

WILLA/ WILLIAM/ WILBUR

Kristi!

KRISTI

Leave now. Before it's too late.

WILLA

Kristi. We're the Charmed Ones now.

WILLIAM

We can take care of this demon.

WILBUR

Don't you worry.

KRISTI

This demon is not any demon. It's one of the deadly sins. You know how hard they are to deal with.

AMORA

Your friend has a good point.

Amora then sends a pink colored blast of wind at the three, as they get blasted away back into the darkness, a thump is heard. Three claps of an unseen person is heard. The whole interior of warehouse is all lighted, a vacant space, with boxes of crates. They are surprised to see Sam, standing in front of them.

WILLA

Sam? You're here too?

WILLIAM

Did you come to save Kristi also?

WILBUR

I bet you got the same message right?

He smirks.

SAM

Not exactly.

And then takes a potion out, throwing it, as purple smoke comes out, causing the three to fall instantly asleep. Kristi then joins over, together, with Amora.

AMORA

Sorry I had to have those demons rough you up a bit. Darling.

KRISTI

It's alright. My lady. All worth it to be at your service.

SAM

We got them now.

AMORA

Yes we do. Soon these witches will be under my control.

SAM

Yes indeed. My lady.

AMORA

My dearies. You know where to take them.

SAM

Of course. Lady Amora.

KRISTI

As you wish.

The two both go over to where the three Covington siblings are. Sam then ORBS them all out except Amora.

AMORA

I sense my new followers have arrived. Time to go.

She FADES out with a pink afterglow.

CUT TO:

EXT. CABIN-DAY

Amora FADES in with a pink afterglow landing in front of them.

AMORA

Come. My new subjects.

She opens the door with just a wave of her hand. And then enters inside followed by the group of people who had arrived near the door. Morgan sees what has happened but is too late and missing the opening to get inside.

MORGAN

Dang it.

She turns the doorknob and is surprised to see that the door is unlocked. And grins.

MORGAN

(CONT'D)

Almost too easy.

And then enters inside. Closing the door. Her screams are then heard a few seconds after the door closes.

CUT TO:

INT. URSULA'S APARTMENT-BEDROOM-DAY

Felix is with a young woman, URSULA JACOBS, around the same age as him, on her bed. They begin to get close, mere inches of kissing each other, when he hesitates and stops.

FELIX

I can't. Ursula. This was a mistake. Accepting the invitation.

URSULA

Really. Felix. Why do you always have to play hard to get? I know the both of us had something when we met in campus café shop.

FELIX

Look. Ursula. It's not you. But me. I'm not the guy for you.

URSULA

Really? Felix. We almost had a moment a few minutes ago.

FELIX

Just a moment of weakness. It seems romance is in the air. And that's why I felt the need to...

URSULA

Accept the invitation. After I tried and I tried. And you just brushed it off.

FELIX

Look. I know you probably want a guy who willingly wants to show their emotions. But that's not me. Ursula.

URSULA

You're lying. That's not how you were. About a year ago at that café shop.

FELIX

It's been a year. People can change.

URSULA

Not that quickly. This is a whole personality change.

FELIX

Sorry. This was really a bad mistake. I have to go. Got studying to do.

He begins to get away from the bed but she grabs his arm, pulling it back. Her eyes start to become teary.

URSULA

(tearing up a bit)

Felix. Please don't leave. We're meant for each other. Stop resisting.

He turns to her also, and tears begin to form in his eyes too. BEAT. This is the first time that Felix has shown true emotions. And then wipes the tears away from his face, with his hand.

FELIX

I'm sorry. Ursula. Just can't.

He heads out of the bedroom. Ursula goes into tears.

URSULA

(in tears)

Boys. Why are they always idiots? Stupid Felix! How dare he!

She then burst into tears, feeling a bit heartbroken, and pulls the sheets over her face, now crying. The camera starts to move away it...

FADES OUT TO BLACK.

END OF ACT TWO.

Last Edit: Mar 16, 2022 18:12:44 GMT by Darcelia Darkwell

Darcelia Darkwell
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Admin
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Posts: 453

1x11 Lustful Desires Sept 28, 2021 2:22:36 GMT

Post by Darcelia Darkwell on Sept 28, 2021 2:22:36 GMT

ACT THREE

FADE IN:

INT. SAN FRANCISCO UNIVERSITY-CECILIA'S OFFICE-DAY

Her door is seen to be opened. Cecilia is wearing glasses, looking to grade some papers. William then enters, feeling a bit hot and bothered, and tries to control himself.

WILLIAM

What is.. wro.. ng with me...

She notices him and then closes and locks the door of her office.

CECILIA

William? Are you okay? Also why the sudden visit.

WILLIAM

I want to apologize for refusing to stay after.

CECILIA

It's okay. William. I understand.

WILLIAM

Ah. I don't know what's wrong with me. Ever since I arrived on campus. I'm feeling an urge to just have passionate sex with all of the college women I saw today. But I resisted.

CECILIA

William. Are you feeling the same effects for the people in the city?

WILLIAM

Don't know. But I...

He starts to take his shirt off, feeling the emotions of desire and lust, and starts to sweat a bit. She gasps.

CECILIA

William! This is not the time.

WILLIAM

I know. But can't resist anymore.

He pulls her forcefully, giving into his desires, planning a passionate kiss on her, and almost about to undress her, when she pushes him back and slaps him hard.

CECILIA

What the hell! William. We could have gotten caught.

WILLIAM

I don't want to res...

And then an orb of dark pink light escapes out of his body. William is in shocked and looks humiliated.

WILLIAM

( CONT'D)

(looking humiliated)

Oh my gosh. I'm so sorry. Professor. Don't know what came over me.

CECILIA

As I suspected, it's what happened in the city. Lustful desires.

WILLIAM

This is so awkward. Sorry to interrupt your work. Bye. Guess I'll see you tomorrow. Then.

CECILIA

William. Don't leave. There's a way to apologize to me.

WILLIAM

Really?

CECILIA

Come to my house tonight.

WILLIAM

Really? I thought...

CECILIA

Despite being under the enchantment, I know your feelings for me are true. So.. . Let's give into our desires, but of our own will this time.

WILLIAM

I would like that. Text me the address.

CECILIA

I will. See you tonight.

WILLIAM

Yea. See you tonight. Good luck grading papers. Hopefully you won't feel tired from all that till tonight.

CECILIA

Trust I won't. William. You're worth all of my energy. Later.

WILLIAM

Later.

He goes to unlock the door and exits out of the office. Cecilia sighs in joy.

CECILIA

That young man. No one has ever drove me so crazy as him. Or make my heart beat. Could be the one?

She then gets back to grading papers.

CUT TO:

EXT. LENNOX MANSION-DAY(STILL)

CUT TO:

INT. LENNOX MANSION-FOYER-DAY

Felix had just entered inside when Bertram walks in.

BERTRAM

Young master. Welcome home again. Your day went good?

His face look expressionless.

FELIX

I really don't want to talk about it. Getting some fresh air in the park helped. But not enough.

BERTRAM

I see. You need someone talk about it. You know I'm always here for you.

FELIX

I know. Bertram. You're like a second father to me. When father isn't around.

BERTRAM

Master Oliver is a busy man. And what he is doing is for the best of the both of you even though Felicia doesn't still understand.

FELIX

Yea. Felicia is super happy about our " biological mother." . I still don't trust her.

BERTRAM

I actually know her. She was supposed to be dead actually.

Felix's eyes change to a look of curiosity.

FELIX

Really? Tell me more. Bertram.

BERTRAM

Sorry. It's confidential. I'm sure your father will find the right time to tell it. But for now. Just forget I said anything about her.

FELIX

Alright. Bertram. Speaking of Felicia. She out with another boy again?

BERTRAM

Not out. But in. I was doing some cleaning when I heard noises in her bedroom. Of moaning and such.

FELIX

Well. That's Felicia for you. She can't help herself.

BERTRAM

It makes her what she is. Yea. Love her no matter what. I never got a chance to have kids. So it was nice when Master Oliver decided to take you two in to raise.

FELIX

Think I'll go rest a bit. Maybe it will put my mind off my bad day today.

BERTRAM

Yea. You do that. Young Master.

Felix heads past the foyer towards the stairway as Bertram also leaves the area.

CUT TO:

INT. LENNOX MANSION- FELICIA'S BEDROOM-DAY

All clothes are seen everywhere on the floor. Under the sheets, both Wilbur and Felicia are naked, staring at each other in desire.

WILBUR

I really want to go again. It was fun. Who knew giving into your desires would be so fulfilling.

FELICIA

And I'm sorry for giving up on us. Due to certain reasons. I don't want to lose you anymore.

WILBUR

So? When is your father coming home?

FELICIA

Think he's working late again.

WILBUR

So we got all day for another few rounds.

And then their eyes glow dark pink. They both freeze in place for a few seconds. And start to mutter out something.

WILBUR/ FELICIA

Lady Amora. Lady Amora.

The two then get out of the bed, still not wearing their clothes, and walk out of their room. Only their backs are seen as they walk out of the room.

CUT TO:

EXT. SAN FRANCISCO STREETS-INSIDE PETER'S CAR-DAY

Peter is on the phone through the ECU, or engine control unit, through the call option, with Eleanor.

PETER

It is weird. Been driving around. And the whole city is basically empty now.

ELEANOR

(ON PHONE)

Yea. Guess meet at your place. To discuss. Should we get the others?

PETER

No. They are occupied with their cover jobs at the moment. Come on. Eleanor. We're always in everything together.

ELEANOR

( ON PHONE)

Alright. Fine. See your place. Soon.

PETER

Yea.

ELEANOR

( ON PHONE)

Later.

The call immediately hangs up. From her side. He continues to drive.

CUT TO:

EXT. SAN FRANCISCO- DAY TO EVENING- EVENING

Shots of all of San Francisco as the day eventually turns into evening. A white fog appears at the last shot, covering the Golden Gate Bridge.

CUT TO:

EXT. THE GOLDEN GATE BRIDGE- EVENING

The white fog now dissipates. It seems nothing has changed.

CUT TO:

EXT. GOLDEN GATE PARK- EVENING

An aerial shot. The park is not a luscious park with its sites, landscapes, and beach anymore. It is now a kingdom, with a dark pink castle in the middle.

CUT TO:

EXT. GOLDEN GATE PARK KINGDOM-CASTLE-EVENING

A grand pink castle stands tall. It is modern style not like in the medieval times, in a bit of similar style to a castle in London, England. Guards can been seen at the entrance, with their protective suits, watching over the area.

CUT TO:

INT. GOLDEN GATE PARK KINGDOM- CASTLE- THRONE ROOM-EVENING

Amora is seen in a royal like dark pink dress, along with wearing a crown. Willa, William, and Wilbur are standing near her on her left, while George, Felicia, Sam, and Kristi are standing on her right, from the throne seat she is sitting on.

AMORA

Now I control the current Charmed Ones, and some powerful witches. Here. Even though one of them hasn't reached his true potential. But in time he will.

Two guards then enter and bow to her. And then stand back up.

GUARD #1

We have some news.

AMORA

I hope it's good news.

GUARD #2

Unfortunately not. Someone broke into the dungeon where you had kept the detective. And let her escape, but we were able break up to put her under your control.

AMORA

But how? No one can get through. I enhanced the security. And the cameras.

GUARD #1

I have no idea.

AMORA

You know. You two should go after instead of telling me the news.

GUARD #2

Oh we did. The other ones are chasing after them right now.

AMORA

Good. Now I must enjoy my lovers.

GUARD #1

Understood. My queen.

GUARD #2

Of course.

They walk out. Amora then turns around to face Willa, William, Wilbur, George, Sam, and Kristi, whom eyes look normal, but they actually are under her enchantment.

AMORA

Now to enjoy. I didn't get a chance till I had some help to control this city, and got William somehow into my control. Thanks to Beatrix dealing the situation. Or else.

Her eyes glow pink. And they do too. And eventually mutter out something.

WILLA/ WILLIAM/ WILBUR/GEORGE/ SAM/ KRISTI/ FELICIA

Lady Amora. Lady Amora. We live to serve her. She is our true Queen.

She smirks.

AMORA

Now serve me. As you all know how.

WILLA/ WILLIAM/ WILBUR/GEORGE/ SAM/ KRISTI/ FELICIA

As you wish.

All of them then begin look with desire for Amora. They all go on different corners of her body, and start kiss her with true lust all around every part.

AMORA

Ah. Yes. That's it. My lovelies.

The passionate kisses, as she moans with joy, with camera moving away and it...

FADES OUT TO BLACK.

END OF ACT THREE.

Last Edit: Mar 16, 2022 18:12:58 GMT by Darcelia Darkwell

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1x11 Lustful Desires Sept 28, 2021 2:26:36 GMT

Post by Darcelia Darkwell on Sept 28, 2021 2:26:36 GMT

ACT FOUR

FADE IN:

EXT. PETER'S APARTMENT-NIGHT(STILL)

CUT TO:

INT. PETER'S APARTMENT-LIVING ROOM- NIGHT

Peter is with Eleanor, along with the other Time Ravens officers, Ingrid, Dalton, and Kenton, dressed in casual clothing once again, of this century. On the television screen, they see footage of the Golden Gate Bridge of white fog disappearing and reappearing over it, every couple of minutes. And continuing trying to figure what is going on.

INGRID

Lieutenant. You should have told us about this before things escalated like this.

DALTON

Yea. You should have trusted us.

KENTON

He never did. We were all rookies at first when joining his team. And he never appreciates us.

ELEANOR

That's not true. Peter could have gone with more experience Time Ravens, but chose you three, seeing the potential.

KENTON

Well. Maybe he made the wrong decision. That demon out there wouldn't control basically all of Golden Gate Park now.

PETER

We didn't know that demon's true plan. It was hard to figure out the situation.

ELEANOR

Plus. There's a bigger threat at hand. The one who gained control of the Upper Realm. He probably use his influence to help that demon. There was no way...

INGRID

I thought being time travelers we would have the upper hand. But no.

PETER

At least we were able to infiltrate that place somehow. And save that detective.

ELEANOR

That poor woman. What they did to her. She was out of her mind. Thankfully our technology. Was able to help her forget everything. And got her back home.

PETER

And now we can't get in. Arman, our liaison, sacrificed himself to get us in there. And now he probably is under that demon's control too.

ELEANOR

There has to be a way to get rid of that demon somehow.

PETER

How? All of San Francisco, including the witches that live there, are under that demon's control right now.

ELEANOR

We could use our time ship to get here to go back where it would happened.

PETER

Yea. Good idea. But we don't know which point it happened. For now, I think it's time for dinner.

INGRID

Yea. I'm getting hungry from all this. Analyzing.

PETER

Great. It will be ready in like thirty minutes. Just all wait here.

They nod. He then leaves the room as all of them sit waiting, and keep watching the footage.

CUT TO:

EXT. LAWRENCE MANSION-NIGHT(STILL)

CUT TO:

INT. LAWRENCE MANSION-MASTER BEDROOM-NIGHT

Cecilia TELEPORTS in a fading colored pink mist. She notice Beatrix in a red colored sexy lingerie.

CECILIA

Ready for a fun night? Beatrix.

Beatrix turns and smirks.

BEATRIX

Oh. Cecilia. Didn't expect to see you at all.

CECILIA

Cut it with the pleasantries. I want to know where you took William. He was supposed to meet me tonight.

BEATRIX

Oh. Cecilia. I thought you never fall in love with any of your prey. That young man has made you soft.

CECILIA

Now where is he? Or I swear I will...

BEATRIX

Will what? I made you who you are. Helped you understand your powers. And you repay that way. And you wouldn't have gotten that boy to your side if it wasn't for my help.

CECILIA

William is different. From the others.

BEATRIX

Oh is he? Like all of them. If that boy finds out the truth that you had his memories altered. And such. There will be no forgiveness.

Cecilia gives a serious look at her.

CECILIA

( serious)

You wouldn't dare!

BEATRIX

But I would. Cecilia. Along with revealing your relationship with him that could possibly cause you to lose your job at the university.

Cecilia's face goes red with anger. She clutches her fist.

CECILIA

You wicked woman. No wonder you can't ever have someone that truly loves you. I bet whoever you're banging tonight is someone under your control.

BEATRIX

Mind your business. Remember. I can take all you have now. Away.

CECILIA

Look. I came here knowing you only know where William could be. And had a feeling you wouldn't tell my anything. I don't know why I came.

BEATRIX

Yea. Why did you? If nothing was going to be revealed.

CECILIA

No idea. I thought with our relationship with each other. We have similar powers. Troubled background. That you would indulge me. For what I want to find.

BEATRIX

You know. I don't have a heart anymore ever since the incident with a certain someone many years ago. So I rather make you suffer worrying about that boy.

CECILIA

I can make you suffer also by killing that current lover of yours also.

BEATRIX

That's funny. Cecilia. You wouldn't dare. If I'm gone. All your secrets will come to light.

CECILIA

Don't care. All I want is William now. And I know you had something with his disappearance.

BEATRIX

Then kill me now. Cecilia. If you can.

CECILIA

It's not worth it. I don't want William to think I'm a killer. Have fun.

BEATRIX

Oh I will. Unlike you. Must be heartbreaking not having him by your side.

CECILIA

I'll find him eventually. Not giving up hope.

BEATRIX

Then wish you luck then.

CECILIA

Thanks. But I don't need your wishes.

She then FADES out in a fading colored pink mist. Beatrix clutches her fist in anger.

BEATRIX

(furious)

The nerve of her. Being so smug. But I did taught her well. It seems I have rubbed off on her.

Franklin finally comes out of the shower, hair still a bit wet, with only a towel wrapped around the bottom of his body.

FRANKLIN

Sorry. I took so long. Babe. But was waiting. Heard you talking to someone. And didn't want to interrupt. And also. When did we have visitors? And I didn't hear the doorbell.

BEATRIX

I mean when the shower runs. The water is pretty loud. So that's why. And it was unexpected. A friend. Just voicing her love troubles. And I gave her advice to deal with it. That's all.

FRANKLIN

Let's get kinky. Shall we? Wife.

BEATRIX

Of course. Husband. I'm all yours.

He goes and carries her whole body in his arms, laying her on the bed. And gets on it, him being on top. She pulls him in, and starts to kiss him passionately. He reciprocates as the sheets go over them as they start to make love.

CUT TO:

INT. GOLDEN GATE PARK KINGDOM-CASTLE-WILLIAM'S BEDROOM-NIGHT

Cecilia FADES in a fading pink colored mist. She sees William sleeping peacefully but feels something is off.

CECILIA

This is too easy. I was unable to get to him till a few hours ago.

It seems that there is a speaker box on a wall. A voice echoes from it, sounding like Amora.

AMORA

(O/S)

You're right. Someone warn me ahead. My master. He has spies everywhere.

CECILIA

Where the heck are you! Come out. Coward.

AMORA

(O/S)

I don't think I will. And if you want to be with him, your wish will come true.

And then from the floor. A vent opens up, releasing pink colored smoke filling the room, making the whole area a bit cloudy. An illusion happens. Cecilia sees William, shirtless, and without his glasses. And becomes under the effect of the smoke. Her eyes glow pink. She gives into the illusion that is seen. And begins to kiss the illusion William, passionately. And then the smoke dissipates. She is seen now, kissing the air, still being affected by the power of the illusion. The camera then moves away from Cecilia, and William sleeping on the bed, when it...

CUT TO:

INT. GOLDEN GATE PARK KINGDOM-CASTLE- SECURITY VIDEO ROOM-NIGHT

Amora is in a light pink nightgown, sitting on a computer watching Cecilia, closely, zooming in.

AMORA

Oh Cecilia. You may have power similar to me. But I'm the deadly sin demon of lust for a reason. My dear.

(to UNSEEN PEOPLE)

Right. My darlings.

And whomever she is talking to, turn out to be two people, Sam and Kristi, whom are shirtless, and only in velvet red lingerie respectively. Their eyes are filled with desire for her.

SAM

Yes you are. Lady Amora.

KRISTI

No one knows lust better than you.

She turns around to face them.

AMORA

The others are fun. George. Those new Charmed Ones. And that Darklighter-Witch. But you two are most special. The ones who resisted, but eventually went back into my control. Once again. I was tired of the resistance. It's time to drink up again. The final transformation will happen.

She snaps her fingers, and two wine glasses, that are filled with red wine, now in the two's hands. And then walks over muttering something in Latin over the wine. And a glow happens in both glasses. They drink up to the last drop. Their bodies get enveloped in a swirl of pink rings surrounding them, covering everything. And screams are heard from both. Then swirls of the pink rings dissipate, with both Sam and Kristi looking normal in their eyes, and in the same clothing as before, as they both touch an unseen mark on their necks that pains them.

CLOSE UP: Both hands are moved away. A mark on their necks, of pink colored heart, and inside a circle, with looking eyes, seemingly to look like Amora's eyes.

CUT TO:

EXT. UPPER REGIONS-NIGHT

The Darkened One, it is continually walking towards something, a walkway between the buildings of the area. Clarke is seen patrolling the area and seems to be curious, pausing for a bit.

CLARKE

The Darkened One. What is its purpose now? And why it heading to the Elders secret archives vault? I better follow.

He continues to follow behind.

CUT TO:

EXT. UPPER REGIONS-NIGHT(LATER)

It seems the Darkened One has not found the place it was looking for, getting somewhat lost in the area. And transformation dissipates, reverting back to Sylvia. Clarke is shocked as he recognizes her, back then from Magic School, and also that she is supposed to be dead.

CLARKE

No way! Sylvia.

His voice alerts her. She turns around and is surprised to see Clarke, but in a different way, since he is a Dark Elder now.

SYLVIA

Clarke. So this is what happened to you?

CLARKE

And same to you. Sylvia. You are the Darkened One now.

SYLVIA

It wasn't by choice. Clarke. I was supposed to die. What's your excuse? You were meant to be a great Elder.

CLARKE

Things change. After the incident. I... .

SYLVIA

I see.

CLARKE

Well. Back on topic. What are you doing in the Upper Regions. And also I'm surprised the Darkened One has allowed its host to be in control.

SYLVIA

We made a deal. I'll help it be freed from its obligations due the curse upon, where the Darkened One has masters. I heard rumors of the secret archives in the Upper Regions that the Elders keep from all of the magical beings, to deal with unforeseen threat, and other cases.

CLARKE

We were good friends. I'll help you. Then.

SYLVIA

Thank you. Clarke. Also. Sometimes I had control. And watched over you. I am in shock at what happened to you. In my time as the Darkened One.

CLARKE

It's complicated. But let's get to more important business. Freeing yourself. And the Darkened One. But... Are you sure about this? What if it betrays you?

SYLVIA

It's worth the risk. To have a family again.

CLARKE

I see. I'm sorry about your husband.

SYLVIA

It's fine. Important matters at hand. Let's go. Lead the way.

CLARKE

Of course.

Clarke now walks over to the left, leading the way, followed by Sylvia.

CUT TO:

EXT. DANIELS-DELCROIX'S MANSION-NIGHT

A grand mansion. With a nice garden. A bit Victorian style.

CUT TO:

INT. DANIELS-DELCROIX'S MANSION- DIANA'S BEDROOM-NIGHT

Diana is sleeping peacefully when she feels a strange cold breeze, blow through. It wakes her up.

DIANA

What the heck? I didn't open my window.

She then takes a look to the left and nothing, and then right, nothing. Back in front. Robert appears in spirit form, in front of her. And is shocked.

ROBERT

Hi. Diana.

DIANA

Robert? You're ...

ROBERT

Yes. I'm here. You're the only hope right now. All the witches in the whole city have been enchanted by Amora, the deadly sin demon of lust.

DIANA

What about the current Charmed Ones. Right now. And Jacob. Also Kristi.

ROBERT

Unfortunately. Most of them were gotten too except Jacob whom his parents, decide to send him to safety with the other remaining Elders.

DIANA

Robert. I don't know what to do. Not a great Halliwell witch like you. Or even a Warren Witch.

ROBERT

I know. But you are something special. From your father's side.

DIANA

And what is that?

ROBERT

Your grandparents are empaths. And you have the power inside you. Just haven't found the right time to use it yet.

DIANA

You're wrong. Robert. I don't have that power.

ROBERT

It was erased from your memories. A few years after we got married. You developed and it drove you crazy. We had to ask the Elders to bind it. And keep you under control.

DIANA

If it drove me that crazy then, it's not worth the risk.

ROBERT

I believe in you. Diana. You will control it. It's the only way. Amora spreads her power of lust, but does not know love. Use the empathy on her, make her feel it. And she will be overwhelmed enough where it will overheat her. And then destruction. And things with be reversed to normal.

DIANA

What if they have the memories?

ROBERT

Things will all be solved. Now. Diana. Please. Go find that demon. And don't let her reign continue.

ROBERT then WHIRLS out.

DIANA

Wait! How I do I find her?

And then. The box of nothingness magically appears in her hands. Seconds later, She is then teleported out in an apparition like manner similar to the Harry Potter books and movie series.

DIANA

( CONT'D)

( as she gets teleported out)

Whoa!

FADE OUT.

END OF ACT FOUR.

Last Edit: Mar 16, 2022 18:13:16 GMT by Darcelia Darkwell

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1x11 Lustful Desires Sept 28, 2021 2:27:00 GMT

Post by Darcelia Darkwell on Sept 28, 2021 2:27:00 GMT

ACT FIVE

FADE IN:

EXT. THE MAJESTY-NIGHT(STILL)

CUT TO:

INT. THE MAJESTY-PRIVATE ROOM-NIGHT

It is a quaint size room, sort of like a bedroom, with a night table, counter off to another side. The color scheme is royal blue and crimson color, including the bed there. Jacob is asleep, and mumbling something.

JACOB

(mumbling)

( repeatedly)

Lady Amora. I want to serve you. Lady Amora. Make me yours.

A young blonde woman, ASHLYN( 24), walks in, wearing a beautiful sparkly black dress. She walks over taking a glance at him.

ASHLYN

Man. He's hot. So worth it. Especially. Since he won't be able to resist me.

She walks over and kiss him on the lips. He awakens, as his eyes glows pink. All seen in his eyes, is Amora.

JACOB

Lady Amora. You're here.

ASHLYN

Of course I am.

She then takes out a bottle holding some dark pink orb of light inside and uncorks it. And the light enters inside him. He feels very drawn to Ashlyn, whom he still sees as Amora.

JACOB

Amora. My truest desire. Why do I feel so drawn to you today?

ASHLYN

Oh boy. I'm not. Amora. But you will be drawn to me.

She waves her hand over his eyes. And the eyes glow white. He now sees the true face of Ashlyn. And then feels a bit warm. It seems what entered him was a small essence of the sin of lust. And pants a bit.

JACOB

( panting)

Why.. do I fe...el so h...ot.

ASHLYN

Let it go. My handsome man. Give into your desires.

He tears his shirt off, and looks to be sweating. His abs seen to be glistening. And then resists a bit.

JACOB

I must.. . resist. My....

ASHLYN

Don't resist.

She goes to the back of him, and kisses his neck very seductively, and then whispers something in his ear. It turns him on and he grins happily. And turns around to face her.

JACOB

You're right. I must not resist. I'll never find a chance like this again.

He grabs her gently, and pins her against the wall, and spreads out her body with his hands, and kisses her passionately.

ASHLYN

(moaning)

Ah yes. Boy I wish that a demon of lust would rule the city every day. Or else. Ooh. Yea. Jacob.

He pauses a bit.

JACOB

You like that. Huh?

ASHLYN

Let's take it to next step. I bet you're feeling very hot. Right? It's time to take the rest of and enjoy.

He smirks. And takes Ashlyn upon the bed, after taking off his pants, and begins to undress her. And the sheets go over, as he gives into the lust, which is driving him crazy for Ashlyn, and has sex.

CUT TO:

INT. THE MAJESTY-PRIVATE ROOM-NIGHT (MOMENTS LATER)

Jacob wakes up alone, naked under the sheets, in shock.

JACOB

What happened? Why am I here? And naked.

He then discovers a note next to him and reads it.

JACOB

( CONT'D)

(reading)

'What a nice night. Or most of the night. A great feeling. The best ever had in my life. My handsome man. Hopeful to have some fun with you again. Yours truly, your maiden in bed, Ashlyn.

He is in shock and throws the note off to the floor, where all his clothes lie.

JACOB

( CON'TD)

What did I get myself into? And why do I not remember anything?

A knock is heard on the door. A voice starts to speak, of a woman, SARALIE, that is not seen.

SARALIE

(O/S)

Mr. Winters. I'm here to bring late dinner in bed. As courtesy of someone. And she warned you are indecent right now. So I will leave it at the door.

Her footsteps is then heard walking away from the door. Jacob then scratches his head in thought.

JACOB

Man. I must have really pleased that woman to get this treat.

He gets out of the bed, only his back is seen naked, and walks over to where his clothes, putting them back on. Finally, then heads out of the door, seeing a table, with metal lid on it, and rolls it in. He then rolls it near his bed, sitting down on it, and then takes the lid off, revealing a lobster and steak dinner, with steamed vegetables on the side. And a chilled bottle of champagne with a wine glass.

JACOB

( CON'TD)

This woman. She really... No one. Even her... Oh her. Time to enjoy this.

He begins to break apart his lobster and eat it.

CUT TO:

EXT. DANIELS-DELCROIX MANSION-NIGHT

A grand crimson colored mansion, with a beautiful garden and fountain in front.

CUT TO:

INT. DANIELS-DELCROIX MANSION- DIANA'S BEDROOM- NIGHT

Diana is sitting on her desk, still up at night, staring at a wedding photo of Robert and herself, looking so happy.

DIANA

Oh. Robert. I did as you said. Amora is gone. And some flash of light restored everything back to normal. The city is back the way it is. Crowded almost every moment of the whole day.

She takes a bit of a pause.

DIANA

( CONT'D)

I miss you so much. Hope what was done today has made you proud of me. I'm starting to fight for our city again. To make our future better. For our future child or children we were meant to have. But I..

She tears up a bit.

DIANA

( CONT'D)

Chose to wait. I wasn't the editor-in-chief yet. Was close then. So sorry. Anyways. Time for bed. I'll get to this writing later.

She then closes the file and shuts the laptop. And then just goes to sleep in her current clothes, and turns into the night, after turning the lights off, sleeping in her bed.

CUT TO:

EXT. LENNOX MANSION-NIGHT(STILL)

CUT TO:

INT. LENNOX MANSION-BALCONY-NIGHT

Oliver is standing on the balcony, looking out. He looks a bit upset.

OLIVER

Oh what a shame. Thought this demon would be the one. But no matter. One more left. Hopefully the last one of these deadly sin demons will do the trick. Because pride can be challenging to solve.

He smirks. Sylvia then comes onto the balcony also, wearing a lavender colored nightgown, and hugs him sweetly from the back.

SYLVIA

Darling. What are you doing out here? It's almost time for bed.

OLIVER

I just wanted to look at the stars.

SYLVIA

Good luck with that. It's hard to see with this busy city.

OLIVER

You know me. I like the challenge. Like our past relationship with each other back then.

SYLVIA

That's the past. Now is the future. And I choose to be with you and not fight against you anymore.

OLIVER

What if I do an unspeakable act? Would you still choose to be with me?

SYLVIA

I already lost one love. Can't bear to lose another one. Oliver.

Oliver's eyes then goes with intrigue.

OLIVER

You loved me. I thought that...

SYLVIA

I lied. Oliver. My parents and my family would have never accepted our relationship. And I did not want to make the choice between you and my family.

OLIVER

You despicable woman. Made me all those years. I resented you. That's why I took your kids from you.

SYLVIA

That's just an excuse. I know the real reason why you took them. The Darkened One and I are on and the same. And it knows much things. About you. The prophecy.

OLIVER

I never wanted to kill you. You know that.

SYLVIA

I know. Never doubted your feelings for me. Oliver.

OLIVER

This is such a miracle. You coming back into my life. And somehow able to convince Felicia to try and understand me.

SYLVIA

That was not my goal. It is the Darkened One. Oliver.

OLIVER

I see. But is that really true? I know you truly want your dear daughter to have a full family she always wanted. A father and a mother.

SYLVIA

I... don't know.

OLIVER

Shall we make love again?

SYLVIA

I never made love with you. It was...

OLIVER

Stop making excuses. Because you never pushed through to stop it taking back control of your body.

SYLVIA

You're right. Oliver. Can never resist you. It's the same back then as it is now.

OLIVER

And yet you left me years ago. For that witch.

SYLVIA

I'm here now. All yours.

OLIVER

Sorry. Darling. I'm not in the mood today. You can sleep in tour bed. And I'll be in the guest bedroom.

SYLVIA

Seriously. I'm giving my heart to you right now.

OLIVER

I'm sure things will change once you find someone else. That is not dark hearted as I am.

A cupid, VIOLA, BEAMS in. She looks to be in her 40's, brown hair. And time is temporarily frozen for the both of them, as her cupid glows, her rubbing it a bit.

VIOLA

( SUGGESTION)

Oliver. Life has given you a second chance. Learn to forgive her for once. You can't lose her again. Especially since you are the father of her own daughter right now.

VIOLA

( CONT'D)

(SUGGESTION)

Sylvia. You can warm his heart. He was a demon with a soul. You can help him get it back. Give into each desires.

She then BEAMS out. Time unfreezes.

OLIVER

Sylvia. I'm sorry. All that resentment. Is off the past. You're right. This is the future.

SYLVIA

Yes. And I really did love you. You're my soulmate. I'm sorry for abandoning you due to fear.

Oliver brings her in, kissing her passionately. Sylvia reciprocates. And the night then becomes darker. Lights on the balcony turn off. What they are doing is hard to see, blurred out by the darkness. Their sounds of sex can be heard, both sound excited and reap of true pleasure.

FADE OUT TO BLACK.

END OF EPISODE.

Last Edit: Mar 16, 2022 18:13:36 GMT by Darcelia Darkwell