1x05 Lust or Love

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Darcelia Darkwell
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1x05 Lust or Love May 6, 2021 3:39:26 GMT

Post by Darcelia Darkwell on May 6, 2021 3:39:26 GMT

Charmed The Legacy Continues

“Lust or Love”

Episode number: 1x05

TEASER

FADE IN:

EXT. LAWRENCE MANSION-DAY

A crimson colored mansion, with a beautiful garden and fountain in front.

CUT TO:

INT. LAWRENCE MANSION-MASTER BEDROOM-DAY

The whole room is in almost complete darkness. Curtains covering the windows. Lights off. On the floor, Beatrix and Franklin are making love. She is on top of him, where only her back is seen. and begins to kiss seductively from the neck down to his chest.

CUT TO:

INT. LAWRENCE MANSION-MASTER BEDROOM-DAY(LATER)

Curtains are open. Sunlight shines beautifully on the bed. Beatrix is only wearing a red bra and red panties. Franklin is putting his clothes back on. He is still under the enchantment power of her, his eyes still in desire.

FRANKLIN

I have to go. Darling.

BEATRIX

It’s alright. My Frankiepoo. Just remember what you need to do.

FRANKLIN

Of course. My love.

She then whispers something in Latin into his ears. Franklin’s eyes start glowing white and then heads out of the room.

BEATRIX

Oliver owes so much for this. Things won’t be exposed now. Time to see him today. But first… Some other pending business. And need to get freshen up.

Beatrix then heads towards the master bathroom.

CUT TO:

EXT. COVINGTON MANSION-DAY(STILL)

CUT TO:

INT. COVINGTON MANSION-WILLA’S BEDROOM-DAY

In front of a dresser, Willa is dressed with a white blouse over a black jacket and black medium length skirt, along with black heels. She looks over to a picture on it.

CLOSE UP: On picture. It is of her, looking younger by a couple years, with a handsome tall black hair man, GRAVES( 20’s). The two seem to be standing in front of a restaurant in the night. She then has a flashback.

FLASH BACK TO:

EXT. HALLIWELL’S-NIGHT(3096)

It looks grander and wider since many centuries ago.

ON SCREEN:

FOUR YEARS AGO

And then the camera pans to the door of the Halliwell’s. A young Willa and Graves walk out. He kisses her on the forehead.

GRAVES

What a nice night. I’ll see you tomorrow to plan for our future wedding.

YOUNG WILLA

Yea sure.

GRAVES

So why didn’t you let me drive you here.

YOUNG WILLA

You know. My usual family emergencies.

GRAVES

Right. Of course. Good night. My love.

YOUNG WILLA

Good night. Graves.

The two share a sweet kiss before he walks off further and further into the distance. Sebastian, even though younger, looks the same now as in the present, appears from behind Young Willa, kissing her seductively from behind. She moans a bit.

YOUNG WILLA

Oh. Nooo.

He stops. Young Willa turns to face him.

SEBASTIAN

Oh yes. You know you want me. Willa. Leave Graves.

YOUNG WILLA

I… rea…lly do.. n’t.

SEBASTIAN

Keep lying to yourself. Darling. You know I make you feel better than he does.

YOUNG WILLA

Yea… But at least he’s right for me. Unlike you.

SEBASTIAN

Because of my reputation. As a playboy. And being a womanizer. I changed after meeting you.

YOUNG WILLA

That’s what they all say. Besides you admitted a while about using me. Knowing I… . After the Halliwell witches. Your boss…

SEBASTIAN

Yes. But my powers didn’t work on you. Actually kind of. But you resisted. No one…

YOUNG WILLA

I have stronger will than the other women you have tried to seduce. Besides I don’t care about the reputation. You know what I mean.

SEBASTIAN

About me being a demon. Scared of what your brothers will think. Of you intermingling with someone like me. A being that also caused you to lose your father at a young age.

Young Willa gasps.

YOUNG WILLA

Why… I… They don’t know.

SEBASTIAN

Very intriguing. But I know we’re meant for each other. Admitted about the history of your father. Even you said you had never had the courage to tell Graves about it.

YOUNG WILLA

That’s cause he’s mortal. I…

SEBASTIAN

You see. Once Graves finds out of the truth, he won’t love you anymore. But I will…

YOUNG WILLA

Yea right. Until you find another woman to seduce.

SEBASTIAN

I can’t believe you doubt me. I have shown how much I care for you.

YOUNG WILLA

I’m sorry. Sebastian. But my brothers enjoy Graves’ company. And we have been engaged for a while. And childhood friends.

SEBASTIAN

Of course. They would. You never introduced to them.

YOUNG WILLA

We’re not in a relationship. I don’t know what we are. Just sta… aaah!

Young Willa is wounded, falling to the floor. Sebastian runs over to her.

SEBASTIAN

Willa!

Auxos then appears. He frowns upon Sebastian.

AUXOS

I can’t believe. Her life was supposed to end a few weeks ago. But you…

Sebastian is in tears and turns to Auxos.

SEBASTIAN

I… lo.. ve.

AUXOS

Sorry can’t accept that. I’ll make sure you forget.

Auxos grabs him and BLUE FLAMES out. Young Willa is now in shock, but still wounded.

YOUNG WILLA

Jacob!

A younger Jacob, ORBS in. And notices the wound.

YOUNG JACOB

Oh my gosh. Willa! What happened?

YOUNG WILLA

Lo.. ng sto.. ry. Ju.. st hea..l m…e.

YOUNG JACOB

Right. Sorry.

Young Jacob puts his hands over Young Willa. And it glows healing her.

YOUNG JACOB

(CONT’D)

So what happened?

YOUNG WILLA

(CONT’D)

It’s complicated. Just take me home.

YOUNG JACOB

Okay.

He then ORBS out with her.

FLASH TO PRESENT.

INT. COVINGTON MANSION-WILLA’S BEDROOM-DAY

Willa then walks over to the mirror, her reflection is seen. She looks saddened.

WILLA

(to herself)

And that demon did do what he said. Sebastian did forget. And the next day. Killed Graves in front of my eyes and then disappeared forever, like from plain sight.

WILLA

(CONT’D)

But what I am doing? Shouldn’t think about that… He is in the past.

She heads out of the door of her room and closes it.

FADE OUT.

END OF TEASER.

Last Edit: Mar 16, 2022 17:53:38 GMT by Darcelia Darkwell

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1x05 Lust or Love Jul 20, 2021 5:10:30 GMT

Post by Darcelia Darkwell on Jul 20, 2021 5:10:30 GMT

ACT ONE

FADE IN:

EXT. LENNOX MANSION-DAY(STILL)

CUT TO:

INT. LENNOX MANSION-OLIVER'S BEDROOM-DAY

It is just Marianne sleeping somewhat peacefully, but she turns back and forth. Something is disturbing in her dream.

CUT TO:

INT. ALL WHITE ROOM-UNKNOWN TIME OF DAY(DREAM WORLD)

Marianne, in her Feraler's outfit, is seeing another version of herself, a normal one.

MARIANNE

This... isn't possible.

OTHER MARIANNE

It is. This isn't the real you. To be loyal to a man who only wants for ulterior motives.

MARIANNE

No... He cares for me.

OTHER MARIANNE

No. Auxos is using you. For his own goals.

MARIANNE

That's not true.

OTHER MARIANNE

But it is. His family will always be more important. Especially Felicia. That girl always wanted a mother figure. And you're the perfect...

MARIANNE

Stop tricking me. This isn't real. Just a dream.

OTHER MARIANNE

Sometime dreams can reveal your true secrets or even desires.

MARIANNE

Go away.

Marianne turns into her Feraler form and then attacks the other Marianne, whom screams in horror. And the room now becomes black. Only her yellow eyes are seen.

CUT TO:

INT. LENNOX MANSION-OLIVER'S BEDROOM-DAY

Marianne wakes up, with a determined on her face.

MARIANNE

I must find my love.

She is still in her pajamas, and GLOWS out with dark blueish tint color.

CUT TO:

INT. LENNOX MANSION-OLIVER'S HOME OFFICE-DAY

Oliver is on a phone call with someone. His face looks serious.

OLIVER

(ON CALL)

Remember. Make sure send our investigator to find Wilbur. I need him if my plan will be a success.

He then hangs up the phone when Marianne GLOWS in behind him, planting a seductive kiss on his neck.

OLIVER

Oh. Marianne. Couldn't you wait?

Oliver turns his chair around to face her.

MARIANNE

You know I can't. My liege.

He notices Marianne is still in her pajamas.

OLIVER

I can see that. Considering the way you look right now.

MARIANNE

You know. I had a horrible dream today. My love.

Oliver looks intrigued at the comment.

OLIVER

Oh. How horrible?

MARIANNE

Well. My other self said you are using me for your own goals. Your family is more important to you. Using me to have mother figure for Felicia.

OLIVER

That is true. But... You won't remember what you said. And I'll...

He waves his hand and she instantly falls asleep.

OLIVER

(CONT'D)

I have to deal with this now. Or lose this woman out of my control. I could... enchant her amulet...

OLIVER

(CONT'D)

But must deal with other matters. Now. No... Keeping her into control is more important.

Oliver touches her and BLUE FLAMES out with her.

CUT TO:

EXT. SAN FRANCISCO UNIVERSITY-DAY

Aerial shot of the campus.

CUT TO:

EXT. SAN FRANCISCO UNIVERSITY-CAMPUS QUAD- DAY

A couple of college boys, in their 20's, are hanging out and chatting. CECILIA, (late 20's), dressed in a pink blazer outfit, sported with white professional heels, and glasses on. She walks over the boys, moving the glasses up to her head, and blows out a kiss, that sends out a stream of pink mist at them. Their eyes start to glow a pinkish color.

CECILIA

Come on. Boys. Follow me.

Cecilia walks forward. The college boys seem to follow her, their eyes with desire, walking right behind.

CUT TO:

INT. SAN FRANCISCO STATE UNIVERSITY-ENGLISH LITERATURE CLASSROOM-ROOM 311

PROFESSOR CRANE, a brown hair man, (40's), is seen teaching a lesson, on the play, Romeo and Juliet, with diagrams and pictures that can be seen on the holographic screen as he talks. And then it ends, with the screen now gone from view.

PROFESSOR CRANE

So yes. Remember. Students. I want a full analysis on this one too like with our previous plays, I have talked about in the past lectures.

The camera then pans to the middle of the classroom, where Felicia is sitting, and with other students sitting all around, all of them closing up their laptops, which with the advanced technology can shrink to a portable size, and is put away, into their backpacks or messenger bags. And soon all of the students leave and she walks over to the professor.

FELICIA

Professor Crane. I want to apologize for not being focused for the last lecture.

PROFESSOR CRANE

No worries. Felicia. I know you're an excellent student. People are entitled to have a bad day once in a while.

FELICIA

Thank you. Professor Crane. Have a good day.

PROFESSOR CRANE

You too. Miss Lennox.

Felicia then heads out of the door. Professor Crane then puts away his stuff and head out of the door too, turning off the lights, and locking the room after leaving.

CUT TO:

EXT. CHANG LAW FIRM-DAY(STILL)

CUT TO:

INT. CHANG LAW FIRM-LUO'S OFFICE-DAY

Willa walks in with a cup of coffee for LUO CHANG(40's), a Chinese American man, with black sleek back hair, wearing a navy blue suit, placing it on the desk for him. He is seen looking over a file, on his computer, that seems to be from ten centuries ago.

WILLA

Your usual coffee. Sir. Black with just sugar.

LUO

Thank you. Miss Covington.

He takes a sip of his coffee and places it back down on the desk.

WILLA

Anything else. Mr. Chang.

LUO

Oh yes. Of course. Get in contact with Mr. and Mrs. Chellings. Things need to be more ironed more with their case. It's more complicated than I thought. Our investigators found some key information that could change things for either of them.

WILLA

Of course. Yes Sir. On it.

LUO

Thank you. Don't know what I do without you.

WILLA

This place would be a mess.

LUO

Maybe. Alright. See you later then.

WILLA

Yes sir.

Willa exits out of the office as Luo returns to reading over a file on the computer.

CUT TO:

EXT. SAN FRANCISCO P.D-DAY(STILL)

CUT TO:

INT. SAN FRANCISCO P.D-MAIN WORKPLACE-DAY

Sam is seen typing up a report on the holographic computer, when Dora comes over and drags him off to the side.

DORA

Can we talk outside? Privately.

SAM

Hey. That's a bit rough. Dor... I mean. Doctor Morris.

DORA

Sorry. Now come on. Follow me. Outside.

SAM

Why?

DORA

Just cause. Come on. You keep delaying this and wasting work time. And less time to finish the report. And our conversation will be quick.

SAM

Alright.

Dora then walks over to a hallway leading to the back door. Sam follows right behind.

CUT TO:

EXT. SAN FRANCISCO P.D-BACKLOT-DAY

Sam and Dora are now in the back area of the department. They are facing each other.

SAM

So what's going on? Dora.

DORA

More like what's going on with you? I know you messed with the investigation on the thing I saw... I trusted you...

SAM

I have a reason for that. For safety. Just worried if you find whatever it is, the person might not let you go. And you're my good friend.

DORA

This what this job is. Being part of the force. Solving things even it means you could get...

SAM

Dora. Come on. Why do you have to be so stubborn?

DORA

It's not being stubborn. It's determination.

Two demons come over to them.

DEMON #1

Look at that. Unsuspecting mortals. Ripe for the feast.

DEMON #2

Yes.

Dora's face goes with confusion.

DORA

Sam. What do they mean about mortals? And the feast thing.

SAM

We need to get away from them now. Run!

Sam grabs Dora's hand quickly and prepares to run off quickly but the two demons pin them down.

DEMON #1

No way are we letting our food run away.

DEMON #2

Yea.

DEMON #1

Time to feed.

Demon #1 begins to suck the essence of Dora's first putting his hand at only inches from her, as she feels like about to be aging rapidly. A voice then calls out. It is of Nyle's voice, which she recognizes, which interrupts the feeding, her fainting from it. The demon turns around to see him, along with Nora standing by his side.

NYLE

If you are looking for someone to feed, why not feed with someone who can't die.

Demon #2 then turns around too. Sam checks on Dora.

SAM

Oh my gosh. Dora! I'll take you to safety.

He carries her gently up and then walks away quickly.

DEMON #2

How dare you interrupt our feeding?

DEMON #1

Are demons supposed to not care what the other is doing?

NYLE

Not when they are going to expose magic. There's going to be investigating if you ended up killing them.

NORA

Yea.

DEMON #1

We done it before. But why get involved now. Whoever you are.

NYLE

Cause those are part of the San Francisco P.D.

NORA

That's a tricky situation.

NYLE

Shall I get rid of them? Or you?

NORA

You. It's fine.

DEMON #1

Are you serious?

DEMON #2

You're going against it. What about the pact? With Auxos.

NYLE

Oh he won't find out after you two deal with me.

He begins to touch and feeds on their aura, his eyes glowing blue. And they fall to the ground, eye wide, purplish white lips. And then instantly disappear into flames with no choice.

NYLE

(CONT'D)

That was tasty. Good thing we interrupted.

NORA

Yea. But let's get out of here.

NYLE

Right.

Nyle and Nora head out of the area.

FADE OUT.

END OF ACT ONE.

Last Edit: Mar 16, 2022 17:54:34 GMT by Darcelia Darkwell

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1x05 Lust or Love Jul 20, 2021 5:18:03 GMT

Post by Darcelia Darkwell on Jul 20, 2021 5:18:03 GMT

ACT TWO

FADE IN:

INT. SAN FRANCISCO UNIVERSITY-MAIN LIBRARY-DAY

William is in the library, doing some studying, and has three screens for three different books, panning back and forth between them. He sighs.

WILLIAM

This is what I get for changing majors at this point in time.

Cecilia walks over and approaches him, her blouse under the blazer has been unbutton a bit.

CECILIA

Oh William. What a surprise. To see you here.

He is distracted and looks up to her a bit, not even paying attention to her revealed body.

WILLIAM

Oh. Professor Redford. Just a bit...

CECILIA

Oh. William. Both of us are not in class. Please. Call me Cecilia.

WILLIAM

Nope. I think that be inappropriate. Professor. And I got things to do.

CECILIA

But you been working so hard. William. Deserve a break.

She reaches to touch his hand seductively but him, noticing this, takes it away. And stares at her seriously.

WILLIAM

Seriously. Professor. I could report you for this.

CECILIA

But you won't.

Cecilia plants a kiss on William's lips as a slight pink mist is seen entering into his mouth. He coughs it out a bit and then his eyes glow pink. She then stops the kiss.

CECILIA

Now. William. Do you feel like you deserve a break?

His eyes now seem to be in a trance, with desire for her.

WILLIAM

Yes. Studying can wait. I just want you.

William leans in and kisses her passionately for a while. Cecilia reciprocates for a good amount of time and then steps away looking at his face.

CECILIA

What a shame. These glasses are hiding your beautiful eyes.

She takes off his glasses throwing in to the ground, and then waves her hand, his eyes glow a bit white.

CECILIA

Now. Is that better? You can see.

WILLIAM

Yes. My love. How you...

CECILIA

Doesn't matter. Come with me.

WILLIAM

As you wish. My love.

Cecilia takes his hand then teleports out in a fading colored pink mist.

CUT TO:

INT. SAN FRANCISCO UNIVERSITY-MAIN LIBRARY-DAY(LATER)

Wilbur is looking worried, wondering where William could have disappeared. And paces around the area to find some clues.

WILBUR

This is bad news. Where could he be?

And then two shadowed beings appear from behind, taking him, SHIMMERING as his screams can be heard being faded out. A LIBRARIAN( 40'S), walks in to check the noise.

LIBRARIAN

That was weird. I swore I heard... Well. Back to work.

The librarian then walks off.

CUT TO:

INT. CHANG LAW FIRM-MAIN LOBBY AREA-DAY

Sebastian starts heading out past where Willa is, and then takes a note out of his pocket, and sneaks it onto the desk. He then turns around winking at her, and turns back forward leaving the office. She is confused.

WILLA

What was that? Maybe that's just the self I knew when first meeting him hitting on every pretty woman.

Willa then opens the note. She begins to read it.

CLOSE UP: On note.

WILLA

(READING)

I remember. Meet me at our usual place. This Evening .If you still remember. My cariña.

And then folds it and put it away into her purse. Willa then gasps.

WILLA

(CONT'D)

Seriously. Now he remembers.

Eleanor walks over to where Willa is with a file in hand.

ELEANOR

He who? Remember what?

She notices her arrival and looks up.

WILLA

It's nothing. Just personal stuff. Ms. Oliver.

ELEANOR

Alright. Whatever you said. So yea... This file. Need to be retyped. All edits are there. And the document will be in the email.

Eleanor then places the file onto Willa's desk.

WILLA

You got it. M'am. How soon by?

ELEANOR

By the end of today to my email.

WILLA

Understood. Ms. Oliver.

ELEANOR

Knew I could count on you. Going to be sad if you ever leave here.

WILLA

Oh yea. The same. Only for a while more and my dream will happen.

ELEANOR

When that happens, please do call me by then. I want see your face of happiness after achieving your dream.

WILLA

You know I will. Ms. Oliver.

ELEANOR

Get back to work. Tik tok. End of today.

WILLA

Right. Sorry.

Willa opens up the file and then goes to her work email and opens the document. She gets started working on it as Eleanor leaves, heading into the hallway towards her office.

CUT TO:

INT. LENNOX MANSION-FELICIA'S BEDROOM

Wilbur is blindfolded and has magic blocking cuffs on his wrist as he is led into the bedroom by Tristan, who then turns him around, having him almost near a wall. A pink colored heart shaped amulet is around his neck.

TRISTAN

The mistress of this house will be home soon. And soon things will all changed.

WILBUR

I only agreed because you promised of not to go after my siblings.

TRISTAN

And that promise will be kept. Just a few minutes longer.

WILBUR

I will escaped from this place. And you will be ashes later.

Tristan smirks.

TRISTAN

Oh. We'll see about that.

The sound of footsteps can be heard as the person starts to walk in. And he takes off the blindfold on Wilbur along with waving the hand, making the cuffs go away. This person is revealed to be Felicia. All of a sudden. They become drawn to each other and begin kissing passionately.

TRISTAN

(CONT'D)

Yes. It is done.

He then SHIMMERS out. And the two begin strip off their clothes, one by one, rapidly, as the camera starts to...

FADE OUT TO BLACK.

END OF ACT TWO.

Last Edit: Mar 16, 2022 17:54:49 GMT by Darcelia Darkwell

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1x05 Lust or Love Jul 20, 2021 5:22:12 GMT

Post by Darcelia Darkwell on Jul 20, 2021 5:22:12 GMT

ACT THREE

FADE IN:

EXT. CECILIA'S PENTHOUSE-DAY

A beautiful pink colored penthouse with glass windows, that looks over at the city of San Francisco.

CUT TO:

INT. CECILIA'S PENTHOUSE-LIVING ROOM-DAY

On the walls. Pictures of beautiful flowers. In colors of light pink and white, along of a picture of herself, in the middle of the room, in a pink dress and wavy hair. The college boys are there, only with their shirts off, in which the amount has doubled that what has seen. Cecilia, wearing a pink two piece bathing suit, is being catered by them. Half of are massaging her arms, shoulders, and legs. And the other are feeding grapes.

CECILIA

Perfect. This is the life. The handsome fellows. No one on campus will suspect a thing. Hopefully. They will be returned by the end of today. For now. Enjoyment.

COLLEGE BOY #1

Does that feel good? My lady.

COLLEGE BOY #2

More grapes for you? Lovely.

CECILIA

Yes it does. Of course. Evan. Is it? More grapes.

Evan/College Boy #2 feeds her more grapes. As do several others next to him. And more massaging happens.

CECILIA

(CONT'D)

Alright. Boys. You all may leave forget what happened here.

College Boy #1, Evan, and other college boys all nod and proceed to move away slowly, stepping away, exiting the room. William, then steps into the room, guided by Beatrix, wearing swimming trunks. There is a pink rose, sort of a like tattoo, around his heart area, and it starts glow and pulsate in a pinkish color. He is truly enamored for Cecilia, looking at her eyes with true desire.

BEATRIX

I did it. Cecilia. Who knew this nerd could be made to look so good.

CECILIA

Thank. Beatrix. I'll take it from here.

She nods and SHIMMERS out.

CECILIA

(CONT'D)

Come to me. Handsome.

His eyes glows pink again. The rose begins to glow and pulsate again. He walks over, grabbing her hands gently, and kisses it sweetly.

CECILIA

That's it. My wonderful man.

William then stands back up again. The eyes still looking to be filled with desire for her.

WILLIAM

What do you wish for? My love.

CECILIA

Come join me. In a special place.

WILLIAM

As you wish. But first. All I want to do now is kiss you.

CECILIA

That can be arranged. My handsome William. Come closer.

He comes closer. His lips mere inches next to hers. Cecilia begins to kiss him. The two then engaged in a passionate kiss. Their hands grabbing around each other's faces. She PINK MISTS out with him.

CUT TO:

EXT. FOREST- SOMEWHERE IN THE WOODS-DAY

ALICE, a young blonde woman, in her 20's, is seen unconscious on the ground. A young black hair man, DALTON, around the same age, is looking frantic. It seems he had been running for a while.

DALTON

Alice! Alice! Where are you?

Alice wakes up and sees Dalton, sitting up.

ALICE

Over here!

Dalton runs over to her. He then notices a weird bit on her neck. Like a wolf bite.

DALTON

Oh my gosh. I was so worried. You shouldn't run off on your own like that. And what's that mark on your neck?

ALICE

What mark?

She touches and feels it. And slowly. Her eyes begins to turn yellow. The body become a female shaped black werewolf, with two legs standing.

ALICE

(CONT'D)

Grawr.

Dalton is in shocked.

DALTON

What the hell! Is that you? Alice.

ALICE

Grawr.

Alice then begins to sink his fangs onto Dalton's neck but he runs off quickly.

DALTON

(running)

He... ck N...o!

ALICE

Grawr.

She takes a sniff of his scent and starts zipping fast after him. And the place is vacant. But a loud scream is heard from him. Tristan comes out from behind one of trees and smirks.

TRISTAN

Interesting. So they can infect others too. Will let my liege know. But first... Let's get her under control first.

He heads towards the direction of the scream.

CUT TO:

INT. PRIVATE POOL-DAY

A large darkened room, with barely any lights. Around the pool, there are candles around lighting the whole area. Cecilia is sitting in the lounge chair, as William, walks out of the water, slowly, his abs showing, looking shiny. She glances at it.

CECILIA

Oh yes. I never get tired of this. William. Now one more time.

His eyes glow again and the rose on his chest glows and pulsates also.

WILLIAM

As you wish. My darling.

He gets back in the water, swimming a few laps, and does as she asked again.

CECILIA

Ah yes. Why didn't I try to seduce you sooner? He's so delicious.

William then walks over to her. He kisses sweetly on the forehead.

WILLIAM

My darling. All of that swimming has made me famished.

CECILIA

Alright. Handsome. Already thought ahead. Food should be ready soon. But let's just enjoy yourselves. Shall we?

WILLIAM

How. My darling?

CECILIA

It's hard to explain. But can be shown.

Cecilia grabs William's face kissing him passionately. He reciprocates. They kiss for a while.

CUT TO:

INT. PRIVATE POOL-DAY(MOMENTS LATER)

William is fast asleep on one of the lounge chairs. Cecilia is now with Beatrix.

CECILIA

I want to keep him. But what happened today must be forgotten.

BEATRIX

I am part witch. Can find a way.

CECILIA

But I want him to keep certain memories. Like falling for me. I want the perfect moment when he introduces me to his family.

BEATRIX

Yes. That can be done. This witch won't realize that he only fell for you through the enchantment both you and myself put on him.

CECILIA

Good. Go ahead and bring him back where he is. And please not in this clothing.

BEATRIX

Of course.

Beatrix waves her hand and the clothes that were on William, before he was taken, is back on him. She then SHIMMERS out with him. Cecilia PINK MISTS out.

FADE OUT.

END OF ACT THREE.

Last Edit: Mar 16, 2022 17:55:18 GMT by Darcelia Darkwell

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1x05 Lust or Love Jul 20, 2021 5:24:25 GMT

Post by Darcelia Darkwell on Jul 20, 2021 5:24:25 GMT

ACT FOUR

FADE IN:

EXT. SAN FRANCISCO-THE CLIFFS-EVENING

It is evening. Sun is nearly down. Sebastian is seen from the back glancing at the Golden Gate Bridge, from afar. Footsteps can be heard coming near him. He turns around and sees Willa, grinning happily.

SEBASTIAN

Mi cariña. You actually came.

Willa does not look as happy as he is, a bit serious.

WILLA

So. Is it true you remember? Or pretending cause of your boss.

SEBASTIAN

It's true. Happened a year ago. Dealing with a witch. That bitch outmaneuvered me. And hit me against the wall. And then...

WILLA

All returned. I don't know. Sebas...

SEBASTIAN

Oh no one calls me that except you. Willa. I truly missed you.

WILLA

I do too. But you did something horrible.

SEBASTIAN

I know... But he didn't deserve you.

WILLA

I don't blame you for it. You know.

SEBASTIAN

Of course you don't. Willa. Always the kindest. Why I fell for you.

WILLA

And I don't know why I fell for you.

SEBASTIAN

Oh you do. Willa. Just afraid to admit it.

WILLA

I... What would my brothers think?

SEBASTIAN

You need to care about what you think and not others.

WILLA

But...

SEBASTIAN

But nothing. Let's stop talking and rebuild our relationship again.

WILLA

I...

SEBASTIAN

As I said. Let's stop talking.

Sebastian walks over closer, holding gently Willa's face, as he plants a passionate kiss onto her lips. She reciprocates and brings her arms around his hips. They are much closer, chest against chest. Passionate kissing continues. The two become truly passionate for each other, giving into their desires for each other.

CUT TO:

INT. SAN FRANCISCO STATE-UNIVERSITY GYM/ FITNESS CENTER-PRIVATE BOXING ROOM-EVENING

Felicia is wearing a dark purple workout outfit, wearing boxing gloves, releasing all her anger on the punching bag in front of her.

FELICIA

(punching)

How.. dare... he... use... him... li.. ke th....at and m...e to...

Felix walks by and knocks on the door. She is too focused to hear it.

FELIX

(through the screen of the room)

Felicia! Felicia!

Again. His voice doesn't go through.

FELIX

(CONT'D)

Do I really have to bust in there?

He makes sure no one is around and BLACK ORBS in behind her.

FELIX

(CONT'D)

Felicia!

This alerts her. Felicia turns around launching a punch at him but is able to duck to avoid.

FELICIA

Seriously. You nearly scared the daylights out of me.

FELIX

Sorry. You weren't listening. We need to talk.

FELICIA

If father sent you to get me to forgive him, then forget it.

FELIX

I know he went about things wrong. But... Yea. The Covington siblings were a threat in the past. And that...

FELICIA

And I thought he really changed. But no... Always furthering his goal.

FELIX

For good reason. Come on. He raised us. You know if the Covington siblings find out that our father is the reason why the world is mostly controlled by demon. They won't hesitate to kill him. And we be without a parent again.

FELICIA

Some parent he is. Just leave. Felix. Before I knock your lights out on purpose.

FELIX

Felicia. He does care. Even got Marianne for you so you could have a motherly figure.

FELICIA

It's not by choice. You know father. Just another one so I don't hate him.

FELIX

You hate him?

FELICIA

I... That slipped out.

FELIX

So you don't hate him? There is care there.

FELICIA

I don't know. Felix. Just go study or something. Really need to let my anger out a bit more.

FELIX

Fine. When you are calmer, we should talk.

FELICIA

Yea. Whatever. Just leave.

Felix nods and then does a double check of the area. He sees it is clear and BLACK ORBS out.

FELICIA

(CONT'D)

Brothers. Why do they have to be so annoying?

Felicia gets back to her punching bag striking with much strength and emotions surging through her.

CUT TO:

EXT. COOP/ HALLIWELL MANOR-EVENING(STILL)

CUT TO:

INT. COOP/ HALLIWELL MANOR- LIVING ROOM-EVENING

Kristi looks hurt as Jacob is healing her, and the wounds begin to go away instantly.

JACOB

All better? Kristi.

KRISTI

I'll survive. What happened with your charges? They could have help. We lost five innocents today.

JACOB

No idea. Something or someone blocked with sensing someone. And Willa. Couldn't find a way to leave work early.

KRISTI

That's BS. Back then. With her three jobs. Willa was able to balance everything.

JACOB

It's complicated. Kristi. You don't really understand the real reason why the Covington siblings gave up the fight. And I did too.

KRISTI

Then explain.

JACOB

It's a long story.

A doorbell rings.

JACOB

(CONT'D)

You're expecting company?

KRISTI

No idea. Stay here. I'll check it out.

JACOB

Alright.

He waits there as she heads out of the living room.

CUT TO:

EXT. COOP/ HALLIWELL MANOR-FOYER-EVENING

Kristi opens the door and is surprised to see Sam, at the door, wearing a collared light blue shirt, and khaki pants.

KRISTI

What a surprise. What are you...

SAM

I think we schedule plans today. And you forgot?

KRISTI

Oh my goodness. So sorry. I had a bit of trouble most of the day.

SAM

Let me guess. Something demonic.

KRISTI

You know what. Got to deal with a short thing. And I'll dress up right quick to join you.

SAM

It's okay. We can reschedule.

KRISTI

No. You don't have to . I'll try to be quick.

SAM

Alright.

He stands there to wait as she heads back inside.

CUT TO:

INT. COOP/ HALLIWELL MANOR-LIVING ROOM-EVENING

Kristi returns and finds that Jacob is not there but finds a note on the table.

CLOSE UP: On note.

It reads:

KRISTI

(reading)

'Sorry. Kristi. Got things to do. What you said really worried me. So decided to check on my charges.'

She then walks away from the note and then heads towards the stairway.

CUT TO:

INT. COVINGTON MANSION-LIVING ROOM-EVENING

Jacob is seen looking furious at William and Wilbur.

JACOB

I was so worried about you two! What happened?

WILLIAM

Everything is a bit blurry.

WILBUR

But the both of us got kidnapped. As for who, we don't know. It seems whoever tried to get us blurred out memories on purpose.

JACOB

And also. Why isn't Wilma home yet? Her shift ended hours ago.

WILLIAM

We tried calling her but no response.

WILBUR

Straight to voice mail.

JACOB

I'll go find her. And you guys. Just be more careful and not be captured again.

WILLIAM

We'll try. But no promises.

WILBUR

Yea.

Jacob ORBS out.

WILLIAM

So what now?

WILBUR

Time to go to back to real life. Our homework?

WILLIAM

Good point. But are you getting hungry?

WILBUR

Yea. Maybe head to the kitchen to see if the maid can make us something.

William and Wilbur head out of the living room.

CUT TO:

EXT. GRANDLINE HOTEL-EVENING

A bellhop is seen assisting a family of four into the hotel, with their luggage.

CUT TO:

INT. GRANDLINE HOTEL-ROOM 203-BEDROOM-EVENING

Jacob ORBS and is in what he has seen, covering his mouth to not alert the two on the bed, Willa and Sebastian, partially naked.

JACOB

(covered mouth)

Sebast..

CLOSE UP: On his shocked face.

The camera then moves away and....

FADE OUT TO BLACK.

END OF ACT FOUR.

Last Edit: Mar 16, 2022 17:55:36 GMT by Darcelia Darkwell

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1x05 Lust or Love Jul 20, 2021 5:27:05 GMT

Post by Darcelia Darkwell on Jul 20, 2021 5:27:05 GMT

ACT FIVE

FADE IN:

EXT. SAN FRANCISCO-EVENING TO NIGHT-NIGHT

Quick shots of all of San Francisco as evening turns into night, as the sun finally goes down, moon rising in the dark sky, and stars shining bright to the song of " Love or Lust" by 24kGoldn.

CUT TO:

EXT. THE MAJESTY-NIGHT

A hopping nightclub. It looks crowded. A line goes for miles.

CLOSE UP: ON SIGN. This spot looks similar. It is where the old P3 sign, used to be. And now in dark blue, crimson, and dark purple neon colors, it now says, 'THE MAJESTY.'

CUT TO:

INT. THE MAJESTY-COUNTER BAR/ MAIN FLOOR-NIGHT

The camera pans around at the customers at the club. Inside, it looks a bit fancier than the old P3, more royal and regent like.

CUT TO:

INT. THE MAJESTY-MAIN FLOOR-NIGHT

Sam is with Kristi, who is wearing a nice lavender blouse, with a long skirt. They are sipping their drinks, a purplish colored drink, with foam on top, and an umbrella crown on the edge of the glasses. They then place the drinks down.

SAM

I remember when this place used to be more individual like.

KRISTI

Me too. Sam. This is not the P3 we know anymore.

SAM

It went through a couple of ownerships due to unforseen circumstances and also a name change. Because my cousins' ancestor, PJ Halliwell, wanted to make a different legacy for it and not keep the name P3 when the ownership returned to her again along with her sisters.

KRISTI

But eventually over time. It finally became P3 again.

SAM

The grandchildren remembered that legacy and found old pictures. And felt it was right for it to return its namesake in the past when Piper Halliwell had started it with her sisters.

KRISTI

It's a shame evil took over and now the legacy of that is gone.

SAM

Exactly. Well. Uncle Graham and I were the last of what's left of the family. There was supposed to be a will. But it disappeared a few months after the end of most of them.

KRISTI

I'm so sorry. They were the only family you had.

SAM

You too. Kristi. Your sister.

KRISTI

Anyways. We shouldn't dwell on the past. But live for the future.

SAM

You're right. Kristi. Cheers.

KRISTI

Cheers.

They raise their glasses up and clink. And the two take a sip of their drinks.

SAM

You know. We should get some food. Because I heard we could get drunk easily from the drinks.

KRISTI

You're so silly. Sam. That's just a rumor. But I am pretty famished. From what I dealt with today.

SAM

I'll order us some food.

Sam raises his hand up. A waiter, RUBAN HERRE(25), comes over seeing the hand, with his order tablet ready.

RUBAN

Hello. How may I serve you two today?

SAM

A platter of nachos. Extra cheese please. Sour cream. And of course olives. And a bottle of whiskey with shot glasses.

Kristi's eyes goes wide.

KRISTI

( shocked)

Shot glasses! You're kidding me.

SAM

It will be fine. Kristi.

(to Ruben)

That's all.

He takes down Sam's orders on the tablet.

RUBEN

Alright. It will ready as soon as possible.

And then rushes off.

KRISTI

Really. Sam. Shots. You were just saying of getting scared of being drunk.

SAM

It will be fine. Take your mind of things. That happened today for you.

KRISTI

Good point. Alcohol can take away your worries.

SAM

Yes it can. Let's cheers again. To renewed friendships.

The two begin to raise their glasses again.

SAM/ KRISTI

(clinking)

To renewed friendships.

They take a sip of their drinks a bit more and place it down.

KRISTI

You know. Sam. This is really nice. It's different that having dinner at my place.

SAM

Yea. Just us.

KRISTI

I feel like dancing. Know food is going to take a while. Pretty crowded.

SAM

Sure. I love to. To the dance floor then.

Sam and Kristi then get out of their seats and head over to the dance floor.

CUT TO:

EXT. HALLIWELL'S-NIGHT(STILL)

CUT TO:

INT. HALLIWELL'S-WOMEN'S BATHROOM-NIGHT

Marianne is wearing a beautiful shiny baby blue dress, along with the Feraler necklace around her neck. She is washing her face when seeing another self of her in the mirror and is in shocked.

MARIANNE

(shocked)

This is...

MARIANNE'S OTHER REFLECTION

Weird. Right. This is wrong. You don't love him. It's the power of that amulet. Take it off.

MARIANNE

I can't. You know what happens. Craziness happens.

MARIANNE'S OTHER REFLECTION

You rather not risk that possibility to allow him to control your body and soul. Your parents thought you better than that.

MARIANNE

I pushed you out once. And can push you out once more.

MARIANNE'S OTHER REFLECTION

But do you want too? Though.

MARIANNE

I...

She takes off the necklace. And it happens as feared. The Feraler form is here, growling, and runs off crazily. Marianne's other reflection, then changes to ARIDELLE, a black hair woman, looking to be her in her 30's.

ARIDELLE

I have done as my liege asks. Hope he rewards me well.

She then fades away and mirror is now clear.

CUT TO:

INT. HALLIWELL'S-DINING ROOM-NIGHT

Marianne is going pretty crazy, in her Feraler form, causing havoc, destroying tables, scaring customers and the staff there. Oliver, is there in a fancy suit, and takes out something to inject into her. She falls unconscious. Everyone cheers.

OLIVER

Don't worry. I got this. Will put this beast where it is meant to be.

He then freezes the whole room, with his advanced molecular immobilization power. And BLUE FLAMES out with her.

CUT TO:

EXT. FLOATING ISLAND IN THE SKY-EDGE OF ISLAND-NIGHT

Jacob is with Vera. His face looks serious.

JACOB

Are you sure about this? That the Covington siblings should be the ones to give hope to the city again. Considering what happened today.. We lost...

VERA

I know. Us Elders saw. But it's hard to get involved now considered the corrupted versions of our colleagues are still out there.

JACOB

Yea I know. Not having fun with them either. The nullighters. Especially that Abram. He's not quitting on trying to corrupt me.

VERA

And you are doing well. Son. Jacob. It was the right choice to choose you.

JACOB

I don't know if I can't keep going. Was unable to prevent my charges from getting kidnapped today.

VERA

I know. Sorry about that. Something things happen for a reason. After all, they are human too.

JACOB

Yea. I don't know. Those three are too accustomed to their real lives right now. Don't know if they can be like they were before. The infamous Covington witches that we all used to know so well, considered the second most powerful witch line.

VERA

My premonitions are usually never wrong. Jacob. Please. Keep trying. To guide them. And soon they will realize the truth of the new destiny that is meant for them.

JACOB

Alright. I'll keep trying. Vera. But it's time to be with my parents now.

VERA

Yes. Of course.

Jacob ORBS out. Vera walks away from the edge towards the opposite direction.

CUT TO:

INT. GRANDLINE HOTEL-ROOM 203-BEDROOM-NIGHT

Both, Willa and Sebastian have been still fast asleep. A strange cold wind enters, sending a bit of a chill through her body. She awakens. A voice calls out to her.

VOICE

(O/S)

Power of Three!

WILLA

Ooh. What was that? So cold.

Sebastian awakens also.

SEBASTIAN

You're a bit cold. My love. We can cuddle some more.

WILLA

I think it's over now. Sorry for awaking you.

SEBASTIAN

No worries. Back to bed then.

WILLA

Yea.

The two begin to cuddle closer, and eventually fall asleep in the bed.

CUT TO:

INT. COVINGTON MANSION- WILLIAM'S BEDROOM-NIGHT

A darkened room, only slighted lighted by the moonlight through the window. And it happens to William just like Willa, with a strange cold wind sending chills to him and then awakens.

WILLIAM

What was that? I didn't open the window.

And then a voice calls out to him like with his sister.

VOICE

(O/S)

Power of Three!

WILLIAM

Power of Three. Who's there?

He takes a quick glance around the room and sees nothing.

WILLIAM

(CONT'D)

So weird. But.. Got to sleep.

William heads pulling his blankets over and goes back to sleep.

CUT TO:

INT. COVINGTON MANSION-WILBUR'S BEDROOM-NIGHT

The room is really dark. No moonlight coming from the window. Wilbur can be barely seen and same thing happens. A strange cold wind enters sending chills to him and is awoken.

WILBUR

Ooh. Cold. Remembered that I closed the window.

Like with Wilma and William, the voice calls out to him too.

VOICE

(O/S)

Power of Three!

It seems he recognizes this voice.

WILBUR

(CONT'D)

Noo. It sounds just like. Christina's voice. Nah. It was a long day. Back to sleep.

And then closes his eyes, doing the best he can to fall asleep, and eventually does.

CUT TO:

INT. DEPTHS OF THE UNDERWORLD-NIGHT

It is complete darkness on the dark brown rocky ground. And then a black ooze like being, comes out from the ground, a man in his 40's, with torn clothes, with scars all over his face, RAKAR. He has a malevolent look on his eyes.

RAKAR

Those witches and their allies. Thought they could get rid of me. The Source's Essence may be gone forever from me but it will be returned one day. The evil I felt over these five years had made me stronger, and it's time to finish what I started.

He laughs maniacally. The camera zooms on his mouth, the laughter continues as it ....

FADE OUT TO BLACK.

END OF EPISODE.

Last Edit: Sept 14, 2023 15:34:04 GMT by Darcelia Darkwell